WACO Homecoming

waco01Troy, Ohio, was once home to the most successful airplane manufacturer in the world. That manufacturer, WACO Aircraft Company, ceased production in 1947 but the city keeps the memories alive with Historic WACO Field at the south edge of town. A museum, learning center, and runway see action all year long but the annual fly-in brings in quite a bit of extra action, particularly for the runway. I attended this year’s fly-in on Saturday, the middle of its three day run.

waco02waco03waco04The dozen or so WACOs parked on the ground made a colorful and impressive display. I have the feeling that there were more of the planes here on my first visit to the fly-in in 2006 but I can’t quantify that and a dozen WACOs is still a lot of WACOs.

waco06waco05There were plenty of “don’t touch” reminders but attendees were otherwise free to walk among the airplanes for up close viewing. Only after I got home and started to prepare this post did I realize that it is likely that not all of those gorgeous planes I admired were vintage. It had somehow escaped me that the WACO Aircraft Corporation of Battle Creek, Michigan, started building reproductions of the WACO YMF in 1986. The reproductions have the word “classic” in their logo so I should have been able to easily identify them if I’d only known to look. On the other hand, it was probably better not knowing and believing that all those great looking machines were older than me.

waco07waco08waco09A tremendous increase in museum space since I was last here means that several airplanes, including some that were displayed outside in 2006, are now displayed under cover. Maybe that contributed, just a bit, to my sense of fewer WACOs on the field.

waco12waco11waco10A big attraction is the availability, for a fee, of rides in the open planes. Passengers, two maximum, sit in front of the pilot. These pictures show a vintage (no “classic” in the logo) WACO taxiing from its spot among the other aircraft, gaining speed down the grass runway, then smoothly rising above the corn. My guess is that that’s a buddy and not a paying passenger in the front compartment.

waco13waco14waco15I’ll close with a 1993 WACO Classic YMF (I learned that later.) coming in with a pair of happy customers, seat backs in the upright position, sitting up front.

Trip Peek #24
Trip #44
Labor Day Loop

pv29This picture is from my 2006 Labor Day Loop trip through southern Ohio. I started out tracing the Ohio River eastward to meet some friends in Portsmouth. From there, we visited a couple of blast furnace sites from the Ohio Valley’s heyday as an iron producer. The photo is of the completely restored Buckeye Furnace. Little remains at most sites beyond a stone chimney if that.


Trip Pic Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full sized photo and the trip journal it is from.

Trip Peek #20
Trip #53
Byway to Dublin

Plain City Clock TowerThis picture is from the my 2007 Byway to Dublin road trip. The purpose of the trip was to attend the big Celtic Festival in Dublin, Ohio, and I spiced the drive up just a little by using two of Ohio’s Scenic Byways to get there. The first was the state’s shortest designated byway, the ten mile Olentangy Heritage Corridor Byway, then the slightly longer twenty-seven mile Big Darby Plains Scenic Byway. I found some rather interesting sights beside both byways and the roads in between then had a great time at the festival on the second day of the trip.


Trip Pic Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full sized photo and the trip journal it is from.

Trip Peek #19
Trip #12
Jaggin’ to Georgetown

Ohio Valley Antique Machinery ShowThis picture is from the my 2003 Jaggin’ to Georgetown day trip. At the time I had a GPS unit that could tell me how far away something was and in what direction but did no routing. I frequently used it to get somewhere by turning in the general direction of my destination whenever a turn was required. I called this “jagging”. While this might produce a nice stair step path on roads laid out like a checkerboard, this was seldom the case in the real world and some interesting things might pop up. On this occasion, I “jagged” my way to an antique farm machinery show in Georgetown. Ohio, where I also visited Ulysses Grant’s boyhood home and school.


Trip Pic Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full sized photo and the trip journal it is from.

Celebrating the Connection

mcohc01Celebrating two weeks in a row. I’m in either a rut or a groove. Last week’s post was on my visit to the “Diana: A Celebration” exhibit in Cincinnati. This one is on my visit to a “Member Celebration” in Columbus on Saturday, May 24. This is the third such event for the organization though for the first two the celebrants were members of the Ohio Historical Society and they are now members of the Ohio History Connection. The first public use of the new name was part of the celebration.

mcohc02mcohc03mcohc04The “Member Celebration” was at the Ohio History Center and coincided with the season opening of the adjacent Ohio Village which, in turn, coincided with the opening of a two day Civil War era Soldiers’ Aid Fair.

