Freaks and Sideshows at the ASM

They’re back. My first exposure to David Waller’s collection of circus sideshow banners was when they appeared as set dressing at The Signmaker’s Circus held to celebrate the American Sign Museum‘s tenth year at its Camp Washington location. That was in 2022. The circus occupied the unfinished half of the building and might be considered a step toward the expansion of the museum into that space, which would be revealed just about two years later (New Stuff to Look At). The banners and the multiple tons of signs hung for the circus were always intended to be temporary. However, some of the signs and all of the banners were still there a few months later when the banners’ owner delivered a presentation on them, which I covered as Sideshow Signage.

Although the number of circus acts at Thursday’s opening of the Freaks & Sideshows exhibit was considerably reduced from the over-the-top extravaganza that was The Signmaker’s Circus, their presence was still felt. They definitely enhanced the circusy feel of the event.

That circus tone was also present in the refreshments. I had a nice chat with the Cincinnati Cotton Candy lady and made her aware of my teenage experience making snow cones at the county fair, in case she ever wants to branch out. I don’t know that The 1936 North American Heat Wave’s music was all that circusy, but it certainly matched the time period of the early banners on display. I’d never heard of the band or the weather event it is named after, so I was simultaneously handed two tangents to head off on.

Of course, for the banners, the biggest difference between this exhibit and The Signmaker’s Circus is that they are no longer just decorations hanging in the background. Here they are the stars, with good lighting and informative panels. The Elephant Boy banner in the first picture is the oldest in the exhibit. It is from the 1920s.

Most of the banners on display were also on display in 2022. That includes what might be my favorite single banner, Spider Girl. A nearby panel explains that a woman whose face was the only thing visible operated the not-exactly-alive arachnid body with hidden strings. I think I like the winged creature in the background nearly as much as I like Spider Girl herself.

The last row of the exhibition is tagged “Problematic Alley”. The Garrotte banner is part of a series showing scenes of torture. Some were associated with live actors, but sometimes just the depiction was shocking enough. “Half and half” acts like that shown in the Sex Change banner employed actors displaying both male and female characteristics.

Although not every “half and half” actor was truly gender non-binary, many were, and the circus provided a paycheck that might be difficult to obtain elsewhere. Likewise, many sideshow “freaks” were disabled individuals making a living through their handicap at a time when social services were nearly non-existent. In connection with the Freaks and Sideshows exhibit, on August 27 the museum is hosting a presentation (Beyond the Banners: A look at how the circus impacted the disability community) by Jason Harris that will examine both the exploitation and the opportunity connected with the circus.

An August 20 presentation (Collector Talk: Dave Waller) by the owner of these banners is obviously tightly tied to the exhibit. Full Circle: The Golden Era, Decline and Renaissance of the American Carousel isn’t as tightly tied to the circus, but it clearly shares its spirit. It’s August 3.

Freaks & Sideshows runs through October 4.

  

Big Boy Seen — Briefly

On Tuesday, as part of its tour of the eastern United States, Union Pacific’s Big Boy No. 4014 was on display in Fostoria, OH. I drove up to see it, but the picture at right is as close as I got. The entrance to the train yard where the locomotive was parked is about 2.5 miles farther on. Note that cars are converging onto the road I’d just left from both the left and the right. As might be expected, other roads leading to the yard from other directions were just as packed.

The announced opening time had been 9:00, and it was now about 9:45. Even though I knew better, I told myself that maybe this was just the buildup of people who had been waiting there since well before 9:00, and that it might thin out later. I turned back into town and treated myself to a $6.99 breakfast special at The American Table. After a leisurely meal, I tried again. This time, I followed a route through downtown, and although I got no closer to Big Boy than I had earlier, I did get the day’s only glimpse of a train. When I turned around this time, I spoke with a policeman directing traffic, who gave me directions to bypass most of the Fostoria traffic and reach Findlay. I asked if he thought things would settle down before day’s end. “Oh, hell no,” was his answer.

