Big Music in Small Places

Posted on April 15, 2012 by Denny

It was double good news when I learned that Ronstadt Generations would be performing nearby. Not only was it a chance to see the talented guys from Tuscon, it was a chance to see a venue I’d only heard — and only heard good things — about. Then, when I began to make arrangements to attend,
I discovered that there was another show happening a couple of nights earlier that I was also interested in.

The Ronstadt Generations performance would be a “house concert” on a Saturday at the home of Marc & Lisa Biales. Lisa would be the opener and would almost certainly be joining RG for a few tunes. When I looked at Lisa’s online schedule, I spotted Greenville, Ohio, listed for the preceding Thursday. Greenville!?!? That’s the big city in my home county. I’m there every couple of weeks. This was big news. I have lots of family there and contacted an aunt who I knew would like Lisa’s music. We made plans to attend and my step-mother surprised me just a little by agreeing to go, too. We got there early and ate some rather tasty sandwiches as we watched a sound check and the arrival of other attendees. My aunt has been to several performances at Montage and told us that the acoustics weren’t great and that the place could get pretty noisy. Lisa and friends proceeded to prove her wrong for at least one night.

The music held everyone’s attention and everyone held their tongues. A friend who stopped by our table during intermission commented, “That’s a lot of talent to have in Greenville at one time.” The cellphone picture that leads off the post is from that show. Besides fulfilling the claim that “If you want a picture really bad, I’ve got a really bad picture”, it gives a little idea of the intimate setting and you can see all the players if you squint just right. From the left there’s the Lisa Biales Trio: Doug Hamilton, Lisa, and Michael G Ronstadt. Surprise bonus guests are on the right. The other two RG members, Petie and Michael J, (who Lisa settled on referring to as Poppa Ronstadt) came along and sat in for a few songs. A wonderfully unique and unforgettable evening.

The show was part of the Darke County Center for the Arts Coffee House Series. Although this was my first time at Montage, I have attended and enjoyed other DCCA events (e.g., Eric Bibb, Riders in the Sky). They do good stuff.

This is Marc & Lisa’s Big Song Music House. In quiet times, the curved array of tall windows on the left provides a relaxing view of the Oxford, Ohio, countryside. Close the big curtain, however, and the view is replaced by the perfect backdrop for performing musicians. Lisa talks glowingly of the land on which the house sits. There are trails, small critters, and two Lovers Leaps (both regular and “Luke-Warm”). I hope to see some of that on a future visit.

Lisa stepped to the mic at almost exactly 8:00 to get things rolling. One member of the Lisa Biales Trio, Doug Hamilton, was missing tonight so Lisa and Michael G Ronstadt just delivered a great set as a duo. Knowing Lisa would return now and then to sing with the Ronstadts made letting her go after just three songs at least acceptable.

The music was barely paused as Ronstadt Generations took the stage. Not only does Michael G get to sit while everyone else stands (a major cello plus he likes to point out) but he often gets to sit while groups of musicians form around him. Oddly enough, this was the first time I’d seen the official Ronstadt Generations live and in person. I did see them in 2010 but without Michael G. Of course, musicians of this caliber make great music whether they’re in their “official” grouping or not.

Sure, there was some overlap between Saturday’s show and what
I heard on Thursday but there were plenty of differences, too. Thursday was Lisa’s gig and the Ronstadts, other than Michael G, were featured guests. The situation was basically reversed on Saturday. But the guests got ample stage time in both concerts. The picture with all four musicians was chosen to give some hint of how much fun the performers were having and of how intimate the setting was. The heads in the front row (where I sat, on the right, for the first half of the evening) show that the audience gets quite close but the room, though fairly full, never felt crowded.

It’s impossible to pick a favorite. Lisa Biales with special guests Ronstadt Generations or Ronstadt Generations with special guest Lisa Biales. Thank goodness those two lineups will never be playing across town from each other on the same night.

