Wassup, Big Boy?

Frisch’s Big Boy restaurants have been in the news quite a bit recently. In fact, when I sat down to write this article yesterday, a pointer to this photo essay was waiting in my email. It seems likely that the essay, like this article and my Friday outing, was inspired by not particularly cheerful reports such as this one from a few weeks ago. It was that article and other news of restaurant closings that prompted me to finally check out the museum that opened in 2018 inside Frisch’s Mainliner.

The Mainliner, Cincinnati’s first year-round drive-in, opened in 1942 and was named for an airplane. Several sources, including the Mainliner’s own signage, identify that airplane as a tri-motor but I think not. The plane that those sources are almost certainly referring to is the Ford Trimotor which was produced from 1922 to 1933. Boeing’s DC-3, which United Air Lines actually called the Mainliner when launched in 1937, would have been the most well-known passenger plane when the restaurant opened. The plane on the iconic Mainliner sign certainly looks a lot more like a DC-3 than a Ford Trimotor, and, despite the nose being a little extra pointy, I’m not aware of it ever having more than two propellers. At present it has none. I do, however, have a short video of the sign “at speed” from a few years ago. I’m sure there are more and better videos online.

The Mainliner was remodeled when the museum went in and has the latest generation of the Big Boy statue standing by the door. There are pictures here and here of previous generations on display a few miles away at the American Sign Museum. A cool mural greets customers right inside that door.

I sat at the counter and placed my order before walking over to the museum area. Only then did I realize that it contained what appeared to be some quite usable classic seating areas. There were people at one of the museum tables when I left.

In addition to the throwback seating, there are several signs and cabinets filled with artifacts in the museum. Among the artifacts was a reminder that once upon a time people might look for something to help them “dial the right number every time”.

I was probably still using a dial telephone the last time I had a Big Boy but it seemed the right thing to order today. Has corporate ownership brought a decline in quality that others say they see? Maybe, but maybe not. The sandwich was pretty much as I remember it although my memories aren’t very recent. I sensed the same slight understaffing that I feel in just about every restaurant I visit these days. No more. No less.

As I wrote this, it occurred to me that Frisch’s has been in my life longer than any chain restaurant. Although it’s no longer there, a Frisch’s restaurant sat at the edge of the seat of my home county. It was the place where, maybe once a year, the band bus would stop on the way home from an away game. When my friends and I began driving, it marked one end of our Saturday night cruising route. An A&W rootbeer stand marked the other. When I got my first co-op job in college, a Frisch’s was just about the only place within walking distance for lunch. The one at right is within walking distance of my current home and I stopped there on my Saturday afternoon walk. Rather than a Big Boy statue, this door is guarded by one of the Mr. Redlegs sculptures that were placed around the area as part of the Cincinnati Reds 150th Anniversary Celebration in 2019. Inside, a localized (Mason hosts the Cincinnati Open ATP Tournament) mural hangs on the wall. A big reason that I had not had a Big Boy in so long was not that I never patronize Frisch’s but that when I do I almost always have a fish sandwich. On Saturday I reverted to form.

I’m certainly no fan of corporations taking over privately held businesses. Maybe it was a decline in quality or some accountant’s idea of improved efficiency that led to those closures. Personally though, I’m more concerned about those missing props on the Mainliner sign.

Musical Review
Above the Sand
Mason Community Players

When I wrote about my first visit to the Loveland Stage Company, I spoke of the guilt I felt for taking so long to take in a play there. The same sort of guilt surrounds my first time attending a Mason Community Players production. MCP is celebrating its 50th anniversary this year which means it is six years older than LSC. I suppose I could feel extra guilty for ignoring the Mason group even longer than the Loveland group but, although I’ve lived near Mason, I have never actually lived in Mason so feeling equal levels of guilt regarding my being late to the party at both theaters seems more or less OK.

But I also feel another kind of guilt regarding this review. I have no special or early access to plays so my infrequent reviews of them are often near or even after the end of their run when few or no performances remain. I always feel a little guilty about that. That feeling increases when the production is one I want to recommend because it’s extra good or somehow unique. All that is true of Above the Sand meaning I really feel guilty about the timing of this review.

