Tag Archives: Cincinnati Ohio

Inaugural Cincinnati Chili Week

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Today, February 25, 2024, is the very last day of the very first official Cincinnati Chili Week. With all the noise that has been made about this iconic Cincinnati food over the years, it is really hard to believe that this did not happen long ago. While waiting, I had my own “Chili Week” in 2013. Because I was in control, I synchronized it with this blog’s schedule and got in visits to seven different chili parlors for Chili All Week and It’s Cold, Too. With the official Chili Week week running Monday through Sunday, one day remains when the Sunday morning post is published but that also means it can include only six days of chili.

Eleven years is a long time ago. Of the dozen chili parlors covered in that 2013 post and a follow-on 5 More 4s second chapter, four have closed and another has relocated a block away. Three of the closures were of a brand’s only location and three brands that were part of my 2013 dozen have chosen not to participate. The result is that exactly six of the dozen chili brands I wrote about in 2013 were candidates for visits during the six days of Cincinnati Chili Week preceding this post. Coincidence? Perhaps, but, despite being saddened by the closures, I’m happy to be spared the need for tough choices for the official version of my unofficial Chili Week.

Monday: In 2013, the Monday of my full week of chili saw me at one of the two Empress Chili parlors that remained. That location has since closed so this year I headed to Empress Chili in Alexandria, KY. Other restaurants in the area serve Empress brand chili but this is the only place where the restaurant itself carries the Empress name. Their slogan, “The first edition of a Cincinnati Tradition” comes from the fact that Cincinnati-style chili originated in the Empress Chili parlor on Vine Street in 1922.

Tuesday: An article that mentioned Price Hill Chili was the seed that led to the 2013 week of chili and it is where I ate on the Sunday that got that week rolling. That was my first time ever at the restaurant but I’ve been back multiple times since then and was happy to make it my second stop for the first official Cincinnati Chili Week.

Wednesday: The spread of Cincinnati chili across the region began when an Empress Chili employee set up shop in an 8 by 30-foot space across the river in Newport, KY. The original, but greatly expanded, Dixie Chili location is still in operation and two more restaurants have been added. Today, owner Spiros Sarakatsannis ate lunch (chili & salad) and conducted a little business at a nearby table while I enjoyed my third 4-way of the week.

I went overboard on Wednesday and indulged in dessert while in Kentucky. In the same spirit that area sweet shops have served macarons and beignets disguised as hamburgers during Burger Week, Frosthaus, in Covington, served this sundae disguised as a 3-way. I had no idea that spaghetti ice cream even existed but apparently, it is fairly common in Germany and it’s the perfect basis for a Chili Week dessert.

Thursday: Cincinnati Chili Week is wrapped around National Chili Day and this is it. I celebrated the doubly special occasion at Blue Ash Chili. In April 2021, the store where it all started in 1969 was closed and the operation moved about 500 feet away to this strip mall location. It’s not as photogenic as the standalone building was but it looks great on the inside and the chili is just as good as it ever was. My standard order is a 4-way with onions but that’s a stock 3-way in the picture because that’s their Chili Week special.

Friday: There’s a lot to like about Camp Washington Chili including the fact that it is just a few blocks away from the American Sign Museum which makes it the perfect stop before or after a visit to the museum. I followed my fifth Chili Week check-in with a stop at the museum where I could hear sawing or grinding on the other side of the wall as work on the expansion area continues.

Saturday: Even though Cincinnati Chili Week promotional materials say there are 50+ Gold Star locations taking part in the event, I had my sixth and final 4/3-way of the week at the same one I visited for that 2013 blog post. At around two miles distance from my door, it’s the closest.

Skyline Chili is the 140-store gorilla that’s not in the room. According to event organizers, “They opted not to participate as they did not want to discount or offer a $5-$7 special.” I doubt the absence does much harm to the company and it did simplify my schedule for the week. C’est la vie.

The First Day of Pompeii:
The Exhibition

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Pompeii: The Exhibition opened at the Cincinnati Museum Center on Friday. I would have been in the first group admitted and possibly even the first person admitted if a guard had not blocked the stairs and escalators until precisely 10:00 AM. That was the official exhibit opening time but an unguarded elevator a few feet from the stairs meant that a group of patrons were receiving their pre-entry briefing when I and the rest of the walkers arrived. It’s always good to begin the day with something funny.

