Tag Archives: Festival

Meltdown Winter Ice Festival

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The last weekend in January seems like a pretty safe time to have an ice festival in Richmond, Indiana. The average temperature there for both the 26th and 27th is 32°F which sounds just about perfect. But averages are not guaranteed. If the town’s Meltdown Winter Ice Festival had taken place a week or two ago, organizers might have wondered if people would brave the near-zero temperatures to attend. On Friday, their top concern was probably whether or not the ice sculptures would survive the day’s temperatures which were pushing fifty.

This is the Meltdown’s eleventh year but it somehow hid from me for the first decade. A significant part of it escaped me this year, too. I timed the hour-and-a-half drive to give me time for dinner before the first item on the schedule. I parked near Jack Elstro Plaza where big blocks of ice were being unloaded and food trucks were setting up. I ate at a local restaurant as I worked my way to the historic district. An online map indicated where sculptures would be but those I walked by were empty. It eventually sunk in that all carving was to be done on-site and was just starting Friday evening. All ice festivals I’ve attended had on-site carving but others also had some sculptures finished elsewhere and trucked in ready to display.

I continued along the path indicated by the map. It included several blocks of Main Street and it was on Main, in the vicinity of Jack Elstro Plaza, that I saw my first ice sculpture of the day. A fellow adjusting the sponsor tag as I approached told me it had just been finished a very short time before. There was already evidence of melting and I had to wonder if it would make it through the night.

Back at the plaza, things had picked up considerably while I was walking and eating. Several sculptures were nearing completion and perhaps would soon be positioned around town like the one I had seen on Main Street.

A couple completed sculptures appear to have already been moved from the carving area to display positions around the plaza. Or maybe they had been carved in place. I’m still not really sure how all this works.

The food trucks were all operating and the igloos scattered around the plaza area had a few occupants although I believe they had entered out of curiosity rather than a need to keep warm. I went through all of the food trucks looking for a cup of coffee but came up empty. Maybe if it had been fifteen or twenty degrees cooler, some enterprising vendor would have coffee or hot chocolate on their menu. And maybe those igloos would have been completely filled.

So I learned that showing up when the event first opens is not a wise move in terms of looking at completed sculptures. I had intentionally picked Friday over Saturday because I thought Saturday might be too crowded. I had only myself to blame for feeling a little disappointed when I started for home.

I was not disappointed enough to drive back to Richmond on Saturday but I did check in on things remotely. Rain might have reduced crowd size somewhat but there was still a good turnout and there was never any thought of canceling the festival’s main event, the Meltdown Throwdown, because of the rain. I was surprised to learn that this timed competition between two teams of carvers was being streamed live for the first time. The teams carve in three ten-minute segments. The screen captures are from the beginning of the second and third segments and after it is all over. The winner, selected by audience volume, was the iguana from Team Ice with a tongue carved separately and attached in the final moments. The guitar on Team Fire’s rocker was also a separately carved attachment. A second guitar was smashed in dramatic Pete Townsend fashion as time expired

Ohio River Sternwheel Festival

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For the forty-seventh time, a bunch of sternwheelers gathered to party in Marietta, Ohio, and, for the first time, I was there. Motel and hotel rooms in Marietta are pretty much filled by Ohio River Sternwheel Festival attendees but I found a very reasonably priced room less than twenty miles away in Mineral Wells, West Virginia. Even after a very leisurely drive on US-50, I arrived in plenty of time to head to Marietta for the festival’s opening ceremonies.

There were some short speeches and some long and sincere thank yous, the national anthem with a giant flag overhead, and a flyover by a Navy jet. Things officially went live with the lighting of the festival torch.

A full evening of entertainment followed with a Tina Turner tribute to finish out the day. Despite knowing that “big wheel keep on turning” would sound extra special tonight, I headed to my motel to rest up for a full day on Saturday. I did stay long enough to hear several tunes from Steve and Beverly Pottmeyer and a friend. Steve performed at the very first Sternwheel Festival in 1976 and has only missed performing at one since then.

