Book Review
Just 20
Patricia Foster

It was election day. I’d voted just about sunup, then ate breakfast by dawn’s early light. A doctor’s appointment and a pause that refreshed followed, and I was on my way home when WVXU’s Cincinnati Edition with Lucy May came on the radio. I’m an occasional, not regular, listener, and I’ve probably heard more evening repeats than live noontime broadcasts, but the show’s guest that day quickly snagged my attention. It was a retired local constitutional attorney talking about her recently published book. I was home and the radio off before the interview ended, but I had heard enough to prompt an online visit to the local library and the downloading of an electronic copy of Just 20: How Ordinary People Can Make Our Government Work Again. It is only 146 pages long and written in plain easy to understand English. I read it over the next couple of days. I have also now listened to that full Cincinnati Edition interview. It’s here.

The thing that author Patricia Foster said that grabbed my interest the most was that the rule giving the Speaker of the House nearly absolute control over what bills the House works on is not in the Constitution or any law. It is in the Rules Package that is voted on by the full House every two years when a new congress is formed. Said another way, one of the first things a newly elected or reelected Representative does is hand over their authority to introduce legislation to be discussed and voted on to somebody else.

I believe I knew at some level that it had not always been that way, but I forgot, if I ever knew, how it happened. Foster knows and recounts the steps that did it. The books first two chapters are essentially history. Chapter 1, “What Congress Was Meant to Be”, does what its title promises. It explains the founders’ careful design of a government with three equal branches: one to legislate, one to interpret, and one to execute. The second chapter, “Who Killed Congress”, identifies those steps I mentioned that brought us to the current situation where Congress does nothing that doesn’t benefit the team that that one guy belongs to. Those steps are interesting and informative. They are summed up in a single sentence near the chapter’s end, “Congress slowly rewrote itself into dysfunction.”

I’m guessing that we all have favorite examples of congress triggered frustration. One of mine is when a single individual prevented a Supreme Court appointee even being considered and gloated about it being a win for his team. More recently, another stopped a bipartisan immigration reform bill from seeing the light of day so the problem could continue to be touted as an issue by his team. The team in both of those examples is the same and easily identified, but I have no doubt that equally frustrating examples involving the other team are easy to find.

Those frustrations are not the result of something I favored being defeated by congress. They are the result of one person deciding something would not benefit their team then suppressing that something. They are the result of disruptions in the four steps that Foster repeatedly identifies as the basic original job description for congress: Propose, Debate, Amend, Vote.

As you probably know, I simply won’t waste energy reviewing something I don’t enjoy. If I hint at recommending something, it’s generally because I think you will enjoy it, too. I’m strongly recommending that you read this book and/or listen to the Lucy May interview partly because I think most of you would enjoy it, but also because I think you may benefit from it and in turn you might benefit the world. Foster doesn’t just describe the dysfunctional congress, she describes some steps to initiate repairs. They basically involve attempting to convince your representative to try to hang onto the power he has on day one of a new congress. In suggesting this, she reminds us that each representative is beholden to approximately just 0.2 percent of the population making them our most intimate contact with the Federal government. I obviously missed out on making the suggestion to my congressman while I still had my vote in my hand, but I made it anyway.

In support of the ideas in her book, Foster maintains a website and a Facebook page. Check ’em out.

Just 20: How Ordinary People Can Make Our Government Work Again, Patricia Foster, Gatekeeper Press (August 21, 2026), 8.5 x 5.5 inches, 146 pages, ISBN 978-1662976988
Available through Amazon.

Book Review
Route 66: Faces and Places Along America’s Most Famous Road
Beth Bacon and Jodi Woolsey

Nearly all the reviews on this blog are organic, meaning they are of things I’ve read, listened to, or attended because I discovered them and chose to review them on my own. This is one of the very few exceptions. The author, Beth Bacon, emailed me and suggested that since my site was about road trips and I did book reviews, I might be interested in reviewing her latest work. Right off the bat, I was impressed that she knew road trips and reviews were involved in the site. Most of the email requests/offers I get seem pretty oblivious to that. Cryptocurrency, miracle medical treatments, and streaming services are popular—the most recent involved ancient coins.

This email was legitimate, and a quick look at some accompanying information made me think the suggested review made sense. But there was one problem. Being a children’s book wasn’t the actual problem, but it was part of it. I’d never reviewed a children’s book, despite coming across a few “organically”. A couple of those were also related to Route 66, and were written by friends. That they were aimed at children was the only reason I’d not reviewed them before. It didn’t feel right to review a book by a complete—but polite and likable—stranger, when I’d not reviewed similar books by people I actually knew. I solved that problem by using the last two Wednesdays to post belated reviews of Emily Priddy’s Route 66 for Kids 2026 and Anne Slanina’s Annie Mouse’s Route 66 Adventure. Apologies, ladies. I hope you believe that late is at least a little better than never.

