Freaks and Sideshows at the ASM

They’re back. My first exposure to David Waller’s collection of circus sideshow banners was when they appeared as set dressing at The Signmaker’s Circus held to celebrate the American Sign Museum‘s tenth year at its Camp Washington location. That was in 2022. The circus occupied the unfinished half of the building and might be considered a step toward the expansion of the museum into that space, which would be revealed just about two years later (New Stuff to Look At). The banners and the multiple tons of signs hung for the circus were always intended to be temporary. However, some of the signs and all of the banners were still there a few months later when the banners’ owner delivered a presentation on them, which I covered as Sideshow Signage.

Although the number of circus acts at Thursday’s opening of the Freaks & Sideshows exhibit was considerably reduced from the over-the-top extravaganza that was The Signmaker’s Circus, their presence was still felt. They definitely enhanced the circusy feel of the event.

That circus tone was also present in the refreshments. I had a nice chat with the Cincinnati Cotton Candy lady and made her aware of my teenage experience making snow cones at the county fair, in case she ever wants to branch out. I don’t know that The 1936 North American Heat Wave’s music was all that circusy, but it certainly matched the time period of the early banners on display. I’d never heard of the band or the weather event it is named after, so I was simultaneously handed two tangents to head off on.

Of course, for the banners, the biggest difference between this exhibit and The Signmaker’s Circus is that they are no longer just decorations hanging in the background. Here they are the stars, with good lighting and informative panels. The Elephant Boy banner in the first picture is the oldest in the exhibit. It is from the 1920s.

Most of the banners on display were also on display in 2022. That includes what might be my favorite single banner, Spider Girl. A nearby panel explains that a woman whose face was the only thing visible operated the not-exactly-alive arachnid body with hidden strings. I think I like the winged creature in the background nearly as much as I like Spider Girl herself.

The last row of the exhibition is tagged “Problematic Alley”. The Garrotte banner is part of a series showing scenes of torture. Some were associated with live actors, but sometimes just the depiction was shocking enough. “Half and half” acts like that shown in the Sex Change banner employed actors displaying both male and female characteristics.

Although not every “half and half” actor was truly gender non-binary, many were, and the circus provided a paycheck that might be difficult to obtain elsewhere. Likewise, many sideshow “freaks” were disabled individuals making a living through their handicap at a time when social services were nearly non-existent. In connection with the Freaks and Sideshows exhibit, on August 27 the museum is hosting a presentation (Beyond the Banners: A look at how the circus impacted the disability community) by Jason Harris that will examine both the exploitation and the opportunity connected with the circus.

An August 20 presentation (Collector Talk: Dave Waller) by the owner of these banners is obviously tightly tied to the exhibit. Full Circle: The Golden Era, Decline and Renaissance of the American Carousel isn’t as tightly tied to the circus, but it clearly shares its spirit. It’s August 3.

Freaks & Sideshows runs through October 4.

  

A Day in Greenfield

A little more than a week ago, I saw an announcement in the Indiana National Road Association’s Facebook group about an upcoming road-related event. The author of a new book on the National Road would be presenting a lecture in Greenfield, IN, on Wednesday, and I thought that sounded pretty interesting. Making it more inviting was a list of activities in Greenfield that attendees might like. Near the top of the list was the James Whitcomb Riley Boyhood Home, and that was the nudge I needed. I have driven through Greenfield multiple times and told myself more than once that I ought to visit Riley’s home but had yet to do it. Some other things on the list also sounded interesting,  so I decided a drive to the middle of Indiana was justified. Had I known just how perfect the weather was going to be, justification would have been even easier.

I had plenty of time to make the 6:30 lecture, so I did not push myself to hit the road super early. I did, however, start early enough to feel comfortable trying out a new place for breakfast. That new spot was Nick’s Restaurant in Harrison, OH, and breakfast was goetta and eggs. I do like Glier’s Goetta, which has a near monopoly in the area, but I also like eating at places that go a different way. Nick’s is one of those places. If I recall correctly, their goetta comes from Wassler Meats.

I used US-52 for much of the drive. Besides being extremely pleasant, it helped make sure my arrival was safely beyond the 11:00 opening time for James Whitcomb Riley Boyhood Home and Museum. The white house is the boyhood home. The yellow house is the museum. It contains a gift shop and many Riley-related items, including a couch that James used to nap on. The museum is free. A tour of the boyhood home is $7.00 for adults; less for the old and the young.