mcohc07mcohc06mcohc05This display of rare and exotic items may not have been the biggest or most highly promoted aspect of the fair but it was my favorite.

mcohc08mcohc09mcohc10Like many events at Ohio Village, a parade preceded an official opening proclamation. Weary and even wounded soldiers, presumably home on leave, joined in and helped elevate both patriotism and sympathy.

mcohc12mcohc11The celebration included a members only lunch but this is no small club. The picture shows part of the line, which I eventually joined, for the second seating. The closest things got to formal was a brief speech by Executive Director Bert Logan. There were thanks, of course, and something of an explanation for the name change. Although he didn’t use these exact words, the impression l have is that “Ohio Historical Society” often conjured up images of little old ladies and dusty old men sitting in dim parlors talking about old stuff. In surveys, “Ohio History Connection” created an image of something much more active and accessible. He pointed out that we not only need to preserve things for future generations but make those things available and interesting and understandable for future generations. Judging from the number of youngish folks both attending and participating, it seems Ohio’s history outfit is doing a pretty good job whatever the name.

Celebrating Diana

diana-1I wavered on going to see Diana: A Celebration at the Cincinnati Museum Center. The Center attracts some of the world’s best traveling exhibits and I generally make a point of taking them in. Some, like the Dead Sea Scrolls, I start planning to see as soon as I learn of them. Others, even though I fully intend to see them, I just sort of work in “whenever”. Until something reminded me of it on a rainy and idle day, I wasn’t even sure that I would be attending this particular exhibit.

My lack of commitment was not due to any dislike for Princess Diana. In fact, I think she probably did as much for the good of the world as any public figure of her time and a lot more than most. I simply don’t have much interest in royalty in general and nothing in the description of this exhibit aroused much interest in it. Gowns and jewels were not the only things on display but they are what advertisements and descriptions mentioned the most. To be fair, the relatively small amount of time that separates Diana’s life from the present no doubt has a lot to do with my lack of interest. I couldn’t wait to attend the Cleopatra exhibit in 2011 and I’m sure I’d eagerly work a display based on Queen Victoria or Catherine the Great. Of course, those women were all rulers while Diana was not and that may have as much to do with it as time.

I think a desire to not regret not going was a large part of my decision to go. I went and enjoyed it enough to not regret going. The exhibit and my level of enjoyment were pretty much what I expected. The only surprise was the demographics of the other attendees. A young man scanned my ticket at the entrance. About halfway through, I encountered an older fellow wearing a museum ID badge who seemed to be doing some sort of status check on some of the displayed items. At roughly the same time I spotted a guy listening to one of the optional audio guides along with a woman I took to be his wife. I saw something on the order of fifty attendees as I made my way through the exhibit. Only two of approximately half a hundred patrons were male and only one — me — was certifiably there of his own volition. In hindsight, perhaps I should have anticipated that but I hadn’t. Clearly, the trappings of a princess are of much greater interest to those who are at least physically qualified to become one than to those who are not.

diana-2No photos are allowed in the Diana exhibit. The picture at left is from the companion exhibit, Daughters of the Queen City, which honors women noted for their charitable work in and around Cincinnati. Among the women featured were Louise Nippert, Mary M. Emery, and Patricia Corbett whose names even I recognize. Diana: A Celebration and Daughters of the Queen City continue through August 17.

diana-4diana-3While at the museum, I took in two other temporary exhibits. Medicine, Marbles and Mayhem displays items retrieved from 19th century privies. Aside from their intended purpose, privies were used to dispose of just about anything and many details of life in in the good old days can be learned through “outhouse archaeology”. Medicine, Marbles and Mayhem runs through May 26.

diana-5diana-6Treasures in Black & White: Historic Photographs of Cincinnati is quite accurately described by its title. At the risk of angering princesses everywhere, I have to say that this is what I enjoyed most on this museum visit. Every photo depicts something important from Cincinnati’s past plus many of them work as pure art. Some artifacts, such as a Ruth Lyons guest book, augment the photographs. The book is displayed near a photograph of Liberace signing it and opened to show his entry. Treasures in Black & White runs through October 12.

