2025 in the Rear View

The year in numbers with 2024 values in parentheses:

  • 3 (7) = Road trips reported
  • 69 (68) = Blog posts
  • 20 (72) = Days on the road
  • 1110 (2,491) = Pictures posted — 732 (671) in the blog and 378 (1,820) in road trips

The last three years have certainly been interesting ones to look back on, statistics-wise. In 2023, I wrote that everything went up except interest, and by that I meant traffic. In 2024, traffic joined the other statistics in posting increases. This year, interest/traffic is just about the only thing that has gone up. Scheduling conflicts and other issues kept me essentially off the road for the entire first half of the year, which naturally resulted in fewer road trips, days on the road, and pictures posted. Blog posts did increase by one, and pictures posted in the blog also went up a bit, but the bulk of pictures always comes from road trips, so the total went down, and neither blog posts nor blog pictures equaled the 2023 numbers. Three of the top five blog posts are frequent members of the list, including last year. The other two are not only new to the top five list, but both were also newly published in 2025. Three of the top five non-blog posts are also frequent list members, but only one appeared last year. Both of the newcomers to the non-blog list were published in 2024. That’s quite a shakeup from last year, when both lists contained four repeats from the year before.

Top Blog Posts:

  1. Scoring the Dixie
    This post moves from fifth to first for its ninth top-five finish. It described my tracking of multiple outings on the Dixie High that eventually led to clinching it.
  2. Twenty Mile’s Last Stand
    After two consecutive first-place finishes, this post drops slightly for its eleventh appearance in the top-five list. Its subject is a nineteenth-century stagecoach stop destined for destruction by developers.
  3. My Wheels – Chapter 1 1960 J. C. Higgins Flightliner
    Back for the twelfth time; the only time this post did not appear in the top five was 2022, when it was sixth.
  4. Book Review Route 66: The First 100 Years Jim Ross and Shellee Graham
    This review did OK on its own, and posting a link on my Facebook page helped a little, but there is no doubt that the reason it made this list is that both Jim and Shellee posted links to it on their own Facebook pages. It’s a great book, and I’d like to believe I helped sell a copy or two, but I think it is mostly selling itself.
  5. An Auto Park Turns Two
    This one got plenty of help, too. It’s about my visit to an Indiana diner and associated car museum during its second anniversary celebration. I posted a Facebook link, and the diner shared the post to its own page.

Top Non-Blog Posts:

  1. Alaska
    After a three-year absence, this nearly six-week-long trip makes its sixth top-five appearance with its second first place. 
  2. My Fiftieth: Hawaii
    It’s a little hard for me to believe that this is only the second time that the trip where I celebrated my fiftieth state and my seventieth birthday made the top five. It ranked third in 2018.
  3. NOTR and PPOO Part 2
    In 2024, I drove the full length of the National Old Trails Road and the Pikes Peak Ocens to Ocean Highway. For reasons not worth repeating, the drive was divided into two parts. Part 2 involved the two named auto trails west of the Ohio-Indiana border. Part 1’s traffic placed it well down the list, but the combined total would top it. Of course, that doesn’t mean that an undivided trip would have garnered the same numbers, but I think it does mean NOTR and PPOO Part 1 deserves a shout-out.
  4. Route 66 Miles of Possibility 2024
    This and NOTR and PPOO Part 2 are the newcomers. In real life, the end of the NOTR drive morphed into the start of the drive to the 2024 MOP without a break.
  5. Sixty-Six: E2E & F2F
    The only returnee from the 2024 list is my 2012 end-to-end and friend-to-friend drive of Historic Route 66. It was number one last year, and this makes its ninth top-five appearance.

All three of the main traffic measurements were up again this year. Overall site visits grew from 164,460 to 356,700, blog visits rose from 5,236 to 7,268, and page views went from 815,886 to 2,596,26. I said I didn’t think last year’s increases were anything to get excited about, and the same is true this year, but there’s nothing wrong with being mighty pleased.


