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<\/a>Like February’s showing of The Wizard of Oz<\/em> in Wilmington, this showing of Janice Meredith<\/em> was part of Ohio Goes to the Movies<\/a>. And like my review of that event<\/a>, this post is not really a review of the movie, but of the overall experience. On the other hand, since I’m quite certain that readers are nowhere near as familiar with Janice Meredith<\/em> as they are with that Oz movie, and because it is pretty impressive, I’ll not ignore the film completely.<\/p>\nLike February’s showing of The Wizard of Oz in Wilmington, this showing of Janice Meredith was part of Ohio Goes to the Movies. And like my review of that event, this post is not really a review of the movie, … Continue reading <\/a><\/a>The venue for the showing was the Arcanum Opera House, built in 1889. Arcanum is a small town not far from Greenville, where actor Walter Law spent his formative years before moving to Dayton. Law appears in Janice Meredith<\/em>, which is the connection to Ohio that led to its inclusion in the Ohio Goes to the Movies schedule.<\/p>\n<\/a>The building served its original purpose until 1928, then played a variety of roles before being put to use housing Arcanum’s village offices. When the village government planned to construct a new building for their offices and move out, the opera house was in serious danger. The construction did happen, and the opera house was vacated in 2020, but a group was formed in 2019 to save it. The Arcanum Preservation Society<\/a> has plans to restore the building and has made some serious progress in that direction.<\/p>\n<\/a>Walter Law appeared in more than 40 movies during his career. His earliest film work was with Fox Film in New Jersey. He moved to Hollywood in 1920 and continued his career there. He most often appeared in supporting roles, and that is the case here. Law plays General Charles Lee, one of General Washington’s subordinates. That was essentially the entire description of his character I had on Friday, and I did not spot any reasonable candidates during the opera house screening. Although the quality isn’t nearly as good as what we saw on Friday, the movie is available on YouTube, so, armed with a somewhat better description of the character, I made a serious attempt to find him by picking out and studying scenes with Washington. No luck. I know he’s in there somewhere, but I can’t tell you where. I can tell you where that basket on the left side of the picture ended up. I was there with friends Terry and Sue. Everyone was given numbered tickets when we arrived, and Sue’s number won her a nice movie-watching kit.<\/p>\n<\/a>Prior to Friday, about all I knew of the film was that it was a romance set during the American Revolution. Just before Friday’s showing, I learned it was “a little longer than most silent films”, and later learned that meant 11 reels or 140 minutes. But it wasn’t just its length that set the movie apart. It was a true epic with scenes of big battles and social gatherings, and extended shots tracking galloping horses, including Paul Revere’s. There is notable comic relief aided by W.C. Fields’ first motion picture appearance. Following the battle at Lexington, three of the wounded — or maybe ghosts of those killed — arise and form the trio of Archibald Willard’s Spirit of ’76<\/em> and march toward the camera while subsequent battles appear below them.<\/p>\n<\/a>By the film’s end, I could not help but think this was the Gone with the Wind<\/em> of the silent era. Like the Civil War epic released just fifteen years later, Janice Meredith <\/em>features the beautiful daughter of a wealthy landowner, in love with an unconventional fellow whom her father definitely does not approve of, all while the war rages around her. It’s not entirely the same, though. When Janice Meredith<\/em> ends, its protagonists are about to be married rather than separated, and this time the rebels win.<\/p>\n","protected":false},"excerpt":{"rendered":"