Beth Bacon has all the right credentials. There’s an MFA degree in Writing for Children and Young Adults, a string of books for kids, and a bunch of awards for them that include a couple each from Mom’s Choice and Chanticleer Little Peeps. She has illustrated some of those books herself and worked with various artists on others. As far as I know, this is her first time working with Jodi Woolsey, but it is hardly Woolsey’s first time working with authors. She teaches art at the college level and runs her own freelance studio. Her illustrations tell much of this book’s story and do an excellent job framing the names and other details in Bacon’s words.

Those names, and the places too, seem carefully chosen. A road that’s 100 years old and nearly 2,500 miles long certainly has plenty of both. It’s easy enough for adults to be swamped and even easier, I imagine, for the 5-10 year olds that are the book’s target readers. Bacon picks subjects likely to interest the 5-10 crowd and doesn’t overwhelm by trying to include everything. The book opens with a few bits of information about the entire road and about Cyrus Avery, who was instrumental in establishing it. That’s followed by one- and two-page sections on each of the route’s eight states. One of the names appearing for Illinois is Bob Waldmire, who traveled the route in a Volkswagen bus. Missouri’s pages include Alberta Ellis, who operated a hotel and other businesses where people of color were welcome at a time when that was often not the case. This brief, casual mention of the topic earns a bonus point from me. The Blue Whale of Catoosa, Oklahoma, is an obvious kid-friendly subject, and Bacon introduces its creator, Hugh Davis, and his wife, Zelta, to her readers. Bacon also identifies more key names and places for these three states, along with a handful for each of the other five. A personal favorite is Bacon’s mention that Snoopy’s brother Spike lives near the Route 66 town of Needles, California.

I have a hunch that recognizing the publisher had a little bit to do with me wanting to review this book. The list of Reedy Press authors contains quite a few familiar names. Two of my recent reviews (Aprons Away and Route 66: The First 100 Years) were of Reedy Press publications, which left me impressed with their product. And they’re just a couple of miles off Route 66. 

Route 66: Faces and Places Along America’s Most Famous Road, Beth Bacon (author) and Jodi Woolsey (illustrator), Reedy Press (August 15, 2026), 11 x 9 inches, 32 pages, ISBN 978-1681066776
Available through Amazon.

Book Review
Annie Mouse’s Route 66 Adventure
Anne Slanina and Kelsey Collins

I’ve known Dr. Anne Maro Slanina for several years. I’ve attended presentations she’s given while wearing mouse ears, and we have shared group meals at conferences. I have read one of her Annie Mouse books, read preview excerpts from others, and posted positive comments. This is my first time reviewing one. Dr. Slanina is a retired educator with a Ph.D. in Curriculum and Instruction. Annie Mouse targets ages 5-12, a range I left behind long ago. I’m also pretty sure that no regular readers of this blog fit into that range either. And that, I suppose, is why I’ve never reviewed any of Slanina’s books before.

Three of the Annie Mouse books involve Route 66. The author is a big fan of the road and travels it frequently. That is where, of course, I met her. In Annie Mouse’s Route 66 Adventure, she applies not only the road knowledge she gained through her travels, but also photographs she took herself. The book covers a near full-length drive of the historic route from Joliet, IL, to Needles, CA. Making the journey is the Mouse family. There’s Mommy and Daddy, of course. The Mouse children include Annie’s older brothers, Sam and Bobby; older sister Jenny; and some unnamed younger siblings. The trip’s purpose is to visit Mommy Mouse’s cousins in Needles. 

Annie is the journal’s narrator. She is also its photographer. When Annie first learns of the planned trip, her excitement grows even bigger when she is told she would be allowed to take her own pictures. Those pictures appear exactly as you might expect from a young mouse making a scrapbook-style journal of her family vacation. More importantly, they appear exactly as they should to help young humans flesh out the words beside them. Sometimes, with the help of illustrator Kelsey Collins, Mouse family members appear in those pictures just as you would expect in vacation snapshots. There are also plenty of Collins’ delightful drawings in the book outside the frames of the photographs.

Annie Mouse’s Route 66 Family Vacation is another Route 66 book in the Annie Mouse series. It appears to tell the story of the Mouse family’s westbound Route 66 trip in greater detail, but without the photographs. It is, however, well illustrated with drawings by Kelsey Collins. The third book is Annie Mouse’s Second Route 66 Photo Journal, which tells of a second Mouse family Route 66 trip, this one eastbound, in the photo journal format with illustrations by Melinda Hood. What is sometimes called a fourth in the series is actually an ebook combining the two photo journal books.

Annie Mouse’s Route 66 Adventure: A Photo Journal,  Anne Maro Slanina (author) and Kelsey Collins (illustrator), Annie Mouse Books (May 13, 2011), 8.5 x 11 inches, 48 pages, ISBN 978-0979337963
Available through Amazon.