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Trip Peek #150
Trip #120
Hail! Hail! Rock ‘n’ Rail

This picture is from my 2014 Hail! Hail! Rock ‘n’ Rail trip. It’s a Veteran’s Honor Flight from New Mexico that I encountered by chance at the World War II Monument in Washington, DC. My own travel to and from DC was neither a flight nor a drive but a train ride. I had once before attempted to reach music in Washington via Amtrak, but that train had been canceled. This train wasn’t canceled, but it was more than four and a half hours late leaving Cincinnati, which toppled the first in a series of dominoes that resulted in a sleepless night in Union Station. I did make it to the concert that the trip was built around, then spent an additional three nights in the city near the National Mall. From there, I attended a play at Ford’s Theater, visited museums and monuments, and watched in awe and appreciation as those New Mexico vets took in their monument. My train home left right on time, but still managed to be over an hour late in reaching Cincinnati.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

Cahokia and Beyond

I first ran away for Christmas in 2006, and, with the exception of 2020, have done so every year since. Over time, I have become more conscious of Christmas’ connection with the Winter Solstice and, in recent years, have scheduled my trip at least as much around the natural holiday as around the man-made one. That continues this year with the trip beginning at the Cahokia Mounds World Heritage Site near Collinsville, Illinois. From there, I’ll head west on Historic Route 66 to at least Tulsa. Where I’ll spend Christmas, and what road I’ll be on at the time, will be revealed to me as the day approaches. The journal for the first day (i.e., Winter Solstice 2025) has been posted.

This entry lets blog-only subscribers know about the trip and provides a place for comments. The journal is here.

Merry Solstice to All

Today is the day of the Winter Solstice. Four hours and three minutes from now, at 10:03 AM EST, the sun will be as far from Earth as it ever gets, and the sunlit portion of our days will start becoming longer. I believe that the first time the mention of Winter Solstice appeared on this website was in 2014, when I attended an event at Serpent Mound one day before departing on my Christmas Escape Run and included it in the journal for the trip.

It next appeared in 2019 in a blog post on the day following the Solstice. 2019 was the first year I attended the sunrise gathering at Fort Ancient. The image at right is of a poster I bought that day. It is from a painting by Mary Louise Holt depicting what a Solstice sunrise might have been like back when the Hopewell ran the place we call Fort Ancient.

This blog is published every week on Sunday. That 2014 Serpent Mound Solstice event was on a Sunday, but Solstice wasn’t even mentioned in the day’s blog post. Instead, the post described a quartet of museum visits I had made the preceding week. It is here.

Today is the first time the Winter Solstice has fallen on a Sunday since 2014. I obviously can’t actually report on it since it hasn’t happened yet, and I really don’t have any new thoughts on the event in general since that 2019 blog post: A Cosmic Reason for the Season. I have copied and reused that post twice (2020 and 2021) with new introductions added. This post’s opening image shows what things might have looked like 2000 years ago. The pictures at left show what things actually did look like six years ago.

I hope to post photos of a gathering today at a different mound in the journal of the trip just begun.

A New Passport

I received an email in early October telling me that my passport would expire soon and inviting me to look into renewing it online. Much of the federal government had just been shut down, and I assumed that renewing anything it was involved with would be a foolish undertaking. I pretty much ignored the email. Then, as we entered November and the shutdown continued, a friend posted that he had just received his new passport about a week after applying online. So I gave it a go. Four to six weeks was quoted. The passport didn’t arrive in a week, but it did make it in slightly less than two. Pretty impressive.

This is my fifth, and most likely my last. Slightly blurred images of the previous four are at left. The dates are 1986, 1996, 2006, and 2016. All are low mileage. Diminishing hair is obvious, but in the actual passport books, diminishing something else is apparent. I have never been one to challenge a passport’s capacity, but that 1986 passport has 15 stamps spread over 7 pages. The 2016 passport has a single stamp.

That single stamp is unique. It is for a 2018 entry to Canada to reach the northern terminus of the Jefferson Highway, and is the only Canadian stamp in any of these four booklets. That is not because it was my only visit to Canada. Prior to June 1, 2009, Canada did not require passports for land travel from the USA. Even after that date, it seems they were not stamped. My 2006 passport has no stamps from anywhere, despite there being at least two documented post-2009 trips to Canada while it was in use.

There are two stamps in the 1996 passport. So the counts for the four retired passports are 15, 2, 0, and 1. Passport number one has five times as many stamps as the other three combined. Hair diminished gradually. Foreign travel plummeted.

