200 Breweries

I like beer. I like beer well enough to be a Supreme Court justice although my other qualifications are rather weak. I’ve had favorites from time to time. I was pretty much a Stroh’s guy in the 1960s and ’70s, then became a big fan of Christian Moerlein Select when Hudepohl introduced it in 1981. But I’ll confess to never being entirely faithful to a single brand. My roving tastebuds would sometimes be led into temptation by an exotic label or a shapely bottle. Today, encouraged and aided by the craft beer explosion, I’m downright promiscuous. Several years ago I began using Utappd, a phone app that allows me to track the various beers I’ve tried, and I’ve accumulated a decent score. I have, since January of 2014, consumed a measurable amount of 1202 different beers.

Yes, that’s decent, but it pales next to some others. Just within my small circle of Untappd cohorts, Brian is over 1600, Sara is pushing 1900 (and now only logs on special occasions), and Nick is well past 3000. I’ll never catch them, of course, and I’m OK with that. If nothing else, when someone accuses me of being too fickle in my drinking, I can point to Nick or Sara or Brian and say, “But not like them!”

Besides, as the title of this post indicates, I have other things to brag about. I enjoy logging different venues about as much as I like logging beers and that goes double for breweries. In the beginning, I didn’t watch closely. I was almost halfway to the current count before it registered with me that logging breweries was something I was doing more than most. I completely missed the 100 brewery milestone but did note number 115 with a weak joke about Bob Dylan’s 115th Dream. I’ve been much more attentive as I approached completion of the second hundred and my thoughts have been on Zappa rather than Dylan. It’s not only giving me an opportunity to brag but an opportunity to recount some of the breweries I’ve seen.

For starters, here are numbers 1 and 200. My first check-in of Lock 27 Brewing was on January 31, 2014. It was not, of course, the first brewery I ever visited. I have vague memories of being inside the recently departed Hudepohl brewery several decades ago and I toured the oldest brewery in the US, Yuengling, back in 2005. A blog post from just about a year before I joined Untappd (Something’s Brewing in Cincy) describes visits to five breweries and mentions a couple more. And there were others. Lock 27 was simply the first brewery I visited after joining Untappd. My 200th brewery was the part-circus part-brewery Bircus. It’s in a converted movie theater just across the river in Kentucky and is more upfront about their tumbling and juggling than most breweries.

Dayton, Ohio, where Lock 27 Brewing is located, is also home to some truly unique producers of beer. Carillon Brewing Company (#24 12/8/14) is part of Carillon Historical Park and brews beer the old fashioned way. I mean the 160-year-old fashioned way. With the exception of piped-in water, the operation duplicates a brewery of the 1850s. I did a full blog post, History by the Pint, on my first visit. Pinups & Pints (#– 4/8/15) is a tiny 15-gallon operation that offers one choice of beer at a time. Unfortunately, Untappd had not yet identified it as a brewery when I was there so it is not one of my 200 (It would have been #30). Even so, how could I not include “The World’s Only Strip Club – Brew Pub” in this post? And Untappd does now recognize it as a brewery. The third picture is of Ohio’s first and the nation’s second co-op brewpub shortly before it opened. Fifth Street Brewpub (#3 2/12/14) is the only brewery I currently “own” a tiny piece of (it’s a co-op!) and the one with the most Untappd check-ins. Here‘s a picture from the most recent of those check-ins.

I used the word ‘currently’ in the preceding paragraph because I once owned a few shares of the ahead-of-its-time Oldenberg Brewery in Fort Mitchell, Kentucky. Somewhere I have a beautiful and totally worthless stock certificate for the brewery that closed in 2001.

Two other visited breweries deserve shout-outs because of their locations. Silver Gulch Brewing (#79 6/29/16) and Kona Brewing (#123 4/7/17) are, respectively, the USA’s northernmost and southernmost breweries. I claim a bonus point for reaching these outposts within a year of each other. I have yet to reach the westernmost (Kauai Island) or easternmost (Lubec) breweries in the US.