Don’t Worry Be Hoppy — or Gene or Roy or…

hcf01I don’t know where Hopalong Cassidy was born. I don’t even know if his creator, Clarence E. Mulford, ever gave Hoppy a past that included parents. But I do know that William Boyd, who portrayed the fictional cowboy in movies and on both TV and radio, was born in Hendrysburg, Ohio, and that once a year, the folks in nearby Cambridge, hold a festival bearing his name. This year, I was paying more attention than usual and managed to attend the festival for the first time.

hcf02hcf03hcf04One of the festival’s big attractions is the collectors exhibit. Virtually everything displayed is for sale but, as is typical, there is a lot more looking than buying. Movie posters, games and other toys, and just about everything else ever associated with the cowboy heroes of the middle third of the last century is in there somewhere.

hcf06hcf05Cowboy and girl look-alikes are another major attraction. They spent a good deal of time behind tables signing photographs but they could also be seen just walking around the festival. It was easy to imagine a rancher’s wife turning to her husband and asking “Who were those masked men?”

hcf07hcf08I was there on Saturday which was contest day. First up was the Little Buckaroo Contest. All four participants managed to win a trophy but most of the crowd would have probably been happy if every prize in the place had been awarded to the shy fellow in the second picture.

hcf09hcf10hcf11The look-alike contest was a little more serious but not much. When I saw the phrase “look alikes” on the festival schedule, I envisioned a town full of Hopalong Cassidys. That wasn’t the case at all and I believe that the only real duplication was two Lash Larues. This is a well organized and coordinated activity. There were two John Waynes but one was the eye-patch wearing Rooster Cogburn and the other represented Wayne from an earlier era. Two Lone Rangers marked a changing of the guard. The “blue” Ranger is retiring this year and was introducing the “red” Ranger who, in the future, will be the lone Lone Ranger. In my opinion, anyone who cannot identify the three hombres in the pictures had best stay away from festivals of this sort.

hcf12hcf13Getting all the contestants in a single picture wasn’t easy. That is an impressive line-up for sure. A panel of judges selected Lash Larue, Tonto, and the Lone Ranger as finalists then audience applause was used to select the winner. Maybe. All three rounds of applause sounded about the same to me and it’s just possible that first place was awarded to the Ranger partly for sentimental reasons. As I mentioned earlier, this is his last appearance and, although he promised he would be back at the festival next year, he will conceal his identity by not wearing a mask.

hcf16hcf15hcf14A third festival draw is this bevy of stars. That’s John Provost of Lassie, Roberta Shore and Don Quine of The Virginian, and Don Collier of High Chaparral in the group picture. Edd Byrnes of 77 Sunset Strip arrived shortly after the picture was taken. That’s John and Edd in the individual shots. Edd’s scheduled appearance got the most discussion when the festival came up a week or so ago. Friends wondered if the former Kookie still owned or needed a comb. I just take the pictures and leave it to others to decide if that hair is eighty years old and/or its natural color.


dfringeI don’t recall ever seeing a Hopalong Cassidy moving picture show in the theater but I was a big fan of the TV show. I remember having a Hopalong cap pistol and holster but my prized possession was a belt. It just now occurred to me that the belt and holster may have originally been a set but my memories are far too dim to say. The belt was black with a script “Hopalong Cassidy” and men on horses in white. I suspect that part of my belt focused favoritism was due to my being able to wear it full time whereas there were Mom defined limits on where I could tote a gun. The name and figures were merely printed on the black leather and were eventually rubbed away so the only a few flecks, none of which resembled a letter or a horse or much of anything else, were left. It was impossible to tell by looking that I accessorized my garb to honor Hoppy but I knew.

The belt’s buckle was stamped out of thin metal to imitate perfectly (I was certain) solid silver. It was always on my left side. Dad worked in a factory and wore his belt buckle on the side to keep it away from his work. I did the same for years and can’t remember when I stopped. I do remember one unintended result. On a visit to the big city (Greenville, Ohio, 2012 population 13,105), probably while Mom tended to my younger sister, I checked the light, looked both ways, and darted into the path of a turning car. It was moving slowly and stopped immediately but I was knocked to the ground. Mom, the driver, and everyone else in the area quickly clustered around me. A thorough examination revealed that my only “injury” was a red and slightly sore impression of the belt buckle on my side. Hopalong Cassidy saved my life.

My search for a picture with the belt came up empty so the best I can do is the shot of me with some sort of cowboy scene on my jacket. I’m not sure Hoppy would approve of the gaudy fringe but I know he would have liked the color.