This is Gary Sugarman, a neighbor of mine who likes to play guitar and sing. A few years ago, he hooked up with a couple of friends who liked doing that, too, and they had a good time playing and singing and occasionally entertaining small groups. Things changed a little when they added a drummer but they were still having fun. Next came a bassist and that “we’re a band” moment. It was still fun but not quite as much and the fun was sometimes offset with something that felt a little like work. Gary is still part of that band, the Creekyknees, but decided to try performing solo for the first time. He’s approaching it cautiously and debuted today in the small Essencha Tea House. It holds about twenty and was seeded by a half dozen friends. I made it for his second set and liked what I heard. So did his other friends plus some ten or so people who didn’t know him at all. Will Gary be soloing more in the future? Don’t know. Did he have fun? Absolutely.

Music Review
No Agenda
Ryan Kralik

Posted on February 15, 2012 by Denny

No Agenda CD cover I was pretty much prepared to not like this. I only became aware of Ryan Kralik when he recorded a cover of Neil Young’s “Ohio” with Josh Hisle but I’ve certainly heard of him a lot since then. Actually, heard from him a lot would be more accurate. In order to download that “Ohio“ cover, I signed on to his mailing list and that led to becoming Facebook friends. Down these two funnels, Kralik has poured a steady stream of promotional messages. The first were about the “Ohio“ cover, then they were about this album, and now they are about an in process tour. I’ve no particular problem with guerrilla marketing of this sort. It may lack the punch of a full page ad in Rolling Stone but, for cash strapped artists, it beats a blank and can be fairly effective. But the primary goal of Kralik’s messages seemed to be connecting his name with the better known musicians who had helped with the recordings. The basic idea is no doubt good but when that seemed to be about the only thing Kralik had to tout and I’d heard it too many times, it became off-putting. There seemed to be far too much grasping at coattails involved. I became irked rather than piqued.

So I kind of hoped to just ignore the album but knew that wouldn’t be easy. In an idle moment a few days after a streaming preview became available, I gave it a listen. It didn’t suck. It sufficiently didn’t suck that I ordered it under some special edition half price offer. That was in late November. It arrived sometime between January 27 and February 6. I was out of town so can’t really nail down the delivery date but I clearly had a couple of months for negative thoughts to grow. This was not the result of simple laziness. The delay was caused by production problems but it was still a delay and it did nothing to endear Mr. Kralik to me. Some of that guerrilla marketing talked about the packaging so I kind of knew what to expect. The CD itself is made to look like a vinyl record complete with (printed non-spiraling) grooves. It is inside a standard cardboard CD sized sleeve. That sleeve is in one side of what looks like a folding double LP jacket (for 7 inch LPs) along with some stickers, tickets, and such. The other side of the jacket holds a very nice booklet with lyrics, pictures, personnel, and most of the other things you want to know about a CD but aren’t always told. That booklet, all by itself, counterbalanced a whole bunch of the negativity I’d developed. The remainer was knocked off by the music.

Those names that Kralik dropped with wild abandon early on are all here. Dave Krusen (Pearl Jam) is on three tracks. Rick Rosas (Neil Young, Joe Walsh) is on two. Michael G Ronstadt appears three times and Josh Hisle once. Josh and Michael I know from their solo stuff along with their work with Lost in Holland and Ronstadt Generations. Some of these guys and a couple of others get the occasional music credit but the lyrics are all Kralik’s. So are the vocals.

The music begins and ends with ukulele tunes. Another resembles something the Ramones might have done. That’s quite a range though No Agenda does not hit much of the space in between. The two uke songs and another tune, “Me and You”, which might actually be a love song, are kind of slow and kind of quiet. The remainder are all driving rockers. Kralik is no opera singer but he doesn’t try to be. He doesn’t push his range in delivering the topical and witty words he has written and it sounds right. “The Egypt Riot”, that Ramonish tune I mentioned and which is my favorite on the CD, could almost be too topical. The big time protests in Egypt came and went while No Agenda was being birthed but songs that capture a moment, like the aforementioned “Ohio”, are often good things. Maybe “The Egypt Riot” does that. I’m not sure.

