Category Archives: Attraction

Light in the Forest

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I doubt anyone will be shocked to learn that Cincinnati Nature Center is not inside the official limits of its namesake city. It lies a bit more than fifteen miles east of downtown Cincinnati near the town of Milford. Some, however, might be a little surprised that I had never been there. The center has existed since 1967 but it wasn’t until the fourth night of the third year of the Light in the Forest event that I actually drove into the property. I drove to walk. There are several drive-through seasonal light displays in the area but I believe this is the only walk-through display anywhere near Cincinnati. It’s just over a mile long, pretty much level, and a real treat for the eyes and the other senses too.

The trail opens at 5:30 with entry assigned at half-hour intervals. I picked the first slot but, in hindsight, that might not have been best. Sunset was at 5:16  and the last rays of sunlight may have benefited the lighted elk by the lake but perhaps not so much the flowers in the Electric Garden by Golden Brown or the color-changing orbs in Owens + Crawley’s Shimmer.

The lingering light probably didn’t affect Polymath’s Fluere very much one way or the other. The projection really held people’s attention and many (including me) stood and stared for a complete cycle of the moving images of butterflies, birds, frogs, and plants.

I treated myself to a white chocolate mocha from Travelin’ Tom’s Coffee Truck just before entering the Krippendorf Lodge. It wasn’t really terribly cold but the hot drink and heated building provided a nice break before heading on down the trail.

Between the lodge and the Visitor Center, lights were descending from the sky and beyond the center, they were twinkling in the trees. I’m sure that many parts of the walk could be appreciated through a good video but the time dimension seemed so important to the twinkling lights that even I was prompted to attempt one. It’s here.

Before looping back to the Visitor Center, the trail continues to a small lake with Lake Lumineer by MDC Design Studio on the other side. The lake reflects the cylinder with its images of wildlife. A pair of Charlie Harper bluebirds can be seen through trees and even better here. The birds are on the side of the Visitor Center which I had erroneously entered earlier. The trail is designed to go past the center, to the lake, then back to the center, and through it. I had simply confused myself by popping into the center as soon as I saw it but eventually sorted things out and caught the big caterpillar as I exited the center as intended.

Near the Abner Hollow Cabin, there is another chance to get warm at a roaring bonfire. The trail forms a big circle with multiple points of entry. I had parked and entered the trail not far from the bonfire.

Even though the bonfire more or less marked the completion of a lap on the trail, I wasn’t quite done. I had been a little disappointed in my earlier look at the Electric Garden which others had cited as a highlight of the experience so I broke some of the oneway pedestrian traffic rules to get a true nighttime look. I was not disappointed at all this time and could now agree with some of the folks I’d overheard earlier. I had dawdled early and often so that many who had started later than I did had passed me long ago.

This was a most pleasant experience and definitely one I recommend. It continues through January 1 with the exception of Christmas Eve and Christmas Day. I think a 6:00 start might be a little better than 5:30 but there are pros and cons to both. I have enjoyed driving through holiday light displays and I’m sure I’ll be driving through some more. They are bigger with more spectacular displays and they are warmer. But Cincinnati Nature Center’s Light in the Forest offers some real advantages. I’m sure some are immune to it but I, for one, always feel kind of guilty sitting in a line of idling or slowly moving cars and unwelcome fumes are always a possibility when rolling down a window. There is none of that here nor are there any real problems with wanting to travel at a different pace than the guy in front of or behind you. And there’s no problem saying hi to him or her either. “Nature” is very much the operative word here and something I did not fully appreciate until I looked back on my experience is the complete absence of religious or commercial symbols in the displays; Just patterns of light and images of plants and critters. There was — naturally😁 — a touch of commercialism in the gift shop but even there the Santa Clauses were few and were far from prominent in an inventory of classier than usual, often handcrafted, items.

Dinosaurs of Antarctica

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I’ve never been to Antarctica but I’ve seen pictures and it sure doesn’t look like a place where dinosaurs would be very happy. A land that is 98% covered with snow and ice is a far cry from the plant-filled jungle-like surrounding I’ve come to associate with these prehistoric creatures. But hundreds of millions of years ago, things were different. There was a time when the entire Earth — even the poles — was free of ice and all sorts of plants and animals could thrive on the continent we now call Antarctica. In some regards, the fact that that continent has been frozen for so long helps preserve evidence of those plants and animals. Of course, it also makes accessing that evidence a bit of a challenge.