Book Review
Route 66 for Kids 2026
Emily Priddy

This book first appeared in 2003 as a real paper and ink publication. I got a signed copy in 2004, which, because it was small and easy to stuff between seats or in the glovebox, I kept in the car for quite some time. Based on the copyright dates, it was revised several times, but I never got a newer one, and my copy became increasingly out of date. Prior to February of this year, it looks like the most recent revision was 2016, so even the newer editions might not have been all that trustworthy. The print editions sold for next to nothing (I paid $5 for mine), and when Priddy updated things in February, she went beyond next and made it available for just plain nothing via Google Docs.

It’s definitely reasonable to ask why someone who is about as far from kidness as it’s possible to get, ever kept this close at hand. I mentioned the size of the hard copy. The size of the entries is another positive, as is their organization. States and the towns within them are listed east to west. The list of attractions associated with each town does not appear to be in any particular sequence. Below each attraction’s identifier is a single paragraph containing a brief description, address, telephone number, and website. The descriptions typically include cost, hours, and any other special considerations. They are not written by AI or someone following a formula who has never been there. Priddy often shares personal insights.

The book is a point of interest guide; not a route guide. It contains no maps or turn-by-turn directions to keep you on the route. However, Priddy offers some suggestions for navigation aids, along with some general road trip advice in a “Planning Your Trip” section at the back of the book. It’s for kids, although kids are not the target readers. Those are adults traveling Historic Route 66 with kids, looking for activities, restaurants, and motels that those kids might enjoy. On the other hand, it’s easy to imagine a pre-teen in the back seat, with a printed copy in hand, telling Mom and Dad exactly what the next stop will be.

Access Route 66 for Kids 2026 through the author’s blog post.

Book Review
The Whiskey Rebellion
Brady J. Crytzer

After coming home empty-handed from my recent trip to Greenfield, IN, to hear author Brady J. Crytzer talk about his new book on the National Road, I decided to sample his writing on the cheap by checking out one of his other books from the local library. The Whiskey Rebellion interested me and was available. I had no delusions about knowing the history in detail, but I thought I had a good overview: The government imposed a tax on whiskey; some farmers didn’t want to pay it; George Washington personally led troops to confront the farmers; and the farmers paid up. End of story.

That’s not wrong, but it’s terribly oversimplified. The biggest thing missing from my four-point summary is the extreme risk the uprising posed to a new nation with its first president in his first term. This book also showed me a different, less flattering, view of Alexander Hamilton than I’d previously seen. Hamilton designed the tax and saw its enforcement and the punishment of those who opposed it as something personal.

The first indication of just how little I knew about the book’s subject was when I read that what we now call the Whiskey Rebellion was known in its own time as the Western Insurrection. I don’t believe I’d ever heard that phrase before. I instinctively thought that removing the word “whiskey” from its name made the event seem more sinister and more important. My instincts were validated in the book’s last chapter, where Crytzer writes that when the event was completely over, “Alexander Hamilton and his Federalist allies took to calling it ‘the Whiskey Insurrection’ as a means of trivializing the affair.”

Crytzer does know the details. Like any good historian, he provides dates and names for events before, during, and after the insurrection. More importantly, he places those dates and names in the bigger picture of the times. At its core, the Whiskey Rebellion was a manifestation of the period’s conflict between Federalists (e.g., Hamilton, John Adams) and Anti-Federalists (e.g., Jefferson, George Mason). The most radical of the insurrectionists took steps to establish their own government separate from that of the United States. Had Washington delivered a Gettysburg Address-style speech as he led his troops west, it might have begun “Half a score and eight years ago…”.

Washington personally commanding an army to quell the uprising is part of virtually every description of the Whiskey Rebellion ever made, including my woefully shallow one in the first paragraph. That is deserved. It is the only time that a President of the United States personally led military forces in the field. But Washington returned to Philadelphia after reaching Bedford and turning command over to Henry Lee, the Governor of Virginia. The rebellion was centered in Pennsylvania’s Allegheny, Fayette, Washington, and Westmoreland counties plus Ohio County in Virginia. The 13,000 troops headed west came from Maryland, Pennsylvania, New Jersey, and Virginia, and the governor of each state led their own troops.

Accompanied by Hamilton, Lee led the army into the heart of the rebellion, but there was no big confrontation or battle. As the insurrection grew, the rebels had organized militia-like forces, and they were active in attacking and terrorizing individuals and families, but they quickly dissolved as the federal forces approached. The army was put to work apprehending targeted individuals, but the targeting was not very precise and the apprehension heavy-handed more often than not. Hamilton wrote a letter to Washington suggesting the elimination of due process. On November 13, 1794, the Pittsburgh area experienced so many of what Crytzer calls “smash-and-grab-style raids” that it became known as “The Dreadful Night”. “The names provided by Hamilton and Lee,” writes Crytzer, “made no distinction between witnesses, dissidents, and cooperators…” Those grabbed were confined in deplorable conditions.