I made it back Saturday in time to catch the first musical performers. The Marietta High School Wall of Sound wouldn’t fit on the stage so they formed their wall on the river bank. The Marietta High School Choir – Vocal Point did fit on the stage. The place where I parked yesterday was operated by the choir. The Bruce Hass Trio was up next with, as far as I know, no high schoolers.

Between checking out the musical acts, I walked the line of boats pulled up to the shore. I counted thirty although I could detect no wheels on the sterns of two of those I counted.

I had noticed a large sternwheeler passing by yesterday and again today. Thinking it might be offering cruises, I zoomed in on its name and turned to the web. Sure enough, the Valley Gem was offering one-hour cruises and there was one remaining before the sold-out fireworks cruise. I reserved a spot on that cruise then turned to Google Maps for directions. I knew the dock would be some distance up the Muskingum River but it was a little farther than I would have guessed. My estimated arrival time for the 2:45 cruise was 2:46.

Although I was one of the last to board, I made it. I could now see the wheels on all those sterns. Note the kayakers in that picture with the Lafayette Hotel in the background, and take a look at some of the onshore crowd in the third picture. The cruise also provided a pretty good look at the fireworks barge.

My return to the festival area was a lot more relaxed than my hurried walk to the Valley Gem had been. I tried out a couple of benches along the way then stopped at the Marietta Brewing Company for a brew and dinner. Even so, a couple of hours remained until fireworks time and the ever-increasing crowd reminded me of why I mostly avoid events such as this. I probably would have left if I had not been parked in.

So I stayed and enjoyed a very good, nearly half-hour long, fireworks display. This is a festival highlight that locals mention a lot and it’s easy to see why.

Getting through the ensuing traffic jam was every bit the nightmare I anticipated. I don’t think I learned a whole lot about fireworks-related traffic jams that I didn’t already know but I still feel I deserve a few continuing education credits.

Dayton Porchfest 2023

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I attended my first Porchfest in 2018. It was Dayton’s second. Despite good intentions, I did not make it back in 2019 and there understandably wasn’t one in 2020. Dayton did hold Porchfests in 2021 and 2022 but they did it without me. I guess I sort of forgot about them until I saw an ad of some sort a few weeks ago. Ithaca, NY, had the first Porchfest in 2007. The Dayton Porchfest was number 94. There are now more than 150 taking place each year.

That opening picture of Baker & Collins, of the band Berachah Valley, probably looks exactly like what you expect a porch fest to look like but that is not the way this one started. At 12:15, after a few announcements,  Phil’s Big Azz Brass Band kicked off the music in a parking lot. No porch could hold them.

Starting at 1:00, and continuing for the next six hours, eight to ten concerts began on porches — or something similar — throughout the Saint Anne’s Hill section of Dayton every hour on the hour. After listening to a few tunes from Baker & Collins, I moved on to catch a few from Jimmy D. Rogers then around the corner to catch a few more from Dennis Geehan and the Storied Blues Project.

This is crabswithoutlegs who, in addition to having a name that triggers a plethora of questions, were probably the highlight of my day. They are on a back porch in a fenced yard completely filled with people with more listening outside the fence. Fortunately, there was a small but steady stream of folks moving to other porches so I was able to slip inside the fence for a bit. This extremely tight jazz fusion group was made extra impressive by the apparent young age of every member.

They and I performed on a very real porch although it faced a side yard rather than the street. I had paused for a beverage at the Fifth Street Brewpub as the 1:00 concerts came to an end then spent a little extra time taking in crabswithoutlegs. As a result, I only managed to hear pieces of two of the 2:00 concerts.

Sharon Lane was the first of the 3:00 performers I saw. I’ve included a shot of the building where she performed to show that she really was on a porch. The porch that Novena performed on was much more open and stage-like.

Other 3:00 concerts I saw included Austin Wolfel, Tim Gebard & the Hit Men, and Dave Zup who performed in the street while his accompaniment was on a porch.