A lot of evidence has been accessed, however, and much of it is on display in the Dinosaurs of Antarctica exhibit at Cincinnati Museum Center. Visitors can look at actual fossils of prehistoric flora and fauna that have been preserved in the cold and dry conditions of Antarctica.

Experts have studied the real bits and pieces to make complete replicas. The most impressive of these are the skeleton and fully fleshed out full-size replicas of Cryolophosaurus, a dinosaur found only in Antarctica.

The exhibit is paired with an Omnimax movie of the same name. It is a mixture of camera footage and animation. The extremely well-done animation shows what Antarctica might have been like 200 million years ago. The live-action, which includes some great scenery, involves an expedition to collect fossils and such. Seeing the movie first might be the best sequence but it’s not at all critical and it’s not how I did it. I had sort of planned on catching the first showing of the day followed by touring the exhibit. I really could have done that but there were only eight seats left for the first showing and the attendant explained that the audience was primarily elementary school students. I love seeing kids in museums but decided not to join a theater full of them and opted for the second showing. In a chat with an attendant at the exhibit, I learned that the number of school kids in the museum today was the highest since before the pandemic started.

These photos were taken before I watched the movie and even before I toured the Antarctica exhibit. Once I had changed my movie plans, I had quite a bit of spare time so I checked out other parts of the Museum Center including the Duke Energy Holiday Trains, the standard American dinosaurs, and the Holocaust and Humanities Center. Holiday Junction, where the trains are, requires an additional ticket beyond museum admission unless you are a member. The Holocaust Center normally requires separate admission but not now. On Wednesday, the Center issued this news release announcing that admission would be free through January 2 “In an effort to address the recent surge in antisemitism”. This is a museum that absolutely everyone should visit and this generous offer makes it easier to do that. Even though the Center exists because of some truly horrific human history, I always seem to feel a little bit better when I exit.

The House That Harry Built

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It had been several years since I last visited Chateau Laroche on the banks of the Little Miami River. I don’t know that I was ever what could be called a frequent visitor but I have been there quite a few times over the years. The first was in the mid-1970s and the last was, as I said, several years ago. Sometime last summer, when I realized just how long it had been, I decided I needed to stop by the well-known local landmark and have been waiting for an idle day with good weather. That combination finally appeared on the first Tuesday of October.

Chateau Laroche is more commonly known as the Loveland Castle. It is almost entirely the work of Harry Andrews who was born in 1890, began construction of the castle in 1929, and continued building until his death in 1981. I don’t know exactly when Harry moved into the castle but he had been living there for a long time — sleeping beneath the dome he happily reminded visitors had been declared impossible by professional architects — when I first met him.

Domed ceilings had been constructed entirely of stone hundreds of years in the past, Harry pointed out, and there was no reason they couldn’t be built today. He built this one by adding one row of stones per week. The office is where he did his writing and notarized signatures. It’s where one of my favorite Harry stories took place.

I’d used Harry to notarize a couple of car titles but this time I needed my signature notarized on an affidavit for some out-of-state legal difficulties. The castle website identifies Harry as the state’s oldest notary and claims he never charged more than a quarter. I don’t want to start an argument but I’m pretty sure he was charging fifty cents at the time of this 1978 visit. Four signatures were required and I handed Harry two dollars for his services. Having read over the affidavit and realizing that some sort of fine would be involved, Harry returned a dollar explaining that it looked like I was probably going to need some extra money.

The office and Harry’s living quarters are blocked off by gates and kept essentially as Harry left them. Much of the rest of the interior also looks pretty much the same as it did although it’s not maintained as fervidly as the personal spaces.

I was surprised to find a locked gate blocking access to the castle roof. The castle is owned and maintained by the all-volunteer Knights of the Golden Trail, an organization with origins in Sunday school classes Harry Andrews taught in the 1920s. There were about a hundred knights at Harry’s death. There are about three hundred today. Sir Fred and Sir Eric were working on the roof and explained that too many years of too many feet (“especially high-heeled shoes”) had created a crack and a leak that threatened the castle. They told me the crack was quite visible in the ceiling of the banquet hall (the room with the big table) and I checked it out when I went back down. Work is underway to seal the crack to head off further water damage but the roof will likely remain closed to the public permanently.