Findlay was my destination because that’s where I had reserved a motel room. I was way too early to check in, but finally had some luck and found the Findlay Brewing Company open. I claimed a bar stool and very slowly nursed a nice Irish Red Ale. After checking in and spending a little time at the motel, I returned to the brewery for a salad and a stout.

I had booked the room partly to postpone the nearly three-hour drive home, but also because I hoped to catch the train in motion. Seeing it head west on Wednesday would have been a goal even if I had been successful on Tuesday, but now it was even more important. Honey Joe’s Cafe in Arcadia looked like a good place to start the day. It was, and I had another fine breakfast.

There was a crossing just east of town that I thought might be a good viewing spot, and the fact that several cars were already there when I arrived reinforced that idea. The picture shows just a fraction of the cars that were there when the train came through. We had a couple of hours to wait, but things moved rather quickly after the online tracker indicated that it had left Fostoria. The first local indication that it was near was the passing of several small planes that seemed to be tracking the train and probably filming it. Then smoke from the locomotive could be seen approaching from beyond the trees.

I really don’t know what its speed was, but Big Boy moved to and through the crossing at a pretty good clip.

More than twenty cars made up the train, which meant that the locomotive was well beyond the crossing when the last car rolled out from behind the trees. I was happy to get a look at the Pullman bringing up the rear. Built in 1927, it served Franklin Roosevelt as Governor of New York and then as the President.

Most of the crowd was gone rather quickly. I know that some of those leading the exodus were off to catch the train again at one or more crossings farther west. I waited until all that scrambling was over, then drove into Findlay to take a look at Iron Triangle Park. The park was essentially unreachable yesterday, and my guess is that was probably true for this morning when Big Boy passed through. As I looked around, I heard someone announce that a train was coming, and I spotted its headlight through the group clustered at the fence. Three active rail lines border the park. I’ve read one report claiming that at least 60 trains pass this park every day, and another that claims an average of 100. I know of two that did it on Wednesday.

When I told a friend of my failure to see the parked Big Boy, I noted that the town of Struthers, OH, had around 20,000 people show up to see Big Boy on Sunday when they had expected 5,000. I’d seen a projection of 20,000 at Fostoria, and offered that maybe 100,000 had actually appeared. Turns out that wasn’t far off. It has been reported that 46,000 made their way into the rail yard, and an estimated 46,000 were turned away. Lots of people were disappointed, and I really sympathize with families who drove for hours then waited in line for several more without seeing what they came for. There has been some finger-pointing and attempts to place blame, and I do not doubt that there were things that could have been done better and instances where people could have behaved better. But the majority of what I’ve read indicates that most of the people involved were really doing the best they could. No one should be surprised that dealing with 90,000 people in 90-degree temperatures in a city with a population under 13,000 had a few bumps.

ADDENDUM 19-Jul-2026: Although I didn’t get to see Big Boy 4014 up close while it was on display in Fostoria, I have seen a sibling, Big Boy 4004, on permanent display in Cheyenne, WY.

Brewing Heritage Day

Yesterday was Cincinnati’s first official Brewing Heritage Day. Although beer from several area breweries was available for tasting, official programs were essentially limited to two breweries near the city’s downtown. Actually, to be entirely honest, almost all special Brewing Heritage Day activities and displays were confined to the larger of the two.

I went first to the other one. Northern Row Brewery & Distillery had the day’s special flights available, and I believe some tours originated there, but the bulk of the attractions were around the corner. I enjoyed a Redlegger Amber Ale, then moved on.

There is obviously some pretty major work in progress on the exterior of Rhinegeist Brewery. The building was once the Christian Moerlein Brewing Company bottling plant. Inside, Brett Stakelin provided entertainment. In preparation for today, a single keg of Moerlein Lager had been aged in the lagering tunnels of the former Jackson Brewery and I was there in time to get a pint.