Following our own briefing, we entered, received another short briefing beneath the screen in the opening picture, and were then treated to an introductory video on that screen. At the video’s end, doors opened on a life-size marble statue of the goddess Aphrodite. Much like the moon, this is the view of the goddess that we most often see although there is another.

Pompeii was a prosperous port city and art was plentiful. Public spaces and private homes contained decorative mosaics, frescoes, fountains, and more statues.

There were plenty of practical items too. Examples are scales used in the market, fishing hooks, and cooking utensils. I know I’m not the only one with a cast iron skillet that looks almost exactly like this bronze one from Pompeii.

I suppose these items are also practical in their own way. Gladiatorial contests were primarily held for entertainment but staying alive was definitely a practical concern for the participants. Next to the displays of weapons and armor, a holographic video about the various types of combat got its share of attention.

Also getting attention was a small room offset from the primary flow. Both entry briefings had described the special markings for this adult-oriented display in case parents wanted to make sure their charges avoided it. If any did, it wasn’t obvious. A sign begins with the astute observation that “Ancient Roman sexual customs were different from those of our contemporary society.” Back then arriving with bells on really meant something.

Theatrical entertainment was quite popular in all of Rome including Pompeii. Actors wore masks to establish their characters. Here is a fresco depicting a pair of masks and a full-size marble mask. Both of these were purely decorative as masks actually worn on stage were made of lighter materials such as linen.

Another set of warnings in those entry briefings concerned loud noises and bright lights in the “4D eruption theater”. I do not doubt that these could be disturbing for some but most will find them underwhelming. Same with the slightly moving floor which I assume is the fourth dimension. If you enter expecting a high-definition video of the eruption shown on a large flat screen you will see an extremely good one. Expect more and you might be disappointed.

Images of the casts of the victims of the eruption are the most familiar and also the most disturbing. These are not human bodies but shapes formed within the volcanic ask where bodies once were. The quote on the wall in the first picture is from Pliny the Younger who watched the eruption from a little more than a dozen miles away and then documented it. In this exhibit, many of the casts are displayed in front of large photographs which I assume depict the situation in which they were found.

Exit is, of course, through the gift shop where we are reminded that striking a good final pose will greatly increase your chances of appearing on a shot glass or refrigerator magnet in a couple of millennia.

Aphrodite’s butt and iffy shot glasses aside, this is an impressive exhibit that provides a detailed and accurate look at a real Roman city of two thousand years ago. Pompeii: The Exhibition runs through July 28.

Play Review
A Christmas Carol
Playhouse in the Park

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This is less a review of a play than the reporting of one more Cincinnati Christmas tradition being checked off of my list. I seem to have gotten away with calling Cincinnati’s production of Every Christmas Story Ever Told a tradition even though its first year was just 2006. Cincinnati’s Playhouse in the Park first staged A Christmas Carol a decade and a half earlier, in 1991, so I’m sure its status as a tradition will not be questioned by anyone. What might be questioned is just how much of a reset to this tradition has just occurred, and whether or not it matters.

I don’t believe I had ever previously seen a live performance of A Christmas Carol let alone one of the beloved Playhouse in the Park performances. Although the names are the same, neither the play I saw nor its setting are the same as they were in 1991. A new main theater was built for the Playhouse last year and the annual A Christmas Carol run was put on hold while one theater was torn down and another built in its place. Some changes in the production were required because of physical differences in the stages, and the Playhouse’s artistic director, Blake Robison, took advantage of the hiatus to produce a new script. So the same Charles Dickens story of the ultimate grumpy old man being scared into a complete about-face is being told this year but the telling is not quite the same.

I obviously can’t tell you how the new compares with the old. I can tell you that the production I attended on Wednesday was spectacular in a way that could start a new tradition though I hope it will let an existing one get a new grip and continue.

That word “spectacular” applies most readily to the scenery and costumes. The onstage world looks exactly like what I’d expect a cleaned-up Dickensian world to look like. A giant clock anchors the set and also anchors the audience in stepping through the events of a long Christmas Eve. Special effects, puppets, and moving stage elements add to the sense of spectacle. When telling a story that everyone knows, the “how” really does outweigh the “what”.