 

 

American Sign Museum: 20 Years

Recently, after reviewing a pair of books documenting the first one hundred years of Route 66, I published a post about my own, somewhat shorter, experience with the highway. That post is here. The origins of this post are much the same. While reading and reviewing American Sign Museum: Celebrating 25 Years, I naturally recalled my own experience with the subject of the book. As I noted in that review, I first became aware of the American Sign Museum when it opened in Walnut Hills in 2005. My memory is that I became a member soon after, but receipts indicate that might not have happened until 2010. If that’s true (and I’d like to think it isn’t), shame on me.

The picture of the ribbon-cutting at the April 28, 2005, grand opening at the top of this page is similar to a much better one appearing on page 97 of the 25-year book. The museum opened before this blog existed, and things that were not road trips appeared as Oddments. The Oddment for the 2005 opening is here. That’s the Katie Laur Band in the picture at left. While putting this post together, I found a couple of unpublished pictures from that day that I think deserve sharing. One is Katie Laur and “Mr Cincinnati” Jim Tarbell chatting as things wound down. The other is of Lenny Diaspro, to whom the 25-year book is dedicated and after whom the museum’s Lenny’ Bar is named. I remember Lenny as a tour guide and more in Camp Washington, but admit to not really being familiar with him at Essex Studios. Obviously, I should have been.

The next time the museum appears on this website is on the second day of a road fan outing called “Madonnas & Signs”. The first day of the trip was spent on the National Old Trails Road with stops at the Indiana and Ohio Madonna of the Trail Monuments. We reached the museum on the second day for a tour with Tod. The journal for this 2009 trip is here.

Sign Museum Entrance - pig and genieThis blog was added to the website in August of 2011, and in January of 2012, the ASM made its first appearance. The occasion was the last hurrah at the Essex Studio location before it was shut down for the move to Camp Washington. A reopening on the seventh anniversary of the April 28 opening in Essex Studios was the target.

The April date turned out to be only slightly overly optimistic. There was a soft opening for members on Friday, June 1, 2012, and a full opening on Saturday. For some unknown reason, even though the blog was obviously up and running, this reopening was covered as an Oddment. It is here.

Fred and Tod at Amrtican Sign MuseumThe museum had been open in its new location for less than a month when I got to show it off to visiting friends. Fred Zander, from Kansas, more or less scheduled a Cincinnati visit to follow the reopening, and the place was easily the highlight of his trip. His day in the Queen City is covered here.

Neonworks at American Sign MuseumJust about a month later, Don Hatch, from Illinois, was in town and anxious to see the expanded museum. Don had been part of the “Madonnas & Signs” group that visited the original location back in ’09. We both enjoyed our first neon tube lighting demonstration in the Neon Works shop attached to the museum. Don’s July 2012 visit is here.

It doesn’t seem likely, but I guess it’s possible that Dinner and a Movie – Cincinnati Style, near the end of January 2015, was the first event I attended at the museum in its new home. The movie was Sign Painters, directed by Faythe Levine & Sam Macon. Dinner was catered by Camp Washington Chili. What’s not to like?

On April 19, 2015, I was back at the museum to celebrate the tenth anniversary of its opening at Essex Studios, which was a little more than a week away. The next day, I attended the twentieth annual butterfly show at Krohn Conservatory. A Ten and Twenty Years in Cincinnati blog post covered both events.

I attended my first Society for Commercial Archeology conference in 2017. It was held in Cincinnati, and the zero lodging cost and almost zero transportation cost made it quite affordable. The SCA marked its fourtieth year with goetta (a Cincinnati treat) sliders at the Sign Museum.

The spring and summer of 2020 were tough on everybody, and that definitely included museums. The COVID-19 pandemic had closed them all, but by mid-summer, three of my local favorites had worked out procedures that allowed them to reopen. The Cincinnati Art Museum reopened in June. The Cincinnati Museum Center and the American Sign Museum reopened in July. I documented my visit on the day of the reopening with a Return of the Signs post. With no lines permitted inside, but hoping there might still be a need for lines, the Sign Museum used the Buma-Shave method to mark an area for a widely spaced line outside.