Maybe I’ll make it to three or four hundred or beyond. I’ve started the second 200 like I started the first, with Lock 27. In 2017, a second location, which Untappd counts as a separate brewery, was opened just outside the Dayton Dragons ball field. The Dragons are an affiliate of the Cincinnati Reds who are celebrating 150 years of professional baseball this year. A few months ago, Cincinnati.com published an article listing fifty-one breweries in the area including fifteen I’ve yet to visit. There is also an unvisited-by-me brewery in the ten listed by the Dayton CVB. The Ohio Craft Brewers Association reports that there are now more than 300 breweries operating in the state which means I could reach the next multiple of a hundred without crossing a state line — but I doubt I will.

Memories of the Eagle

My best guess of what I was doing exactly fifty years before the publication of this post is sleeping. I wouldn’t be sleeping much longer because it was Monday morning and I would have to wake up and go to work. And I would not have been asleep very long either. I would have stayed up way too long watching TV after a long drive home. Just having the possibility of watching TV late at night was unusual even at the very end of the 1960s. With the exception of Bob Shreve’s all-night movies on Saturday, all five Cincinnati channels went off the air around midnight. But the wee hours of July 21, 1969, were different. It was the day following the day when the Eagle had landed. There was news to be shared.

We — my wife, our son, and I — were visiting friends in Saint Louis over that weekend. Our plans were to be home at a decent hour but we were paying more attention to someone else’s travel plans than our own. While we were on our way to Saint Louis, Michael Collins, Buzz Aldrin, and Neil Armstrong were on their way to the moon. As we prepared to drive home, Buzz and Neil prepared to head for the Lunar surface. At 13:44 EDT on that Sunday afternoon, the pair separated from Michael and the command module Columbia and began their descent. At 16:17 EDT, Armstrong announced that “The Eagle has landed.”

The timestamps on my own recollections aren’t nearly as precise or reliable as NASA’s. Part of me thinks that we did not leave Saint Louis until after the Lunar Module was on the surface. Information currently available online says that a four hour rest period was planned between landing and exiting. If that was the information we had then and if we really did not depart until the Eagle landed, then I must have thought I could drive to Cincinnati in under four hours or maybe I was terribly confused by time zones. Or maybe we were counting on the astronauts sleeping for the full four hours then spending considerable time preparing to leave the lander. Whatever the reasons and reasoning, I know for certain that as we headed toward home, we believed we had a good shot at making it in time to watch man’s first step onto the moon.

There was no radio in the car. Not even AM. The vehicle’s entertainment system consisted entirely of an under-dash 8-track tape deck. That was normally not a problem since no one in their right mind would want to listen to news or the top 40 when all seven minutes of Light My Fire was available in stereo with the click of a cartridge. But this drive was not normal and we really did want to listen to news. As I recall, the Bairds, who we were visiting in Saint Louis, loaned us a portable transistor radio which we propped atop the dash and fiddled with almost constantly as signal strength ebbed and flowed.

The details were forgotten long ago, but I remember that somewhere along the way we heard that the rest period was going to be shortened and the astronauts would be stepping from the capsule earlier than once thought. Whether or not we ever actually had a legitimate chance of reaching home before that happened seems doubtful to me now. But, regardless of how likely or unlikely that had been, it now became clear that it was pretty much impossible. If we continued our drive, human beings were going to be walking on the moon while our only connection was a tiny radio with temperamental reception.

We were still somewhere west of Indianapolis when that realization struck. Like so many other details of that day, I cannot recall our thought processes as we left the expressway in search of a television. We did this near the airport and I know that at least part of the reason was that we knew there were motels in the area. There surely was no money for rented lodging in our family budget so it seems unlikely that we planned on spending the night. On the other hand, this was a truly major event so it’s possible that we were at least considering it. Checking prices may have even been on my mind when I stepped into the hotel lobby. If so, I’m sure it vanished when I saw the TV playing in the furnished lobby. I left and quickly returned with the family.

I think of it as a Holiday Inn but, in reality, it could have been any of the slightly upscale (to a 22-year-old father) motels of the time. Whatever the brand, it was upscale enough that flight crews from multiple airlines regularly overnighted there. My wife and I found seats on a sofa with 5-month-old Crispian parked in front of the TV in a little plastic carrier commonly referred to as a “pumpkin seat”. The three of us became lobby fixtures while others watched the TV for a bit on the way to their rooms.

