Category Archives: Attraction

Warbirds Revisited

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I first visited the Tri-State Warbird Museum in the pre-blog days of 2010, when this website used things called odments to deal with non-trip topics. The oddment for that 2010 visit, which is here, attracted a couple of visitors recently, and that prompted me to reread it myself. The first paragraph mentions that both the Warbird Museum and another museum visited the same day, the Railway Museum of Greater Cincinnati, were open only on Wednesdays and Saturdays. That stuck with me so that when I was looking for something to do on a Wednesday, the Warbirds naturally came to mind.

Nearly all the airplanes on display are from World War II, including this unlikely-looking pair. Flying the Boeing-Stearman bi-wing was relatively simple. It was the first airborne step for many new military pilots. The Piper L-4H Grasshopper was the military version of the extremely popular Cub. Its ability to fly low and slow made it very useful in training, observation, medical evacuation, and more.

These three probably more closely match your idea of WWII fighting aircraft. Like the Stearman, the bright yellow North American AT-6D was a trainer, but it was used for more advanced maneuvers, such as aircraft landings. The twin-engined Beechcraft TC-45H Expeditor was originally designed as a civilian craft but was adopted by the military as a versatile transport plane. North American P-51 Mustangs were very effective as bomber escorts and served in every theater of WWII.

This North American TB-25N Mitchell might be the museum’s biggest star. It is my biggest memory, in any case. That could be because about two years after my 2010 museum visit, I saw this and 19 other B-25s in flight at the Doolittle Raiders 70th reunion. The sight of all those big planes was pretty impressive, and the sound was incredible.

ADDENDUM 27-Aug-2014: I somehow failed to mention how friendly and helpful the volunteers at the museum were, but I now get a second chance. As I originally put this post together, I noticed that the nose art on the B-25 had changed since my 2010 visit, and I reached out to the museum via email to see why. I now recall being told that a couple of the museum’s planes had appeared in movies and TV shows, but I had not paid much attention. As I quickly learned, the B-25 name change came from a movie role with another local star. The story is here.

A couple of the museum’s planes were not at home Wednesday, but every plane that was there was capable of flying except one. This Goodman Corsair is in the process of being restored, with some assembly required before it leaves the hangar.

On the way back to the museum’s front door, I climbed to the balcony to get an overhead shot then snapped one of the flight simulator area on the way down.

This isn’t a warbird, but it is the sort of vehicle my Dad piloted during the war. He was a courier. Every time I see a Jeep from that era, I think of one of the few stories he ever told of those days. During the Battle of the Bulge, snow covered the ground, which was where most soldiers slept. He considered himself lucky to have his Jeep to sleep in. He could even lie down on his side between the seats, “but I had to stand up to turn over.”

Returning to the Scene

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In the days of my youth, Greenville, OH, had two movie theaters. I’m sure there were differences between the two, but I recall them as interchangeable. I know that I saw new movies like The Vikings and Ben Hur at these theaters, but I can’t remember which. I do remember that I saw Gone with the Wind at the State Theater when it was re-released for the centennial of the Civil War in 1961. I also remember that the Wayne Theater was where I saw Bambi. Oh boy, do I remember.

The 1942 animated feature has been re-released multiple times. One of those was in 1957, when the Wayne Theater must have looked pretty much the same as it does in the 1956 photo above. Our parents dropped my sister and me off at the theater with admission money and probably an extra dime for a pop. I was ten; my sister was seven. As hard as it is for some to believe, there really was a time and a place where this was not considered child endangerment. As everyone now knows, Bambi’s mom meets her end fairly early in the movie. That brought my sister to tears. Unable to stop the crying, I eventually headed to the lobby with her. In time, the crying stopped, but Sis had no desire to watch any more of that horrible movie. I, on the other hand, seeing no reason for me to miss out on the big screen entertainment, returned to my seat. At movie’s end, I hastened to the lobby, where, despite assurances she would wait, my sister was nowhere to be seen. She had tired of waiting inside and was standing just outside the theater when Mom and Dad arrived to pick us up. I don’t recall any particular punishment for abandoning my sister in the lobby, but I sure got a lecture.