One of the most fantastic events I’ve ever attended was presented by the museum in June of 2022. The Signmaker’s Circus was a truly outlandish celebration of the tenth anniversary of the move to Camp Washington. Things were really falling into place to allow expansion into the other half of the building. This party took advantage of that situation and was actually sort of a step toward the expansion. The storage area was cleared, and just about every sign in the museum’s possession was hung and illuminated. An entire troupe of circus performers moved into the space so that the image at left is what we saw when the curtains opened.

In addition to the grand openings and anniversary celebrations, the museum has presented quite a number of smaller events. Some have been members-only affairs, like a series of Saturday morning “Coffee with Tod” gatherings, and others were open to all, with some even being streamed live. Here are a couple directly connected to The Signmaker’s Circus. In August 2022, after the circus gear had been cleared out, Tod used a “Coffee with Tod” session to share some of his thinking in placing signs for the event. Of course, many of those were advanced placement for the more formal extension of Main Street. A lot of wall space at the circus had been filled with authentic banners from the 1940s and ’50s. They had all been loaned for the event by David Waller of Boston. In November, while the banners were still hanging at the museum, Walker came to Cincinnati to deliver a presentation on them. I documented Walker’s presentation as Sideshow Signage. Nothing was posted on the “Coffee with Tod” session.

I don’t believe there was ever a time when all of the Sign Museum’s holdings were stored in one place, but for a while, a lot of them were stored in the unoccupied half of the building. Most was moved out for the circus and for the expansion. I had been privileged to peek inside that attached attic a couple of times over the years, and in May 2023, got A Glimpse of ASM’s Attic (detached version) with a special “Coffee with Tod” gathering. The Sign-Painter that opened that post now has a home in the museum, along with many other items seen that day.

In 2024, that expansion I’ve mentioned a time or ten was completed, and I got another ribbon-cutting picture. The ribbon was cut on Friday, July 13, at a member-only event. The bigger and better museum opened to the public on Saturday morning, and so did a Negro Motorist Green Book exhibit at the Freedom Center. I documented them together with New Stuff to Look At. In the post, I mention a preview with the Letterheads still onsite and talking with the fellow working on the Maisonette. In reading the 25-year book, I learned he had died about a year later. I had not noticed the plaque placed in the museum and shown in the book, but I sure do now.

A couple of notable visits to the museum since the expansion were Sign Museum Threefer, which happened shortly after the Frisch’s Mainliner sign was moved into the museum, and A Night at the Museum, where I picked up the book that led to this post. Now I’m all caught up—for a while.

Book Review
American Sign Museum: Celebrating 25 Years
Roberts, Grilli, Kikkert

This book, just like its subject, is bright, colorful, eye-catching, and informative. That subject, quite obviously, is the 25-year-old American Sign Museum in Cincinnati, Ohio. The three names in this post’s title are of the book’s author, photographer, and designer. I don’t think I have ever called out a designer by name before, although some books I’ve reviewed clearly benefited from a good design. Most books, I believe, are designed by the author or an employee of the publisher. Here, the designer, Kathy Kikkert, is identified as a member of the team and rightfully so. Her design added greatly to my enjoyment of the book. Technically, Sam Roberts is not identified as the author but as the person responsible for the “text”. Close enough. Natalie Grilli is the person responsible for “photography”. Short biographies in the book list the outstanding qualifications all three have for their roles.

Pulitzer Prize-winning cartoonist Jim Borgman supplied the book’s foreword. As a fellow Cincinnatian, I was familiar with Borgman’s work, but was a little surprised to see his name here. Then, as I read his contribution and learned that his father had been a skilled sign painter, I realized he was the perfect man for the job.

Museum founder Tod Swormstedt provided a welcome page and an introduction, and his influence is evident throughout. It’s a given that some of the information presented in Roberts’ text came from Tod and others. To me, it seems almost as obvious that a guy so adept at organizing walls, rooms, and buildings filled with signs would have a hand in organizing sign-filled pages, and I have a strong hunch that he might have suggested a few targets for Grilli’s camera.