The Cincinnati Museum Center had a table filled with brewing memorabilia, and beside it was a virtual reality demonstration with visuals of the tunnels where the beer I’d just drunk was aged. Adjacent to the taproom, lots of informative panels from the American Museum of Brewing, a project of the Brewing Heritage Trail that is currently looking for a home. A conference room held hourly presentations. I was there as John Piening shared family and personal history from the Burger, Shoenling, Hudepohl, and other breweries. During Piening’s talk, very heavy rain broke loose and after a while the old roof began to leak. I took a picture of where it was dripping on the table but was so close that it looks more like a shiny surface than a wet surface.

I was working my way toward the exit when I encountered a Sausage Princess. I greeted her as Sausage Queen but was quickly corrected. I believe Sausage Princesses are those selected to represent various establishments in the annual competition for the Queen who reigns over Bockfest. Before I could verify that or ask her name, she turned the conversation to the Wooly Pig Brewery whose T-shirt I was wearing. She had only recently learned of the brewery and considered it a place she definitely needs to visit.

The rain had let up considerably by the time I stepped outside, but it had not stopped. However, the construction scaffolding kept me dry for the start of my walk to the car. Before I exited the dry tunnel, I snapped a picture of one of the tour groups braving the elements in search of knowledge. 

 

Happy Birthday to U.S.

Yesterday was the 250th anniversary of the adoption of the Declaration of Independence of the United States of America. Around 2010, the Cincinnati History Museum rediscovered a copy of the second printing of the Declaration and put it on display for the Fourth of July in 2015. Like this year, the Fourth of July fell on Saturday. Part of my blog post for Sunday, July 5, 2015, concerned the opening of the display on July 2. The 1776 document is again on display this year in an exhibit that opened on July 3. I took the opening picture from I-71 as I headed toward the museum for the opening of that exhibit.

Declarative Acts and Revolutionary Actors is paired with another temporary exhibit “Equal to Any in the City:” Ball & Thomas Photographs 1840s – 1870s. Both opened on the 3rd and are included with museum admission. Declarative Acts and Revolutionary Actors runs through August 23. “Equal to Any in the City:” Ball & Thomas Photographs 1840s – 1870s runs through October 14.

This year the museum’s copy of the Declaration of Independence is displayed in front of the 1st Pennsylvania Battalion flag. Josiah Harmar was a member of the 1st Pennsylvania Battalion and probably brought the flag with him to Ohio. His great-grandson donated the flag to the City of Cincinnati in 1926.

The Declaration of Independence was not signed on July 4, but was approved by representative from twelve colonies. Approximately 200 copies were printed that night in Philadelphia. Without instructions from their legislature, delegates from the thirteenth colony, New York, did not approve of the declaration on the fourth but did so on the ninth after which about 500 copies with the New York resolution were printed. The copy on display is one of four known survivors from the second printing. Twenty-six copies of the first printing are known to exist.

Additional informative displays and artifacts from Cincinnati’s earliest history, such as wood from the original Fort Washington, fill out the Declarative Acts and Revolutionary Actors exhibit.
 
 
James Presley Ball was a free Black man who, along with his brother-in-law Alexander Thomas, operated a very successful photography studio in Cincinnati from the late 1840s into the 1870s. The museum’s exhibit contains many of their original photos.

It’s perhaps not surprising that Ball was an active abolitionist. He frequently worked with the Underground Railroad, but his biggest contribution to the ant-slavery movement was probably a 600 yard long panorama he created in collaboration with other artists in 1855. It toured part of the country providing a visual depiction of the horrors of slavery. The panorama has been lost, but an accompanying pamphlet survives. A short video describes it in the exhibit.

The exhibit uses the Ball and Thomas story to share some details of early photography aside from the specifics of their activities. The film camera had just been invented and Photoshop was more than a century away but people were already busy improving on what the lens saw. Studio employees called retouchers might enhance black and white images with a little color or maybe even add something entirely new to the scene. Examples are turning a gray watchchain gold and placing a shiny gold ring on what was actually an empty finger.

It was still morning when I finished viewing the exhibits. It had already been uncomfortably hot when I arrived, and I knew the temperature was still rising. I opted to pause on a bench in the lobby for a bit before venturing out. What you see at left is the natural result of anyone spending more than a second or two in that wonderful half-dome with a camera in hand.