As is all too often the case, almost all of the insurrection’s ringleaders escaped. In those days, exiting the United States was as simple as floating a sufficient distance down the Ohio River. Hamilton never caught the “big fish” he hoped to make an example of, and many of the little fish and those who should not have been fish at all suffered terribly. It was early enough in our nation’s history that it might have been the first time that we behaved so badly on such a scale, but it would not be the last. It might be that the passage of time and the fact that the insurrection was unsuccessful explain what Crytzer calls “a void in scholarship surrounding the event.” Still, I have to wonder if there has been real purpose in our school books extolling Washington gallantly returning to the field while not once mentioning “The Dreadful Night.”

The Whiskey Rebellion includes several images. Some are from historical sources, but Crytzer uses his own photos when possible. These are locations described in the text, and many still have buildings standing today after playing a role in the rebellion. Somewhat related to the pictures is a nice touch that Crytzer calls “Traveler’s Notes”. These appear at the end of some chapters and include notes, such as directions, about a location mentioned in that chapter. The Jean Bonnet Tavern was among the few of these I was familiar with. It served multiple functions for both sides in the Whiskey Rebellion. Established around 1760 and still operating today, it witnessed many significant events before the rebellion and even more after. The most recent significant event that I am aware of is serving me dinner in June.

I don’t know that this old dog can actually be taught any new tricks, but I’m encouraged knowing that I can learn new facts. In The Whiskey Rebellion, Crytzer does a fine job of shining a light on a subject I knew very little about. I don’t doubt he can do the same for one about which I think I know considerably more. I plan to read his National Road book and may acquire it at a future presentation of his. If so, I’ll make an effort to check inventory before driving too far.

The Whiskey Rebellion: A Distilled History of an American Crisis, Brady J. Crytzer, Westholme Publishing (June 14, 2023), 6 x 9 inches, 224 pages, ISBN 978-1594164002
Available through Amazon.

Book Review
Bettis
Brian Butko and Sue Morris

I was aware of this book when it was published, and I was interested in reading it. But not so interested, it seems, to actually order it. My interest in the book came from a general interest in early aviation history that anyone growing up in the land of Wilbur and Orville, as I did, should come by naturally. The lack of urgency came from the fact that its proclaimed subject was an airport in another state. It was a nearby state, but it wasn’t my state. It took a visit by the authors to a nearer and more familiar airport to finally put a copy in my hands.

That nearer airport was WACO Field in Troy, OH. WACO airplanes were once manufactured in Troy, and I have attended a few of the annual fly-ins that take place there. The most recent for me was the 100th anniversary of the company’s 1923 move from Lorain, OH, to Troy. Morris and Butko were, as you can see, dressed appropriately. Brian is a friend. This was my first time meeting Sue. Both are from Pittsburgh and passionate about their city. When I first heard of the WACO event, I assumed it was simply to take advantage of a semi-close historic airfield. But even before the presentation began, I learned that there was a much more meaningful connection. More on that in a bit, but I will note that there is a hint in the photo on the left.

I really was not surprised that Morris and Butkos begin their story long before there were any such things as airports or even airplanes. They do it with a Pittsburgh twist, of course, and tell about early inventors and adventurers connected to the city. I got a chuckle from a quote they share about a 1897 flight by Professor Carl E. Myers and his skycycle. The skycycle appears to be a balloon with a seat and pedals suspended below it. As reported by The Pittsburgh Press, it did fly and eventually floated out of sight while “The professor, if he had any control over the skycycle, did not exercise it.”

Of course, skycycles and other “Fanciful Fliers” fell out of favor once airplanes came along, and particularly after they were proven practical in World War I. Morris and Butko share the stories of several Pittsburghers involved in wartime aviation and the barnstorming that war-surplus aircraft gave rise to after the hostilities ended. It was a group of Pittsburgh barnstormers that gave birth to the airport that would be named Bettis Field in 1926. One of them, Clifford Ball, provided a slogan that would eventually be modified for a different field and some different dreams: “Build the nests and the birds will come.”

Also in 1926, Ball sold his interest in the airport to form Skyline Transportation to pursue a government airmail contract. He did get the contract and purchased three airplanes to service it. Here’s where that WACO connection mentioned earlier comes in. The three planes were WACOs named Miss Pittsburgh, Miss McKeesport, and Miss Youngstown. Miss Youngstown was destroyed in a wreck; Miss Pittsburgh hangs at the Pittsburgh Airport; and Miss McKeesport is in the WACO Museum, parked behind Sue and Brian in the photograph above. There is another view, sans authors, here.

Morris and Butko have uncovered and included an impressive number of stories about people and events connected with Bettis Airfield. It was one of the stops on Charles Lindbergh’s tour following his cross-Atlantic flight, but the Spirit of Saint Louis had to be slid sideways into a hangar because its wings were wider than the door. Quite a few black pilots trained at Bettis, but for a period, had to go to another state to be licensed because the designated federal inspector simply refused to pass them. A fairly large number of female pilots, some of whom were rather famous, were associated with Bettis. Passengers were sometimes flown on airmail flights, sitting on bags of mail; then, in 1929, real passenger service — with seats — was added.