Protecting the structure is clearly of utmost importance but I was disappointed nonetheless. The rooftop deck was always a favorite spot of mine and was the scene of another Harry story. At the time, I lived just a few miles away and a neighbor’s truck-driving brother was visiting after dropping off a loaded trailer. For some reason, we decided to take his semi-tractor to the castle. For reference, it looked quite similar to this one that recently sold at auction. I rode in the middle of the cab and recall ducking reflexively as we approached low branches in the tall truck. We eventually ended up sitting on the castle rooftop chatting with Harry. The tractor could be seen from there and Harry asked just what that strange-looking vehicle was. “Why, that’s a White Freightliner”, its red-bearded owner proudly answered in his best West Virginia drawl.

With the castle’s tallest tower inaccessible, I grabbed a picture of the Knights of the Golden Trail logo from the balcony. Then, after exploring the garden area for a bit, I got a picture of the balcony itself.

The dungeon is actually reachable from inside the castle but the curved stairway is quite low and unwanted head-banging was all too common. Today visitors are encouraged to access the locked cell and its long-suffering occupant through an exterior door.

Steps leading from the castle to the road in front of it are currently closed so I walked up the road to take this picture. The archway marks the closed steps. The wide doorway beyond the steps is the garage. There can’t be very many castles around that were originally built with a garage. On the way back to the parking lot (nicely paved, BTW) I slipped down by the river to get the opening photo. Another memory l have is of canoeing past the castle and seeing it through the trees from a similar angle.

I was pleasantly surprised at the number of people touring the castle with me. At one point, I estimate there were as many as fifty curious folks exploring the building and grounds. Many were young homeschooled students from nearby. Apparently, even though the actual schooling takes place in small family units, much of it is somehow coordinated and medieval history is a common subject this time of year. Their parents were there, of course, and there were also several youngish couples without children including one I spoke with from Indianapolis. All seemed suitably impressed. The KOGT have done a fine job of taking care of Harry’s house and keeping it available to be appreciated by others.

Sub Terrain and Marine

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This week my friend Terry and I succeeded in seeing something we’ve been talking about for quite a while. That something is in the picture at right. It’s the USS Cod moored in Cleveland, Ohio. We toured the retired WWII submarine on Tuesday after a leisurely drive to within striking distance on Monday. range the day before. That leisurely drive included a little sightseeing and something of an unplanned adventure.

We drove on “America’s Oldest Concrete Street” (1893) in Bellefontaine, then stopped at Indian Mill and crossed over the Parker Covered Bridge near Upper Sandusky.

I knew absolutely nothing about Seneca Caverns and Terry knew only that we would be passing nearby. Both of us thought it would be a nice diversion which is exactly the sort of thinking that can lead to, as it did this time, an unplanned adventure. The pictures here are of our guide Allie, a fairly rare horizontal section of the cave, and an elegant 1893 done-by-candlelight inscription.

Seneca Caverns is unique among Ohio show caves in being formed by an earthquake crack and by being maintained pretty much in its natural state which explains its nicknames of “Earth Crack” and “Caviest Cave in the USA”. These pictures show Terry and others descending one of the stairways made of natural stones, another natural stone stairway without people, and our farthest penetration (110 feet below the surface) into the cave.

After returning to the surface, we still had time to check out the cemetery for Confederate soldiers on Johnson’s Island and the nearby Marblehead Lighthouse before ending our day. Confederate prisoners, mostly officers, were kept on the island between April 1862 and September 1865. More than 200 died here and are buried in this cemetery. By the time we arrived, the lighthouse was closed for the day but we were not overly disappointed. Having just climbed up from 110 feet below the Earth’s surface, we didn’t feel a burning need to climb 50 feet above it.

Our short drive to the trip’s primary target was fairly wet but the rain was really letting up by the time we got there and we were headed inside anyway. The USS Cod was commissioned on June 21, 1943, and completed seven successful patrols before the war’s end. Following the war, she served a variety of training roles until 1971 when a group of Clevelanders campaigned to save her from being scrapped. The submarine was turned over to the civilian group in 1976.

Entry to the submarine’s interior is through a hatch in the forward torpedo room. Stepping back from the torpedo tubes shows folding bunks where crewmen sleep in the space between torpedos. The aft torpedo room is similarly equipped and there are other sleeping areas midship. Other necessities are nearby. The third picture is of the captain’s quarters showing that one’s concept of luxury clearly depends on perspective.