James was raised in this house and got the inspiration for many of his poems here. When Little Orphant Annie (real name Mary Alice Smith) had “come to our house to stay”, this is the house. James and an older brother and sister were born in a log cabin. Three younger siblings were born in this house that their father, Reuben, built. Reuben was a lawyer, politician, and—as evidenced by this house—a talented craftsman. The spiral staircase (backside here) is just one of the building’s impressive features. Just out of frame of the staircase photo is the beautiful storage box Reuben made for his wife, Elizabeth Marine Riley.

The wear and tear on the trunks is from James’ extensive touring. I don’t recall that the other two items pictured had any Riley connection, but they fascinated me all by themselves.

I had a most wonderful guide whose name I learned as we moved from the museum to the house but which, as is way too often the case, I failed to record and have forgotten. Apologies. You did an outstanding job. She not only shared information about the things we were looking at but about when we were looking. My visit just happened to coincide with the 110th anniversary of James Whitcomb Riley’s death, July 22, 1916. A bit more than a year later, he moved into his current home, which I visited some time back.

That list of Greenfield attractions in the INRA announcement included a dining suggestion. The menu at Carnegie’s looked pretty good, but to be honest I was more attracted to the building it occupies. The 1909 Carnegie Library has been repurposed with a restaurant downstairs and an event space upstairs. And yes, food and service were excellent.

I had picked the Hancock County Historical Society museum from the announcement list as the place to fill part of the afternoon, but when I reached the published address, I missed the word “museum” on the message board and thought I was in the wrong place. Turns out it was just the wrong time. When I parked and did the research I should have already done, I learned that the museum was indeed housed in the church but was only open on weekends. As I started to ponder what I might replace the museum with, a car pulled over in front of me and its driver entered the church. Perhaps, I thought, the museum was being opened. Maybe for no other reason than it had been identified as a place to visit by the National Road group. I walked to the door, entered, and learned that the museum was not being opened and that the door would have automatically locked itself if I’d been a little slower. I also learned that the fellow whom I’d seen enter was society president Michael Kester. He was there specifically to meet someone else a bit later, but when he discovered I was from some distance away, he graciously offered to show me around the museum. There are a few items displayed on the main floor and a lot more downstairs.

One corner of the main museum area is given to temporary displays and is currently devoted to World War II. An exhibit on a local circus family will replace it sometime this fall. There is a real Riley connection with Little Orphant Annie’s sewing machine. For a time, roosters and donkeys coexisted as Democratic Party symbols, with the use of the rooster originating in Greenfield. Although, as explained here, this particular specimen is from 1876, the rooster-and-Democrat partnership began around 1840. Once Thomas Nast got behind the donkey, the rooster faded and was essentially gone by 1932.

I made it to the Brady J. Crytzer presentation that had been the seed for this trip in plenty of time but was disappointed to learn the author had no copies of the new book with him. The first hardback printing had sold out, and while copies were available from bookstores and other sources that stocked them, the publisher could provide none to the author. That may have been aggravated by the fact that a paperback rollout is approaching. I can’t say for certain that I would have bought a copy, but that was a big part of my reason for attending. The lecture was certainly entertaining, and even though I did not learn anything new of any significance, there were a couple of comments that will influence where I next go digging in National Road information. It turns out that Crytzer made a couple of stops in Ohio recently. In early June, he was at an America 250 event at the Blaine Hill “S” Bridge on the National Road near St. Clairsville, and just a couple of weeks ago he was at the Book Festival in Columbus. St. Clairsville isn’t a whole lot farther away than Greenfield, and Columbus is quite a bit closer. It also seems likely that copies of the new book were available at both events. Of course, if I’d picked one of those over Greenfield, I’d have missed seeing the porch that Little Orphant Annie shooed the chickens off of and the politically inclined rooster that resisted getting shooed for the better part of a century.

Happy Birthday to U.S.

Yesterday was the 250th anniversary of the adoption of the Declaration of Independence of the United States of America. Around 2010, the Cincinnati History Museum rediscovered a copy of the second printing of the Declaration and put it on display for the Fourth of July in 2015. Like this year, the Fourth of July fell on Saturday. Part of my blog post for Sunday, July 5, 2015, concerned the opening of the display on July 2. The 1776 document is again on display this year in an exhibit that opened on July 3. I took the opening picture from I-71 as I headed toward the museum for the opening of that exhibit.

Declarative Acts and Revolutionary Actors is paired with another temporary exhibit “Equal to Any in the City:” Ball & Thomas Photographs 1840s – 1870s. Both opened on the 3rd and are included with museum admission. Declarative Acts and Revolutionary Actors runs through August 23. “Equal to Any in the City:” Ball & Thomas Photographs 1840s – 1870s runs through October 14.

