Nearly all the reviews on this blog are organic, meaning they are of things I’ve read, listened to, or attended because I discovered them and chose to review them on my own. This is one of the very few exceptions. The author, Beth Bacon, emailed me and suggested that since my site was about road trips and I did book reviews, I might be interested in reviewing her latest work. Right off the bat, I was impressed that she knew road trips and reviews were involved in the site. Most of the email requests/offers I get seem pretty oblivious to that. Cryptocurrency, miracle medical treatments, and streaming services are popular—the most recent involved ancient coins.
This email was legitimate, and a quick look at some accompanying information made me think the suggested review made sense. But there was one problem. Being a children’s book wasn’t the actual problem, but it was part of it. I’d never reviewed a children’s book, despite coming across a few “organically”. A couple of those were also related to Route 66, and were written by friends. That they were aimed at children was the only reason I’d not reviewed them before. It didn’t feel right to review a book by a complete—but polite and likable—stranger, when I’d not reviewed similar books by people I actually knew. I solved that problem by using the last two Wednesdays to post belated reviews of Emily Priddy’s Route 66 for Kids 2026 and Anne Slanina’s Annie Mouse’s Route 66 Adventure. Apologies, ladies. I hope you believe that late is at least a little better than never.
Beth Bacon has all the right credentials. There’s an MFA degree in Writing for Children and Young Adults, a string of books for kids, and a bunch of awards for them that include a couple each from Mom’s Choice and Chanticleer Little Peeps. She has illustrated some of those books herself and worked with various artists on others. As far as I know, this is her first time working with Jodi Woolsey, but it is hardly Woolsey’s first time working with authors. She teaches art at the college level and runs her own freelance studio. Her illustrations tell much of this book’s story and do an excellent job framing the names and other details in Bacon’s words.
Those names, and the places too, seem carefully chosen. A road that’s 100 years old and nearly 2,500 miles long certainly has plenty of both. It’s easy enough for adults to be swamped and even easier, I imagine, for the 5-10 year olds that are the book’s target readers. Bacon picks subjects likely to interest the 5-10 crowd and doesn’t overwhelm by trying to include everything. The book opens with a few bits of information about the entire road and about Cyrus Avery, who was instrumental in establishing it. That’s followed by one- and two-page sections on each of the route’s eight states. One of the names appearing for Illinois is Bob Waldmire, who traveled the route in a Volkswagen bus. Missouri’s pages include Alberta Ellis, who operated a hotel and other businesses where people of color were welcome at a time when that was often not the case. This brief, casual mention of the topic earns a bonus point from me. The Blue Whale of Catoosa, Oklahoma, is an obvious kid-friendly subject, and Bacon introduces its creator, Hugh Davis, and his wife, Zelta, to her readers. Bacon also identifies more key names and places for these three states, along with a handful for each of the other five. A personal favorite is Bacon’s mention that Snoopy’s brother Spike lives near the Route 66 town of Needles, California.
I have a hunch that recognizing the publisher had a little bit to do with me wanting to review this book. The list of Reedy Press authors contains quite a few familiar names. Two of my recent reviews (Aprons Away and Route 66: The First 100 Years) were of Reedy Press publications, which left me impressed with their product. And they’re just a couple of miles off Route 66.
Route 66: Faces and Places Along America’s Most Famous Road, Beth Bacon (author) and Jodi Woolsey (illustrator), Reedy Press (August 15, 2026), 11 x 9 inches, 32 pages, ISBN 978-1681066776
Available through Amazon.
I’ve known Dr.
Three of the Annie Mouse books involve Route 66. The author is a big fan of the road and travels it frequently. That is where, of course, I met her. In Annie Mouse’s Route 66 Adventure, she applies not only the road knowledge she gained through her travels, but also photographs she took herself. The book covers a near full-length drive of the historic route from Joliet, IL, to Needles, CA. Making the journey is the Mouse family. There’s Mommy and Daddy, of course. The Mouse children include Annie’s older brothers, Sam and Bobby; older sister Jenny; and some unnamed younger siblings. The trip’s purpose is to visit Mommy Mouse’s cousins in Needles.