Producing any play is an accomplishment. There are certainly some particular challenges in doing it with amateurs and volunteers and doing a musical must add even more. Performers need to be able to sing and maybe dance a bit, and musicians are needed to accompany them. Community theater productions will never be a match for well-financed Broadway companies but their audiences don’t expect them to be. When a community theater company produces a successful Broadway musical it can benefit from having one or more professional productions as examples without getting dinged for not having Barbra Streisand or Gregory Hines in the cast. The production I attended Thursday night had all of the listed challenges without one of the aids. Amateurs and volunteers did indeed sing and dance accompanied by offstage volunteers playing instruments but they were not copying from anyone. This was the world premiere of Above the Sand so there was no previous production to provide an example. This gang didn’t need one.

The premiere run ended on Saturday. Not knowing how long online information will remain available, I’ve taken the liberty of copying this short description from the Mason Players’ website:

Above the Sand is written and composed by MCP member Tom Davis. It tells of the challenges and triumphs of Wilbur and Orville Wright as they bring the power of flight to the world. The story takes the audience on a journey from a bicycle shop in Dayton, Ohio to Kitty Hawk, North Carolina, Washington, D.C., and Paris, France. Above the Sand is a piece of local history that has affected life around the world. It shines a light on the struggles of those who dream an idea into reality, then ultimately triumph.

As mentioned, any community theater production requires a lot of effort, and a musical production even more. That effort is not wasted with the script Tom Davis has created. With spoken words and lyrics, it touches all key points of the Wrights’ achievement. It avoids sounding like either a science or history lesson while being a little bit of both.

I’m always intrigued by how a single stage of limited size gets used to tell stories involving multiple locations that are sometimes huge spaces. That is another challenge that this production encounters and handles quite well despite not having a Broadway-sized budget. By flipping panels, hanging pictures, and swapping some furniture, the action moves between sand dunes, living rooms, workshops, France, England, and more. In a program note, director Lara Gonzalez talks of collaborating and creating “throughout the rehearsal process”. Much of the collaboration naturally involved Gonzalez and Davis but I’d be surprised if there wasn’t at least one idea contributed by every cast and crew member.

I’ll give a shout out to the actors portraying the Wright siblings although every member of the cast of nearly twenty turned in wonderful performances. Corey Meyer (Wilbur) has the least experience of the three younger Wrights although I certainly would not have known that without a program. Nico Morello (Orville) and Eva Bower (Katharine) have both been on stage quite a bit. I had sort of mentally tagged Eva as the most polished of the cast and learned that I could be right when I read that she was first on stage at age 9.

I have no idea what, if anything, comes next for Above the Sand. I know of no plans for future performances but I sure hope that there will be some. I was entertained Thursday night, and exposed to a little science and history too. I don’t believe any of the science or history facts were really new to me but some of the emotion was. I’ve read numerous articles and books about the Wright brothers and their early flights. I’ve watched more than a few documentaries too. None of them conveyed the sense of awe from the world at large that I witnessed Thursday night. Maybe it came from the music. Or maybe it came from the personal involvement that a live performance requires. At some level, I know I have considered that the existence of powered flight changed the basic way that an awful lot of people looked at the world but it had never registered as strongly with me as it did in that theater. Before December 1903, many people had considered it impossible; others thought it merely quite difficult. The first group was now indisputably proven wrong. The second group was proven right and no longer had to guess at just how difficult it was. It took some time for the news to circle the globe and even more time for some people to accept it but that did not alter the fact. Somehow a group of people singing about something they were witnessing offstage drove that home better than any words on a page or images on a screen. Hooray for music. Hooray for live theater. Hooray for man’s ability to progress and to be amazed at his own progress.

On the Road

mbp_01In addition to a film festival, visiting ships, a new mile marker, and the country’s biggest Octoberfest (which I’ve yet to attend this year), this week included a parade in the nearby city of Mason as part of its bicentennial celebration. I managed to see the entire parade but it wasn’t all that easy. There is a long walk as well as a long story behind the picture at right.