My attendance at both Greenville theaters dropped to zero once I moved to Cincinnati. The State Theater closed in 1980 and was demolished a few years later. The Wayne Theater divided itself into two screening areas and soldiered on. I made it back inside the Wayne in 2006 when I happened to be in Greenville on the weekend that Cars was released. I had been anticipating the movie, and saw it for the first time at the Saturday matinee. This was still the era of 35mm film. Partway through the showing, the film or projector temporarily malfunctioned, and the house lights were turned on. Kids made up most of the crowd, and they immediately turned to the projectionist and began pointing and laughing. Just like the good old days.

In 2014, the Wayne Theater and three other movie houses owned by Alan Teicher closed. The Wayne found new owners, and there was initially hope for a quick reopening. The need to convert to digital projection was part of the reason for the closure, but additional issues and expenses were soon discovered. The new owners eventually threw in the towel.

Things were looking rather grim for the Wayne when Mike Jones and his family stepped up to save it. Mike and wife, Sherri, have saved other pieces of Greenville history, including St Clair Manor, the home of Henry St. Clair. Mike took on the theater about the time that the COVID pandemic hit. It and related problems, such as supply chain disruptions, interfered with the project, but a complete renovation of the theater was completed in 2023.

In November of 2023, there was a big-time grand opening with Hollywood premier-style searchlights and other major hoopla. I wasn’t there, although I really wanted to be. I had every intention of checking out the resurrected theater ASAP. Within weeks, I thought. Worst case, within a couple of months. After just about two years and four months, I finally made it.

In early 2025, the theater began hosting Senior Movie Days with bargain prices and older movies. Many of the first-run features filling the theater’s normal schedule did not appeal all that much to this old man, and there were scheduling problems with the few that did. It seemed possible that the “classic” nature of Senior Movie Day movies would better match my tastes. They did, but it still took nearly a year for things to click. On Wednesday, a long-time friend, his wife, and an aunt of mine joined a theater-filling crowd of similarly aged folk to watch Casablanca on the big screen.

The renovated theater definitely lived up to all of the good things I’d heard. The concession stand is first class, although none of our group took advantage of it. The lobby is fresh and inviting, with a large copy of the photo at the top of this post prominently displayed. Because I got our tickets and I did not understand the layout, we found ourselves in the front row. Not to worry, as the comfortable recliners positioned us for a proper view even from there. Of all the movie joints, in all the towns, in all the world, I’m glad we walked into this one.

The year 1920 is cast into the front of the theater. I have read that it opened on April 18, 1921. While poking around the internet, I stumbled upon this photo from the Wayne’s first decade. But the photo is only part of the reason I’ve tacked this paragraph onto the end of the post. I also learned that the Wayne Theater had an American Fotoplayer when it opened. I followed that tangent to a number of videos of Fotoplayers being played, and believe you deserve to see one. Check out Stars and Stripes Forever. Not every silent movie was accompanied by a prim schoolmarm on an upright piano.

International Peace Museum
Dayton, OH

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Here’s another not-new-to-me museum. My personal history with the International Peace Museum is a bit different than that with the Harmon Museum or Behringer-Crawford Museum in that an earlier visit was documented. That first visit took place more than a year before this blog was born, when this sort of thing was covered as an Oddment. The Oddment entry for my 2009 visit is here.

Another difference between this museum and those others is that the Peace Museum has moved since I last visited. It now shares a building with a Ludlow Street address, and that is how I entered. But the museum extends all the way through its half of the first floor and can be accessed from Courthouse Square. That’s the side pictured in the opening photo. A straight-on view of that mural is here, and of the adjacent text panel here.

The lobby was set up for a presentation scheduled for later in the day. The column to the left of the first photo is called the Peach Pole. Among the images covering it, the word “peace” appears in the twenty most commonly spoken languages in Dayton. Hand-drawn panels hanging overhead make up an exhibit named “Bridges”. The lobby also contains a pretty cool neon sign.

The Anti-War Gallery was the first room I entered off the lobby. Most of the artwork is from Beryl Bernay and J. Kadar Cannon. The sculpture in the middle of the room is by Lori Park.

The founding of the International Peace Museum in Dayton in 2004 was at least partially an outgrowth of the city being the site of the signing of the Dayton Peace Accords in 1995, and the museum contains a sizable exhibit devoted to that event. The accords did end the violence of the Bosnian War, but, like so many agreements before and since, left lots of problems unsolved.

An equal amount of space is devoted to the North Atlantic Treaty Organization. Last year’s 75th anniversary is noted, along with many of its peachkeeping successes during those years.