Because all of my previous 4th of July blog posts have included fireworks, I’m including this pair of worse than usual shots. In the past, I’ve photographed the shows at Kings Island, Loveland, and maybe a couple of other places. I can always hear, but not see, the Kings Island show, and that might be true of some other nearby events as well. However, I am surrounded by multiple neighbors who really like to celebrate on the 4th (and the 3rd, and the 5th, and more), so this year I just stepped outside my front door and grabbed a few snapshots with my phone. Then I stepped back inside and went to bed.


The 1955 Mountain View diner occupied by Sugar n’ Spice is a good place for breakfast when heading to the Museum Center. However, since it is in the downtown area, parking is a consideration, and for me, it often loses out to other places also within range of the museum with free parking. I’d already decided I was just going to deal with the parking, then learned that I didn’t have to. I had also more or less decided that I would have a very Cincinnati goetta-and-cheese omelet when I spotted something else on the menu. I believe this was my first-ever goetta Benedict. It is also very Cincinnati and also very good. Happy hollandaise.

Loveland at 150

Loveland, Ohio, officially turned 150 a week ago Saturday. A celebration featuring a vintage base ball game with former Cincinnati Reds players was planned, but threatening weather caused that game to be canceled. Other parts of the celebration did happen Saturday evening, but I didn’t get to the party until Sunday, 150 years and 1 day after Loveland was incorporated as a village.

The area’s first settler was Col. Thomas Paxton, and he established a community bearing his name around 1795. In 1847, Col. William Ramsey laid out a town here, and in 1848, changed the name to Loveland after the first postmaster, James Loveland. A major post office connection still exists today. The Loveland postmark is quite popular around Valentine’s Day, and a remailing program started in 1936 is still going strong. The Village of Loveland was officially incorporated on May 16, 1876. It was incorporated as a city on July 25, 1961, so I’m guessing we’ll have another big party in 35 years.

Several activities, including live music and Loveland Frog appearances, were scheduled for Sunday, but about all I took in was the car show. Like any car show deserving of the name, there was a DJ playing hits from yesteryear. The Internet tells me that DJ still stands for “disc jockey” although I’m pretty sure that no discs of any sort were involved here.

There were no radical customs or heavily hot-rodded cars, but even without them, the cars on display covered a rather wide range. These three, among the very first I encountered, do a nice job of illustrating that range.

If called upon to describe the typical entry at the show, I’d say it was a nicely restored/maintained very drivable auto from the ’40s, ’50s, or ’60s. There were quite a few on hand that matched that description.

As is fairly common at car shows, attendees were asked to vote for a “People’s Choice” award. I wish I knew who won, but I don’t. I do know that this 1961 Studebaker Hawk got my vote. Read about it here.

After completing a pass through all the cars, I walked a couple of blocks away to my favorite bottle shop, Cappy’s. In recognition of Loveland’s 150th, Cappy’s collaborated with Jackie O’s in Athens, OH, to produce a Legend of Loveland hazy IPA. Note that there are two really good breweries in Loveland, but neither really distributes outside of their own taproom. The beer arrived on Thursday and by mid-afternoon Sunday, all the cans were gone. I try to drink an IPA every ten years or so and think I might have been falling behind. Fortunately, even though no cans were available, draft Legend of Loveland was still to be had, so I’m OK.

History in Bloom at Spring Grove

People I asked while there thought that Spring Grove Cemetery’s History in Bloom was about 15 years old. The earliest reference I’ve found online is from 2012, and it says, “It is one of our most popular events of the year!”, so 2012 wasn’t the first. Apparently, the event I attended for the first time on Sunday, April 19, was at least the sixteenth. My first impulse when something like that happens is to feel embarrassed because it took me so long to discover something so interesting. Of late, though, I’ve taken to being quite happy when it happens since it means there are still cool things to discover even for an old guy like me.