This year the museum’s copy of the Declaration of Independence is displayed in front of the 1st Pennsylvania Battalion flag. Josiah Harmar was a member of the 1st Pennsylvania Battalion and probably brought the flag with him to Ohio. His great-grandson donated the flag to the City of Cincinnati in 1926.

The Declaration of Independence was not signed on July 4, but was approved by representative from twelve colonies. Approximately 200 copies were printed that night in Philadelphia. Without instructions from their legislature, delegates from the thirteenth colony, New York, did not approve of the declaration on the fourth but did so on the ninth after which about 500 copies with the New York resolution were printed. The copy on display is one of four known survivors from the second printing. Twenty-six copies of the first printing are known to exist.

Additional informative displays and artifacts from Cincinnati’s earliest history, such as wood from the original Fort Washington, fill out the Declarative Acts and Revolutionary Actors exhibit.
 
 
James Presley Ball was a free Black man who, along with his brother-in-law Alexander Thomas, operated a very successful photography studio in Cincinnati from the late 1840s into the 1870s. The museum’s exhibit contains many of their original photos.

It’s perhaps not surprising that Ball was an active abolitionist. He frequently worked with the Underground Railroad, but his biggest contribution to the ant-slavery movement was probably a 600 yard long panorama he created in collaboration with other artists in 1855. It toured part of the country providing a visual depiction of the horrors of slavery. The panorama has been lost, but an accompanying pamphlet survives. A short video describes it in the exhibit.

The exhibit uses the Ball and Thomas story to share some details of early photography aside from the specifics of their activities. The film camera had just been invented and Photoshop was more than a century away but people were already busy improving on what the lens saw. Studio employees called retouchers might enhance black and white images with a little color or maybe even add something entirely new to the scene. Examples are turning a gray watchchain gold and placing a shiny gold ring on what was actually an empty finger.

It was still morning when I finished viewing the exhibits. It had already been uncomfortably hot when I arrived, and I knew the temperature was still rising. I opted to pause on a bench in the lobby for a bit before venturing out. What you see at left is the natural result of anyone spending more than a second or two in that wonderful half-dome with a camera in hand.

Because all of my previous 4th of July blog posts have included fireworks, I’m including this pair of worse than usual shots. In the past, I’ve photographed the shows at Kings Island, Loveland, and maybe a couple of other places. I can always hear, but not see, the Kings Island show, and that might be true of some other nearby events as well. However, I am surrounded by multiple neighbors who really like to celebrate on the 4th (and the 3rd, and the 5th, and more), so this year I just stepped outside my front door and grabbed a few snapshots with my phone. Then I stepped back inside and went to bed.


The 1955 Mountain View diner occupied by Sugar n’ Spice is a good place for breakfast when heading to the Museum Center. However, since it is in the downtown area, parking is a consideration, and for me, it often loses out to other places also within range of the museum with free parking. I’d already decided I was just going to deal with the parking, then learned that I didn’t have to. I had also more or less decided that I would have a very Cincinnati goetta-and-cheese omelet when I spotted something else on the menu. I believe this was my first-ever goetta Benedict. It is also very Cincinnati and also very good. Happy hollandaise.

Book Review
Fifty Inventions That Shaped the Modern Economy
Tim Hartford

Although I have since figured it out, when I pulled Fifty Inventions That Shaped the Modern Economy from my to-read list, I wasn’t sure how it got there. I was, however, quite certain that beginning it immediately after reviewing Cities of Gold was a real piece of luck. That’s not because of any overlap in subject matter. There is virtually none. It is because that review had ended with me seriously considering whether or not the invention of the automobile had been a good thing. I guess I was in the mood to think about inventions.

Harford leads us to think about inventions differently than we otherwise might. Of course, just considering their impact on the economy, the focus of this book, is new for some inventions and some readers. But Harford has us thinking about how they came to be, why some took so long to be created or accepted, and yes, good versus bad.

Some inventions create clear winners and losers, and that is the name of the book’s first section. A good example, and the one Harford talks about first, is the gramophone. As he does with all fifty of his chosen inventions, he tells its story through real-world examples that illustrate why it was chosen. In pre-gramophone days, top-tier performers made more money than those who weren’t quite as good, but second- and third-rate performers could do alright since the only way to hear a hit (or any sort of) song was via a live performance. Once it became possible for a star to record a single performance and sell copies, the market for not-quite-star performers dropped dramatically.

Several of the listed inventions require a large array of other inventions to even exist. The premier example of this is the iPhone and the other smartphones that followed. Harford notes that economist Mariana Mazzucato has identified a dozen technologies needed to make this device practical and useful. Several are specialized miniature electronic components, but things like analog-digital conversion, a cellular network, and the World Wide Web are also obviously necessary. I was reminded of those pictures of a guy weighed down by all the devices replaced by a modern smartphone, and made to realize that if all of those functions didn’t already exist, smartphones wouldn’t be very smart at all.

