There’s Something Happening Here

Two years ago I didn’t even know who Josh Hisle was. Now I believe I can call him a friend. I first went to see Josh perform about a year and a half ago in response to some very complimentary chatter in the local blues society’s online group. Between the time of that chatter and actually meeting Josh, I realized that I had heard of him before. I’d seen the CNN report on a guitar playing Marine in Iraq but hadn’t really connected that with Cincinnati. Josh lives in Indiana but it’s in the corner that is often claimed as part of Greater Cincinnati. He did two tours in Iraq. One as a gung ho young dude with no personal attachments and one as a more contemplative husband and father. His music was an important part of both tours. That CNN report is here.

That first time seeing Josh was sort of like getting the sampler platter at a BBQ joint. No, it was more like getting the sampler platter at a Burmese sushi Tex-Mex gelato Cajun pizza BBQ joint. In the years between Ramadi and that night in Rising Sun, Indiana, Josh had performed head-banger heavy metal, soft acoustic folksy stuff, blues ala country, country ala blues, and every other musical genre that he could hook on to. That evening contained tastes of just about all those flavors.

The show was supposed to be sort of a shakedown for Josh and cellist Michael G Ronstadt who were about to start a tour as the two-piece group Lost In Holland and, to a certain degree, it was. The two of them played a fair amount as a duo but they also played as the point men of just about every permutation of musicians that could be concocted. It was great fun, great, music, and showed off both Michael and Josh as extremely talented and versatile musicians. I saw that show as part of a short trip and wrote about it here.

I was impressed and went to see Josh several more times. That sense of variety continued as I saw him alone, with Lost In Holland, Ronstadt Generations, and other mixes of people. It became something of a joke that I never saw Josh twice with the same lineup. On Thursday I saw another pre-tour shakedown.

Lisa Biales & Doug Hamilton, OCAC, Miami, OH, Sep 8, 2011Lisa Biales began the concert at the Oxford Community Arts Center solo but brought up violinist Doug Hamilton after a few tunes. Josh joined them for a couple of songs before Lisa and Doug finished out the first half of the show. Lisa is both musician and actress and the evening was something of a sendoff for her as an actress. She has a significant role in Francis Ford Coppola’s Twixt and would head to Toronto the next day for the movie’s premier.

Josh Hisle, OCAC, Miami, OH, Sep 8, 2011But it was Josh who was there for the shakedown. Singing in a war zone brought the Marine to the attention of Neil Young who was working on a documentary. That was 2008’s CSNY/Déjà Vu which Neil asked Josh to appear in. Josh said yes and that soon led to meeting the ‘C’ & ‘S’ & ‘N’ parts of the group, too. When the ‘S’ guy, Stephen Stills, needed an opener for an upcoming tour, he turned to Josh. Once again Josh said yes, and on Thursday he shared with the OCAC audience the songs he will draw from when he begins the tour in October.

Josh Hisle, OCAC, Miami, OH, Sep 8, 2011It’s a powerful collection of songs including a couple written or completed specifically for the tour. His time on stage with Stills will permit playing only a portion of the set we heard Thursday but it won’t be the same portion every night. He will mix it up depending on location, audience, and probably his own mood. Josh is very aware that getting to present himself and his music at sold out Stephen Stills concerts is a valuable opportunity. He’s not going to waste it. He will be doing his portion of the show alone but will return to the stage each night to sing Love the One You’re With with Stills and his full band. Not only will that give the audience a little reminder of the guy that opened but it’s got to be one hell of a thrill. Good luck, Josh. Go get ’em, buddy.


Today is the tenth anniversary of the terrorist attacks on New York and Washington. Every form of media — TV, radio, papers, Internet, etc. — is filled with reminisces and other commentary. I’ve nothing to add but making a blog post today without at least acknowleding the date doesn’t seem quite right, either. So I’ll point to what I wrote on the first anniversary when memories and emotions were more powerful. Yes, we’ll never forget but our memories may change. That nine year old piece is here.

Water Cardboarding

1992 must have been a fertile time along the big river in southwest Ohio. As noted in last Sunday’s post, the annual Cincinnati Blues Festival was just held for the 19th time. Yesterday, the 19th International Cardboard Boat Regatta took place just a few miles up river from Cincinnati. I don’t know what triggered that little rash of event birthing at Ohio’s southern edge. Maybe Iron City Brewing up in Pittsburgh had a big spill or something. Or it might just be lucky coincidence that got these two wonderful events going in the same summer.

RoadsideAmerica at Cardboard Boat Museum, New Richmond, OHIt was definitely a coincidence that I stopped by New Richmond’s Cardboard Boat Museum last month on the day before RoadsideAmerica.com was to arrive for a photo shoot and interview. This is the world’s only cardboard boat museum and the driving force behind the annual regatta. Of course I eagerly returned the next day for a chance to see Doug Kirby & Ken Smith in action. I’d submitted a few photos to the site and exchanged some email with Doug but had never met either of these fellows. For me, it was kind of like meeting Tiger Woods would be for a golfer. The report produced from the visit is here.