I do, however, regret missing out on previous events for one reason. In the past, I have enjoyed extended walks around Spring Grove Cemetery, and would certainly have enjoyed the guided walking tour available today. But long walks have become problematic for me over the last year or so, and I was happy to take advantage of the horse-drawn carriage rides, which, like the walking tours, were free.

It was nearing 1:00 when I arrived. This was probably near the busiest part of the day, and the line for carriage rides was rather long. My wait was a bit more than an hour, but the weather and surroundings were very pleasant. Neither I nor the others in line were much bothered by the wait. There was a group of five, including an extremely young baby, immediately in front of me. The first of the group had boarded a carriage when it became apparent they could not all be accommodated. When those on board turned to rejoin those on the ground, a couple already seated stepped off — with a smile — so mom and the others didn’t have to wait any longer.

We would get to visit with seven of the cemetery’s residents during the tour. All were important in the development of the city and region, but one was also extremely important in the development of the final home of all seven. Joseph Earnshaw assisted landscape designer Adolph Strauch considerably in creating the parklike layout of Spring Grove Cemetery.

Next up was Susan Pendleton Bowler, who, along with her husband, invited Adolph Strauch to design their gardens, which are now Mount Storm Park. John Robinson spoke to us from in front of the family mausoleum. The Robinson Circus, among the first to own its own railroad cars, wintered in Cincinnati for many years. Clara Dow was the only female in her class at pharmacy school, which she attended in order to take over her father’s drug store. Under her management, the store hired female pharmacists and added a soda fountain to create a place where women and children were welcome—and comfortable.

Thomas Hughes was a successful cobbler who willed his property to the city for the education of poor children. Hughes High School bears his name. Born into slavery, Henry Boyd became a skilled carpenter and was able to buy his freedom. His H. Boyd Company was a respected manufacturer of furniture. When Marianne Kauffman’s husband died, she stepped in to save and operate the John Kauffman Brewing Company. Because of her earlier success in real estate transactions, she was able to bring the company out of the heavy debt her husband had created.

This is Robert, our onboard narrator. He filled the spaces between stops with lots of information and an occasional joke. He also answered a fair number of questions, and it was clear he really knew his history. By tour’s end, we learned he had played several History in Bloom roles over the years. As I mentioned, the earliest History in Bloom references I found online were from 2012, and one of those contained a photo of Robert as Joseph Earnshaw.

There were three teams of horses pulling visitors around the cemetery. They all deserve to be recognized, and, although I did not get any of their names, I did get their pictures. The pictures near the beginning of the article are of the team that pulled me. Here are the other two teams as they approached the pickup point to load up and move on without me.

A Capitol Encampment

I have already taken advantage of two Ohio Goes to the Movies events, and I doubt those will be the last. But Ohio is doing a lot more than showing movies to mark the semiquincentennial of the signing of the United States Declaration of Independence. One of the many events organized by America 250 – Ohio was something called American Revolution in the Ohio Country, which took place Wednesday on the grounds of the state capitol in Columbus. Ohio was not a charter member of the USA, but we did join up fairly early on. Plus Fort Laurens near Bolivar, OH, was built and occupied during the American Revolution, and the Battle of Picawey, near Springfield, OH, is considered part of that war. Wednesday’s encampment did not attempt to recreate any specific event, but to offer a glimpse at life in the 1770s.

It was a few minutes past the 10:00 start time when I reached the plaza on the west side of the Capitol. I’d parked a couple of blocks to the east, and this was what I saw when the gathering first came into view. I sensed at once that I was late. I heard but did not see cannons or muskets firing, and may have missed some sort of opening ceremony.

Shortly after I reached the open space beyond the tents, the men who, I assume, had been making the booms I heard closed ranks and marched away. I would get to hear and see these fellows and others do a lot more booming before the day was over, but for now, a shot of them passing by was all I got.

But I did get to see the day’s first performance from Heritage Fife and Drums in its entirety. They started at the far side of the plaza lawn, then marched up to the crowd, where their leader enthusiastically introduced each song.

