Day 3: August 4, 2018 The Concert I Came For Comment via blog |
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I started the day with something somewhat familiar: breakfast at the Hermitage Cafe. "Serving up Nashville's Wild Life Since 1990" |
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I timed my breakfast to let me reach
Lane Motor
Museum, just a couple miles away, shortly after it opened. I've been
here a few times before but know that the displays change from time to
time and there's frequently something special on hand. Today I lucked into
three "specials".
The first special display was a collection of vintage Harleys owned by musician Dan Auerbach. Dan says that one of the things that attracts him to a bike is that "there's a story that goes along with it." The bikes on display are from 1937 through 1950 and, although all have been mechanically restored, none have been stripped of their stories. The 1937 EL in the third picture is the oldest on display and the first Harley Dan ever owned. He rode it along the entire Natchez Trace Parkway which makes me like him even more. |
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Next up was a special display for Subaru's 50th anniversary. The Lane
Museum is known for having unusual -- and often downright weird --
vehicles. Subaru is now quite mainstream (Mine was parked out front.) but
it wasn't always that way. The orange car is a 1970 360 Young S. The 360
was Subaru's first car. It was quite successful in Japan but decidedly not
so in the US with a big factor in that lack of success being Consumer
Reports "Not Acceptable" rating. The 'S' in the name does
indeed stand for "sport". Sporty bits include bucket seats, a 4
(rather than 3) speed transmission, a tachometer, and a groove in the roof
for holding a surfboard. Non-sporty bits included a 25 HP 2-cylinder
2-cycle engine and a top speed of 55 MPH.
The X-100 was Subaru's response to the 1973 oil crisis. The body is an airplane wing tank and the single taillight is from a 1955 Ford Thunderbird. Alex Tremulis, the X-100's designer, had once headed up Ford's styling studio. The goal of 100 MPG was achieved -- once. On August 5, 1980, the car covered a little more than 100 miles at 55 MPH using a single gallon of gas, but by then the crisis was past and future plans were scrapped. Beyond the X-100 is BRAT serial number 001. Putting those rear-facing seats in the back allowed Subaru to call it a car and beat a tariff on light trucks. I still have an inexplicable urge to climb into one of those seats at every BRAT sighting. |
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If you follow my blog, you may have seen a picture with this car in it in last week's post. I can't say whether or not this actual car can be seen in the picture because I have no idea where it was in the field of 72 Amphicars attempting to break the world record. There is an unbeatable world record being set just beyond the museum's Amphicar. It's a floating car called the Corphibian, and in the whole wide world there is only one. Built using a 1961 Chevrolet Corvair Loadside pickup truck, it's designers hoped that Chevrolet would put it into production but that never happened. Check out the watercraft controls here and one of the twin propellers here. |
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The day's third special was a tour of the basement. Apparently these are
offered on weekends on a fairly regular basis so I guess the special part
was me being there for it. As with most museums, the Lane has a lot more
things than it has display capacity. Most, but far from all, of the excess
vehicles are stored in the basement. I once owned a Renault 4CV and always
look for the museum's copy when I visit. It wasn't on the main floor today
but I spotted it early in the basement tour. The yellow car is a
fiberglass kit installed on a boring front wheel drive commuter car. It
didn't make it drive like an Audi TT but it made it look enough like one
to prompt a cease and desist order.
All Crosleys are kind of rare but pre-war Crosleys many times so. The tan car is a 1939 Crosley Transferable. Next is a Smart Car roadster with 101 HP and a fully retractable top. The pieces above the doors are removable. The Mini is a Brazilian fiberglass version that weighs more than the steel versions because of excessive bracing dictated by headquarters. Shortly after reaching the point in his life where he could afford the Lotus Europa he'd always dreamed of, a museum patron was diagnosed with a terminal illness. The museum helped with restoring the car so that he was able to enjoy some track time in it. His widow donated the car to the museum. |
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I returned to my motel but ventured out in the afternoon to visit Black Abbey Brewing just over a mile down the street. I quite liked their Forty Four porter. |
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I guess this could be called the seed for this whole trip. The pictures
suck but the music sure didn't. Like the Cleverlys, who I saw Thursday,
the Long
Players are a cover band. And, also like the Cleverlys, they aren't
like them, or anybody else, at all. The Long Players cover albums (i.e.,
LPs, hence their name). They play them track-for-track and note-for-note
utilizing a variety of guest singers who are stars in their own right and
may mimic the original artist or may deliver their own interpretation.
Either way, it's fantastic. Tonight's LP was Tom Petty's second,
"You're Gonna Get It". I only got pictures of a couple of the
vocalists but know there's some good pictures around and that some video
will appear eventually.
Tommy Womack sang the title track. That's him with the mic in the second picture. The guy at the right of the picture is Bill Lloyd. I mention that because Bill is a Long Players kingpin and doesn't really show up in any other picture here. Same with Steve Ebe on drums. The guy with the headband in the next picture is Dez Dickerson. A member of Prince and the Revolution, he sang backup and played the guitar solo in "Little Red Corvette". That's Walter Egan in the next picture with Long Players Steve Allan and Ross Rice in the background. Egan, who once toured with Petty, had his biggest hit in 1978 with "Magnet and Steel". I apologize for being unable to remember what songs Dez and Walter performed. Although "You're Gonna Get It" had plenty of good songs on it, only a couple (e.g., "I Need to Know") were hits and familiar to the crowd. More familiar stuff, from other Petty albums, followed a short break. |
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