There are other inventions that do not require a bunch of prior breakthroughs but do require a lot of coordination. I have passed harbors filled with ships loaded with identically sized shipping containers and have watched trains carrying the big cubes pass me. It never occurred to me just how much coordination it took to create ships and railcars to hold the containers and cranes and other devices to move them. The story of how that happened is fascinating.

Naturally, a lot of what Harford has to say about an invention concerns its impact. The book’s purpose, after all, is to identify those that shaped the modern economy. Some of that impact is intentional, some is not, and some of the unintentional impact is not good. It was the negative environmental impact of the automobile described in Cities of Gold that got me to consider it differently, and there are plenty of negative unintended consequences described in Fifty Inventions…. But there are also plenty of positive unintended consequences connected with those inventions.

Air-conditioning is a great example. Its invention was driven by the effect of varying humidity on color printing. It solved the problem – but also led to a lot of comfortable and happy people in their cars, homes, and offices. Along with the safety elevator, reinforced glass and concrete, and a few other things, air-conditioning is one of the inventions that allow glass-covered skyscrapers to exist.

That the inventions Harford identifies have overall been good things is reinforced in the Epilogue, when he recounts economist Timothy Taylor asking his students whether they would rather be making $70,000 a year now or in 1900. The answer might seem obvious at first, but it requires just a little thought to realize that while that money would definitely buy more stuff in 1900, much of the stuff that makes life enjoyable today was not available in 1900 at any price.

Fifty Inventions That Shaped the Modern Economy, Tim Harford, Riverhead Books (August 28, 2018), 5.5 x 8.21 inches, 336 pages, ISBN 978-0735216143
Available through Amazon.

Skirmish at Dogwood Pass

I first heard of this faux town in southern Ohio a couple of weeks ago when someone reported on a visit there in an online travel group.  Dogwood Pass began as a man-cave-style retreat for Mike Montgomery and his buddies, but has grown to be a whole lot more. The place was used to raise funds for a seriously ill child in 2012, and the practice has been repeated annually, with an event benefiting a different child each time.

Ideas kept coming, and the place has become a year-round attraction, with something going on at least twice a month, and much more around Halloween and Christmas. When I learned that one of the big Civil War-themed events would take place on June 6 and 7, I thought it would be a good time to check it out. When it aligned with perfect weather, I knew it.

The three dozen or more buildings that make up the town sure look like authentic 19th-century structures, and there is even a boot hill for the truly permanent residents.

Storefronts and wooden crosses are definitely not the only thing to look at. Among the less static attractions are the Roy Rogers Memory Museum, the g-g-g-g-granddaughter of Little Turtle, Buildings, and a hard-working village smithy.

Two Civil War reenactments were scheduled, and as the time for the first one approached, Dogwood Pass founder and owner Mike Montgomery told spectators a little about his man-cave’s wild transformation and the upcoming visit by Morgan’s Raiders. Everyone should stay behind the safety rope, he explained, to avoid getting “run over, shot, or killed”. This was especially important today, he said, because “It’s too hot for anyone to dig a hole to put you in.”

The town folk remained calm and it was business as usual until word arrived that Morgan was on his way.

The town cannon was fired as the raiders reach the edge of town but it was just wasn’t enough. Confederate troops were soon in the town square.

In 1863, Morgan’s Raiders worked their way through many small towns in southern Indiana and Ohio looking for horses, food, or anything else the could use. On Saturday, reenactors did the same in Dogwood Pass, and for a time were in complete control of the town.

It was short lived, however. Before long, United States troops appeared and cleared the town of the intruders.

Of course, not all of them left. Then, after a moment to let folks take in the scene and consider what they had just witnessed, the command “resurrect” brought everyone dispatched during the melee back upright. The reenactors eventually joined in formation and all the participating units were introduced. I regret that I can’t recall and share their identities. Many had traveled quite some distance and every one of them added something to a very impressive operation.

An even bigger battle was planned for the afternoon but I left after peace was restored in the town. The event continues today, with what I believe are repeats of both reenactments. I’m sorry that this is being published too late for any but the nearest neighbors to use that information but encourage everyone to check out the Dogwood Schedule and plan a future visit. It’s quite impressive.