When Rosas and Krusen aren’t around, Keith Lowe and Jeff Strainer do admirable work on bass and drums and Pete Jive contributes some nice guitar to those two ukulele pieces. Kralik’s guitar can be heard on almost every track and it’s solid but it is James Holsapple who adds the bright work here. I particularly liked what he does on “The Setting Sun” where he deservedly gets co-writer credit.

I’ve named three songs and there are five more. Yep, eight songs, totaling about thirty-two minutes of music. Maybe that’s not unusual today. I really don’t know. I certainly wouldn’t mind if there was more music here and that would not be the case if the music sucked. It doesn’t.

Check it out here.

Thug of Love

Posted on October 2, 2011 by Denny

Thug of Love was Dirk Hamilton‘s fourth and (so far) last major label album and it makes a great title for a blog entry. Thug… wasn’t Dirk’s last album by any means. There have been at least ten more and the count keeps rising. But now, as then, too few people know about Dirk Hamilton and that includes readers of this website. If you know me personally, there’s a good chance you’ve heard me mention his name or play some of his recordings, but if you know me only through this website, you could only have seen his name on my “Favorite Links” page or noticed the single quote or my visit to a venue I associate with Dirk. No Road Trip or Oddment has involved Dirk himself though I guess it would have been technically possible.

I’ve been a huge fan since hearing Dirk’s first album at a friend’s house around 1977 but I’ve hardly ever seen him. I don’t believe he’s played in Cincinnati to this day. Dirk recalls doing a show in Dayton but that may have been before my conversion or maybe I just wasn’t paying attention. In any case, the first time I ever saw Dirk was in December of 2000. That was a decade after his self imposed exile from recording ended and two after his drive to stardom veered off course. It was in San Antonio, Texas. My girlfriend Chris and I had flown into Austin where we would see a second show two nights later. Dirk was accompanied at both of these shows by the excellent guitarist (and just generally nice guy) Bradley Kopp. That’s Dirk, Chris, Bradley, and me in the photo from that first show in San Antonio. I assure you that, despite looking disgustingly uptight in the picture, I was enjoying the hell out of meeting my idol after twenty some years.

So, theoretically, I could have documented that trip on this website. The site existed but contained only that first Route 66 trip and a day trip to Dayton. I’m pretty sure I still thought of it as something temporary.

SEXspringEVERYTHING CD If I had documented it, a highlight of the trip would certainly have been something that happened at the show in Austin. With Bradley producing, Dirk had just completed recording a new CD. I knew of it and was quite disappointed to learn that it wasn’t yet available and wouldn’t be released until the end of January. Bummer, I thought. Missed it by that much. I’m pretty foggy on whether it was before or after the show or during a break between sets but at some point Dirk sat down beside me and slipped something my way under the table. Holy crap, I thought when I realized it was a copy of the unreleased SEXspringEVERYTHING. The disk had a plain white stick-on paper label and was in a bare-bones clam-shell case. I imagine it was created by Dirk or Bradley earlier that day. We had nothing to play it on until reaching home two nights later. The hour was late but there was no way I could sleep without hearing the entire CD. Of course, Dirk had played several of the new songs live but it was still a thrill to hear the studio versions and there were others that were completely new to us. I tried playing the CD just now after scanning it for the picture but no luck. The ten year old CD-R has simply faded to blank. But it sure was cool to listen to it back in 2000 and it still means a lot to me. It may now be nothing but a mute piece of plastic but it’s a very cool piece of plastic and I’m hanging on to it.

I’ve seen Dirk live once since then. It was less than a year later when I was visiting a friend in Dallas and Dirk was opening for someone at a coffee shop sort of place nearby. I’ve kept my library up to date with the new CDs and a concert DVD and there have been a couple of near misses but that night in Dallas in 2001 was the last time I’ve actually seen Dirk. That’s about to be remedied. Next Saturday I’ll see Dirk perform at a house concert in Jessup, Maryland. I’ll be there as part of a Road (partially railroad) Trip and expect to have a panel or two from the concert as part of the trip report. Somehow that fact seemed to justify making a blog entry out of ten year old events.