Red light is used to preserve sailors’ night vision and some sections of the Cod are illuminated in red to let visitors see what this was like. Submariners reportedly ate better than any other members of the military. Meals were prepared in this stainless steel galley and most were consumed here. Note the books and games stored near the tables and other entertainment was also available. Movies were sometimes shown in the dining area. One of the four 1,600 HP diesel engines is shown and there is a 500 HP auxiliary engine as well. These engines generate electricity which is stored in batteries to turn the propellers. Two stills at the front of the forward engine room provide fresh water for batteries, drinking, and other uses.

Visitors normally exit the USS Cod through a hatch in the aft torpedo room but that was closed because of the rain. We traveled back through the ship and where we had entered in the forward torpedo room. I exited first and got a picture of Terry climbing the ladder and another proving he made it out.

The fellow at the gate of the USS Cod suggested we walk over to the International Women’s Air & Space Museum which we took as permission to leave our car in the Cod’s parking lot while we did so. Amelia Earhart and Katerine Wright are among the many women honored with exhibits there. 

A Pair of Zippers

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I don’t know that I’ve ever heard anyone else call those who travel on ziplines zippers but it seems reasonable to me. Of course, John and I weren’t all that concerned about what we should call ourselves while we were flying through the air with the greatest of ease. That last phrase comes from an 1867 song titled That Daring Young Man on the Flying Trapeze. Yeah, we weren’t on a trapeze and neither were we all that daring or the least bit young. Plus, to be honest, our flying was not actually done with the greatest of ease — or grace. But it was fun.

The two of us have talked about trying a zipline for a few years. For the last couple of years, our excuse has been COVID-19 shutdowns. I don’t remember what our excuses were before that. When Ozone Zipline Adventures reopened earlier this summer, our last excuse was gone. Last week we picked a date based partially on a ten-day weather forecast.  When we headed to the site on Friday morning, it was quite apparent that the forecast had been right for at least one day out of the ten. It was perfect.

Ozone is operated by Camp Kern YMCA near Fort Ancient Earthworks & Nature Preserve. Multiple ziplines in the trees provide what is known as a canopy tour. A restored 1806 stone house that once operated as Cross Keys Tavern serves as the meeting place for zipline patrons. We were a few minutes early but a note on the front door assured us that we were at the right place and guides and other zippers began arriving in short order. A small bus carried us up the hill where we were helped into sturdy harnesses and supplied with hardhats. We took a picture because we could.

The group paused for some instruction at the base of the first tower. Two guides accompany each group. KJ, on the left, would be our “receiving guide”. He crossed each line first and unhooked subsequent crossers as they arrived. Jesse was our “sending guide”. She connected participants to each line and signaled when it was time to go. She and KJ coordinated crossings by radio. As part of their presentation, one of them mentioned that, if you were nervous, it was best to go early to avoid watching everyone else. When it came time to climb the stairs, no one moved and it eventually became apparent that all the others were waiting for John and me. We were clearly the senior members of the group but we were also the only zipline rookies. We had been silently elected “Most Likely to Be Nervous”.

So John headed up the stairs and I followed. At the top, KJ pointed out a few things as he was hooking up then zipped off into the trees. Then it was John and then me. Only when I was about to step off of the wooden platform did I realize that the vote at the bottom of the tower had been pretty accurate. Until that point, I had been thinking of this as something very similar to going down the big slide on the school playground. I realized how different it was as I looked out at all those trees and not much else. Maybe I had been nervous before but didn’t know it. Now I knew I was nervous but didn’t have time for it. I also didn’t have much time for pictures. I had my little Panasonic with me but it was usually tucked deep in a pocket and did not get used a lot. The picture at left is of a member of our group crossing after I did. I’m not even sure if it is the first or second line.

The third line is the longest of the tour and one of two that cross over the Little Miami River. Because of its length, zipping to the end is not automatic. At its beginning, KJ gave us some pointers on increasing our likelihood of making it and some instructions on what to do if we didn’t. The advice was essentially to do more of what we had been practicing on the first two lines which was to keep your legs tucked in (called “cannonballing”) and your body in line with the cable. If forward travel ended short of the platform, you were to grip the cable (Ahead of the trolley!) to keep from traveling backward and KJ would come out and tow you in. The second picture is KJ heading over the river to be both “receiver” and “retriever”. No one rolled back to the middle of the river but more than half of our group did require a short tow. This was accomplished by KJ hanging almost upside down in his harness and sort of “walking” with his feet on the bottom side of the cable. Pretty impressive.