This guitar is the only item I distinctly remember from my 2009 visit. As described here, it belonged to conscientious objector  Ted Studebaker, who was killed in Vietnam in 1971 while helping farmers there. Studebaker was from nearby West Milton, OH. 

Behringer-Crawford Museum
Covington, Kentucky

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When I reported on my visit to the Harmon Museum in Lebanon, OH, and mentioned that other museums not entirely new to me were candidates for future blog posts, the Behringer-Crawford Museum in Covington, KY, was very much on my mind. I’ve been there before and counted its pleasant setting in Devou Park among reasons to return. Friday was not quite the perfect spring day I’d been thinking of for a visit, but it was sunny, pretty darn warm (60°+) for mid-February, and I was in the area.

The attendant indicated that there really wasn’t a suggested sequence for exploring the museum. I decided to start at the top and work my way down. The visitor guide discusses just three floors, but the elevator goes to four. Some offices are located here, along with a play/learning area for young children.

There are displays, including the upper deck of a USS Wake Robin mockup, in an adjacent area overlooking third-floor displays identified in the guide. They are reached by descending the spiral stairs or by elevator. The Wake Robin was built in 1926 as a lighthouse tender, became part of the Coast Guard fleet in 1938, then spent several of its later years as the USS Nightmare, a Halloween-themed attraction on Covington’s riverfront. Folks with a good imagination might see some similarity between the third picture and this blog’s page-topping image of the Delta Queen making its final departure from Cincinnati under the real Roebling Bridge.

A peek through one of the round windows on that level shows a bit of Devou Park Golf Course and offers a sense of the pleasant setting mentioned earlier. Beside it are some of the museum’s original displays of the area’s natural history.

I knew they had to exist somewhere, but commodes of the past aren’t displayed all that often. Child-sized ones seem particularly rare. Just across the hall, the actual available-for-use restrooms have a rustic yet inviting appearance.

The third floor is also where temporary exhibits are displayed. This space is currently occupied by “Treasures From the Attic: 250 Years of Fashion and Furniture”. The middle photo is of Lee Meriwether’s costume from an appearance in Star Trek, along with her 1955 Miss America trophy. For some reason, both costume and trophy are currently in the possession of Augusta, KY, native and 2000 Miss America Heather French, as noted here. The gown in the third photo was worn by 1948 Miss America Bebe Shopp.

I took no notes regarding this furniture or this fashion, but each is properly described by placards at the museum.

Among the few pieces of furniture that I did have any thoughts on were these home entertainment systems. The one on the right is quite similar to the one I cranked up my Beatles and Dave Clark 5 LPs on when Dad wasn’t home.

The museum has a nice display on the development of roads in the area. Yes, that’s a Dixie Highway map in the lower part of the information panel. There is a Buick to watch movies (actually old TV commercials) in, and a Studebaker (once the “World’s Largest Vehicle Manufacturer”) hanging from the ceiling.

Obviously, the museum is a first-class operation with outstanding exhibits on the history of northern Kentucky. Ironically, its most infamous exhibit is a two-headed calf that was actually born in Ohio. It is certainly a most unusual creature. The placard in front of the case is here, and the paper inside the case is here.

The calf is there fulltime as are all those informative displays of rivers, roads, rails, runways, and the rest of northern Kentucky. “Treasures From the Attic” is there through August 9, 2026.

It’s a Mad, Mad, Mad, Mad Exhibition

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Almost from the minute the Cincinnati Art Museum announced that What, Me Worry? The Art and Humor of MAD Magazine was on the way; I have been part of a group numbering 2 to 6+ that made and scrapped multiple plans to attend. At last, three of us made it on Friday. We all had Mad Magazine memories. Two of us were almost exactly the same age, with memories from the late 1950s through the 1960s and maybe a little beyond. The third member of the group was some three decades younger with memories correspondingly offset. The exhibit covers Mad from its 1952 beginning, which means we each saw things we remembered, even if we didn’t remember everything.

Of course, one thing that everybody remembers is Alfred E. Neuman. He first appeared in the magazine in 1954 and soon became a near constant presence on the cover. There is definitely a connection with the 1914 “Original Optimist” drawing, but the image goes back even further. The opening “Will worry for food” image is much newer. It is the October 2009 cover, which I don’t believe I had seen previously, but it sure fits what I would expect from Mad in the twenty-first century.