The show I’m attending in Jessup is one of a handful Dirk is doing in the eastern US. Friday’s concert at Tupelo Music Hall in New Hampshire was simulcast over the Internet. I watched, of course, and got a screen capture of Dirk and long time sideman Don Evans. I’d love to see Don but he won’t make it to Maryland.

I used phrases like “self imposed exile” and spoke of veering “off course” without elaborating. Bits and pieces of the Saga of Dirk can be found around the web but a very good and recent version is here.

There’s Something Happening Here

Posted on September 11, 2011 by Denny

Two years ago I didn’t even know who Josh Hisle was. Now I believe I can call him a friend. I first went to see Josh perform about a year and a half ago in response to some very complimentary chatter in the local blues society’s online group. Between the time of that chatter and actually meeting Josh, I realized that I had heard of him before. I’d seen the CNN report on a guitar playing Marine in Iraq but hadn’t really connected that with Cincinnati. Josh lives in Indiana but it’s in the corner that is often claimed as part of Greater Cincinnati. He did two tours in Iraq. One as a gung ho young dude with no personal attachments and one as a more contemplative husband and father. His music was an important part of both tours. That CNN report is here.

That first time seeing Josh was sort of like getting the sampler platter at a BBQ joint. No, it was more like getting the sampler platter at a Burmese sushi Tex-Mex gelato Cajun pizza BBQ joint. In the years between Ramadi and that night in Rising Sun, Indiana, Josh had performed head-banger heavy metal, soft acoustic folksy stuff, blues ala country, country ala blues, and every other musical genre that he could hook on to. That evening contained tastes of just about all those flavors.

The show was supposed to be sort of a shakedown for Josh and cellist Michael G Ronstadt who were about to start a tour as the two-piece group Lost In Holland and, to a certain degree, it was. The two of them played a fair amount as a duo but they also played as the point men of just about every permutation of musicians that could be concocted. It was great fun, great, music, and showed off both Michael and Josh as extremely talented and versatile musicians. I saw that show as part of a short trip and wrote about it here.

I was impressed and went to see Josh several more times. That sense of variety continued as I saw him alone, with Lost In Holland, Ronstadt Generations, and other mixes of people. It became something of a joke that I never saw Josh twice with the same lineup. On Thursday I saw another pre-tour shakedown.

Lisa Biales began the concert at the Oxford Community Arts Center solo but brought up violinist Doug Hamilton after a few tunes. Josh joined them for a couple of songs before Lisa and Doug finished out the first half of the show. Lisa is both musician and actress and the evening was something of a sendoff for her as an actress. She has a significant role in Francis Ford Coppola’s Twixt and would head to Toronto the next day for the movie’s premier.

But it was Josh who was there for the shakedown. Singing in a war zone brought the Marine to the attention of Neil Young who was working on a documentary. That was 2008’s CSNY/Déjà Vu which Neil asked Josh to appear in. Josh said yes and that soon led to meeting the ‘C’ & ‘S’ & ‘N’ parts of the group, too. When the ‘S’ guy, Stephen Stills, needed an opener for an upcoming tour, he turned to Josh. Once again Josh said yes, and on Thursday he shared with the OCAC audience the songs he will draw from when he begins the tour in October.

It’s a powerful collection of songs including a couple written or completed specifically for the tour. His time on stage with Stills will permit playing only a portion of the set we heard Thursday but it won’t be the same portion every night. He will mix it up depending on location, audience, and probably his own mood. Josh is very aware that getting to present himself and his music at sold out Stephen Stills concerts is a valuable opportunity. He’s not going to waste it. He will be doing his portion of the show alone but will return to the stage each night to sing Love the One You’re With with Stills and his full band. Not only will that give the audience a little reminder of the guy that opened but it’s got to be one hell of a thrill. Good luck, Josh. Go get ’em, buddy.