Book Review
Cities of Gold
Douglas Preston

When I published my review of The Last Ride of the Pony Express, a friend suggested another book I might like. That book was Cities of Gold, and he was right. I did enjoy the book, and it’s pretty obvious why the one book reminded him of the other. Both tell of journeys on horseback through the American West that attempt to follow a path once ridden by others. The stories, though certainly not identical, are similar. The authors could hardly be more different. Will Grant, who set out to retrace the route of the Pony Express, had been around horses most of his life. Douglas Preston, whose goal was to retrace the sixteenth-century travels of Coronado, was essentially a standard-issue city slicker from Boston, MA. If the mere existence of the book didn’t prove that he had survived, I would have really had my doubts as I read the opening pages.

But even before my doubts about Preston as a horseman started to form, I had decided I was probably going to like him as a writer. In “A Note to the Reader,” which precedes the actual start of the tale, Preston notes that it “is not a comprehensive history of the Southwest.” It is, he explains, “a narrow slice through the bedrock of time.” He might not (yet) know how to judge a horse or properly stay atop one all day every day, but he did have a way with words. For my purposes, that was definitely the more important ability of the two.

Preston, recognizing his own limitations, arranged for two others to accompany him on his big ride. He apparently was not as astute at recognizing limitations in others. A fellow hired as a wrangler, to handle the horses, had clearly oversold his experience and capabilities. He returned home after the trio had covered maybe a third of the total distance, and he didn’t contribute a whole lot while he was there. Preston was more familiar with the group’s third member, Walter. Walter turned out to be much more adept at packing the horses than the hired hand had ever been. He also seems to have been a better judge of capabilities than Preston. He had never been happy with the pretend wrangler, and when the pretender left, he commented, “This is more like it.” That was when, in his opinion, the real adventure began. Walter and Doug actually seemed to make a pretty good team whose relationship included a fair number of odd couple” style spats and recoveries, which doesn’t hurt the story at all.

On the surface, this is a story about a couple of guys spending seventy days on horseback to travel a thousand miles. It would be a good story if that’s all there was. Its protagonists have to track down runaway horses, navigate through trackless desert, and keep an eye out for rattlesnakes. They nearly run out and desperately search for water on multiple occasions, while on another, they encounter so much water that their tent floats. Like any decent travel tale, this one is populated with interesting characters met along the way.

There is, of course, a lot more to it than a log of a long ride. The travels that Preston sets out to trace took place in 1540, and an awful lot of history occurred in the intervening four and a half centuries. Some of that history is shared through the interesting characters Doug and Walter meet. Ranchers, shepherds, and tribal members often have memories passed down through generations. Sometimes the sharing of history is triggered by a location. It might be something from 1540, involving Coronado’s initial contact with the people he encountered, or it might be something from more recent times, such as the days of cowboys, cattle, and outlaw gangs. Preston clearly researched his subject well, and he shares what he learned in an easily digested manner.

I came to this book because of another horseback travelogue, and since I read the two fairly close together, I find I can’t stop comparing them. There are the obvious differences between looking for a not well-documented path followed once 450 years previous and looking for a commercial path traveled repeatedly 150 years previous. But I was also struck by the differences between the two modern journeys separated by just thirty years. When Preston made his trek in 1989, there was no civilian use of the Internet or GPS, and cell phones were in their infancy. By the time Will Grant tackled the Pony Express route, all three of these technologies were well established, although Grant may have spent more time without a cell phone signal than with. I don’t say this to diminish the risks Grant faced. By traveling alone, things that might have been just a problem, perhaps even a really big problem, with a buddy along, could be fatal. I think I say it because it was often on my mind as I read Cities of Gold. I suspect it was often on my mind because those technologies play such a large role in my own travels.

Oddly enough, I didn’t think nearly as often about the much larger difference between the technology of the horse and the technology of the automobile. That might be because that difference is just too big to grasp easily. I did think about it once, however. As the riders approach Albuquerque, NM, Preston writes about how much of the world has been arranged to accommodate the automobile. That is a bit different than noting various individual changes brought on by cars. For the first time, I realized that accommodating cars is central to almost everything that humans do. Also, probably for the first time, I considered the question of whether the invention of the automobile was good or bad a legitimate one. That wasn’t the only time that Cities of Gold prompted me to think about something differently, and that, in my opinion, is a good thing.

Walter, Preston’s traveling companion, was a photographer. He toted a goodly amount of gear, including an 8×10 Deardorff view camera. The majority of the photos in Cities of Gold are Walter’s, and I think they significantly enhance the story. The edition of the book that I read was also helped by Walter’s words. The adventure took place in 1989, and Cities of Gold was first published in 1992. I read an electronic version of the 25th-anniversary edition, which includes an Afterword by Walter. Two people rarely see everything the same way, and it is pretty obvious from the original book that Doug and Walter were top-grade examples of this. Walter’s contribution begins with a summary of the trip from his point of view, which leads to the sharing of two dozen memories that stuck with him for 28 years. If you intend to read this book, and I certainly think it is worthwhile, I do suggest going for a version with Walter’s Afterword included.