Annie is the journal’s narrator. She is also its photographer. When Annie first learns of the planned trip, her excitement grows even bigger when she is told she would be allowed to take her own pictures. Those pictures appear exactly as you might expect from a young mouse making a scrapbook-style journal of her family vacation. More importantly, they appear exactly as they should to help young humans flesh out the words beside them. Sometimes, with the help of illustrator Kelsey Collins, Mouse family members appear in those pictures just as you would expect in vacation snapshots. There are also plenty of Collins’ delightful drawings in the book outside the frames of the photographs.
This book first appeared in 2003 as a real paper and ink publication. I got a signed copy in 2004, which, because it was small and easy to stuff between seats or in the glovebox, I kept in the car for quite some time. Based on the copyright dates, it was revised several times, but I never got a newer one, and my copy became increasingly out of date. Prior to February of this year, it looks like the most recent revision was 2016, so even the newer editions might not have been all that trustworthy. The print editions sold for next to nothing (I paid $5 for mine), and when Priddy updated things in February, she went beyond next and made it available for just plain nothing via Google Docs.
It’s definitely reasonable to ask why someone who is about as far from kidness as it’s possible to get, ever kept this close at hand. I mentioned the size of the hard copy. The size of the entries is another positive, as is their organization. States and the towns within them are listed east to west. The list of attractions associated with each town does not appear to be in any particular sequence. Below each attraction’s identifier is a single paragraph containing a brief description, address, telephone number, and website. The descriptions typically include cost, hours, and any other special considerations. They are not written by AI or someone following a formula who has never been there. Priddy often shares personal insights.





It’s probably not hard to guess that this post was triggered by two recent reviews of books with titles (


There has always been a GPS in my car, starting with the very first of my documented road trips. The earliest ones I used showed me my position on a map and the straight-line distance to cities and other places. They did not offer routing. I actually doubt that routing was even possible before the government dropped “selective availability”, which limited the accuracy of civilian receivers, in 2000. I acquired a unit capable of routing in 2006 and started plotting downloadable routes for my trips. This included some partial Route 66 outings using directions in a first-edition EZ66 Guide, which I’d bought from Jerry in 2005. For my third full-length trip in 2012, I used a store-bought route.
That title may look familiar. If so, one reason might be the similarly named Route 66: The First 100 Years, reviewed
Route 66: 100 Years is an anthology edited by Jim Hinckley of
Like the beginning pages of many books about historic highways, the introduction includes tales of how the early automobile roads followed native trails, animal migration paths, and train tracks. And it talks about the impact that the popularity of bicycles had on the desire for and development of roads outside of cities toward the end of the 19th century. What makes it a little different from most similar writings is that it provides some details about organizations and specific events during road development during this era of pedal-powered transportation.
The state chapters appear in geographic sequence, east to west, which is the direction most people travel the route. Together, they provide a sort of combination travel guide and history lesson. I’m not talking about a travel guide with turn-by-turn directions, motel phone numbers, and such. However, most towns along the route are mentioned — and US 66 was a great connector of small towns — along with numerous points of interest. There is usually some history given about each town and POI, and there is plenty of history about the route itself.
The book is definitely well-illustrated. I don’t believe there is a single page, besides the index and authors’ bios, without at least one image. These include modern and period photographs, postcards, advertising brochures, and other items. Joe Sonderman supplied some of those postcards and brochures, as did big-time collectors Mike Ward and Steve Rider. I was extremely pleased to see a photo from the collection of the late Laurel Kane included. Many of the modern photos were taken by Jim Hinckley and his wife, Judy. I saw no photos from either Rhys Martin or Greg Hasman, although I know both are excellent photographers. I did see photos from Shutterstock, Alamy, and Getty. I thought both situations were curious, but the final product comes off well.
The quality of the book is quite good. Color and black-and-white images show nicely on the heavyweight glossy pages, and the layout serves them well. All have descriptive cut lines that include source credits. There are numerous sidebars, most with their own images, providing extra information outside of the main text flow.
The individual states that carried US 66 account for eight chapters. The book has nine. Dries Bessels, a resident of the Netherlands, authored a chapter named “Renaissance”. Dries has guided multiple tours down the length of Route 66 and provides an outside-the-country view of the historic road. The “renaissance” he writes about is its emergence as a travel destination for both Americans and foreigners after being bypassed and decommissioned. America, essentially spared the devastation that WWII brought to Europe, was the land of dreams to post-war Europeans, and Route 66 was a tangible thing that rolled right through those dreams. Today, Route 66 is still regarded as a way to experience a diverse range of America.