Mad started out as a comic book, then became a magazine with this cover in July 1955. Note that Alfred E. Neuman appears in the banner at the top, although he had not yet been identified by name. Among the changes this brought was the ability to satirize government officials, which was something disallowed by the Comics Code Authority of 1954.

Don Martin was an absolute favorite of mine, and seeing his artwork for the cover of 1962’s Don Martin Steps Out! was a real treat. His “PAY TOLL FIFTY FEET” from the March 1980 magazine back cover is a true classic.

This was the biggest surprise for me, though maybe it should not have been. I know of Frank Frazetta from his outstanding work in fantasy and science fiction, but did not realize that he had ever been connected with Mad. This is one of three back covers he did for the magazine, and he also did one cover. “Early One Morning in the Jungle” was in the October 1966 issue, so it is possibly the first Frank Frazetta piece of art I ever saw.

One of the things Mad Magazine did best was satirizing movies and TV shows. It also had a knack for slipping jokes into comic strips that had nothing to do with the story and which (at least in my case) might not even be caught until the second or third reading. This spoof of “Wonder Woman” is an example of both. Diana Banana (Woman Wonder) and Steve Adore engage in a silhouetted display of affection near signs pointing to “Proving Grounds”, “Inproving Grounds”, “Coffee Grounds”, etc.

A long-running feature that first appeared during my peak Mad infatuation was the fold-in. Presented as the opposite of fold-outs from Playboy and others, fold-ins began appearing in 1964. As I looked over these framed examples, I wondered at the lack of “folded” versions, but was relieved to see a rack of creased pages on the wall. Some of the folding had probably not been all that precise, and certainly wasn’t after a bunch of repeats, but they all worked just fine to reveal the “real” pictures. If you want to do some digital “folding-in” on your own, there are some interactive examples here.

The exhibit is organized in a loose chronological sequence, and I was starting to get concerned about finding something on one of my favorite features. “Spy vs. Spy” came along in 1961, and I was well into the second half of the exhibit before these popped up. It’s pretty fuzzy, but there’s a slightly more readable version of that second image here. Incidentally, small sketches often appeared in the margins of the magazine, and that is sort of mimicked here with sketches on the walls, like the one with both spies in a bomb. Antonio Prohías, a Cuban refugee, originated the strip and drew it until 1987. The first pictured strip is his from March 1983. Peter Kuper picked up the strip full-time in 1997 and switched to color in 2001. The second pictured strip is his from June 2004. That one doesn’t work for me. That’s not in any way a dig on Kuper’s talent. I remember black-and-white drawings of a black character and a white character, each believing they were the good guy, even though it was starkly evident there was no difference between them at all. I suppose that’s still there with colored backgrounds, but it somehow seems less obvious.

What, Me Worry? The Art and Humor of MAD Magazine is here through March 1. It’s even free on Thursday evenings between 5:00 and 8:00..

Harmon Museum
Lebanon, Ohio

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It might be apparent that I occasionally use a museum visit to feed a post for an otherwise idle week. And I’m sure it’s no surprise that I find some of those targets through various online searches containing the word “museum.” Without giving it too much thought, I’ve filtered out of the results museums that are too close or too familiar. I recently asked myself why. Why was I refusing to document visits to places I knew were interesting simply because they were not new discoveries? I had no answer, which means I now have a few not-new-to-me candidates for future idle weeks. Here’s the first: Harmon Museum, just one county and a dozen miles from home.

The first gallery inside the entrance is filled with art, and no photos of the wonderful paintings and sculptures on display are permitted. The art gallery leads to the Armstrong Conference Center, housed in the attached former post office. Two ladies were meeting at one of the tables, and I quickly apologized for interrupting. They weren’t the least bit annoyed and paused their discussion to make sure I crossed the open room to see the aeronautics exhibit at the front of the building. Neil Armstrong spent his final years in Lebanon, and most of the items, including the golden Frisbee for his “step into the future“, are related to his life. Non-Armstrong-related items include Orville Wright’s hat. I had a very nice chat with the ladies at the table as I passed them on the way back to the main museum. One said that if I were still in the museum when they finished, she would point out a few of her favorite things.

Back at the entrance to the main museum, I was greeted by a 1908 Buick Model D and an early U.S Mail wagon. Beyond them were some other early vehicles. I have seen quite a few signs like the one in the last photo in the wild, and I’m sure my road fan friends have too. The Oregonia Bridge Company was incorporated in 1896 in the small nearby town of Oregonia. Rapid growth prompted relocation to Lebanon in 1903.