Time moved slowly as we waited for the astronauts to step outside the capsule. Multiple flight crews arrived while we waited and each followed the same procedure. One member went to the desk to check in the entire crew while the others stood behind the sofa staring over our heads at the glowing screen. When the paperwork was completed, the unlucky person who had somehow been chosen to perform it, distributed keys and everyone rushed off to their individual accommodations and personal televisions.

At 22:56 EDT, Neil Armstrong stepped onto the Lunar surface. The picture at the top of this article shows his foot hanging from the Lunar Module’s ladder just before that happened. After Buzz joined him, Neil placed the camera on a tripod to provide a more panoramic view. The black and white images were dim and blurry and sometimes flickered away. And they were beautiful.

I halfway think we stayed in that hotel lobby during all of the approximately two and a half hours of Extravehicular Activity but I’m not at all certain. I am certain that Cris saw that first step because I checked to make sure his eyes were open. Of course, any memories he has of the event are almost certainly from repeatedly being told about it rather than from what he actually saw. My great grandfather had been dead just over eight years at the time of the moon landing but he had lived to see three humans (Gargarin, Shepard, Grissom) in space. He was born in 1875 and was almost exactly the same age as the kid in the pumpkin seat when Custer’s troops were annihilated at Little Big Horn. As my son watched dim images of men nearly 240,000 miles away and I watched him, I wondered what advances he would see in his lifetime. Fifty years in, the list is impressive and growing.


A ten-day 50th anniversary celebration in Wapakoneta, Ohio, Neil Armstrong’s hometown, wraps up today. The final event is a 7:00 Wink at the Moon concert featuring the Lima Area Concert Band. Other concerts and events have filled the ten days in downtown Wapakoneta and at the Armstrong Air & Space Museum at the edge of town. I visited Tuesday, the anniversary of the rocket launch that started Neil and his buddies on their way to the moon.

Two new statues of Armstrong had been unveiled at the museum on Sunday. It’s a bit disappointing that the white clouds and low light make the moon-like dome of the museum so hard to see. I photographed the statues before the crowd started to arrive but noted later that the statue of the young dreamer was — and I’m sure will be — a very popular place for families to pose their younger members for photos. A third statue, of Armstrong in his 1969 welcome home parade, was to be unveiled downtown on Thursday.

As 9:32 approached, attention was focused on a 22-inch replica of the Saturn 5 rocket that had lifted off in Florida at that time exactly fifty tears earlier. A recording of that half-century-old countdown was played to help coordinate the launch of the model. The model was a solid fuel-powered Estes much like the ones I helped build and launch even more than fifty years ago. When the count reached zero, I was quickly reminded that the acceleration characteristics of an Estes rocket are much closer to those of a bullet than to those of a 6.5 million pound 363 foot Saturn 5.

Following the countdown and launch, the museum was opened — and filled. I waited outside for the initial rush to pass although the place was still pretty busy when I did go in. The first picture is a reminder that Armstrong’s career did not begin with the moon landing. It’s the suit he wore on Gemini 8. His partner on that flight was David Scott who made it to the moon himself on Apollo 15. The second picture is of Armstrong’s backup suit for Apollo 11. On the day I took this photo, July 16, the Smithsonian returned the suit worn on Apollo 11 to display after being out of sight for some time being repaired.

Just beyond where this piece of the moon is displayed, is a movie that runs every half hour. Many other artifacts and information panels are in that room where I spent fifteen minutes or so waiting for the next showing. It was there that I was struck by the fact that I was one of the few people in that museum who actually remembered the Apollo expeditions. Many were adolescents born decades after the moon landings, but it was clear from overheard comments and answers to youthful questions that most of the parents and even grandparents weren’t around in 1969 or were too young to have solid memories. I’ve since learned that only four of the twelve men who walked on the moon between 1969 and 1972 are currently living. Yeah, I guess that really was a ways back.


On the anniversary of the actual landing, I watched a movie. Apollo 11: First Steps Edition is a version of Apollo 11 created for OMNIMAX style theaters. Yesterday’s showings are the only ones planned for the theater at the Cincinnati Museum Center but I believe this is the same movie being shown elsewhere including the Air Force Museum in Dayton. Made entirely of archival footage, it gave everyone in the sold-out theater a glimpse inside the historic mission and refreshed memories for a few of us. Sometimes the images are so big or there are so many of them that it’s hard to take it all in. It was that way the first time, too.