Except for my comments about the new theater, pretty much everything I’ve said could be replaced with “Looks good to me” and that’s really all I’m qualified to say. For a real review, check out David Lyman’s report in the Enquirer which includes some official photos. A Christmas Carol will be at Playhouse in the Park through December 30. Go help a new tradition get started or help nudge an old one into a new phase. 

Yippee-Ki-Yule, Y’all

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On Thursday, I got a double dose of holiday hoopla. The first dose was administered at Krohn Conservatory in Cincinnati’s Eden Park. The second came at Thomas More Stadium in Florence, KY.

This year’s holiday show at Krohn is called “Golden Days of Yule”. That name, coupled with my improved understanding of Yule (the subject of next week’s post), was one reason I wanted to visit Krohn this month. Another was that I realized it had been ten years since I’d seen the holiday display at the conservatory. All of my visits since 2013 were to see butterflies.

“Golden Days of Yule”, like previous holiday shows at Krohn, has lots of Cincinnati landmarks such as Music Hall in the opening photograph. All are made of locally sourced plant material and most return year after year. New this year is the National Underground Railroad Freedom Center pictured at left.

Numerous model trains travel among the landmarks and the conservatory’s normal display of plants. Even though no train has ever crossed the real John A. Roebling Suspension Bridge, this version has a double set of tracks so that a train with a Cincinnati Reds boxcar can cross it in both directions.

Other returning favorites include Union Terminal, now the Cincinnati Museum Center, and Findlay Market, which is encircled by Thomas the Train. Procter & Gamble’s Twin Towers and the Tyler Davidson Fountain, featuring The Genius of Water, appear together in the third photo although the relationship between the two is nowhere near accurate in either size or location.

It somehow makes sense that the Krohn Conservatory contains a model of the Krohn Conservatory and there might be nothing more natural for a conservatory to hold at Christmas time than a giant poinsettia tree. “Golden Days of Yule” runs through January 7 with live music on weekends.

Thomas More Stadium, on the other side of the Ohio River, is home to the Florence Y’alls Class A baseball team. Winters here are way too cold for baseball so, for the second year in a row, a skating rink and 2.5 million lights have been moved in for Deck the Y’alls.

There are lights everywhere both inside and outside the stadium. They are impressive to look at from just about anywhere but following a path through the displays at field level is the main attraction.

A family of four was near me during the early part of my walk and the youngest child asked her mother to read the lighted signs that marked each section. As soon as she heard “Dinoland”, she announced that she was not going in there. I’ve a hunch that it was what she saw and not what she heard that prompted her reluctance. The family hung back at the arch but after a few minutes, I saw them move ahead slowly. Before long they were back at their normal pace. Up close, dinosaurs made of electric lights just aren’t that scary, it seems.

And “Ornament Land” just wasn’t scary at all.

Apparently, neither was “Under the Sea” although I lost track of the family somewhere around The Blue Whale of Florence.

Here’s a sampling of the “12 Days of Christmas”. In reality, this whole post is just a sampling.  There’s a lot more here than what I’ve shown.

This is the exit. I hung back to take some pictures — and watch and learn from the people in front of me —  then passed through the maze and headed for a cup of hot coffee.

As I sipped that coffee, I captured a short overview video. Deck the Y’alls runs through New Year’s Day with fireworks on New Year’s Eve.
 
  

For anyone wondering about the team name, it comes from a water tower. The short story is that while Florence Mall was in development, a water tower advertising it was erected nearby. Because the mall did not yet actually exist, that led to some legal issues which were resolved by hastily converting the “M” to “Y'”. This was supposed to be temporary but proved so popular that it remains today even though the mall has now been in operation for decades. A fuller version of the story is here. The team was founded as the Florence Freedom in 2004 but changed its name to Y’alls in 2020.

Walking With Amal to Cincy

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Little Amal had already covered a lot of ground and water before she reached the midpoint of the John A. Roebling Bridge on Friday afternoon. The twelve-foot-tall puppet representing a ten-year-old Syrian refugee began her trek in Turkey in July 2021. Much of her travels have been in Europe where she walked in Germany, Italy, France, Ukraine, Poland, and many other countries. She has also walked in Canada and this is not her first time in the U.S. She was in New York City for seventeen days in 2022.