As Tod describes in the introduction, the book consists of three sections. The first describes what the museum is. It begins with some statistics, such as size (40,000 sq ft), oldest sign (155 years), and tallest sign (21 ft).  That is followed by “A Founder’s Vision” (written by Tod), some words about the museum’s mission and its relationship with the community, and recognition of some of the many individuals who have been instrumental in the museum’s development and ongoing operation.

The second section concerns signs in general. There is a condensed history of signs in America that starts with carved and painted signs and progresses through materials like glass and plastic. The major changes electricity brought and the development of various illumination methods are covered. The section concludes with a glossary of sign types and the techniques and materials used in their construction.

Section three begins just short of halfway through the book. This is, as the “Celebrating 25 Years” title suggests, the reason this book exists. The first two sections set the scene by providing an idea of what the museum is and some understanding of the things it contains. This section tells the story of how it got there.

I first became aware of the museum with the 2005 opening of its original Walnut Hills location. To someone not involved with the sign business in any way, it seemed to me that this wonderful new attraction had magically appeared, fully formed, in my city overnight. However, we all know that’s not how things work, and I soon learned about some, but far from all, of the work behind that magic. The first part of section three nicely covers the period between forming a board of directors in 1999, incorporating as a non-profit in 2000, and that delightful grand opening on April 28, 2005. This is also where I found more photos of Tod wearing a tie (3) than I’d ever seen before.

That first home in Essex Studios in the Walnut Hills neighborhood of Cincinnati was outgrown before it was occupied. Behind-the-scenes coverage continues as the current location in Camp Washington is acquired and made ready for another grand opening in June 2012. Central to “A Founder’s Vision” was the desire to not just display signs but to tell the story of American signage. Two envisioned methods for doing that were a Letter Wall showing the evolution of sign lettering and a faux street where signs were displayed in period-appropriate settings. A short Letter Wall existed at Essex, and some signs were sort of arranged as if they were on a street, but the backing was mostly plain white walls. In the new location, there was room to create proper versions of these two features. A much longer Letter Wall was constructed at the entrance to the main display area, and a Main Street was built with various storefronts lining both sides. To add another layer of realism, a diverse group of sign painters known as Letterheads descended on the museum to add signs to windows and doors to augment the big signs hanging on the storefronts and standing in the street. The store windows serve as natural display locations for items like painter kits and books.

The Letterheads and the museum have a wonderful relationship that is well documented in the book. The museum hosted the group’s 40th and 50th reunions in 2015 and 2025, and the group added murals and other features to the museum each time. When the museum expanded and Main Street doubled in length in 2024, the Letterheads returned to work their magic on the new storefronts. The Letterhead story is just one of many that show how the museum is appreciated by sign makers as well as sign fans.

There is something akin to a fourth section spread throughout the book. It is made up of things called “Sign Stories”, which are like sidebars in that they are standalone and not tied to the main flow of the book. But each is at least one full page, and some fill a two-page spread. Most describe a sign or group of signs in the museum’s collection. They typically provide a date and original location and identify the sign material and type. Then the page is filled with details about the sign’s original owner, its acquisition, or some other truly interesting aspect of the sign. I didn’t count them, but there’s a bunch. Enough to believe that some people might think the book worthy of purchase if these were all it contained.

I imagine everyone has figured out that the book is packed with pictures. Some are from the museum archives, and some from other sources, including Grilli’s personal stash from ten years of museum visits. But many are brand new, selected from the 19,179 images Grilli recorded specifically for this project. Heavyweight glossy paper and good print quality deliver the bright, colorful, eye-catching stuff. The book is available in both hard and soft cover. I have the softcover version, but I did leaf through a hardcover copy at the museum. The hardcover is clearly the sturdier of the two, but I believe the print quality is the same for both. At least for now, the book is only available through the museum and through Sam Roberts’ BLAG magazine website in Europe.

American Sign Museum: Celebrating 25 Years, Sam Roberts (text), Natalie Grilli (photography), Kathy Kikkert (design), American Sign Museum (November 15, 2025), 10 x 10 inches, 166 pages, ISBN 979-8-218-65249-4 (9798218752521 – BLAG)
Available here and here (Europe)

TG ’25 – Some Dixie Redux

The two Dixie Highway alignments between Cincinnati and Lexington have been part of my Thanksgiving travels in some recent years.  In 2022, I drove all of them both, plus a little more, in a day trip loop. In 2024, I drove pieces of each as I made my way to or from a Thanksgiving meal at a Kentucky State Park. This year, I again drove all of both, but spread the driving over two days.