More music followed. This music was recorded and played through speakers so these energetic folks could dance to it. The second picture is of a quadrille (4 couples, 8 people), which Americans in the next century turned into square dancing with cowboy boots and no French accent.

Having read that there would be “samples of food from the revolutionary time”, I anticipated things unfamiliar and bizarre, but the most bizarre thing about the offerings was that stuff that I thought quite modern was being served in the 18th century. When I mentioned my surprise, the lady tending to the “Mini Beef in Crust”, which I picked as one of my two samples, told me that “Swedish Ham Meatballs” had been served at Mount Vernon, and that “Shrimp & Grits”, my other sample, had been popular in the Carolinas back in the day.

Inside one of the tents, a fellow explained 18th-century maps and mapmaking. There were also displays of more common items of the period.

While I was listening to the fifers & drummers, watching the dancers, and sampling the samples, the soldiers had been relaxing and answering questions from the curious. Now they lined up and began marching back to the open lawn. It was about to get noisy.

After marching to the far side of the lawn, both the militia and the uniformed regulars fired several volleys. (Note that the day this is being posted, April 19, 2026, is the 251st anniversary of men dressed and armed much like those in the first photo confronting British troops at Lexington and Concord.) Then the regulars begin moving toward the crowd. Half the group marched several paces ahead of the others and fired. They would then reload while the other half advanced and fired. Then, after crossing much of the lawn in this fashion, they all lowered their bayonets and charged,

Following that bayonet charge, the reenactors marched back to the tents for a bit of a break, but eventually returned to roll out the big guns. Here‘s a better look at the thin white object tucked into the hat of the fellow standing in the center of the third photo. I spotted him smoking the pipe just moments after watching another reenactor semi-stealthily puffing on a cigarette. I approached and commented about how much better the pipe looked. Yes, he agreed, he tried to appear accurate, and, yes, it was clay, and yes, he had made it himself.

Of course, any smoke produced by hand-made clay pipes or machine-rolled cigarettes was nothing to that produced by the battery of 3-pound cannons. Perhaps this, too, is part of trying to appear accurate.


Those samples of delicacies from 250 years ago were not the first things I had to eat on Wednesday. In the not-too-distant past, from a source I can’t remember, I’d heard of a great-sounding breakfast spot in Columbus named Katalina’s. I may or may not have known that Katalina’s had appeared on Diners, Drive-Ins and Dives. In any case, I had not seen the episode. If I had, I would have known that it was recorded at Katarina’s Too. I went to the original on Pennsylvania Ave. There is now a Katarina’s Tres also. I’ll try to keep an open mind, but I can’t imagine that either of the others is anywhere near as cool as the original.

Another thing I could have learned from the D, D and D episode was how to eat the signature and absolutely delicious Pancake Balls. I briefly considered pouring the real Maple syrup on the Nutella-filled balls like I would on a flat pancake, but decided that probably wouldn’t work. I proceeded to tear pieces from the balls with fingers and fork, and dip the impaled pieces into the syrup. I’ve now seen the video and know that holding a ball in your fingers, dipping it into the syrup, then taking a bite, is what the cool kids do. Next time, I’ll be cool, too. I was already cool enough to use my fingers to eat the best bacon I’ve ever met.

Not My Father’s Library

Nor is it my son’s library. The following generation will certainly benefit from Hamilton County’s Building the Next Generation Library project, but it is the one after that which seems poised to take advantage of the full range of library advances being made by the project. For a guy who once saw weekly bookmobile visits and encyclopedia yearbooks as state-of-the-art information access, what I saw Saturday at Symmes Township Branch Reopening was pretty mind-boggling.

The Symmes Township Branch is the one closest to where I live. It was closed and demolished about a year and a half ago so that a new building could be constructed on the site. During that period, this storefront was rented to provide physical access to the branch. Even though the temporary location was even closer to me than the permanent one, I was never inside. To be honest, I haven’t visited the library all that often, but I sure do appreciate it being there.