This time though, she will be walking across the entire country. The picture at left is a capture from a live feed of her first night in Boston where a pre-recorded message and lullaby from Yo-Yo Ma offered some comfort. That was on September 7. Cincinnati is just one of the forty cities she will stop in as she travels some 6,000 miles through the country before wrapping up the visit in San Diego on November 5. Check out her plans here.

Friday’s walk started on the south side of the Ohio River in Covington, Kentucky. A bit of rustling in the crowd gathered at the entrance to the Roebling Bridge alerted me to Amal’s arrival, and I caught my first glimpse of her just a few minutes past 3:00. The Ciara Harper Trio and Revolution Dance Theatre began a wonderful performance of Wade in the Water (great harmonies!) as Amal worked her way forward. By the time the song ended, she had joined the singers.

The two puppeteers handling Amal’s arms can be seen in this picture of her starting across the bridge. Some zooming, tweaking, and general mucking about allows the person responsible for Amal’s walking to be seen vaguely here. Most puppeteers are not athletes by any stretch of the imagination but this one is. For sure. Indubitably.

As she made her way over the bridge, Amal frequently paused to interact with the people greeting her. Near the Ohio side of the river, she pets one of Cincinnati’s flying — or maybe just dancing — pigs.

Keeping her pathway clear was at least partially successful and Amal does make it over the river. She takes another whiff of the giant flowers that have followed her from Kentucky as she exits the bridge and heads toward her designated spot.

Reaching that spot, where the mayors of both Covington and Cincinnati awaited, took a while and when she got there all I could see was her head above the crowd. I couldn’t actually hear everything either but I did hear most of what Cincinnati Mayor Aftab Pureval had to say. This was not his first time meeting Amal. They had met last October when Pureval was in Amsterdam for a Mayor’s Conference and Amal was doing a walk in the city that included Anne Frank’s house.

Pureval has some very personal reasons for caring about the world’s refugees that Amal is walking on behalf of. He was born in Ohio but his parents were immigrants. His father was born in India. His mother was born in Tibet. Her parents had been forced to flee Tibet with her and she grew up in India — as a refugee.

Donate to the Amal Fund here.

Play Review
What the Constitution Means to Me
Ensemble Theater

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Some plays you watch. Some plays you experience. This one’s in the latter group. Heidi Schreck wrote the play which is rooted in her own life. She also starred in the play — as herself — in multiple productions including a nearly six-month run on Broadway in 2019. What the Constitution Means to Me has been nominated for a bunch of awards and has won several. It was a finalist for the 2019 Pulitzer Prize for Drama. I knew none of this when I first saw an announcement for the production at Cincinnati’s Ensemble Theater.

Schreck is not part of the Cincinnati cast. Here Heidi is a character played by Connan Morrissey. There is no intermission or numbered acts but the play rather naturally divides itself into three portions. As a teenager, the real Heidi earned college money by entering and winning US Constitution-based speaking contests sponsored by the American Legion. The play’s first portion depicts that period with Heidi, the character, frequently breaking the fourth wall and the rules of the contest to speak directly to the audience. It starts when she first steps onto the stage, describes the contest setting, and asks everyone in the audience to pretend to be an old white cis-gendered male.

A Legionnaire, played by Phil Fiorini, keeps time and generally facilitates things as Heidi, the character, repeatedly sidesteps the contest to share family history and personal thoughts with the audience. Eventually, the pretend speaking contest is completely abandoned, and Heidi, the character, proceeds to share her thoughts directly from center stage. Those thoughts include how the Constitution has failed women, Blacks, Native Americans, immigrants, and others. She points not only to the words of the Constitution but to how this document written by old white men has been interpreted by what until recently was just another group of old white men. Playing a few recordings of Supreme Court discussions provides some all-too-serious laughs.

Freed of his Legionnaire duties, Fiorini moves on to portray Mike, another character/real person. Mike Iveson originated the role which, like the real Heidi being embodied in the character Heidi, brings forward some of the real Mike’s experiences with masculinity and homophobia. This naturally provides opportunities for pointing out how the Constitution has failed another big group of citizens but the real Mike and the real Heidi both see the role as something more. Schreck refers to “positive male energy”. Iveson talks about “modeling what it looks like when a man actually listens to a woman”. I read those comments only after seeing the play but they instantly made sense.