By the time I started for Mason following the pancake breakfast at the condo clubhouse, the parade route had long been blocked off. I thought I might be able to drive closer to the parade start than to its end so that’s where I headed. My thinking was correct and I parked within half a mile of the point of beginning. It was almost close enough. The parade started promptly at 10:00 when I was still a couple of blocks away. I immediately went into high-speed pursuit mode (i.e., a brisk walk with a few cut corners) but only started closing in on the lead entry as the parade neared its point of ending.

mbp_02Of course that lead entry carried the parade’s Grand Marshal to whose identity I had not a clue and neither, as far as I can tell, does the internet. The distance from my parked car to the parade end point was about a mile with the “high-speed” parade route portion accounting for about two-thirds of that. A nice, though unplanned, workout.

mbp_04mbp_03The Mason High School Marching Band was not far behind. They quite reasonably had a two song repertoire for the parade and it had cycled several times during my pursuit and overtaking. One song I can’t remember and one song I can’t forget. For the second consecutive Saturday, I got to hear Hang on Sloopy live.

mbp_07mbp_08mbp_09mbp_10In the interest of time, I’m going to forego any pretense of posting a representative set of photos. Instead, here, without explanation or justification, are a few I just like.

mbp_11When your city is ten or twenty times your age, you can jump — repeatedly — for joy at the birthday party. I’m sure they could have caught up with the Grand Marshal before the second verse of Sloopy.

Memorial Day: Focus for Memory

Mason Memorial Day ParadeCincinnati is my mailing address though
I definitely do not live within the city limits. The area where I live is governed by township trustees and not inside any city limits at all. The city of Mason is the closest and people even sometimes speak of where I live as “the Mason area”. I’ve been to a few Mason festivals and such but I don’t make a habit of it and I don’t consider my self a Masonite. When the subject of Memorial Day parades came up and a friend mentioned that Mason had one, it struck me that I’d never been and that it was where I ought to go this year.

Mason Memorial Day ParadeMason Memorial Day ParadeThat turned out to be easier said than done. The actual attending was easy enough but finding out when and where was a real challenge. Every town in the area seemed to have at least one Memorial Day related event on every news site’s calendar — except Mason. The friend who had first mentioned the parade eventually came up with the time and route but I’ve no idea from where and the information was accompanied with, “I swear, it’s like they don’t want people to know about it!” Armed with the hard earned information, I made it in time to walk to the staging area and make it back to a big bend in the route before step-off time.

Mason Memorial Day ParadeMason Memorial Day ParadeMason Memorial Day ParadeThe parade had Grand Marshalls (more on that later), twirling flags, and a marching band…

Mason Memorial Day ParadeMason Memorial Day ParadeMason Memorial Day Parade…lots of Girl and Boy Scouts — including one pretty big group carrying a really big flag — and beauty queens.

Mason Memorial Day ParadeMason Memorial Day ParadeA sizable portion of the crowd, including me, followed the parade to Rose Hill Cemetery where a few ceremonies were scheduled. On the way we passed a fellow leaning back and watching the parade with a WW II veteran’s cap on his head. Someone a few spots in front of me reached out to shake his hand and say thank you. I was one of several people who took the cue and did the same. Yes, I know the difference between Veterans Day and Memorial Day and I sometimes chastise those who don’t. But most, if not all, of these thank yous were personal and exempt from any holiday protocol and they’re all too rare.

Mason Memorial Day ParadeMason Memorial Day ParadeMason Memorial Day ParadeToday’s parade had three Grand Marshalls. Frank Weishaupt, who was in the white Mercedes and is in the first picture, represented World War II veterans. The next picture is of Frank Huffman, Jr., who fought in Korea. The third picture is of John Looker who served in Vietnam and who was also today’s key note speaker. John was wounded more than once. On the day that he received his last and worst wound, eleven men in his unit were killed. Most of his speech did not even reference his own experiences but he ended by reciting the names of those eleven men. Personal? Yes. Appropriate? Very.

Mason Memorial Day ParadeWhen the speeches were over, two women came forward and placed wreaths on waiting stands. Seven uniformed men, who had been sitting to the side, then stood and fired three volleys as an eighth gave the commands. When they were done, a trumpeter standing next to them played taps as another, many years his junior, stood apart and echoed each note just a couple of seconds later. A benediction followed and brought things to a close. With my memory well focused, I walked back to town and to my car.


dedmhDoug Dickey was a high school classmate of mine who joined the Marines not long after graduation. In March of 1967 he gave his life to protect his comrades and for that was awarded the Congressional Medal of Honor. The citation is here. One of my recent trip journals included a photo of his inscription on the Medal of Honor Memorial in Indianapolis. On March 22 of this year, a portion of Ohio Route 47 was designated as the Pfc. Douglas E. Dickey Memorial Highway and just over a week ago, on May 18, signs marking the highway were unveiled. An article on the unveiling is here.