This is the new library building. I believe it is bigger than the old one, and they seem to have added quite a bit of parking, too. Maybe they bought more land. I’m not at all up on the details. When I arrived around noon, the parking lot was nearly full, but there were a few open spots, and people were coming and going regularly, which kept it in a steady state. Apparently, that had not always been the case because quite a few cars were parked at the nearby school with people walking over the grassy area between the school and library.

Here are some indicators that this is not a normal day at the library. Although it was not all that loud, Richard Goering was playing live. Additional entertainment was scheduled throughout the day. And refreshments were available in one of the side rooms. There was also a table filled with snacks, but the room was filled with people, so I skipped more photos. As I sipped some lemonade, I commented to a staff member that this blew a big hole in the “no food or drink” rule, and she replied, “Oh, we dropped that a long time ago. We trust people.”

I was familiar with the MakerSpace concept from the main library in downtown Cincinnati and knew that MakerSpaces had been established at a few of the branches. Now my branch has one. A MakerSpace contains various creative tools that patrons can use for just the cost of materials. These pictures show a photo printer, 3-D printer, flatbed scanner, and vinyl printer.

The place was really crowded, which made me reluctant to take many pictures inside, especially since children made up a major portion of the crowd. But I did grab one picture to show that lots of digital media is available in addition to rows of old-fashioned books with paper pages. And how about the cool outdoor reading room? The other exterior photo is an attempt to offer a glimpse of the children’s play area without actually showing the children

I think this Next Generation Library is going to be a hit — even for some whose generation is decidedly previous.

A Sudsy Season of the Fish

I suspect that Lenten fish fries are perceived as having a bigger presence on this blog than is actually the case. And the perceived presence of church fish fries may be off even more. The first “season of the fish” post was in 2014, and it was nine years before the second one came along. I ate fish at quite a few churches between the two, and before the first one, but that 2014 Must Be the Season of the Fish post was the only one completely focused on religious organization fundraisers. It was in the middle of 2023’s Another Season of the Fish that I decided to focus on anything but.

The “season of” posts have appeared in years when I managed a Lenten-related meal on all seven qualifying Fridays. Apparently, that is something I’ve targeted more in recent years, as this is the fourth consecutive such post. In 2014, I indicated I’d started getting serious about fish fries three years prior, and mentioned that it was “a nice break from eating at establishments practicing commercialism full time.” That is something I’ve kept in mind even after moving away from churches. Since then, I’ve targeted American Legion posts, VFWs, and similar organizations. But not this year.

On Ash Wednesday, the first day of Lent, local beer aficionado, The Gnarly Gnome, published a blog post that really caught my attention. That post, Cincinnati Brewery Lent Specials, 2026, listed local breweries with Lenten specials, and that made sense to this old brewery hunter. So this year, I embraced rather than avoided “establishments practicing commercialism full time” — as long as they are makers of beer.

On the first Friday of Lent, I was in Kentucky for something totally unrelated and decided to hit a brewery on that side of the river. Alexandria Brewing Company‘s offering was fried cod on a Cubano roll. The $19.95 price was a rather sobering indicator of what inflation hath wrought. It was quite good, but I eventually decided that there was just too much bread and stripped off the Cabano and downed the last half with a fork. Live Fast, On High oatmeal stout washed it all down nicely.

Week two found me in Greenville, OH, so I stopped at the northernmost candidate on the way home. The $12.00 fish and fries at Lebanon Brewing Company was good, but the Most Best Barrel Aged Coconut Stout was great.

Seventy degrees and sunny was a perfect setting for a drive to the west side of town and the $15 fish basket at 13 Below Brewery. Bock season and Lent always overlap, and I’m sure that the evening’s Bockfest Parade benefited from the glorious weather. Sadly, I missed the parade, but I did not miss out on 13 Below’s Fluss Bock.

Despite it being sunny and not terribly below seventy degrees, plans for the evening ruled out a drive across town, so I chose nearby Cartridge Brewing for this week’s fishy meal. As it turns out, Cartridge has no menu items specifically for Lent, but the always available $22 fish & chips met my requirements. As you can see, it arrived while plenty of my Covert Schwarzbier remained.