Next up was a room filled with some very impressive folk art. I found the painting in the far right corner, by Jimmy Lee Sudduth (1910-2007), particularly interesting. A few of this blog’s posts have touched on the difficulty of keeping our man-made calendars in sync with the cosmos, which is sort of the subject of the painting. As Mr. Sudduth notes, the sun and our calendar last matched up in 2000 and won’t do it again until 2400. Lucky to be alive to experience one such alignment, I guess.

The adjacent room contained an impressive collection of locally found arrow and spear points, axe heads, and other prehistoric tools. It was here that Hope, the lady I met in the Armstrong Conference Center, caught up with me and told me that this was her favorite room in the building. She pointed out some items in the room and even demonstrated, short of a final launch, the workings of an atlatl.

I was then treated to a guided “highlights tour” of the rest of the museum. As we moved upward through the exhibits, Hope called various items to my attention and shared some information about each one. This bed was a product of the Cincinnati Art-Carved Furniture Movement of the late 19th century. This was a rather major movement powered primarily by women, and something I previously knew absolutely nothing about. I guess this desk was not among Hope’s favorites, but it was among mine. Thomas Corwin was a Lebanon lawyer who had great success in politics. He served in both houses of the U.S. Congress and as the U.S. Secretary of the Treasury, along with several positions within Ohio, including governor. This desk is from his time as Ohio’s 15th governor (1840-1842).

Following the “highlight tour”, I returned to Shaker Gallery on the top floor. In the early 19th century, a large colony of this communal religious group stood in nearby Turtlecreek Township, and the museum has many articles from there. Pictured are a laundry room, a textile room, and a kitchen. Curiously, one of the few items accompanied by instructions is one where they are probably not needed.

The building housing the museum was originally built as a gymnasium with a large space where basketball games and other athletic activities took place. Basketball hoops were once mounted where the clock and the 1876 38-star flag are now. The rocking chairs are among Hope’s favorites, and she commented that she thought this collection was one of the world’s largest when we passed it. According to this placard, rocking originated in America. I suppose it’s only natural that we eventually combined it with rolling.

The space where basketball was once played is now surrounded by several shops, forming a sort of old-time town square.

The museum is well organized, but there is no single correct path through it. That’s even more the case when you make a pass taking advantage of someone’s favorites before falling into your own meandering. There was very little coherent sequencing in the preceding photos, and there is even less from here on out. This is simply a trio of my own favorites. The IBM time clock was purchased in 1947 by the previously mentioned Oregonia Bridge Company. Read about it here. The most interesting thing for me in the blacksmith shop is the framed shoes on the wall. Read about them here. The furniture in the last photo came from the Glendower Historic Mansion. I learned today that the mansion was home to the first incarnation of the Warren County Historical Society Museum. Over the years, it was owned and administered by the WCHS and the Ohio History Connection. Most recently, the WCHS was the owner. It closed in 2022 and is now a private residence. I visited it during a period when OHC owned it.

That there is a goodly amount of farming gear on display is not a surprise. That there is a collection of phenomenal ship models is. Finding a display about gunpowder and cartridge manufacturing might surprise some, but not anyone really familiar with the area.

The entrance pictured at the top of this article is located at what might be considered the rear of the building, where it is conveniently near a parking lot. The front of the building faces Broadway, and that is where this statue of Warren County’s namesake, Dr. Joseph Warren, stands. The statue was dedicated just months ago on the 250th anniversary of Dr. Warren’s death at the Battle of Bunker Hill on June 17, 1775. A somewhat more readable version of the text on the sign is here. The QR code at the sign’s upper right leads here.

Not Long Ago. Not Far Away.

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On Saturday, October 18, “Auschwitz. Not long ago. Not far away.” opened at the Cincinnati Museum Center. I attended on Wednesday. The red shoe pictured at right is one of the first items visitors see when they enter the exhibit. Photos of the shoe, backed by the image of countless other empty shoes, have been used to promote the display. The wall-filling image boggles the mind as the realization that the owners of all those shoes walked into Auschwitz but never walked out slowly forms. The mind nearly breaks realizing that the photo contains just a fraction of such shoes.