There is no such thing as too much music but there was more music than I could take in. It wasn’t really practical to attend all of the eight or more concerts occurring simultaneously plus I did not make it to the end of the festival. In 2018, it was rain that caused me to leave early. In 2023, it was my legs. Four hours (minus one beer) of walking wore me out. I know I missed a lot. Porchfest is a great concept and Dayton, via Saint Anne’s Hill, does it right.

 

Paddlefest 2023

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I’ve known of Ohio River Paddlefest for quite a while. I even planned to attend last year until severe weather convinced me — and everybody else — otherwise. Heavy storms led to the cancellation of several outdoor events including the 2022 Paddlefest. There wasn’t even a hint of foul weather this year and I finally made it to “the largest paddling event in the country” for the first time. I was not in position to see the launch of approximately 2000 participants into an Ohio River that was cleared of powered watercraft for the event but I did get to see many of them pass through Cincinnati’s riverfront.

I decided to park in Kentucky and use the century-and-a-half-old Roebling Bridge as an observation deck. People can choose to paddle either 4.5 or 9 miles from the launch point at Schmidt Recreation Complex at the east edge of Cincinnati. The pullout point for the shorter trip is the public landing near the coliseum. The big paddle wheeler at the landing is the American Heritage on her way to Pittsburgh. I don’t know whether being in town for Paddlefest was intentional or something they just couldn’t avoid. Also in that photo, the three ladies in the opening photo can be seen well past the landing on their way to the Roebling and my camera.

There was a race and I’m sure there was a winner but most participants seemed to be much more concerned with enjoying the float and maximizing rather than minimizing their time on the water. Some even took time to look up and wave or wrangle three boats together for a group selfie.

Shooting upriver at the approaching boats meant shooting into the sun but at some point, I realized that I could completely avoid any glare issues by shooting straight down. Snapping paddlers just before they disappeared under the bridge was actually quite addictive and I snapped a few more before I could pull myself away.

Not everything is ruined by shooting toward the sun. Some things actually look pretty good or so I convinced myself.

With the exception of some safety and patrol boats, these were probably the most powerful watercraft on the Ohio near Cincinnati throughout the morning. They did not flaunt it, however, and were well back in the pack.

Shortly after the big boats passed, I finished crossing the bridge and moved to the downstream side to return to Kentucky. Catching boats just as they popped out from under the bridge wasn’t nearly as easy as catching them just before they popped under it but I did catch one.

These are all a bit away from the bridge and moving slowly.

Back in Kentucky, I grabbed brunch and then headed to where the nine-mile paddle ended and where the wrap-up party was being held. For some reason, northbound I-71/75 was closed at the river. I didn’t figure that out until I was forced beyond it. I decided to just keep going and cross the river on the Anderson Ferry for a real break from the normal. The Miata got the first of two comments when the attendant collected my fare. “Nice change of pace. I have to reach up for every other car.”

The second comment came from a fellow directing traffic at the Gilday Recreation Complex. With a mostly straight face, he asked if I was there to pick up a 17-foot canoe. Lots of canoes and kayaks had already departed and many more were in the process of being loaded. But there were still plenty waiting in the park and even a few still on the river. The finish line was still in place when I arrived but it would soon be gone.

Madtree had a beer tent set up and there were several food trucks. The Sunburners provided some good Jimmy Buffet-style music and there were some Jimmy Buffet-style listeners too.

I had my doubts about the claims of this photo-op but a little research confirmed that the Gilday Complex really was the southernmost point of the Ohio River Paddlefest. And today it even felt kind of tropical.

Support Your Local Cryptid

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I can’t really claim to be a big supporter of cryptids of any sort but I can claim to support my local cryptids more than any of the others. I have taken a few pictures of Bigfoot signs and statues but I’ve never gone out of my way to do it, and I’ve never for a moment thought of going to Scotland solely to look for that critter reported to live in Loch Ness. I have, however, visited Point Pleasant, West Virginia, a couple of times primarily to admire the Mothman statue, and when I heard about the first-ever Frogman Festival, I figured attending it would just be proper. You can’t get much more local than a cryptid sighting a mile and a half from where I once lived and less than three miles from where I live now.

