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US-62 becomes Everly Brothers Boulevard as it passes through Central City,
Kentucky. I've photographed the Everly Brothers
Monument before but now it has a museum behind it. It was after the
9:00 opening time painted on the door but the door was locked. I was a
little perplexed until I spotted the sign
taped to the inner door. The museum would be opening an hour late today
which wasn't a problem at all for a guy who hadn't had breakfast in a town
with a Huddle House.
The Muhlenburg County Music Museum was open when I
returned and tourism director Dr. Freddie Mayes was ready for visitors.
There are quite a few musicians other than the Everlys represented here.
They include Merle Travis, Warren Oats, and Mose Rager. Even John Prine
has a section. He isn't from here but he sure put Muhlenburg County on the
musical map. A collection of almost every Everly Brothers record ever made
was willed to the museum by lady in California. Just watching the 1953 AMI
jukebox put a 45 on the turntable is a real treat. Of course, so is
listening to it. I was talking with Dr. Mayes when I punched up
"Cathy's Clown" from 1960 and remarked that someday I intended
to find out who the drummer was on that recording. Before I left, Mayes
had located a write-up on the recording
session which included the identity of the drummer. I have always been
fascinated by the song's drum part which was unlike anything I had heard
at the time. I was not alone, of course. Others were fascinated as well
and that creative drum pattern certainly contributed to the song's
success. Buddy Harmon was the answer to my fifty-six year old question.
Phil Everly is buried in Rose Hill Cemetery at the north edge of town. His
guitar playing father, Ike, is next to him. Margaret, his mother lives on
at ninety-six.
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Here's some more of the "real" Sixty-Two.
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There's more music history just one county over. Bill Monroe, the Father
of Bluegrass Music, grew up in this house in Ohio County, Kentucky.
Location details
here. That porch looks like a wonderful place to sit
and pick and there's one on the other side,
too. The house was built on the site of a log cabin in which Bill was born
in 1911. The cabin burned 1916. I have no idea which, if any of the other
structures are original. The house was built around a fireplace that had
been in the cabin. Merlene Austin, the widow of Bill's nephew, was our
our guide. The house was restored in 2001 one after sitting empty for many
years. Some of the furnishings, such as momma's rocking chair, are
original. The chest belonged to Bill's grandmother and is more than 200
years old.
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Bill's mother died when he was ten; His father when he was sixteen. For
the next two years, he lived with his fiddle playing Uncle Pen in a log
cabin. The cabin was beyond repair when Bill's son, James, bought it and
this reproduction was built in 2013. The plaque that James placed in front
of the cabin can be read here. The log against
the wall and the one above the fireplace are from the original cabin. A
few more are on the porch outside. Find it
here.
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Bill Monroe's grave in
Rosine Cemetery is easy to find. His parents are
nearby. I went to the cemetery intending to find Uncle Pen (James
Pendleton Vandiver)'s grave but got caught up in Bill's impressive
monument and let it slip my mind.
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In Bardstown, I stopped at the 237 year old
Talbott Tavern for
dinner and a touch of
Henry McKenna 10.
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East of Bardstown I got to enjoy one last fling with the continuous but
gentle curves I've associated with US-62 since 2004. I followed it onto
the expressway but we parted ways near Georgetown. I headed home while
Sixty-Two set off for Niagara Falls.
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