Having seen pictures of that red shoe, and knowing that this was “the largest collection of artifacts from Auschwitz outside of Europe”, I probably could have predicted the question that formed as I moved into the exhibit and listened to the included audio guide. It’s a question that most of us ask ourselves anytime we give much thought to the Holocaust. “How could this have happened?” we wonder. The exhibit doesn’t really explain it, but it does tell some of the history. It describes and displays artifacts from the small Polish village that would become home to the largest of the Nazi concentration and extermination camps.

Establishing that the “other” was responsible for all of Germany’s problems was essential. The “other” was mostly, but not exclusively, Jews. Blacks, Roma, homosexuals, and people with disabilities were among those persecuted by the Nazis.

This is the desk of the camp commandant, Rudolf Höss. Photos of key Auschwitz personnel are displayed nearby with an identifying legend.

Roughly 80% of those arriving at Auschwitz were sent directly to the gas chambers. The other 20% became slaves, and not many survived the starvation, beatings, and forced labor. Many more than three people occupied the three-tiered bunks. The concrete post held barbed wire, as seen in the photo in the background.

Some of the prisoners were “rented” to various privately held companies, but many were assigned tasks in the camp, such as removing bodies from the gas chambers or moving them through the crematorium. The first photo contains items from gas chambers and crematoriums. There is a “shower head” in the lower right corner. The gas mask in the second photo was worn by a soldier who dropped the Zyklon B once the chamber was sealed.

Other prisoners were forced to sort through the few possessions that actually made it to the camp. Prisoners referred to the sorting sheds as Kanada.

There were several benches placed throughout the exhibit. Many were positioned in front of screens showing videos of scenes related to the camps. All had a box of tissues placed at their center. There was no lack of tear-inducing images, artifacts, and stories in the exhibit. Nearly all of the items on display are from the Auschwitz-Birkenau State Museum. The last picture is of a quote from the director of that museum about remembrance. I immediately thought of Eisenhower’s 1945 command, “Get it all on record now. Get the films, get the witnesses, because somewhere down the track of history some bastard will get up and say this never happened.” He was right, of course. That quote on the wall notes that today “…our efforts to build a more just and humane world are under threat.” Nearer the beginning of this article, there is a photo of a quote about  “…the disappearance of a number of quite harmless people…” It’s from 1938 Germany during the Nazi rise to power. As I read it, it occurred to me that it could have easily come from certain Central or South American countries a few decades ago. Or it could have come from somewhere not even that far away or that long ago.

“Auschwitz. Not long ago. Not far away.” runs through April 12, 2026.

The Holocaust and Humanities Center helped bring the Auschwitz exhibit to Cincinnati. Although a separate operation, it is housed in the Cincinnati Museum Center and throughout the exhibit’s run is offering discounted adult admission of $7.50 to anyone presenting an “Auschwitz. Not long ago. Not far away.” ticket. This rate is available year-round to seniors and military.

Naturally, there is overlap between the Auschwitz displays and those in the Holocaust Museum. A notable example is this molded wall of abandoned shoes that echoes the red shoe and large photo from Auschwitz. But there are also a lot of differences. The museum has many interactive displays, and the story it tells is broader than the one with a specific concentration camp at its center. In particular, the museum continues the story well beyond the liberation of the prisoners with reporting on the post-war trials and tales of recovery.

When I spoke with a friend about the Auschwitz exhibit, I encouraged a follow-on visit to the Holocaust Museum, and it wasn’t just because of the broader story. The Holocaust is humanity at its worst. Studying it and acknowledging it is important and necessary, but it is hardly uplifting. The museum offsets that just a little by presenting recent examples of bigotry being defeated and human rights being defended. Your mood probably won’t be exactly celebratory when you leave, but it very well might be hopeful.

With every museum that exists, it is always possible to see something you’ve previously missed when you revisit. But sometimes that new discovery really is something new. That is the case with this recently installed interactive display featuring Albert Miller (1922-2023). Albert, who escaped Europe with his parents in 1940, then returned as a Nazi interrogator in 1943, tirelessly answers spoken questions about the life he lived.

I documented my first visit to the museum here. 

Season of the Clown

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Not everybody decorates for Halloween with store-bought skeletons and inflatable witches. Some people, like this guy in Delhi Township that I just learned of, do it with personal creativity. For the last ten years, Shaun Reynolds has filled his front yard with unique creations based on different themes. This year, it’s clowns.

“I’ve wanted to do this since I was a kid,” Reynolds told TV station WCPO. It was through their article and video that I learned of the seasonal attraction. Check it out here. I didn’t get to meet Reynolds when I visited on Thursday, but I have a feeling that he’s not quite finished with being a kid.