Although it has taken me decades to realize he existed, I guess my impression that Douglas Preston has “a way with words” was not wrong. I really enjoyed reading this book, and so, too, it seems, have many others. That it got a 25th anniversary edition is evidence of that. Further evidence of his “way with words” is that he has now written or co-written more than 40 books, including several that have appeared on the New York Times bestseller list. Cities of Gold was his second.
 
 
 
 

Cities of Gold: A Journey Across the American Southwest, Douglas Preston, UNM Press (March 1, 2019), 6 x 9.25 inches, 480 pages, ISBN 978-0826320865
Available through Amazon.

USS Cincinnati Memorial

The USS Cincinnati Cold War Memorial Peace Pavilion officially opened yesterday. It’s an addition to Voice of America Park in West Chester, OH. There was a reception at the site on Friday evening, and a flag-raising ceremony on Saturday morning, with about 140 sailors who once served aboard the boat present. Both were private events. 1:00 was the announced time for the public opening, but that seems not to have been strictly enforced. I arrived about a quarter till and there were plenty of people already walking around the skeleton-style full-size replica of the submarine. It had rained most of the morning and it seems likely that things were a little wet at the earlier ceremonies, but around noon the clouds started to clear a little and it was dry all the time I was there.

The nuclear-powered USS Cincinnati (SSN-693) was commissioned in 1978 and was in service until 1996. She was nearly 362 feet long and displaced about 6,250 tons. That is big enough to be called a ship and that is the word I initially used in the previous paragraph when referring to past crew members. But something made me question that, and an online search let me know that submarines are, by tradition, typically referred to as boats.

I have some vague (and apparently false) memories of talk about parking the complete submarine on the Cincinnati riverfront, but that was never a real possibility. A request was made, but the Navy wasn’t about to put a nuclear powered ship (or boat) into private hands. However, when the sub was scheduled for scrapping, memorial organizers did manage to get the rudder (in the previous paragraph), the conning tower, the auxiliary engine (a.k.a. Big Red Machine), and a piece of the hull.

There is some impressive signage throughout the site explaining the project and the workings of the submarine. There are plans to add educational interactive displays in the future.

There was evidence of the previous night’s reception (e.g., leftover very tasty cookies) inside the site’s only building along with several USS Cincinnati related artifacts and photos. I have a hunch that many of these will be included in more permanent displays as time permits.

Unsure of what crowd and weather conditions would be this weekend, I grabbed some pictures when I drove by about two weeks ago. Everything was pretty much in place except the signs. Until the rain stopped while I was on my way to the park, I thought there was a pretty good chance they would be all I would have for this post. I am sure happy that’s not the case, but figured I might as well share a couple shots without tents or people.

Book Review
Aprons Away
Cheryl Eichar Jett

I’ve commented before that “Why another Route 66 book?” is something I sometimes ask. I more or less thought I would be asking that question about Aprons Away: Women’s Work on Route 66, but found it wasn’t really needed. This is not, in my opinion, “another Route 66 book”. It is a book about women who made meaningful contributions to the world and who happen to have a connection to the route. For some, that connection is lifelong and one that defines their contribution. For others, Route 66 is associated with a smaller—sometimes much smaller—portion of their accomplishments. You won’t learn all that much about Route 66 from this book. You will learn a lot about a bunch of women who left their mark on the world. Route 66 is not the subject of this book; it is only the filter for selecting the subjects.

Jett divided those subjects into ten chapters, starting with “Blueprints” and ending with “The Documentarians”. Each chapter begins with a brief introduction of each of the chapter’s subjects, including some hints as to what each of them accomplished. Not so brief, but not overly long, biographies follow. Most are only a page or two, but each one makes it clear just made the woman stand out and what connected her to Route 66.

In interviews, Jett has said that the first stories in her collection about women and Route 66 were of women in “visible roles”. By that, she meant waitresses, motel operators, and others who were visible to travelers on the road. Neither of the categories I’ve mentioned, “Blueprints” and “The Documentarians”, is visible in that sense, but each contains someone quite visible to the world at large. The person whose biography begins the book, Mary Colter, is best known to fans of Route 66 as the architect of La Posada hotel in Winslow, AZ, but is highly visible to others for her wide-ranging design work on and off the route. Dorothea Lange, who appears on the cover of Aprons Away, is undoubtedly the documentarian in the book with the highest level of visibility. Her depression era photographs are some of the most recognized in the world.