Some background, I suspect, might be in order. I’ll start with a definition. I now know what a cryptid is but I didn’t a few years ago and the word is not one I use daily. From Wikipedia: “Cryptids are animals that cryptozoologists believe may exist somewhere in the wild, but are not recognized by science. Cryptozoology is a pseudoscience, which primarily looks at anecdotal stories, and other claims rejected by the scientific community.” Mothman, which has been sighted about 120 miles from my home, is a cryptid and I believe the pictured inflatable is a representation. Here is a picture of a more solid, but not necessarily more accurate, rendition that’s in his hometown.

The Loveland Frog or Frogman is a cryptid that some cryptozoologists believe lives, or at least lived, in or near the Little Miami River around Loveland, Ohio. There are numerous descriptions floating around and even some reports of more recent sightings but essentially all descriptions mention sightings in 1955 and 1972. The creature is sometimes described as having webbed hands and sometimes as having human-like hands. Sometimes it’s very frog-like and sometimes it is basically a human with the face of a frog. Sometimes it’s about three feet tall but sometimes it’s closer to six feet. There are many other variations too. Legends and cryptids are often like that.

Vendors were a major part of the festival. It was announced at the start of the presentations that there were fifty-two vendors present representing twelve states. They filled the majority of the space offering clothing, books, games, a variety of craft items, and some really serious masks. Some very impressive works of art could also be found.

Here is an aspect of the festival that was a complete surprise to me. A company named MetaZoo was identified as the festival’s official sponsor. The name meant nothing to me but I soon learned that it is a gaming company and that a big tournament was part of the festival. I said that vendors had the majority of space but that’s because vendors were set up in the hallways. Space inside the main room was about evenly split between vendors and gamers. I don’t know much about the game itself but it looks like wizard hats, swimming goggles, and other paraphernalia could be important. I did learn from one of the people supervising the tournament that the play was one-on-one with winners advancing. The final rounds will be held at the tables with overhead cameras sending the action to the large screens. At the moment, all tables were being used so that random preliminary games were taking place at those tables.

I took in some but not all of the festival’s eight hours of presentations. The first picture is of one of the event’s organizers, Jeff Craig, introducing the first speaker. Dee Elliott talked about the effect of “hauntings” on three small West Virginia towns. Ashley Hilt’s presentation was entitled “Mothman” but it ended up touching on other sightings as well. I realize it looks like Mickey Mouse ears on the pair of audience members but they are actually frog eyes. Quite a few attendees were wearing frog eyes or something similar.

James Willis’ “Frogman of Loveland, Ohio” presentation was the main thing I wanted to see and I was certainly not alone. This was a standing-room-only presentation that was worth the price of addition. Willis dug into original police and newspaper reports to construct a rather thorough history of the legend. It’s the first time I’ve heard a version of this saga that makes sense.

The City of Loveland seems to have embraced its local cryptid. The picture at left was taken during the recent Hearts Afire weekend which I reported on here. That’s the city mascot greeting a young visitor on the bike trail.

I suppose it’s too early to know if this will become an annual event or was a one-time thing. It was clearly well-attended which I assume means it was a success. I had fun and learned more than I expected and will be on the lookout for a big festival or a big frog.

 

Hearts and Blues Afire

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I originally planned to do what I did for last year’s Inaugural Hearts Afire Weekend, and just attend the 2023 Hearts Afire Weekend on Saturday. By showing up mid-afternoon in 2022, I had been able to see some of the ice carvings in both darkness and daylight. Then I realized that Saturday was the day of the Cincinnati Winter Blues Experience and it wasn’t long until friends convinced me I should be there. So, without actually reading the schedule, I headed to Loveland Friday evening thinking I’d get to see at least some of those ice sculptures. Nope. There were plenty of festivities happening but no ice carvings. I told myself they were probably delayed because of the warmish temperatures but eventually learned that the plan had always been to have all the frozen art appear on Saturday.