As you can probably tell, all of these stories are well illustrated with period photos and other images. Chapters are short, with an even number of pages (2 or 4), so that each one begins on a left-hand page. That’s something I’ve noted in other Butko books, although I don’t doubt that others do it too. The book is clearly focused on Pittsburgh, and Pittsburgh residents might get a little extra kick from some of the local references, but everyone can enjoy its entertaining look at early aviation. I’m sure glad I went to that Ohio airport to learn about one in Pennsylvania.

Bettis: Where Pittsburgh Aviation Took Off, Brian Butko and Sue Morris, Heinz History Center (December 1, 2024), 8.5 x 8.5 inches, 124 pages, ISBN 978-0936340326
Available through Amazon.

Book Review
Fifty Inventions That Shaped the Modern Economy
Tim Hartford

Although I have since figured it out, when I pulled Fifty Inventions That Shaped the Modern Economy from my to-read list, I wasn’t sure how it got there. I was, however, quite certain that beginning it immediately after reviewing Cities of Gold was a real piece of luck. That’s not because of any overlap in subject matter. There is virtually none. It is because that review had ended with me seriously considering whether or not the invention of the automobile had been a good thing. I guess I was in the mood to think about inventions.

Harford leads us to think about inventions differently than we otherwise might. Of course, just considering their impact on the economy, the focus of this book, is new for some inventions and some readers. But Harford has us thinking about how they came to be, why some took so long to be created or accepted, and yes, good versus bad.

Some inventions create clear winners and losers, and that is the name of the book’s first section. A good example, and the one Harford talks about first, is the gramophone. As he does with all fifty of his chosen inventions, he tells its story through real-world examples that illustrate why it was chosen. In pre-gramophone days, top-tier performers made more money than those who weren’t quite as good, but second- and third-rate performers could do alright since the only way to hear a hit (or any sort of) song was via a live performance. Once it became possible for a star to record a single performance and sell copies, the market for not-quite-star performers dropped dramatically.

Several of the listed inventions require a large array of other inventions to even exist. The premier example of this is the iPhone and the other smartphones that followed. Harford notes that economist Mariana Mazzucato has identified a dozen technologies needed to make this device practical and useful. Several are specialized miniature electronic components, but things like analog-digital conversion, a cellular network, and the World Wide Web are also obviously necessary. I was reminded of those pictures of a guy weighed down by all the devices replaced by a modern smartphone, and made to realize that if all of those functions didn’t already exist, smartphones wouldn’t be very smart at all.

There are other inventions that do not require a bunch of prior breakthroughs but do require a lot of coordination. I have passed harbors filled with ships loaded with identically sized shipping containers and have watched trains carrying the big cubes pass me. It never occurred to me just how much coordination it took to create ships and railcars to hold the containers and cranes and other devices to move them. The story of how that happened is fascinating.

Naturally, a lot of what Harford has to say about an invention concerns its impact. The book’s purpose, after all, is to identify those that shaped the modern economy. Some of that impact is intentional, some is not, and some of the unintentional impact is not good. It was the negative environmental impact of the automobile described in Cities of Gold that got me to consider it differently, and there are plenty of negative unintended consequences described in Fifty Inventions…. But there are also plenty of positive unintended consequences connected with those inventions.

Air-conditioning is a great example. Its invention was driven by the effect of varying humidity on color printing. It solved the problem – but also led to a lot of comfortable and happy people in their cars, homes, and offices. Along with the safety elevator, reinforced glass and concrete, and a few other things, air-conditioning is one of the inventions that allow glass-covered skyscrapers to exist.

That the inventions Harford identifies have overall been good things is reinforced in the Epilogue, when he recounts economist Timothy Taylor asking his students whether they would rather be making $70,000 a year now or in 1900. The answer might seem obvious at first, but it requires just a little thought to realize that while that money would definitely buy more stuff in 1900, much of the stuff that makes life enjoyable today was not available in 1900 at any price.

Fifty Inventions That Shaped the Modern Economy, Tim Harford, Riverhead Books (August 28, 2018), 5.5 x 8.21 inches, 336 pages, ISBN 978-0735216143
Available through Amazon.

Book Review
The Last Ride of the Pony Express
Will Grant

I have read and reviewed more than a few books about modern retracings of historic routes, including some I was personally responsible for. Almost all of them involved automobiles, with the result that those doing the retracing typically traveled significantly faster than the route’s original users. For the original travelers on the route that Will Grant followed in 2019, speed was far and away the main consideration. Relay riders moved mail over the nearly 2,000-mile-long route in ten days. Grant’s main consideration was safety. About 75 horses were ridden to near exhaustion in each Pony Express run. Grant’s safety and the success of his ride depended on two horses covering the entire distance. Will, Chicken Fry, and Badger got to know each other quite well during the 142 days they spent together during The Last Ride of the Pony Express.