That concert that will be happening in Wapakoneta tonight gets its name from a statement that Neil Armstrong’s family issued at his death in 2012. “… the next time you walk outside on a clear night and see the moon smiling down at you, think of Neil Armstrong and give him a wink.” I did that last night shortly after the moon cleared the horizon. It was about the time when, fifty years earlier, Neil and Buzz’s time outside the capsule was a little more than half over. I thought of Neil and winked then winked two more times and thought of Buzz and Michael. Nicely done, fellows. Nicely done. 

More Man at CAM

I visited Phase 1 of the Cincinnati Art Museum’s Burning Man exhibit about two weeks after it opened (Burning Man at CAM). It took me more than a month, however, to take in Phase 2. Phase 2 adds three galleries to “No Spectators: The Art of Burning Man” while leaving everything that was part of the first phase in place. The pictured quote — and line — went unnoticed on that earlier visit although they were certainly there. I was probably looking only at the structure that stands above the line. It represents the Burning Man Temple which, like the man itself, is turned to ashes before the festival ends. It’s a fraction of the size of the real temple but is still much too large to fit into my lens inside the museum. Here are shots of the top half, of one of the panels, and through one of the peepholes.

Christopher Schardt’s Nova was actually part of Phase 1 but, like the line at the entrance, I somehow missed it on my visit in May. Images in the ceiling-mounted LED panel are coordinated with classical music. The last photo was taken while I lay on the floor. I kind of wish I had waited for the skull to come around again.

One of the galleries added for Phase 2 is filled with three polyhedral sculptures from Yelena Filipchik and Serge Beaulieu. There’s a direct view of the suspended polyhedron here. One of the sculptures, with yet another polyhedron inside, can be entered.

This is a part of Phase 1 that I definitely did not miss. In fact, I ended that first post with a promise “to listen to those gongs some more.” I very much kept my promise and am now pretty much convinced that living inside Gamelatron Bidadari would make me a nicer person.

This is the largest of the Phase 2 additions. It consists mostly of two-dimensional art including photographs. I took the picture of the bicycle seat primarily to show the tag but I didn’t do a very good job. It is slightly more readable here.

The third Phase 2 gallery is the balcony above the temple replica and the museum’s main entrance. The central space is filled with clothing created for and worn at Burning Man. Photographs showing the many aspects of Burning Man fill most of the wall space but some of that space holds Candy Chang “Before I die…” chalkboards. Apparently, more than 4000 of these have been erected around the world giving people an opportunity to “pick up a piece of chalk, reflect on death and life, and share their personal aspirations in public.” Some truly deep and personal thoughts have appeared on the walls and the Cincinnati board contains some noble sentiments such as “Help others” and some fairly modest goals like “Go whale watching”, but “Travel” is a very common theme. Pay attention, people.

My post on Phase 1 opened with a photo of the smallish Truth is Beauty standing above the museum’s Great Hall. This one is closing with a photo of it taken from the balcony across the way. There are pictures on display that show the original 55-foot sculpture at Burning Man with no roofs or walls penning it in. It’s obvious that seeing this one third scale copy in climate-controlled comfort is a very poor substitute. I’m guessing that seeing reproductions of or even some of the actual pieces that were once part of Burning Man is just about as much like the experience of being there as my tapping on the steering wheel is like manning the riser behind Mick and Keith at Wembley Stadium. But it’s as close as I’m likely to get. I’ll take it. 

Trip Peek #86
Trip #133
Rock ‘n’ Rail Redux

This picture is from my 2016 Rock ‘n’ Rail Redux trip. Readers may recall that previous railroad based trips to Washington, DC, have had issues ranging from extremely late trains to completely canceled trains. This one was essentially problem free. The “Rock” in this particular outing was a Willie Nile concert at, as the sign says, The Hamilton Live. In addition to a pretty much on schedule train ride and a rollicking concert, I enjoyed a day on the National Mall including an independence for Punjab parade.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.