This southbound view of the John A. Roebling Suspension Bridge is probably familiar to some. It has marked the start of quite a few really good road trips. I crossed it on Wednesday morning, then soon turned onto the original (western) alignment of the Dixie Highway. A few blocks later, I pulled into one of my favorite breakfast spots, Anchor Grill, for a goetta and cheese omelette.

The metal tepee near Williamsburg and Fisher’s Camp near Corinth are familiar roadside attractions on the Dixie Highway. Although not at its original location, the Zero Milestone in Lexington is now where the two Cincinnati-Lexington DH alignments reconnect.

This is probably not on the official Dixie Highway, but Mike Curtis notes in his Dixie Highway Map that some sources, including the Automobile Blue Book, identified the road as a Dixie Highway route between Lexington and Mount Vernon. The hotel might look familiar. It’s the Campbell House, one of My Old Kentucky Hotels from last year’s Christmas outing. It wasn’t the first piece in this itinerary, but once I started thinking of doing the two DH alignments with an overnight, it was a pretty natural fit. There’s not much difference between my Thanksgiving Eve room and my 3 days before Christmas room.

My dinner spot was less than a mile away from the Campbell, just off Broadway, the not-quite-official DH. Tolly-Ho has been serving ‘burgers in Lexington since 1971, although it has only been in this location for just over a year. I have eaten here once before when it was in its second location, a little farther to the northeast on Broadway. I was quite early when I ate at Tolly-Ho in 2017, so, despite it being known for its hamburgers, I had breakfast. Not this time.

ADDENDUM: Dec 31, 2025: As the final hours of 2025 ticked by, I learned that Tolly Ho’s final hours were ticking by, too. The restaurant reportedly will close permanently at midnight. What a shame.

On Thanksgiving morning, it was possible, but not likely, that I would find an open independent breakfast spot further on up the road. It made no sense not to stop at this Waffle House barely half a mile away, directly on my planned path. Not only is Waffle House a reliable source of food on holidays, but it’s also a place where you are almost certain to find a friendly and cheerful staff. That was definitely the case here, where I started my day with a tasty pecan waffle.

I made my way back to the Zero Milestone, crossed yesterday’s path, and started north on the eastern Cincinnati-Lexington Dixie Highway alignment. The first section is now one-way northbound, so it’s likely that the only time I have driven it was on that 2022 round trip. The statue of Lewis and Harriet Hayden was not here then. The statue of the escaped slaves who became quite active in the Underground Railroad was unveiled on Juneteenth of this year. It is phase one of Lexington’s Freedom Train project. The Paris Pike Scenic Byway begins at the edge of town after the road has become two-way.

This is the Paris, complete with Eiffel Tower, the byway leads to. Beyond it, there are several bypassed sections of old road that probably look quite a bit like they did in Dixie Highway days. One passes through Blair and past the Old Lewis Hunter distillery. Potential customers are advised that Google Maps shows this as temporarily closed.

This actually was the first piece in this itinerary. Last year, as I drove south to that park near Hazard, KY, I was surprised to find the closer-to-home Log Cabin Inn open for breakfast. I was less surprised to find a Thanksgiving dinner was planned for later in the day. As the holiday approached this year, I was happy to learn that it was happening again and that reservations were not required. Last year, it had been sold out some days before I stopped for breakfast. I planned to stop on my way north and hope to get in. It was crowded, and a few people were waiting for seats, but I, as a party of one, was given a spot at the bar immediately. The fellow to my left, whom I chatted with later, was drinking from a pretty large mug, but fortunately, the barmaid offered me a choice of large or small. She did not offer a size choice on the meal, and I think I barely made it through half of the feast shown in the opening photo. Although it was too much for me, it was very good, and many customers thought the portions just right.

The two Dixie Highway alignments come together in Covington, KY, and cross the Roebling into Ohio as one. I slipped through the city and onto my home with a belly full of turkey, ham, and a complete set of trimmings, and a heart full of gratitude for friends, family, and general good fortune.