I’ve been to the stable-turned-museum where Grant and all of those Pony Express riders began their journies west, and I have crossed the Missouri River at Saint Joseph, but it somehow never registered with me just how close that stable was to the riverbank. The stable and the river are less than half a mile apart. When I finally realized that, my first thought was to question why the Pony Express did not just place its eastern terminus on the other side of the river. It was a dumb question that I almost instantly answered. The Missouri River marked the border of the United States in 1860. St. Joseph was on the frontier. Pony Express riders began their westward dash with a ferry ride. Will Grant began his unhurried retrace with a police escort over a bridge.

Grant was very familiar with horses from a lifetime of riding, and I suspect he was more familiar than most with the history of the Pony Express and the geography of the American West. But he became a lot more familiar with these subjects as he prepared for his ride, and he shares that knowledge throughout the book. He also shares what I see as a sense of awe at the logistics of managing the hundreds of horses and men involved in the Pony Express. Many of us see only a galloping horse and rider when thinking of the Pony Express. Some may also think of brave station masters. Grant thinks and writes about all the men, and probably a few women, responsible for a constant supply of water, hay, and other necessities to those isolated stations, for the speedy breaking of horses to be ridden, and for all the other behind-the-scenes details of keeping an operation this big and spread out functioning.

The lack of that widespread support organization might be just as big a difference between Grant’s ride and those of 1860 as the speed of travel. Grant had the benefit of modern resources, including a sometimes-connected cell phone, and numerous generous routeside residents provided meals, showers, and places to camp. But he was basically self-contained and, despite several invitations, never slept in someone’s home. Surroundings ranged from too much civilization to essentially none at all. The severe isolation of parts of the trail is illustrated by Grant arranging for six caches of water and hay to be placed along the route through the Great Salt Lake Desert to make up for the lack of staffed and provisioned Pony Express stations.

The routeside residents also provide conversation. Sometimes history is explored, and sometimes the topic is something very current. Some subjects, like corporate ranches, wind farms, and wild mustangs, have the potential to become political, but Grant somehow manages to avoid that. Not only in his real-life conversations but in his informative writings. He’s really good at sharing facts, and maybe even describing a couple of viewpoints, without letting his own opinion distort them. In fact, most opinions held by others are reported with any rough edge they might have had removed.

I enjoyed encountering place names I recognized. Just as parts of the Pony Express route followed paths marked earlier by wagon wheels, feet, and hooves, some of it would later be followed by the tires of automobiles. Saint Joseph, MO, where it started, is where the Jefferson Highway and the Pikes Peak Ocean to Ocean Highway crossed. I recognized one of Grant’s camping spots, Hollenberg Station, from having stopped there while driving the PPOO. Farther west, the Lincoln Highway has led me to Dugway, Fish Springs, and other Pony Express-connected places that Grant mentions.

At Willow Spring Station in Callao, UT, another place the Lincoln Highway has taken me, Grant pauses for a day to rest himself and the horses. The last of his arranged caches lies between Callao and the stateline and beyond that, Nevada and California. There was still a long way to go, but the big desert was essentially behind him, and the day of rest may have prompted a look back. “No one, I thought, knows the ride of a Pony Express rider, but I’d come pretty close. My time in the desert, free from the distractions of population or vegetation or paved roads, had revealed what no book had conveyed, what I could not fully articulate, but what I knew was a past informant to our current psyche.”

On September 22, 2019, 142 days after crossing that bridge in Saint Joseph, Will Grant rode Chicken Fry up to the Pony Express statue in Sacramento with Badger in tow. The three had surely traveled more than the 1,966 miles said to comprise the actual Pony Express route. I’m still not sure whether I think the Pony Express was insane or brilliant. Crossing a 1,400-mile-wide gap in our country on horseback once in ten days is an impressive accomplishment. Establishing a system to do that in both directions twice a week is incredibly so. It is commonly estimated that something like 500 horses were used. Grant’s not buying it. He thinks a number between 1,500 and 2,000 is more believable.

I doubt I have ever spent much more than an hour on horseback at any one time, and I certainly don’t intend to try it now. I gained a slight sense of what multiple days in the saddle might be like without risking snakebites, saddle sores, or wild mustang attacks, and that’s close enough for me.

The Last Ride of the Pony Express: My 2,000-mile Horseback Journey into the Old West, Will Grant, Little, Brown and Company (June 6, 2023), 6.3 x 9.55 inches, 336 pages, ISBN ‎ 978-0316422314
Available through Amazon.

Book Review
Coast to Coast on a Tandem
Tracy & Peter Flucke

The Fluckes were presenters at last year’s Route 66 Miles of Possibility Conference in Joliet, IL. The primary connection was their 2016 trek along Historic Route 66, which was their third unsupported cross-country trip on a tandem bicycle. This book covers the first of those trips, a 4,300-mile ride from Bellingham, WA, to Bar Harbor, ME, in 2014.

