The title of this post is based on accepting that people climb down as well as up and that rappelling is a member of the climbing family. That’s because rappelling from the top of a twenty-three-story building is how the man in red entered Cincinnati last night. And that’s how he intends to enter the city every Saturday night from now until his other job has him busy all night long on the 25th. The daring drop is part of an event called Downtown Dazzle.
I reached Fountain Square with enough time before Santa’s arrival to walk a half-block one direction for dinner and a half-block in the other direction for a beer. Between the two, I snapped a picture of the city’s 56 foot Christmas tree which was officially lighted in a ceremony just yesterday.
There was a time when the Christmas tree really dominated Fountain Square during the holiday season. It still dominates the view from outside the square but it’s the skating rink that dominates the square itself. There has been a rink on the square since 2006 but it grew in size a few years ago. Last year, bumper cars were added and they’re back again this year. I was hoping to get my first look at the cars but, although they had operated earlier in the day, they were parked for Downtown Dazzle and 100% of the rink was available to skaters.
At a few minutes past 7:00, we were alerted to some “breaking” (but not very shocking) news. Reporters appeared on the square’s giant TV describing a UFO of some sort circling around downtown Cincinnati. When it was thought to have landed, searchlights played over several nearby buildings trying to locate the craft or its occupants. Three figures were soon spotted on top of the Huntington Center, and we all got to watch one reindeer, one Santa, and one elf descend to a much lower rooftop.
The instant that the trio reached the target roof and disappeared from sight, the first volley of fireworks exploded. For roughly twelve minutes, the Genius of Water and the Carew Tower were illuminated by the rockets’ red (and other colors) glare. Pretty cool! Be there at 7:00 PM on each of the next three Saturdays for more breaking news.
Although I had photos in hand, I did not identify my dinner spot when I mentioned it above. That was partly because it did not fit with describing the Dazzle and partly (maybe mostly) because I wanted to finish the post and go to bed. Now that deadlines are past and I’m no longer dozing off, I’m tacking it on. Hathaway’s Diner has been operating in Cincinnati since 1956 but it wasn’t here. It was semi-deep inside the Carew Tower with no windows. The current owner has described it as a cave and I can’t disagree. It nearly closed in 2019 but a renegotiated lease kept it going. Then, just last month, they moved into a spot vacated by Frisch’s. It’s still in the Carew Tower but it now has windows and an entrance right on the street. There is also an entrance from inside the tower and that’s how I arrived. I exited directly to the street where, despite the chilly temperature, the diner was going hatless. I’d only eaten breakfast at the former location but went for a very good patty melt on my first time at the new, more visible and convenient, spot. I’ll be back. Probably for breakfast.
This is a PIP: a Pandemic Inspired Purchase. It has pre-pandemic roots, but it was the lack of travel and its associated reasons to take pictures that triggered the purchase of another device for taking them. I know that’s not very logical but I think quite a bit of what we did, and continue to do, during the COVID-19 pandemic is like that — especially what we purchase. I’ll tell about the purchase before I say much about the camera.
I am surprised to see that Olympus still offers the OM-D E-M10 Mark IIIs (not sure what the ‘s’ means) with a 14-40mm lens for $600. The E-M10 Mark IV is available with the same lens for $700. In September 2020, I bought the pictured kit, which includes a 40-150mm lens that Olympus currently offers for $200, for $598 in what was once pocket change. The included case and SD card were icing.
Jim Grey blogs, collects film cameras, uses those cameras, develops the film himself, walks, bikes, and observes. Put them together and what have you got? This book.
It is a story about the neighborhood in which he lives, and where he interspersed COVID-triggered working-at-home with some calorie-burning walking-near-home. We are introduced to the neighborhood as a collection of modestly priced homes in an area of pricier residences. A big attraction is access to very good schools at somewhat bargain prices. Although the location makes them bargains, they are hardly shabby and actually look quite attractive — from the front.
Construction is wood frame with vinyl siding and brick accents. Those accents, however, are almost entirely on the front of the houses. The other three sides are the focus of the story. Part of Grey’s story is about these sides being exposed by the curving streets, numerous retention ponds, and open spaces created by electric and gas lines.
The rest of the story is about those exposed surfaces and areas being a long way from handsome. The story’s name comes from the large expanses of vinyl siding exposed by those curves and ponds. Windows are few and from the outside often appear to be placed rather randomly and often awkwardly. Many side walls are unbroken by any windows at all.
There are few words but lots of pictures. The pictures are black and white and large. The most common arrangement is two 4×6 inch photos to a page. Where words do appear, they typically share a page with one of those 4×6 photos. Occasionally a photo gets a page all to itself which lets it grow to approximately 5 1/2 by 8 1/4 inches. Grey has changed publishing platforms (from Blurb to Amazon) for this project which results in some physical differences from the previous essays. The pages are slightly smaller (8×10 vs 8.5×11) and the paper used is uncoated rather than semi-gloss. Photo quality does suffer but again it is the subject of the picture that is important. The pictures are here to document the subject and illustrate Grey’s story, not to be admired in and of themselves. It’s an assignment they handle quite well.