So I headed over to Cappy’s where the Charity Date Auction was in full swing — inside. Outside, only a couple of teddy bears were hanging out with the roaring fire and the giant Chair-ity Date Auction chair. Inside the big tent, local TV and radio personality Ken Broo was MCing the auction. When a representative of auction beneficiary Women’s Health Initiatives Foundation came forward to talk about the foundation, she ended up getting auctioned off as part of the Saturday night group date.

Although I did pop into a couple more local businesses, I basically made it an early night with intentions of coming back on Saturday to check out those ice sculptures. As I headed home, I snapped a shot of this Loveland home decorated very appropriately for the location and the holiday.

I made it back on Saturday to see the ice carvings. I’m sharing photos of a few starting with these on or near the bike trail. I generally avoid posting pictures of children and really make an effort to avoid posting children’s faces even when I’m sure they are very happy ones.

Here are half of the six sculptures that Cappy’s, where last night’s auction was held, has this year. Some of them are sponsored by suppliers.

I did not have time to hang around for the ice carving demonstrations but I did get to watch one being started while a couple of future carvers looked on. I also spotted some blocks of ice being prepared for carving.

Remember that event that kept me from the ice sculptures tonight? There were eleven bands performing at the Cincinnati Winter Blues Experience and that included seven that I’d not seen before. I caught just the last few notes of The Mojo Blues Cats and got no picture. Here are the other six.

To be honest, I think I may have seen The Tempted Souls Band before but if so I don’t believe it was this lineup. Tullie Brae’s piano was initially missing in the mix but things were soon sorted and sounding good. Ivy Ford led her trio with good vocals and very good guitar work.

Gabe Stillman fronted his own trio as did King Soloman Hicks. Hicks might have been best of show. GA-20 is an unusual two-guitar trio. The band’s guitarists took turns playing bass lines on their fat strings while the other took the lead.

The Blues Experience was a one-night affair but Hearts Afire continues through today, Sunday, February 12.

Horses on Parade

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In the very first year of this blog, I attended a triple header of holiday horse parades and documented them in two posts. I wrote about a nighttime parade in Greenville here and nighttime parades in Springfield and Lebanon here. There was a fourth parade that I mentioned but did not get to see in 2011. The parade in Springfield was their first and I don’t believe it lasted much beyond that inaugural year. Greenville’s 10th annual Hometown Holiday Horse Parade took place a couple of weeks ago. The nighttime 33rd annual Lebanon Horse Drawn Carriage Parade took place last night and the daytime version, which is the parade I missed in 2011, took place yesterday afternoon. This time I made it.

Lebanon’s nighttime parade typically has well over 100 entries. The daytime parade is a bit smaller. The highest numbered unit I saw was 80 and there were a few gaps in the numbering. The pictures at left are of carriages carrying the parade’s Grand Marshal and the couple seen waving in the opening photo. The Grand Marshal was not identified on the carriage, I’ve found nothing online, and I didn’t recognize him. Maybe you can.

Some elegant horses followed including a pair sporting glittery blue hooves.

The number of small ponies in the parade kind of surprised me. I felt a little sorry for some of the tiny creatures pulling Santa Claus-sized individuals. I also felt a little sorry for some passengers who, although they looked quite cute, didn’t seem overly happy with the hats they were made to wear. The pony may deserve some pity, too.

Even though I know that the Grinch’s heart “grew three sizes that day”, I am still a little surprised every time I see him as a symbol; of Christmas. Given the parade’s name, I was also surprised to see one of those new-fangled carriageless horses.

There was certainly no lack of power near the parade’s end where a couple of six-horse teams appeared. Secure in the safety of both size and number, a member of one of those teams had no qualms about openly laughing at me as my cold hands tried to focus the camera on his face.  