Cardboard boats waiting for race, New Richmond, OH, 2011Cardboard boats with mechanical assist, New Richmond, OH, 2011Now that the name dropping is out of the way, I can move on to yesterday’s regatta. Even though I’ve heard of it for years and watched many after the fact reports on local news, this was only the second year I’ve attended. New Richmond is one of those river towns that, in recent years, I tend to end up in during semi-aimless weekend drives. I naturally started popping into the museum whenever I saw it open and last year actually knew of the race date in advance. I used the 2010 race as the starting point of my Blue Ridge Parkway drive. As I recall, there were about fifty boats last year. That record was shattered by this year’s fifty-five entrants. There are different heats for juveniles and adults and for single and multiple person crews. Boats with “mechanical assistance” make up their own distinct class.

Broken cardboard boat, New Richmond, OH, 2011By rule, the boats are constructed of nothing other than cardboard, tape, and paint. The paint is critical though there is nothing special about it. The same basic house paint that keeps water from soaking into your wooden siding keeps it from soaking into cardboard. Of course, should water somehow find its way in, the cardboard reacts even quicker than peeling wood siding. By using different crews, many boats run in more than one heat. Some run in less than one heat.

Cardboard Man finish, New Richmond, OH, 2011After all the various class competitions are finished, any surviving boat with any crew can compete in a wide open free-for-all with the winner taking home the prestigious Cardboard Cup. In previous years, the Cardboard Cup race was the last of the day but this year a new event was added. This double length race would seriously test the stamina of any individual with the nerve to try it. Rather than the single downstream pass of the 200 yard course that makes up every other event, this race required entrants to paddle the course in both directions. The picture shows Sam Richmond about to cross the start/finish line to become the first recipient of the Cardboard Man title.

The Cardboard Man title is clearly out of my reach. In fact, almost everyone in a boat expended a lot more energy than I’d ever consider. The lone exception was the fellow who played steel drums while his wife propelled their craft. Now that’s a gig I think I could handle.

Steel drum cardboard boat, New Richmond, OH, 2011

A Musical Weekend

If I had introduced this blog a week earlier, the Cincinnati and Lebanon blues festivals could have been the subjects of last Sunday’s post instead of the “Hi, I’m a blog” thing. The downside of doing it this week is that it’s not near as timely. The upside is I’ve had a week to figure out how to include pictures.

The Cincinnati festival is a two day affair that fills Friday and Saturday evenings starting around 5:00 PM. Lebanon’s event is Saturday only with a start time of 11:00 AM. Both end sometime just short of midnight. Why these two festivals — just thirty miles apart — are held on the same weekend each year is something of a mystery but don’t expect it to change any time soon. Cincinnati was there first. This year was Cincinnati’s 19th and Lebanon’s 13th. So it was Lebanon that caused the collision but they always seems to have all the crowd they can handle and little incentive to move the date. Lebanon’s festival is free. Cincinnati’s isn’t. I suspect Cincinnati’s Saturday crowd is lessened a bit by the freeby up the road but the Cincinnati event is locked into its slot in the venue’s full schedule and couldn’t change if it wanted to..

Some years I’ve gone to neither and some years I’ve gone to both. Other years I’ve gone to one or the other. This was a “both” year. Cincinnati certainly has the bigger festival. It is spread out not only over two days but over three stages. There is a local stage featuring runners up from the local Blues Challenge. The winners, who will represent the Cincinnati Blues Society at the International Blues Challenge in Memphis, open the main stage. After that, it’s filled by national and regional acts. The third stage is alway boogie woogie piano on Saturday and something else on Friday. Last year it was the music of New Orleans. A tribute to the Ludlow Garage, a venue that brought big time acts to Cincinnati in the ’60s & ’70, was held there the year before. This year it was rockabilly.

Moreland & Arbuckle, 2011 Cincinnati Blues Festival

In theory, acts get better and better as the day progresses and peak with the headliner. I frequently find, however, that my own ranking doesn’t quite match the program. That was definitely the case on the main stage Friday. I was most impressed by Moreland & Arbuckle who were third from the top — right after the local openers. I had heard they were a two piece band and was surprised to see the drummer. Then, when they started playing, I was convinced there was a fourth member and walked across the front of the stage looking for a bass player behind the speakers. Nope. Dustin Arbuckle sings and plays killer harmonica while Aaron Moreland plays bass, rhythm, and lead on a single fretboard. Aaron does play “normal” guitars but I liked him best on his custom made four string cigar box with the top string set up specifically for bass work. The program says otherwise but I believe that is Kendall Newby on drums. His talents are a match for the other two.

Teeny Tucker, 2011 Lebanon Blues FestivalOn Saturday, I went to Lebanon in time to catch the last four acts. Most of the artists here can be considered local but local includes Cincinnati, Dayton, and Columbus and many bands from all of those cities do a lot of traveling. The Blue Birds Big Band, last year’s Cincinnati Blues Challenge winners, would close out the night but the main draw for me was the lady in the picture, Teeny Tucker, who was on just ahead of them. I had seen Teeny do a few songs in a Columbus bar during a benefit and I was looking forward to seeing her in control of the stage and with her full group. That’s one powerful and soulful young lady.

I saw a lot more good musicians than the ones pictured here and I know there were plenty I missed. There was real top notch blues talent on the stages of Cincinnati and Lebanon last weekend. I can’t say a bad thing about any of them but, baby, you know what I like.

Moreland & Arbuckle, 2011 Cincinnati Blues Festival