The line back across the river is a little shorter. Once there, this swinging bridge leads to the last two ziplines of the tour. We had crossed two similar bridges earlier in the day.

The canopy tour really was fun and truly scenic when I could pull my eyes away from what was directly in front of me. My “nervousness” certainly diminished and would no doubt disappear completely after a few more trips but I’m not sure there will be more. With the possible exception of climbing that first tower, there was nothing really strenuous but neither is it the carefree floating I’ve seen in some photos. There’s a reason that retired folk comprised only 20% of our group and I’m sure that was higher than average.

Fried or Roasted Daily

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I usually try rather hard to avoid chain restaurants but here’s one I went to less than a week after it opened. Not the chain — which opened in 2012 — but the latest link. Florida-based Ford’s Garage opened its first Ohio restaurant in the former LeBlond Machine Tool Company powerhouse in Norwood on Thursday, May 5. I stopped in the following Wednesday.

The first I became aware of the chain was when I read an announcement about this one being planned for Cincinnati. Of course, any restaurant featuring ‘burgers and beers has a good chance of catching my attention but it sounded like this place had a little more going for it. It is an official licensee of the Ford Motor Company which allows it to use the Ford name and logo and it uses Ford cars for decoration. It was obviously a place I was likely to visit eventually so I decided to do it sooner rather than later.

The 1917 powerhouse, which was most recently occupied by a Don Pablo’s, is accessorized to resemble an early service station. Gas pumps and a pair of Model A Fords stand near the entrance and there is a Model T and another Model A inside. The cars and the building are of similar vintage. A Library of Congress photo shows the building when it was younger.

The building’s high ceilings allow faux Fords to circulate around the restaurant on a simulated assembly line and a stationary Model A hangs over the bar. A penny-covered wall holds forty beer taps. As I was taking the picture of the taps, a restaurant employee told me there were 21,004 pennies on the wall. I have a suspicion he made that up on the spot but I’m not sure so I’m repeating it.

Of course, it takes more than decor to make a restaurant. There’s a lot more than hamburgers on the menu but that’s sort of their featured item so that’s what I ordered. This is the quite tasty Mushroom & (Tillamook) Swiss. A couple of other things in this picture deserve mention. One is the shop towel napkin inside the hose clamp. The second is the frost-covered surface beneath the West Sixth Porter. About eight years ago I saw a similar setup in a bar in Kingman, Arizona, and figured it would be in every watering hole in the country before I got home. But this is the only other one I’ve ever seen which is not much help at all to my reputation as a futurist.

Despite it being a chain with a plethora of gimmicks, I basically liked the place. The chain is fairly small with twenty stores in five states and the gimmicks are mostly harmless (the napkins) or cool (the cars). One gimmick, however, seemed a bit overly silly to me. I noticed the funnel behind the bar and had vague intentions of asking about it when I overheard one of the bartenders talking about it with a visiting friend. He flipped an unseen switch to open a valve in the transmission (He called it the crankcase.) that allowed some liquid to drop into the funnel and into a glass placed below it. He said it was for a drink called the “Oil Change” although I’ve found no such drink on the menu. As I said, it struck me as quite silly but who am I (a fan of Max & Erma’s double-breasted beer taps) to judge.

Our Shared Story at CMC

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Joseph Jonas is thought to be the first Jew to actually settle in Cincinnati. That was in 1817. In 1821, he was one of a handful of men who purchased land for a cemetery so Benjamin Leib’s deathbed request that he be buried as a Jew could be met. The creation of that cemetery, the Chestnut Street Cemetery, is recognized as the event that formally established the Jewish community in Cincinnati. It was renovated last year and its rededication on September 26, 2021, marked the official beginning of the Jewish Cincinnati Bicentennial.

But it wasn’t a visit to the cemetery that led to this post. It was the “Our Shared Story” exhibit at the Cincinnati Museum Center that led to a visit to the cemetery. In 1821 Cincinnati really was a frontier town and the Chestnut Street Cemetery was not just the first Jewish cemetery in the state but the first west of the Alleghenies. In 1824, K.K. Bene Israel was established. Now known as Rockdale Temple, it is the oldest Jewish congregation west of the Alleghenies. Cincinnati’s Jewish community experienced great growth and had significant impact on the religion in the U.S. with things like major support for Reform Judaism and the founding of Hebrew Union College. The exhibit tells of this influence but has even more examples of the impact Cincinnati Jews had on the world at large.