BLINK Is Back

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Of course, there were some official police vehicles leading the way but the real 2022 BLINK Cincinnati parade started off with this happy guy in a glowing pedal-powered pig. I probably could have staked out a spot with a clear view when I arrived but, as usual, I walked around looking at stuff until spectators two or more deep lined the route. Even so, I could see most of the parade; I just couldn’t get a clear camera shot very often. I believe that when BLINK happened in 2017 it was seen as a one-time experiment. It might not have been thought of that way by everyone but that is kind of the way it was presented. The experiment was so successful that it came back in 2019 and this time it was advertised as a biennial event. It was quickly knocked off of the planned pace by COVID-19 but only by a year. Instead of a 2021 appearance, it’s happening now in 2022.

I can’t attach names to many of the parade participants but I do know that’s Dance Flash Fusion in black and green.

Everyone in these pictures shall remain nameless because I haven’t a clue. The gals in the first picture almost look like they can fly when they spread their wings.

The major new thing at this year’s BLINK would be synchronized drones over the Ohio River and that’s where I headed as soon as the parade ended. I snapped a picture of the “Together” light sculpture and continued on to the river’s edge. I arrived about half an hour before show time but the half-mile walk to get there put me in the mood to stand still for a while. Waiting was pretty pleasant with interesting river scenes on one side and good music on the other. “39 West” provided the music although neither they nor the stage is shown on the BLINK website.

From my spot on the railing, I could see the drones lift off row by row then dance through various formations over the water.

I believe the “eye” is more or less the BLINK logo. A short video I took of part of the show can be seen here

After the drone show, I headed uptown. The area is most often referred to as downtown but getting there from the riverfront is definitely up. The mural of famous travel photographer Neil Armstrong with his camera is not part of BLINK but one of Cincinnati’s many permanent ArtWorks murals. The building beyond is the Contemporary Art Center which is being used for the “The Manifold Potential” projection.

This is a projection named “Little Africa”. It’s one of the few displays I’d read anything about before going and really the only one I sort of sought out. It begins with or ends with or maybe just contains this text panel. 

I’m rather partial to mapped projections. I prefer them to what BLINK calls light sculptures even though I’m not 100% sure I could explain the difference. In my mind, projections contain actual images and are often formatted to match the target surface. Light sculptures are closer to psychedelic light shows of the 1960s shining abstract patterns onto the target. This is a projection called “To the Moon” on the American Building.

I didn’t quite reach “The Inside Out” but I did reach Ziegler Park from where I could see the projection in the distance. Ziegler Park is as far north and east as I made it. Earlier in the evening, I’d thought I might grab something to eat at Asianati Night Market where ten local Asian restaurants had stands set up. However, when I finally stumbled into the place on my way to the car, all I wanted to do was keep moving. I know I saw a lot less than half of all the displays but I think I’ll just have to be satisfied with that. In 2019, I attended two nights and still didn’t see it all. I could go back ln Sunday evening for one more shot following publication of this post but I doubt I will. I’m much more likely to be sitting at home resting my still-tired feet.

Mo’ O’fest

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Last week I went to the largest Oktoberfest in the country. This week I went to the closest. And maybe the newest. Several Loveland, Ohio, businesses have been celebrating the occasion for several years, and last year the city itself decided to get involved. Somewhere a town or city might be holding their first ever Oktoberfest but the second ever Loveland Oktoberfest is still something pretty new and an indication that the first one was enough fun to make it an annual event.

As I did with Oktoberfest Zinzinnati, I targeted Friday shortly after opening. In this case, that was 4:00 when I was again able to avoid the larger evening crowds.

Not only did my timing allow me to enjoy a little open space, it allowed me to hear this new-to-me band. Alico does not deliver typical Oktoberfest fare. There isn’t an accordion or tuba anywhere on the stage. The young and talented duo perform rearranged covers mixed with originals that left me quite impressed. I thought the drummer looked kind of familiar and have since learned he is Joe Nasser who was once with Erin Coburn’s band. Spencer Anthony handles guitar and vocals.

City-sponsored parts of the event were concentrated in Nisbet Park and along the bike trail but several businesses had their own activities going on as well. I skipped the biergarten and grabbed a Lovetoberfest Marzen at the trailside Narrow Path Brewing Company.