“An Apron and a Coffee Pot”, “The Gas Station Girls”, “The Inn Keepers”, and “The Entrepreneurs” more closely match the “visible roles” Jett was referencing. Sometimes women waited tables, pumped gas, registered guests, or collected tickets for a business run by their husband or father, but not always. Lucille Hamons, Lillian Redman, and Ramona Lehman are names that nearly every fan of Route 66 will recognize for their major roles in customer-facing businesses along the route. The other categories, “Public Service”, “The Artists”, “World War II”, and “Design and Engineering” also have stars that are known to many who have traveled or studied the route.

Of course, every one of those chapters has several sections on people much less famous than Lange or Colter or Redman, and that’s why we buy such books. In fact, I’m guessing that it’s pretty much why the book was written. I strongly suspect that Jett would have heard some complaints had she not included Colter and others of equal fame, but there are numerous places we can read about those folks. I did not count them, but understand there are more than eighty women profiled in Aprons Away. Every one of them deserves to be here, and their stories deserve to be told. Jett has uncovered some very interesting women and has done a nice job of sharing their collected stories. I was familiar with well under half, maybe no more than a quarter, before meeting them in this book. New knowledge is a good thing.

Aprons Away Women’s Work on Route 66, Cheryl Eichar Jett, Reedy Press (April 1, 2026), 6 x 9 inches, 224 pages, ISBN ‎ 978-1681066349
Available through Amazon.

History in Bloom at Spring Grove

People I asked while there thought that Spring Grove Cemetery’s History in Bloom was about 15 years old. The earliest reference I’ve found online is from 2012, and it says, “It is one of our most popular events of the year!”, so 2012 wasn’t the first. Apparently, the event I attended for the first time on Sunday, April 19, was at least the sixteenth. My first impulse when something like that happens is to feel embarrassed because it took me so long to discover something so interesting. Of late, though, I’ve taken to being quite happy when it happens since it means there are still cool things to discover even for an old guy like me.

I do, however, regret missing out on previous events for one reason. In the past, I have enjoyed extended walks around Spring Grove Cemetery, and would certainly have enjoyed the guided walking tour available today. But long walks have become problematic for me over the last year or so, and I was happy to take advantage of the horse-drawn carriage rides, which, like the walking tours, were free.

It was nearing 1:00 when I arrived. This was probably near the busiest part of the day, and the line for carriage rides was rather long. My wait was a bit more than an hour, but the weather and surroundings were very pleasant. Neither I nor the others in line were much bothered by the wait. There was a group of five, including an extremely young baby, immediately in front of me. The first of the group had boarded a carriage when it became apparent they could not all be accommodated. When those on board turned to rejoin those on the ground, a couple already seated stepped off — with a smile — so mom and the others didn’t have to wait any longer.

We would get to visit with seven of the cemetery’s residents during the tour. All were important in the development of the city and region, but one was also extremely important in the development of the final home of all seven. Joseph Earnshaw assisted landscape designer Adolph Strauch considerably in creating the parklike layout of Spring Grove Cemetery.

Next up was Susan Pendleton Bowler, who, along with her husband, invited Adolph Strauch to design their gardens, which are now Mount Storm Park. John Robinson spoke to us from in front of the family mausoleum. The Robinson Circus, among the first to own its own railroad cars, wintered in Cincinnati for many years. Clara Dow was the only female in her class at pharmacy school, which she attended in order to take over her father’s drug store. Under her management, the store hired female pharmacists and added a soda fountain to create a place where women and children were welcome—and comfortable.

Thomas Hughes was a successful cobbler who willed his property to the city for the education of poor children. Hughes High School bears his name. Born into slavery, Henry Boyd became a skilled carpenter and was able to buy his freedom. His H. Boyd Company was a respected manufacturer of furniture. When Marianne Kauffman’s husband died, she stepped in to save and operate the John Kauffman Brewing Company. Because of her earlier success in real estate transactions, she was able to bring the company out of the heavy debt her husband had created.

This is Robert, our onboard narrator. He filled the spaces between stops with lots of information and an occasional joke. He also answered a fair number of questions, and it was clear he really knew his history. By tour’s end, we learned he had played several History in Bloom roles over the years. As I mentioned, the earliest History in Bloom references I found online were from 2012, and one of those contained a photo of Robert as Joseph Earnshaw.

There were three teams of horses pulling visitors around the cemetery. They all deserve to be recognized, and, although I did not get any of their names, I did get their pictures. The pictures near the beginning of the article are of the team that pulled me. Here are the other two teams as they approached the pickup point to load up and move on without me.