The play’s third phase begins when a third cast member is introduced. Twenty-one-year-old Sydni Charity Solomon plays herself in a debate on the proposition that the US Constitution should be rewritten by a more diverse group for a more diverse world. Cheering and booing by the audience is very much encouraged at this point and everyone is given a pocket-sized copy of the Constitution for reference. At debate’s end, an audience member is selected to determine the winner. It is my understanding that sides in the debate are determined each night by a coin flip and that the actual arguments may be different from one night to the next. On Thursday night, Heidi defended the proposition while Sydni attacked it. The selected audience member declared Sydni the winner meaning the Constitution should be kept and fixed rather than discarded and completely done over.

One of the performances with Heidi Schreck and Mike Iveson has been recorded and is available for streaming through Amazon Prime. I’m sure it’s good and seeing the real Mike and the real Heidi is certainly attractive though not so much as to get me to subscribe. If you have Prime and want to watch it, by all means, go ahead. It is true, though, that watching a movie is not the same as watching a play, and watching a play is not the same as experiencing a play. The intimate Ensemble Theater is a good place to experience What the Constitution Means to Me. It’s there through October 1.

Lunken Airport Days 2023

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As I imagine the case is everywhere, Labor Day weekend is pretty crowded with activities around here. I picked Lunken Airport Days to fill my Saturday primarily because I had never attended before. It was also the closest of the events I considered and was the only one that was free. Lunken (LUK) opened in the 1920s and was Cincinnati’s principal airport until Cincinnati/Northern Kentucky International Airport (CVG) opened in 1947.

Airport Days is hosted by Cincinnati War Birds so basically features military aircraft. Several classic cars are on display and there are even a few civilian airplanes such as this 1940 WACO. The 100th anniversary of WACO Aircraft Company will be celebrated leter this month at the museum and field in Troy, Ohio.

Military planes included a 1942 BT-13A VULTEE, the next to last B-25 ever built, and a 1944 P-51D Mustang. Seated in the foreground of the Mustang phot is one of the local artists participating in an informal “Lunken Days Sketch Outing”.

But the biggest plane on campus — actually one of the biggest planes ever built — was the B-29 Superfortress named Doc. 1644 Superfortresses were built during World War II. Only two are flying today. This remarkable airplane has its own website here.

My attention focused entirely on Doc when I heard that first engine begin to turn. That initial bit of smoke was soon gone and soon all four engines were running smoothly. Doc earns his keep by taking paying passengers aloft Some of this flight’s passengers can be seen here and here as the plane taxies.

After taxieing to the far end of the field, Doc rumbles down the runway, lifts off, and disappears behind one of the airport buildings. Because of the surrounding trees and the plane’s low flight path, I don’t get a shot of the plane in flight until it returns and circles the field.

It is headed south, just as it was on takeoff, when it returns to the runway.

There was just enough time after the flight landed to prepare for the presentation of the flag and singing of the national anthem at noon. I was not able to photograph the color guard as they marched toward the plane but I caught them on the way back.

Although we could see everything the guide pointed out, there wasn’t much room in the cockpit for taking pictures. The tunnel to the rear of the airplane went unused as entry and exit were via vertical ladders.

I could now get closeups of the nose art and bombardier’s position. With plexiglass domes in place of gun ports, I could look right through the plane to the historic terminal.

Airport Days is a two day affair so, if you are seeing this shortly after publication, you can easily catch the second half. The weather looks to be just as delightful today as it was yesterday.

Flying Day in Cincy

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Redbull has been organizing Flugtags all over the world since 1992. Flugtag is German for Flying Day and the events feature homemade contraptions that generally do not fly as well as their creators expect. Yesterday they brought the event to this city where things not flying as well as expected is something of a tradition. On a cloudy but ultimately dry Saturday, thirty-nine participating teams and thousands of spectators gathered by the Ohio River for  Flugtag Cincinnati.

I reached Sawyer Point Park early enough to snag one of the last open spots on the street and avoid $20 and up parking fees. The event itself was free. The Belle of Cincinnati was moored near the Purple People Bridge for a true VIP experience. The launch deck was anchored at the west end of Serpentine Wall near the Taylor-Southgate Bridge. By launch time, both bridges would be lined with spectators.