Bocce Brewing Company is a nano brewery operating inside an Italian restaurant. I imagine that what is now called the brewery’s taproom was once the restaurant’s bar. Nano brewery offerings are often limited to just one or two varieties, but Bocce seems to always have a half-dozen or so beers available on tap, and I have been impressed with the ones I’ve tried. This time it was 120 Golden Lager, barely visible in the corner of the meal photo. In the center of that photo is the first seafood lasagna I have ever consumed, and it (Four-cheese lasagna with shrimp, cod and crab in a lobster sauce topped with shrimp $21) was delicious.

I went off the Gnome’s list this week. Although there is a brewery slightly closer to my home, I think of The Common Beer Company as my neighborhood beer maker. It’s a true mom & pop operation and a hotbed of friendliness. There is no kitchen or full-time food partner, but they do frequently host food trucks, and when I found out that Cousins Maine Lobster would be there on the final official Friday of Lent, I knew that would work. On one hand, $25.95 makes that a pretty pricey sandwich, but on the other, there is an awful lot of lobster stuffed into that roll. A glass of Dunkellfagus completed the meal.

Lent technically ends on Good Friday, but many of the non-commercial fundraising fish-frying folk keep their operations going, and I have always included it in my “Season of…” posts, and I wasn’t going to let a little roadtripping interfere with that. This week, I had no choice but to go off list since I was not even in the Cincinnati area. It took some online searching and some off-route driving, but I did find a brewery with fish in Cedar Rapids, Iowa. At the Third Base Brewery, I washed down the $13.99 fish and chips with Tilted Kilt Red Ale.


Not only is today Easter, but it is also the end of my 79th year of existence. Easter and my birthday last coincided in 2015, and I noted, after the fact, that it would happen again in 2026. I then forgot it until late February, when my daughter pointed it out and spared me another last-minute surprise. I also celebrated my 6th birthday on Easter and might celebrate my 90th and 101st on the big holiday as well. Of course, any celebration of those two future events will likely be fairly subdued.

Drawing Board at ASM

Sketches are big in Cincinnati right now. Last month, I looked over some sketches by Rembrandt at the Taft. Yesterday, I looked over some sketches by various sign designers at the American Sign Museum. I missed Thursday’s opening reception for the ASM’s Back to the Drawing Board: The Art of the Sign Sketch 1925-1975 exhibit, but made it to Saturday’s tour by ASM founder Tod Swormstedt. The introduction placard speaks of the difference in how commercial art and fine art are perceived and invites folks to “consider what counts as art”. Early in the tour, Tod shared his oft-repeated observation that “The difference between fine art and commercial art is the number of zeros in the price.”

The exhibit is placed in what I believe is the museum’s largest event space. It marks the first use of the large movable panels made for just this purpose. The area’s walls have been used for previous exhibits, but the wheeled panels provide significantly more wall space while allowing the area to be easily cleared for dining, and dancing, and such.

Most of the sketches are placed in chronological sequence on the movable panels. A fixed wall displays a timeline of significant world events, along with examples of sign designs from the identified periods. marked times. Some of the noted events, such as the 1965 Highway Beautification Act, had a sizable direct effect on advertising and signs.

Among the things Tod pointed out as he led us through the exhibit was the start of using black backgrounds to better illustrate the impact of lighted signs and the increasing use of backgrounds and buildings rather than just the sign by itself.

Items on the exhibit’s last panel, as well as many of the previous items, can hardly be described as sketches. Some of the older sketches had truly been salvaged from trash cans and dumpsters. Some items in this photo were borrowed from collections displayed in homes and on office walls. The exhibit provides some real insight into the design and marketing of signs, but doesn’t help at all — Tod’s “zeros” comment notwithstanding — in distinguishing fine art and commercial art.


This picture has nothing at all to do with the Back to the Drawing Board exhibit. It is a detail from the billboard reproduction advertising the Lincoln automobile in the background of the last exhibit-related photo that might interest my named-auto-trail-loving friends.