They smoothly alternated lines during the Route 66 presentation like co-anchors on the evening news. Their teamwork in a situation where it was nice but not mandatory hinted at how that team performed on one pair of skinny pedal-powered tires, where it was crucial. That’s also true of their teamwork on the pages of this book. In fact, the form of Coast to Coast on a Tandem seems closely aligned with the realities of tandem bike travel.

There are no passengers on a tandem bicycle. The person in front(captain), in this case Peter, is responsible for steering, which requires constant awareness of what is immediately in front of the bicycle. Bits of debris or small potholes that are no more than inconveniences when traveling on four wheels can be disastrous on two. The front rider is also responsible for gear selection and braking. In the back (stoker), Tracy is responsible for navigation, which means keeping Peter informed of upcoming turns, stops, and such. She also keeps an eye on traffic to the rear and keeps Peter informed of that as well. Both are responsible for powering and balancing their vehicle.

Their views from the saddle are not the same. Peter has a clear view of the landscape ahead, but is mostly focused on the road surface just a few feet away. Tracey has more time to contemplate the scenery, but her view is limited to the left and right. Anything more than short glances to the rear is uncomfortable and potentially unsafe, and the view ahead consists of little more than the back of Peter’s head.

The idea of two different views is carried into the book’s text. Instead of collaborating on a single combined narrative, Tracey and Peter each write their own version of events, and the two versions are interleaved. Sometimes, the pair of synchronized tales differ by no more than the distance between tandem bicycle seats, and sometimes they offer very different takes on a single set of events.

We all know that travel is enhanced at least as much by people as by location. The Fluckes meet and describe people in campgrounds, hostels, restaurants, grocery stores, motels, and through a cyclist-oriented home-sharing organization called Warm Showers. They also meet a few bicycle mechanics as they deal with the wear — especially on tires — and tear of long-distance pedaling. Almost all are friendly and either helpful, curious, or both.

Some of the people they meet are fellow cyclists. The Fluckes are barely twenty miles out of Bellingham when they encounter a cyclist on his way to Boston. Peter and Tracy are following the Adventure Cycling Association’s Northern Tier Route. Peter writes that an estimated 2,000 people travel this route each year. Some do it all, and some do short stretches of a few days or so. Some do it unsupported, like the Fluckes, while some do it as members of packaged tours with a support vehicle tagging along and carrying their gear. Are any of those people on a tandem?. Peter guesses “maybe 1 percent”. The Fluckes encounter none.

The book begins with descriptions of acquiring gear for the trip, physical training, shipping the bike, etc. Preparing their home world for a near three-month absence takes some effort, too. Once the trip is underway, each chapter begins with a map of the area covered in that chapter, and each day’s journal begins with the date, incremental and cumulative miles traveled, and a brief description of conditions. An example from a day in Montana is:

Day 21
June 21 — Havre to Malta, Montana
93 miles (total miles – 1,147
65-75 degrees, sunny with a nice tailwind to push us along

Not every day is sunny, and not every wind pushes them forward.

Coast to Coast on a Tandem is not a photo-heavy book, but there are several. All are in color. One is of the couple hoisting the bicycle overhead in Bar Harbour to celebrate completing the trip. Tracy calls it perfect—and lucky. “What were we thinking? Bike all the way across the country and have a complete stranger take only one picture to commemorate the event. Crazy.” Surely she knows better than to think that’s the only crazy thing described in the book.

Anyone even slightly familiar with me will know that the chances of me cycling across the country (or surviving if I did) are essentially zero. I assumed that the chances of my having anything in common with the trim and athletic Fluckes other than a love of traveling were also pretty much zero. I was surprised to learn that we share a fondness for craft breweries. Apparently, Peter and I even share a fondness for porters and Scotch ale. Furthermore, we both like to “collect” breweries. I, traveling in a medium-sized SUV, do it by logging them in an app on my phone. The Fluckes, traveling on a vehicle with the storage capacity of a medium-sized hummingbird, do it by purchasing souvenir glasses, which they then mail home fairly often.

Coast to Coast on a Tandem: Our Adventure Crossing the USA on a Bicycle Built for Two, Tracy & Peter Flucke, M&B Global Solutions (November 2, 2017), 6 x 9 inches, 230 pages, ISBN ‎ 978-1942731283
Available through Amazon.

Book Review
American Sign Museum: Celebrating 25 Years
Roberts, Grilli, Kikkert

This book, just like its subject, is bright, colorful, eye-catching, and informative. That subject, quite obviously, is the 25-year-old American Sign Museum in Cincinnati, Ohio. The three names in this post’s title are of the book’s author, photographer, and designer. I don’t think I have ever called out a designer by name before, although some books I’ve reviewed clearly benefited from a good design. Most books, I believe, are designed by the author or an employee of the publisher. Here, the designer, Kathy Kikkert, is identified as a member of the team and rightfully so. Her design added greatly to my enjoyment of the book. Technically, Sam Roberts is not identified as the author but as the person responsible for the “text”. Close enough. Natalie Grilli is the person responsible for “photography”. Short biographies in the book list the outstanding qualifications all three have for their roles.