And I arrived late enough that the “hangar” area where the entries were being staged was open. Here’s a fuller view of the WKRP turkey in the opening picture plus some of the others that caught my eye. There are some, but not many, that even sort of look like they might fly.

Of course, the crew is every bit as important as the vehicle.

The Hangar had opened at noon with opening ceremonies scheduled for 1:00. As showtime approached, entrants began lining up on the ramp, rescue craft assumed their positions, and skydivers dropped onto the launch deck.

The first launch was an unjudged honorary entry from Kroger. Maximum speed is extremely important and that’s what the crew is for. Kudos to the Kroger crew member who clearly gave it his all. The first competitor followed as soon as the “landing” area was clear.

I had picked a spot with a pretty good view of the launch but my view of the flight (if any) and landing was blocked. I watched a few more launches then backed out of the crowd at riverside, treated myself to a four-dollar bottle of water, and watched some of the action on one of the big screens which naturally had their own crowds.

I eventually moved back toward the river but got a better view of the mayhem by keeping my distance from the launch deck.

I know there are videos out there that most will find much more entertaining than these still shots but here’s one more sequence anyway. If you are really interested and have access to ESPN2, the whole thing will reportedly be shown August 19 at 6:00 PM.

Flugtag wasn’t the only big-time competition happening in the area this week. Over in Erlanger, KY, at the country’s only remaining wooden railed Putt-Putt course, the Professional Putters Association National Championship took place. I stopped by Putt-Putt Golf of Erlanger on Friday to take a look.

I had not seen a real Putt-Putt course in years. There are no windmills, dancing clowns, or other moving obstacles here.

Every hole is par 2 and this is a fairly rare par shot. I don’t know how many holes had been played but as the tournament neared its end, many players were more than 80 strokes under par.

Some of those 80+ under-par players would be taking home a nice trophy and a few thousand dollars cash.

Musical Review
Utopia, Ohio
Hugo West Theatricals

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Wednesday is this blog’s day for reviews. Although not every Wednesday gets one, reviews do sometimes appear two or more weeks in a row. In fact, reviews appeared on six consecutive Wednesdays earlier this year. But today is definitely the first time I have ever published back-to-back reviews of premieres of locally produced musicals about local history. In addition to their being musicals with local roots and having me in the audience of their inaugural runs, both Above the Sand (reviewed here) and Utopia, Ohio, the subject of this review, convincingly demonstrate the phenomenal amount of talent in this area. The similarities between the debuts of these two new musicals are striking but there are some pretty big differences between the musicals themselves.

One difference of note is the public’s familiarity with the two subjects. Virtually everyone knows that the Wright brothers were the first humans to successfully fly a heavier-than-air machine, and many residents of southwest Ohio know a lot more of the story than that. But the story of Utopia, an unincorporated community near Cincinnati, is hardly known at all. My guess is that even people who live fairly close to the small cluster of buildings on the banks of the Ohio River know little or nothing beyond what is written on the historical marker in the opening photo and not many stop to read even that.

Utopia was actually the name of the third and final attempt at communal living at the location. The Clermont Phalanx was first. A “phalanx” was a group of followers of the writings of Charles Fourier. The Clermont Phalanx was formed in 1844 and failed in 1846. Within months of that failure, abolitionist and spiritualist John Wattles established the community of Excelsior on a portion of the phalanx property, and Josiah Warren, “America’s first anarchist”, established Utopia a short time later on another portion. A very good history of all three is available here. Joshua Steele, the writer of Utopia, Ohio, provided a nice summary in a Facebook post here.

I’ve brought up all of this background stuff because I believe a decent knowledge of the history is necessary to understand the musical. Notice I said “understand” not “enjoy”. Enjoying the musical is easy because the music and performances are so good. In fact, knowing nothing at all about the history would not keep you from enjoying the music. You can appreciate the tunes the same way you appreciate a concert or a new album. All five cast members are talented vocalists. There is no orchestra. Every cast member plays at least one instrument and some play several. The full battery includes guitar, mandolin, piano, accordion, violin, and cajon. Coordinating instruments no doubt complicated the director’s and stage manager’s jobs but it was handled quite well.