Today is the tenth anniversary of the terrorist attacks on New York and Washington. Every form of media — TV, radio, papers, Internet, etc. — is filled with reminisces and other commentary. I’ve nothing to add but making a blog post today without at least acknowleding the date doesn’t seem quite right, either. So I’ll point to what I wrote on the first anniversary when memories and emotions were more powerful. Yes, we’ll never forget but our memories may change. That nine year old piece is here.

A Musical Weekend

Posted on August 14, 2011 by Denny

If I had introduced this blog a week earlier, the Cincinnati and Lebanon blues festivals could have been the subjects of last Sunday’s post instead of the “Hi, I’m a blog” thing. The downside of doing it this week is that it’s not near as timely. The upside is I’ve had a week to figure out how to include pictures.

The Cincinnati festival is a two day affair that fills Friday and Saturday evenings starting around 5:00 PM. Lebanon’s event is Saturday only with a start time of 11:00 AM. Both end sometime just short of midnight. Why these two festivals — just thirty miles apart — are held on the same weekend each year is something of a mystery but don’t expect it to change any time soon. Cincinnati was there first. This year was Cincinnati’s 19th and Lebanon’s 13th. So it was Lebanon that caused the collision but they always seems to have all the crowd they can handle and little incentive to move the date. Lebanon’s festival is free. Cincinnati’s isn’t. I suspect Cincinnati’s Saturday crowd is lessened a bit by the freeby up the road but the Cincinnati event is locked into its slot in the venue’s full schedule and couldn’t change if it wanted to..

Some years I’ve gone to neither and some years I’ve gone to both. Other years I’ve gone to one or the other. This was a “both” year. Cincinnati certainly has the bigger festival. It is spread out not only over two days but over three stages. There is a local stage featuring runners up from the local Blues Challenge. The winners, who will represent the Cincinnati Blues Society at the International Blues Challenge in Memphis, open the main stage. After that, it’s filled by national and regional acts. The third stage is alway boogie woogie piano on Saturday and something else on Friday. Last year it was the music of New Orleans. A tribute to the Ludlow Garage, a venue that brought big time acts to Cincinnati in the ’60s & ’70, was held there the year before. This year it was rockabilly.

In theory, acts get better and better as the day progresses and peak with the headliner. I frequently find, however, that my own ranking doesn’t quite match the program. That was definitely the case on the main stage Friday. I was most impressed by Moreland & Arbuckle who were third from the top — right after the local openers. I had heard they were a two piece band and was surprised to see the drummer. Then, when they started playing, I was convinced there was a fourth member and walked across the front of the stage looking for a bass player behind the speakers. Nope. Dustin Arbuckle sings and plays killer harmonica while Aaron Moreland plays bass, rhythm, and lead on a single fretboard. Aaron does play “normal” guitars but I liked him best on his custom made four string cigar box with the top string set up specifically for bass work. The program says otherwise but I believe that is Kendall Newby on drums. His talents are a match for the other two.

On Saturday, I went to Lebanon in time to catch the last four acts. Most of the artists here can be considered local but local includes Cincinnati, Dayton, and Columbus and many bands from all of those cities do a lot of traveling. The Blue Birds Big Band, last year’s Cincinnati Blues Challenge winners, would close out the night but the main draw for me was the lady in the picture, Teeny Tucker, who was on just ahead of them. I had seen Teeny do a few songs in a Columbus bar during a benefit and I was looking forward to seeing her in control of the stage and with her full group. That’s one powerful and soulful young lady.

I saw a lot more good musicians than the ones pictured here and I know there were plenty I missed. There was real top notch blues talent on the stages of Cincinnati and Lebanon last weekend. I can’t say a bad thing about any of them but, baby, you know what I like.

Denny G's Road Trips Blog

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Tag Archives: Music

Big Music in Small Places

Music Review
No Agenda
Ryan Kralik

Thug of Love

There’s Something Happening Here

A Musical Weekend