Touring City Hall

ccht01Cincinnati’s City Hall is a building of a different color. It can’t be easily ignored but, although I’ve driven and walked by it countless times, I, like almost all of the participants in Thursday’s tour, had never before been inside. The building’s architect was Samuel Hannaford, who also designed Cincinnati’s Music Hall and many other buildings of note. Construction started in February of 1888. The completed building was dedicated May 13, 1893. It was placed on the National Register of Historic Places in 1972. It has been damaged by fire, insulted by, among other things, having marble wainscoting covered by wood paneling, and, like all too many not-so-new structures, threatened with demolition. I sure do appreciate it sticking around until I could finally find time for a visit.

ccht02What I actually found time for was the inaugural Cincinnati Museum Center Heritage Programs Cincinnati City Hall Tour. Unbeknownst to me, tours of the building have long been available and can be arranged directly as described here. CMC Heritage Programs adds a nice presentation on the building’s and the city’s history plus arranging access to a few places not always included in the other tours.

ccht05ccht04ccht03Stone from six different states (Ohio, Indiana, Wisconsin, Missouri, Tennessee, & Vermont) and Italy are used in the building. Inside, beautiful marble staircases connect the four floors with equally beautiful stained glass windows at each landing.

ccht06ccht07ccht08Cincinnati’s mayor and nine member council meet weekly in this chamber. The current arrangement is a recent one. For most of the building’s existence, council met at a circular table in the middle of the room. After people protesting a 2001 police shooting completely filled the space, things were changed so that the officials sit facing the room. At one point, the ceiling was covered with acoustic which has now been removed to reveal four paintings and other details. The massive chandelier was once painted black.

ccht11ccht10ccht09For many, most definitely including me, the highlight of the day was the tower. The clock room was near the midpoint of the climb of 109 steps.

ccht12ccht13The climb continued to the open level containing the huge bell. The cube at lower right in the first picture houses the clock mechanism. A cable can be seen rising from it to control the bell’s clapper.

ccht16ccht15ccht14The wonderful views from the bell level include the spire of Saint Peter in Chains Cathedral, completed in 1845, backed by the recently relocated headquarters of Pure Romance. The downtown relocation of the nation’s largest seller of “relationship and intimacy aids” was not without controversy.

ccht18ccht17The view in the first picture is one that the guides alerted us to before the climb. Those with a significant fear of heights can find the sight of the street far below quite unnerving. On the way up, we had paused at this level while the bell rang out 11:00 o’clock. A close look at the second picture reveals the cable running upward from the clock mechanism and the shafts connecting the mechanism to the clock faces.

ccht20ccht19As we were for most of the tour, we divided into two groups for the tower climb. One group hung out in council chambers while the other climbed. I was part of the first set of climbers and now had the opportunity to check out the view from the gallery and make a brief power grab.

ccht21ccht22The current building replaced a much smaller one, built in 1852, on the same site. The large metal seal, mounted high in the courtyard of the current building is all that remains from the older one. Terrible riots, in which the courthouse was destroyed, had shaken Cincinnati in 1884. With that in mind, City Hall was built with something of a fortress flavor that can be seen in elements like a “watch room” in the tower and the heavy steel doors on the courtyard.

Book Review
The Authentic History of Cincinnati Chili
Dann Woellert

History of Cincinnati Chili coverThere is definitely a lot of information in this book. That’s why it’s here. I’ve often said that all my reviews are positive not because I like everything I read but because I see no reason to spend time reviewing something I don’t like. The Authentic History of Cincinnati Chili had me wavering. The subject matter is clearly in my strike zone. History? Check. Cincinnati? Check. Chili? Are you kidding? This looks like a book that could have been written specifically for me, right? Digging into it, however, was not quite as tasty as I thought it would be.

As I read, I noticed some repeats and the occasional oddly formed or slightly out of place sentence. There were many tiny details, like the address of a parlor owner’s home or the what movies played in nearby theaters, that pushed the too-much-information boundary. I was about halfway through the book when I had an epiphany. I’m not sure it was a real epiphany in which truth was revealed or a pseudo-epiphany in which i concocted a theory that made things make sense to me but it suddenly struck me that I was reading somebody’s notes. Not completely raw notes but notes that had been jotted down to record every bit of information that an interview or newspaper article provided then wrapped in enough conjunctions, adverbs, adjectives, and punctuation to turn bulleted lists into paragraphs. There are exceptions. The introduction and a chapter called “Unlocking the Flavor Secrets”, perhaps because they are overviews of multiple chili operations and recipes, manage to avoid the just-the-facts but all-the-facts style of most of the book.

All-the-facts is a lot. Woellert obviously did extensive research and interviewed several members of Cincinnati Chili’s founding families. Founding family members also supplied several photos from the early days of Cincinnati chili for inclusion in the book. There is a family tree type chart showing how it all goes back to Empress. If you have a question about the history of chili in the Queen City, chances are the answer is in this book; maybe more than once.