Coordinating hats also added some complexity. With more roles than actors, hats were used effectively to distinguish specific roles. Linsey Rogers and. Brad Myers were particularly adept at this. At times, images projected at the side of the stage also helped know who was who.

Determining when was when was a different matter. You might be able to tell the players without a program but not the dates. The songs of Utopia, Ohio do not tell a story chronologically, at least not in the order they were performed on Thursday. That is why, I assume, there are dates in the program. It took me way too long to realize this. Once I did, I started taking in the performance more as a concert than a play despite having a pretty good sense of the history of the three failed communities. In the end, I decided that viewing it as a series of related but not ordered musical vignettes was best. Within each vignette, the cast skillfully brought music, lyrics, actions, and expressions together to tell the intended story and to entertain as well.

A very important difference between last week’s review and this one is the fact that Utopia, Ohio‘s first run is not already over. This is being published on the morning of the second of four scheduled performances so I do not feel the too-late-to-matter guilt I did last week. Maybe I will, though, as at least one of the three remaining performances is sold out. Check for tickets here. If you do snag one, my advice is to either pay close attention to the dates in the program and put the history together in your head or ignore them completely and just tap your toes to some fine music.

Paddlefest 2023

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I’ve known of Ohio River Paddlefest for quite a while. I even planned to attend last year until severe weather convinced me — and everybody else — otherwise. Heavy storms led to the cancellation of several outdoor events including the 2022 Paddlefest. There wasn’t even a hint of foul weather this year and I finally made it to “the largest paddling event in the country” for the first time. I was not in position to see the launch of approximately 2000 participants into an Ohio River that was cleared of powered watercraft for the event but I did get to see many of them pass through Cincinnati’s riverfront.

I decided to park in Kentucky and use the century-and-a-half-old Roebling Bridge as an observation deck. People can choose to paddle either 4.5 or 9 miles from the launch point at Schmidt Recreation Complex at the east edge of Cincinnati. The pullout point for the shorter trip is the public landing near the coliseum. The big paddle wheeler at the landing is the American Heritage on her way to Pittsburgh. I don’t know whether being in town for Paddlefest was intentional or something they just couldn’t avoid. Also in that photo, the three ladies in the opening photo can be seen well past the landing on their way to the Roebling and my camera.

There was a race and I’m sure there was a winner but most participants seemed to be much more concerned with enjoying the float and maximizing rather than minimizing their time on the water. Some even took time to look up and wave or wrangle three boats together for a group selfie.

Shooting upriver at the approaching boats meant shooting into the sun but at some point, I realized that I could completely avoid any glare issues by shooting straight down. Snapping paddlers just before they disappeared under the bridge was actually quite addictive and I snapped a few more before I could pull myself away.

Not everything is ruined by shooting toward the sun. Some things actually look pretty good or so I convinced myself.

With the exception of some safety and patrol boats, these were probably the most powerful watercraft on the Ohio near Cincinnati throughout the morning. They did not flaunt it, however, and were well back in the pack.

Shortly after the big boats passed, I finished crossing the bridge and moved to the downstream side to return to Kentucky. Catching boats just as they popped out from under the bridge wasn’t nearly as easy as catching them just before they popped under it but I did catch one.

These are all a bit away from the bridge and moving slowly.

Back in Kentucky, I grabbed brunch and then headed to where the nine-mile paddle ended and where the wrap-up party was being held. For some reason, northbound I-71/75 was closed at the river. I didn’t figure that out until I was forced beyond it. I decided to just keep going and cross the river on the Anderson Ferry for a real break from the normal. The Miata got the first of two comments when the attendant collected my fare. “Nice change of pace. I have to reach up for every other car.”

The second comment came from a fellow directing traffic at the Gilday Recreation Complex. With a mostly straight face, he asked if I was there to pick up a 17-foot canoe. Lots of canoes and kayaks had already departed and many more were in the process of being loaded. But there were still plenty waiting in the park and even a few still on the river. The finish line was still in place when I arrived but it would soon be gone.

Madtree had a beer tent set up and there were several food trucks. The Sunburners provided some good Jimmy Buffet-style music and there were some Jimmy Buffet-style listeners too.

I had my doubts about the claims of this photo-op but a little research confirmed that the Gilday Complex really was the southernmost point of the Ohio River Paddlefest. And today it even felt kind of tropical.