I did get to meet Teresa, a long-time neighbor. I was poised to ask what it was like having a big, spooky attraction in your neighborhood, but I didn’t really need to. Her smile when she greeted me let me know she was loving it. I had thought of counting the figures on display, but had not followed through. Theresa made that unnecessary, too. “38 or 39,” she said. She also tried to describe how great the place looks at night with the lights on, as well as just how crowded and fun it gets on Fridays and Saturdays.

Reynolds makes it very clear that he does this for fun and that sharing it and seeing others enjoy it is part of that fun. Of course, some folks have wanted to contribute something, so the Reynolds family has taken to accepting donations of food and money, which they pass on to the Delshire Elementary School food drive.

I’d sure like to see this place at night, and I’m going to try to make that happen. Maybe you can, too, but it is obviously pretty cool day or night. It’s on Assisiview Court.

One for Sun(flowers) in Ohio

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Remember last month’s Two for Four in Ohio post, when one of the targeted museums was closed and the sunflowers were barely out of the ground? At the time, I noted that the projected date for Tecumseh Land Trust blooms was near the end of September. Well, the end of September is near, and the blooming sunflowers are here.

Thursday morning’s rain ended, and the forecast said it would not be back until evening. That wasn’t correct, but I did manage to get my visit in before the rain returned just past noon. This time, I was not alone. There were about half a dozen cars parked in the designated area next to the flowers, and some small winged beings hanging out right in their midst. Here’s a closer look at the bloom in the center of the opening photo.

The ground was wet but apparently not actually muddy, as a few of the humans from the parked cars ventured out into the field to take selfies surrounded by yellow flowers. Most, however, walked around the edge like I did. Just before I left, a group of women arrived with their young daughters wearing some very pretty dresses and posed the group at the field’s edge for photos. I worked at keeping all wingless creatures out of frame.

Even though none of the sunflowers said a word, I left with the impression that they were glad to see me.

A Thoroughly Modern Attic

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Museums in small towns are sometimes referred to as the village attic. Some of them really do resemble an old farmhouse attic with little filtering or organization of objects displayed. Most, however, display items in an organized manner that avoids looking overcrowded. Part of how this is accomplished is by being selective in what items are displayed and having only a portion — often a very small portion — of the museum’s collection on display at any one time. As the state’s attic, the Ohio History Connection is very organized, with a rather tiny fraction of its collection on display and the bulk stored elsewhere. Last year, it got a brand new “attic”, and on Thursday, I got to see it.

The occasion was an architectural tour preceded by a reception and presentation. I didn’t realize that food would be available, but I did realize that it was National Cheeseburger Day. I enjoyed the lemonade, but I skipped the food because I had just left Urban Gourmet, where I had celebrated the holiday.

The tour began with a presentation in the auditorium. Several people gave short presentations about different aspects of the project, which began several years ago with the Collection Care Center opening in June 2024. I happened to catch architect Carlos Lugo at the podium.

Following the presentation, we all went out to our cars and drove from the museum, past Ohio Village, to the Collection Care Center on the north side of the campus. At the door, the fifty or so attendees were split into smaller groups to tour the building.

The group I was in began our tour in the actual storage section. Among the wide range of things stored here are lots of fossils. Some are authentic, while others are cast copies. 

The bones of mastodon feet aren’t typically found intact in the wild. These are castings from assembled fragments. I thought a shelf filled with mastodon feet was pretty unusual, regardless of whether they were bone or plaster.

There is an enclosed loading dock at the other end of the building with offices, lab areas, and an extra-wide corridor in between.We paused in that corridor to learn about the building’s use of pre-formed concrete to speed construction and about other efficiency-focused aspects of the building. We then went outside to learn more about the climate control systems. I have the impression that the majority of attendees were architects. For many, hearing these details was as practical as it was entertaining. I was very impressed by the thoughtful answers to the building’s many unique requirements, but that was probably fueled as much by things I didn’t understand as by those I did.

Our last stop was just outside the front door after we passed back through the building. Here we learned about the landscaping. Native plants are used, and there is no mown lawn. There are some paved as well as gravel paths with a few benches along the way. Several glacial erratics encountered during excavation have been incorporated. The place has been incredibly well thought through, both inside and out.

For a much better overview of the project than I’ve provided, I suggest an article and video published by The Columbus Dispatch when the center opened. It is here.