A Capitol Encampment

I have already taken advantage of two Ohio Goes to the Movies events, and I doubt those will be the last. But Ohio is doing a lot more than showing movies to mark the semiquincentennial of the signing of the United States Declaration of Independence. One of the many events organized by America 250 – Ohio was something called American Revolution in the Ohio Country, which took place Wednesday on the grounds of the state capitol in Columbus. Ohio was not a charter member of the USA, but we did join up fairly early on. Plus Fort Laurens near Bolivar, OH, was built and occupied during the American Revolution, and the Battle of Picawey, near Springfield, OH, is considered part of that war. Wednesday’s encampment did not attempt to recreate any specific event, but to offer a glimpse at life in the 1770s.

It was a few minutes past the 10:00 start time when I reached the plaza on the west side of the Capitol. I’d parked a couple of blocks to the east, and this was what I saw when the gathering first came into view. I sensed at once that I was late. I heard but did not see cannons or muskets firing, and may have missed some sort of opening ceremony.

Shortly after I reached the open space beyond the tents, the men who, I assume, had been making the booms I heard closed ranks and marched away. I would get to hear and see these fellows and others do a lot more booming before the day was over, but for now, a shot of them passing by was all I got.

But I did get to see the day’s first performance from Heritage Fife and Drums in its entirety. They started at the far side of the plaza lawn, then marched up to the crowd, where their leader enthusiastically introduced each song.

More music followed. This music was recorded and played through speakers so these energetic folks could dance to it. The second picture is of a quadrille (4 couples, 8 people), which Americans in the next century turned into square dancing with cowboy boots and no French accent.

Having read that there would be “samples of food from the revolutionary time”, I anticipated things unfamiliar and bizarre, but the most bizarre thing about the offerings was that stuff that I thought quite modern was being served in the 18th century. When I mentioned my surprise, the lady tending to the “Mini Beef in Crust”, which I picked as one of my two samples, told me that “Swedish Ham Meatballs” had been served at Mount Vernon, and that “Shrimp & Grits”, my other sample, had been popular in the Carolinas back in the day.

Inside one of the tents, a fellow explained 18th-century maps and mapmaking. There were also displays of more common items of the period.

While I was listening to the fifers & drummers, watching the dancers, and sampling the samples, the soldiers had been relaxing and answering questions from the curious. Now they lined up and began marching back to the open lawn. It was about to get noisy.

After marching to the far side of the lawn, both the militia and the uniformed regulars fired several volleys. (Note that the day this is being posted, April 19, 2026, is the 251st anniversary of men dressed and armed much like those in the first photo confronting British troops at Lexington and Concord.) Then the regulars begin moving toward the crowd. Half the group marched several paces ahead of the others and fired. They would then reload while the other half advanced and fired. Then, after crossing much of the lawn in this fashion, they all lowered their bayonets and charged,

Following that bayonet charge, the reenactors marched back to the tents for a bit of a break, but eventually returned to roll out the big guns. Here‘s a better look at the thin white object tucked into the hat of the fellow standing in the center of the third photo. I spotted him smoking the pipe just moments after watching another reenactor semi-stealthily puffing on a cigarette. I approached and commented about how much better the pipe looked. Yes, he agreed, he tried to appear accurate, and, yes, it was clay, and yes, he had made it himself.

Of course, any smoke produced by hand-made clay pipes or machine-rolled cigarettes was nothing to that produced by the battery of 3-pound cannons. Perhaps this, too, is part of trying to appear accurate.


Those samples of delicacies from 250 years ago were not the first things I had to eat on Wednesday. In the not-too-distant past, from a source I can’t remember, I’d heard of a great-sounding breakfast spot in Columbus named Katalina’s. I may or may not have known that Katalina’s had appeared on Diners, Drive-Ins and Dives. In any case, I had not seen the episode. If I had, I would have known that it was recorded at Katarina’s Too. I went to the original on Pennsylvania Ave. There is now a Katarina’s Tres also. I’ll try to keep an open mind, but I can’t imagine that either of the others is anywhere near as cool as the original.

Another thing I could have learned from the D, D and D episode was how to eat the signature and absolutely delicious Pancake Balls. I briefly considered pouring the real Maple syrup on the Nutella-filled balls like I would on a flat pancake, but decided that probably wouldn’t work. I proceeded to tear pieces from the balls with fingers and fork, and dip the impaled pieces into the syrup. I’ve now seen the video and know that holding a ball in your fingers, dipping it into the syrup, then taking a bite, is what the cool kids do. Next time, I’ll be cool, too. I was already cool enough to use my fingers to eat the best bacon I’ve ever met.