One K Posts

Back in 2018, I noted this blog’s 500th post and figured I ought to note the 1000th as well. But, as it neared, I decided to be a little perverse and mark the 1Kth (1024th) post instead. The 500th post was noted in the regularly scheduled Sunday post that followed. That was more or less the plan for this post. However, when the 1Kth post went up last Sunday, I quickly realized that a post was already planned for the next Sunday. That’s why I’m taking Wednesday, the day normally reserved for reviews, to wish this blog a Happy 1Kth.

Preparing for this post consisted mostly of rereading the announcement for the 500th post. There were some statistics in it that I doubt meant much to anyone, and I’ve not bothered with most of them this time. I’m using the fact that I have invalidated any comparisons with an increment of 524 posts rather than 500 as an excuse. I will note that it took over 14 years and 3 months to go from zero to 1K posts. Since less than seven of those years were spent reaching 500, even without getting very precise, it looks as if things have slowed down a bit. And it seems fairly obvious that the rate of recorded road trips has slowed down. A side effect of that is that the current supply of trip journals for use in Trip Peek posts stands at 37 (186 trips – 149 Trip Peeks).

At the end of the post marking 500, I wondered if the blog would reach 1000. Although it was certainly not assured, there was really no end in sight, and it seemed somewhat likely. Will I reach the next accomplishment of note, maybe 1500, maybe 1536? I don’t know, and don’t consider it a goal. I am, however, happy to have reached 1000—and a couple of dozen more.

A Night at the Museum

The American Sign Museum held a little party on Thursday to celebrate its quarter-century of existence. Things got underway at 5:00, which was a bit before sunset, but by the time I exited the museum and took this photo, it was full-on nighttime. I’m sure it was no accident that the members-only party coincided with an open-to-the-public Glow in the Dark event, with the external signs powered on and looking glorious in the darkness.

But first things first. After picking up a beverage in the party area, I stepped back into the museum’s Main Street to check out progress on the Frisch’s Mainliner sign. While there, museum founder Tod Swormstedt stopped to say hi, and our chat included pointing out some sign updates. Holes in the airplane body that originally held lights but were epoxied over when the lights were removed have once again been cleared, and stainless steel panels that had been more or less destroyed over the years by alterations have been remade and reinstalled. It is going to be very interesting to watch this restoration unfold.

Anyone who has visited an old school service station or workshop is familiar with collections of cups and jars holding assorted nuts, bolts, and screws gruelingly assembled from past projects and other sources. Although not officially on display, here is the American Sign Museum’s version of that seen through the currently clear windows of Loomis Camera.

The Society for Commercial Archeology offers a monthly Zoom presentation on a variety of interesting subjects. It started during the stay-at-home days of the COVID pandemic and has continued. The most recent presentation was from Andrew and Kelsey McClellan on their book The Golden Era of Sign Design. The McClellans were part of the team that saved this Ward’s Bakery sign, and its discovery and preservation were part of their presentation. I naturally sought it out on this, my first museum visit after the Zoom event. A recording of the presentation can be viewed here.

I probably should have mentioned earlier that the museum’s name for this event was Clink! and the invitation was to “Join us for cocktails and light bites as we celebrate 25 years of preserving the art and history of American signage.” Formal activities were pretty much confined to truly brief comments from Museum Director David Dupee and Tod, and those comments were pretty much confined to thanking people who made the museum and those 25 years possible.

Clink! had been scheduled around the publication and availability of a book documenting the museum’s history, and that worked out, although the timing was quite close. Those who had preordered could pick up our copies, and copies were also available for purchase. The book looks fantastic (I’ll review it soon), and getting my copy signed by Tod and photographer Natalie Grilli makes it even better.

Glow in the Dark activities included a neon bending demonstration and at least one guided tour of the big sign garden mounted on the south side of the museum building. Touring the garden at night with a guide looked very interesting, and I immediately put it on my list. But right now I have a book to read.

ADDENDUM 8-Dec-2025: The book has been read, reviewed, and recommended: 
Book Review American Sign Museum: Celebrating 25 Years Roberts, Grilli, Kikkert