Then I headed over to Cappy’s Wine and Spirits for their Stein Hoist competition. Several businesses held contests for both men and women with the winners moving on to a Saturday Night city-wide event. The opening photograph shows the final two women contestants toasting each other before one arm faltered to decide the winner.

I didn’t stay for the men’s competition but headed off to Hometown Cafe for dinner. This picture of the cafe was taken shortly after my arrival. It was significantly more crowded when I picked up my schnitzel and spaetzle and walked down the trail to eat it accompanied by dinner music from the Schnapps Band. 

Three in a Row

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Life seems to always get busier as autumn approaches. That’s no doubt partly pure perception as we try to pack as much as possible into the last days of summer but it’s also partially real. Maybe event schedulers once avoided some conflicts by delaying things but there is a limit to how late in the year outdoor activities can be moved without a high risk of cold weather. This week found me participating in blog-worthy outings on three consecutive days. On Thursday, it was the Open Doors: Camp Washington- The Home of Makers walking tour. On Friday, I made it to the first day of Oktoberfest Zinzinnati and on Saturday, a friend and I attended the WACO Fly-In where the photo at right was taken.

The first stop on the Camp Washington tour was at the Crosley factory. An effort is underway to convert the place where radios and appliances were once manufactured into apartments but it has a long way to go. Camp Washington was once filled with factories, meat processing plants, and some oil storage. The 1937 flood damaged many buildings and most of those on Spring Grove Avenue were destroyed by a fire fed by oil floating on the flood waters. The middle picture is of the tallest building in the area to survive. The third picture is of the surviving office building of one of the meatpacking firms.

The only building we entered on the tour was the former hotel and bank that most recently housed US (Uncle Steve’s) Chili. It is now owned by the Cincinnati Preservation Association and slated for renovation. I’ve eaten breakfast and 4-ways here but had never been beyond the first floor. The tile (Rookwood?) fronted fireplace is on the third floor and I also got a shot of a neighbor from that floor. One of the things I remember about US Chili was a large petition calling for removal of the disrespectful (to George) mural seen in that overhead shot and from ground level here.

The tour had started at the American Sign Museum and would technically end there but it more or less disbanded at Valley Park where a farmer’s market was wrapping up for the day. I have driven by the park quite often and have noted its WW I monument but this was the first time I’d actually approached it.

Besides being the host and an interesting Camp Washington building in its own right, the American Sign Museum pulled signs from a pair of former Camp Washington businesses from the attic and offered up some musical entertainment. As marked by a reproduction sign on a parking lot wall, the museum building was once home to Fashion Frocks. I was well aware of that but had never seen any of their products. Tonight the museum had a frock and some advertisements (“Value Priced $7.98”) on display.

My guess that things might not be too crowded on Friday afternoon proved more or less correct. I grabbed a sausage sampler at Mecklenburg’s, a smoked mettwurst at Mick Knoll’s Covington Haus, and a Festbier from the “World’s Oldest Brewery”.

I caught lots of good German music but I didn’t catch any of the performers’ names.

I didn’t catch this guy’s name either but if it’s not Cincinnato Batman I’m going to be really disappointed.

 
 

My completely unqualified impression is that the WACO Fly-In had fewer total planes than usual and that a higher percentage of them were non-WACO but that a higher percentage of the WACOs were the real thing rather than modern reproductions. I also had the more reliable impression that the weather was perfect for the event.

The fly-in is a wonderful place to get up close and fairly personal — no touching — with some beautiful aircraft.

We had semi-intentionally timed our visit to include the Parade of WACOs which meant we got to see quite a few airplanes take off and land and sometimes pause for directions.

And cruise by at fairly low levels, too.
 
 
The WACO story is definitely an interesting one.  An onsite marker tells an extremely brief version with a whole lot more available at the museum website. Or you could probably learn a bunch chatting with this fellow at his color-coordinated airfield campsite.