Pulitzer Prize-winning cartoonist Jim Borgman supplied the book’s foreword. As a fellow Cincinnatian, I was familiar with Borgman’s work, but was a little surprised to see his name here. Then, as I read his contribution and learned that his father had been a skilled sign painter, I realized he was the perfect man for the job.

Museum founder Tod Swormstedt provided a welcome page and an introduction, and his influence is evident throughout. It’s a given that some of the information presented in Roberts’ text came from Tod and others. To me, it seems almost as obvious that a guy so adept at organizing walls, rooms, and buildings filled with signs would have a hand in organizing sign-filled pages, and I have a strong hunch that he might have suggested a few targets for Grilli’s camera.

As Tod describes in the introduction, the book consists of three sections. The first describes what the museum is. It begins with some statistics, such as size (40,000 sq ft), oldest sign (155 years), and tallest sign (21 ft).  That is followed by “A Founder’s Vision” (written by Tod), some words about the museum’s mission and its relationship with the community, and recognition of some of the many individuals who have been instrumental in the museum’s development and ongoing operation.

The second section concerns signs in general. There is a condensed history of signs in America that starts with carved and painted signs and progresses through materials like glass and plastic. The major changes electricity brought and the development of various illumination methods are covered. The section concludes with a glossary of sign types and the techniques and materials used in their construction.

Section three begins just short of halfway through the book. This is, as the “Celebrating 25 Years” title suggests, the reason this book exists. The first two sections set the scene by providing an idea of what the museum is and some understanding of the things it contains. This section tells the story of how it got there.

I first became aware of the museum with the 2005 opening of its original Walnut Hills location. To someone not involved with the sign business in any way, it seemed to me that this wonderful new attraction had magically appeared, fully formed, in my city overnight. However, we all know that’s not how things work, and I soon learned about some, but far from all, of the work behind that magic. The first part of section three nicely covers the period between forming a board of directors in 1999, incorporating as a non-profit in 2000, and that delightful grand opening on April 28, 2005. This is also where I found more photos of Tod wearing a tie (3) than I’d ever seen before.

That first home in Essex Studios in the Walnut Hills neighborhood of Cincinnati was outgrown before it was occupied. Behind-the-scenes coverage continues as the current location in Camp Washington is acquired and made ready for another grand opening in June 2012. Central to “A Founder’s Vision” was the desire to not just display signs but to tell the story of American signage. Two envisioned methods for doing that were a Letter Wall showing the evolution of sign lettering and a faux street where signs were displayed in period-appropriate settings. A short Letter Wall existed at Essex, and some signs were sort of arranged as if they were on a street, but the backing was mostly plain white walls. In the new location, there was room to create proper versions of these two features. A much longer Letter Wall was constructed at the entrance to the main display area, and a Main Street was built with various storefronts lining both sides. To add another layer of realism, a diverse group of sign painters known as Letterheads descended on the museum to add signs to windows and doors to augment the big signs hanging on the storefronts and standing in the street. The store windows serve as natural display locations for items like painter kits and books.

The Letterheads and the museum have a wonderful relationship that is well documented in the book. The museum hosted the group’s 40th and 50th reunions in 2015 and 2025, and the group added murals and other features to the museum each time. When the museum expanded and Main Street doubled in length in 2024, the Letterheads returned to work their magic on the new storefronts. The Letterhead story is just one of many that show how the museum is appreciated by sign makers as well as sign fans.

There is something akin to a fourth section spread throughout the book. It is made up of things called “Sign Stories”, which are like sidebars in that they are standalone and not tied to the main flow of the book. But each is at least one full page, and some fill a two-page spread. Most describe a sign or group of signs in the museum’s collection. They typically provide a date and original location and identify the sign material and type. Then the page is filled with details about the sign’s original owner, its acquisition, or some other truly interesting aspect of the sign. I didn’t count them, but there’s a bunch. Enough to believe that some people might think the book worthy of purchase if these were all it contained.

I imagine everyone has figured out that the book is packed with pictures. Some are from the museum archives, and some from other sources, including Grilli’s personal stash from ten years of museum visits. But many are brand new, selected from the 19,179 images Grilli recorded specifically for this project. Heavyweight glossy paper and good print quality deliver the bright, colorful, eye-catching stuff. The book is available in both hard and soft cover. I have the softcover version, but I did leaf through a hardcover copy at the museum. The hardcover is clearly the sturdier of the two, but I believe the print quality is the same for both. At least for now, the book is only available through the museum and through Sam Roberts’ BLAG magazine website in Europe.

American Sign Museum: Celebrating 25 Years, Sam Roberts (text), Natalie Grilli (photography), Kathy Kikkert (design), American Sign Museum (November 15, 2025), 10 x 10 inches, 166 pages, ISBN 979-8-218-65249-4 (9798218752521 – BLAG)
Available here and here (Europe)