Quite a number of community and business leaders are recognized. This picture is of a wall where several of those business leaders are identified. Some of the businesses are Manischewitz, Frank’s, Fleischmann’s, and Frisch’s. I got a kick out of seeing a “Jewish Cowboy” promotional record put out by Manischewitz. I got an even bigger kick out of listening to it on YouTube.

As befitting a place that started professional baseball, one Jewish business found success in sporting goods. The Cincinnati Red Stockings began play in 1869, the P. Goldsmith Sons Company was founded in 1875, and a Jewish player named Lipman Pike joined the Reds in 1877. Of course, there are now Jewish players in every professional sport and Jewish fans too as this Bengals yarmulke shows.

Chestnut Street Cemetery is less than a mile from the museum. A double-sided plaque contains information about the cemetery and the two centuries of Jewish history. The information panel visible in the opening photo says that Benjamin Leib’s grave is unmarked but believed to be “in the back left corner”. I’m guessing that means it’s in the left rear of this picture.

Treading the Trails of Trolls

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This is the second Thomas Dambo art installation I’ve visited, and, like my visit to the Kentucky Giants, waiting for good weather and available time was required. Things came together two Fridays ago, on April 22.

Dambo’s creations are always big, always made of repurposed material, and always have a story. “The Troll That Hatched an Egg” is installed at Aullwood Audubon near Dayton, Ohio. With Dayton being the home of the Wright Brothers, it makes sense that this story involves flying. It can be read here. Aullwood Audubon consists of a nature center and a farm with trolls in both sections. A trail connecting the two will be closed for another month or so meaning a short drive is required to see all of the trolls. Because of the distance, some may want to drive regardless.

I began my visit at the nature center. That’s kind of at odds with the storyline but that really isn’t much of a consideration. Inside the Education Center, Karen and Susan teamed up to take my money and provide me with a sticker, a map, and some insight. Karen is one of the volunteers that helped with constructing the trolls. She told me that the faces were made in Denmark and shipped to Dayton but that everything else was built on-site using materials collected before Dambo arrived. Construction took about a month. I had anticipated taking the shortcut over the creek but this group was having so much fun that I couldn’t bring myself to disturb them so took the longer — and probably safer — paved path. I did cross the creek on my return, however.

There are three trolls and a nest in the installation. Had I crossed the creek as originally planned, I would probably have seen the nest first. As it happened, my first view of any of the sculptures was the one in the opening photograph. That’s Bibbi learning to fly which is actually the climax of the story. Out of sequence or not, it’s a great first contact. The only thing comparable to Bibbi’s look of joy at flying is a kid’s look of joy at watching her do it. Karen had told me that this is the only time Dambo created a troll standing on one foot and some extra engineering was required. The observation tower was built to provide a view of the prairie but it is also a great place to see Bibbi’s launch.

I caught a glimpse of the eggs as I approached the nest and a better view as I entered from the other side. When I first saw some photos of this installation without having read any of the story, I thought that maybe these tanks were the closest Dambo could get to something that looked like a big egg. Later I realized that these tanks were just right for representing something dropped accidentally from an airplane. By the way, despite the story’s title, none of these eggs hatch. As I stood inside the nest, I took a photo that was posted to Instagram/Facebook/Twitter with the caption “One of these eggs is not like the others.” In case you missed it without wanting to, it is here.

From the nest, I headed back to the parking lot for the drive to the farm. Once there, it was an easy walk to where Bodil held another egg in her hand. Although only the beginning of my walk at the nature center had been on pavement, all of it was fairly level and clear. That was pretty much true of the walk to Bodil although there was a little more elevation change along the way. The walk to see Bo was a different matter.

Although well under half a mile, the walk to reach Bo was the longest excursion of the day. No portion is particularly steep but there is a steady descent to the resting troll which means a steady ascent on the return. Along the way, numerous exposed roots and a few exposed rocks provide ample opportunity for tripping. I say that not to discourage going but to encourage caution.

These last two pictures are clearly out of sequence. They are included for different specific reasons. The etiquette sign is here so you’ll know how to behave in case this is the only thing you read before visiting Bo, Bodel, and Bibbi. The other is included in case it isn’t the only thing you read and were wondering why it did not have a full-frontal shot of Bibbi taking flight like all the others.