I did not have a question but I did have a suspicion that was validated by this book. Tradition has it that Skyline Chili’s name came from the view of downtown Cincinnati from the chain’s original restaurant. Some versions of the story claim it was the view from the kitchen. I readily accepted that until I visited the site on Glenway Avenue last year. The original building is gone but I couldn’t imagine how anyone could see down town from the ground floor of any building at that location. Bill Lambrinides, one of the founders, tells a different story which, since it’s one of the few “revelations” in The Authentic History of Cincinnati Chili, I won’t retell beyond saying that Bill confirmed that the view was not from the restaurant.

There are some errors in the book but I’ve a feeling that all the dates and addresses associated with actual chili parlors are not among them. In my most recent book review, I used the phrase “well researched and well written”. I can’t use it here. One out of two it is. I found myself scratching my head or chuckling at some of of the writing but still ended up believing the collection of information made this book worth keeping around.

The Authentic History of Cincinnati Chili, Dann Woellert, The History Press (April 16, 2013), paperback, 9 x 6 inches, 176 pages, ISBN 978-1609499921
Available through Amazon.

Book Review
Thus Fell Tecumseh
Frank E. Kuron

Thus Fell Tecumseh coverOne of the few undisputed facts of Tecumseh’s life is the date of his death. The date of his birth is only known approximately and there are multiple possibilities for its location. He was born about March 1768 somewhere in the Ohio territory. It’s pretty much accepted that he met his end at the Battle of the Thames but that statement isn’t quite as precise as it might appear. While it is generally believed, as most reports indicate, that he died as a combatant in the battle, reports do exist that describe his death as an accidental shooting some distance away from the actual fighting. What no one questions is that Tecumseh was alive on the morning of October 5, 1813, and dead at the end of the day.


Use Grammarly’s grammar check because smart words should be presented smartly.


A little more than half of Thus Fell Tecumseh involves that day which means that nearly half of it doesn’t. Kuron spends that other half providing a well researched and well written description of the early part of the War of 1812 and the circumstances that led to it. He also manages to fit a pretty good biography of Tecumseh in there. By the time the Battle of the Thames begins, the reader has a more than decent idea of what those British, Canadian, American, and Indian forces are doing there.

Kuron also provides a good summary of the battle before starting to present the various accounts of Tecunseh’s death. There are accounts from eye witnesses with details that, if there were no other reports, would make them readily accepted as absolute truth. But there are other reports. Lots of them. Some name different individuals as the slayer and some name the same man but differ in other significant details. Even more problematic are the differing reports that one witness might give over time. Like testimony in a trial, the reports are presented unmodified. Kuron never urges the reader to accept one report or another. He does point out the discrepancies in each. If this was a real trial where the killer would be punished rather than glorified, every suspect named would almost certainly be acquitted thanks to mounds of reasonable doubt.

Of course, the killing of Tecumseh was no crime. The Shawnee chief was almost universally admired and respected by friend and foe but another of those rare undisputed facts about him is that he was a very active and effective enemy of the young United States. There was fame to be gained from his killing and the man most often named as the killer, Colonel Richard Johnson, was boosted to the Vice Presidency by that fame. Of the three most popular candidates for the honor, one (David King) shied away from any publicity and another (William Whitley) died on the battlefield. Johnson himself never quite claimed to have slain Tecumseh but supporters did make the claim for him and his political career clearly benefited.

Part of the difficulty in identifying the slayer is in identifying the slain. At least two of the bodies left on the field of battle were identified as Tecumseh plus there are claims that the body was carried away by companions and even that it was never there.

Kuron does not offer an answer to the question of who killed Tecumseh. He does supply a terrific amount of testimony, from participants in both sides of the battle as well as others, that suggests several possibilities. Interest in the War of 1812 has certainly increased during its bicentennial but has been overshadowed even in that by the sesquicentennial of the American Civil War. As the final use of the British military against the United States and nearly the last, and possibly the largest, organized resistance by Native Americans to advances of the new country, the War of 1812 is extremely important in this country’s development. Thus Fell Tecumseh is a very well done look at the war, the Battle of the Thames, and the many ways in which Tecumseh might have fallen.

Thus Fell Tecumseh, Frank E Kuron, Kuron Publishing (January 14, 2011), paperback, 9 x 6 inches, 352 pages, ISBN 978-0615415222
Available through Amazon.