I decided to make it an all-troll day by stopping at the Troll Pub for the first time. The pub shares a historic building with Wheelhouse Lofts. I don’t know where conversion and occupancy of the lofts stands but the pub has been in operation for four years. I also do not know why I haven’t stopped here before given that it is barely a block from one of my favorite Dayton establishments, The Barrel House. With The Barrel House that close and my first meal there being pretty good, I do expect to return. The building was constructed in 1868 by an agricultural implement manufacturer. Its later uses included making bicycles (Stoddard) and car parts (Dayton Motor Car Company) plus the assembly of some automobiles (Courier and Maxwell). Could Jack Benny’s car have been built here?

Buddy, Can You Lend Me a Sign?

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When the American Sign Museum announced its “first-ever traveling exhibit” at the National Museum of the Air Force, I felt pretty confident that I would see it someday. I was less certain that I would see the signs the museum had loaned to the Cincinnati Shakespeare Company. Then, with almost no planning and a fair amount of luck, I saw both borrowed batches of brightness this week.

On Saturday, I learned that my previously made plans for the week had fallen through then almost immediately recalled an email about a museum member discount for the play featuring the loaned signs. I went to the CSC website looking for something later in the week but was surprised to find that a front-row seat was available for the next day (Easter Sunday) and that the performance was one followed by a Q&A with some of the performers. I snatched it up.

CSC’s production of The Comedy of Errors has a modern setting with the play’s Ephesus presented as a Las Vegas-like city. Wanting to add some Vegas-style glow to the stage and realizing that an outstanding repository of neon and such was just a few miles away, the CSC reached out to the ASM, and here (with permission and a phone camera) is the result. The play is hilarious and the cast is superb. In addition to the neon, modern touches include a number of songs to make it a sort of Shakespearean musical. All my roadie friends will be happy to learn that among those songs is a version of “Get Your Kicks on Route 66”. The production runs through April 30.

With some pictures of one set of borrowed signs in my pocket, it wasn’t long before I began thinking about a blog post on the subject, and almost immediately realized that any such post would benefit greatly by also including the other set of current loaners. On Tuesday, I headed to Dayton and, after breakfast at the nearby Hasty Tasty, the Air Force Museum.

Using the life of real sign maker William H. Hahn as inspiration, placards displayed with the signs tell the story of the fictional Joe Signman. On display are examples of the lightbulb, neon, and plastic signs Joe would have dealt with during his career.

My birthday has been the subject of a couple of recent blog posts so you might already be aware that the United States Air Force and I were established the very same year. I have about five months seniority on the Air Force and am all done celebrating. The museum, however, intends to talk up the big anniversary throughout the year. “The Signmaker’s Journey” will be there through October 10.

Science Behind Pixar

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The Science Behind Pixar exhibit at the Cincinnati Museum Center opened last October meaning I’ve had plenty of time to see it. There are two reasons that I waited until it had barely three weeks remaining before checking it out. The first is that I believe 2006’s Cars is the only Pixar movie I’ve actually seen in its entirety. The second is that I thought the exhibit was for kids only. Reason one is undeniable fact; reason two is pure nonsense.

The picture at left is of a divider in the exhibit. Some of the figures on it do look familiar to me because I’ve seen them in commercials or maybe in a movie that was playing somewhere I walked past. But I can’t connect any of them with movies or commercials they are in, and I sure don’t know their names. Characters are used to demonstrate different pieces of Pixar science, and I don’t doubt that knowing who they are would make things more fun — watching kids experiencing the exhibit proved that — but it’s not required.

The idea of a creative pipeline is central to Pixar’s operation. The steps that go from story and modeling to lighting and rendering are identified in an introductory movie and panels explaining them are arranged in a circle near the center of the exhibit.

The bulk of the exhibit space is filled with hands-on stations where kids and old men can pretend to participate in each of those pipeline steps in a variety of ways. I don’t know how many job openings Pixar expects over the next few years but I’m sure that, with this sort of recruitment tool, they will all be easily filled.

There are also a number of these smaller kiosks around with Pixar employees describing their jobs or how certain problems were solved. If neither the hands-on stuff nor the technical descriptions make you want a job at Pixar, maybe seeing the enthusiasm these employees have will do it.

Heck, after playing with some animation, lighting, and other pipeline steps, I was almost ready to ask about job openings myself. And I have no intention of ever working anywhere ever again. I am, of course, joking about this whole thing being a recruitment tool for Pixar — mostly. I am not joking at all about the exhibit showing how much fun and satisfaction there can be in science.

I attended The Science Behind Pixar on Friday, April 1. It is open through April 24.