Before I even opened this book I was aware of Gloria Nash’s childhood fascination with the 1964 World’s Fair, the family circumstances that brought her back to the neighborhood, and her visits to the old fairgrounds that ultimately led to creating Looking Back at the Future. I was not aware of a high school photography class assignment to “locate and photograph remnants of the fair” that had recently closed. A few black-and-white pictures taken at that time are included in this volume where she wraps up that assignment in style.
Of course, that’s not the only thing I was unaware of and learned here. One that seems like a biggy is that the 1939 and 1964 New York World’s Fairs were held at the same location and that the real goal was the creation of a park. The fairs were simply one of the means to that end. In terms of smaller details, the book’s ratio of new revelations to things I already knew is overwhelming. A short time ago, I knew essentially nothing about the 1939 fair, and about the only things I knew about the 1964 fair were that it was home to the iconic Unisphere and that the Ford Mustang was introduced there.
The book’s subtitle, “Photographing Vintage Leftovers of New York’s World’s Fairs”, accurately describes its main thrust. Well-written text provides background on both fairs, and there are descriptions of buildings and other items that no longer exist, but photographs of what that subtitle calls “leftovers” fill the bulk of the book. Most were taken by the author although a few come from other sources. Some images from postcards and other promotional materials are also used sparingly. The book is printed on good quality fairly heavy stock but it is not coated gloss stock. All of the modern photos are bright and clear and look quite good but this is not a “coffee table” book.
Nash has done a phenomenal job in tracking down fair remnants and makes sure that others can “locate and photograph” these leftovers, too. The location of all leftovers at the fair site (now Flushing Meadows Corona Park) is shown on a map with color coding to distinguish 1939 leftovers from 1964 leftovers. Both chapters on “On-Site Leftovers” contain what amounts to a tour guide for a walk that visits each of them. Chapters on “Off-Site Leftovers” describe locations and give addresses where appropriate. An appendix provides these locations in a list format.
Some of the leftovers from 1939 became leftovers only because they could not be shipped back to a Europe at war. Poland, which was invaded in September 1939, did not reopen its pavilion for the fair’s second season. Others could have made it home but did not. I was surprised to learn that four 25-foot-tall columns that were part of my home state’s building at the 1939 fair have survived and stand at the entrance of a cemetery in Cherry Hill, NJ.
It’s not surprising that more leftovers remain from 1964 than 1939 but it might be surprising that what is probably the oldest fair leftover is from the more recent fair. Jordan made a gift of a nearly 2000-year-old Roman column from the Temple of Artemis. It remains on site but was damaged by vandals in June of 2023. Nash includes a picture of the full column along with one of the damage and another with the damaged section removed for repair. At least a candidate for the second oldest leftover is a carousel made by combining parts of a 1903 and a 1908 carousel. Although it has been relocated, it remains in the park and operates seasonally.
Although both of these fairs made lasting impressions on the people who attended them. neither was a success from the organizers’ point of view. Organizers in 1939 hoped for 50 million visitors but got only 45 million. The target in 1964 was 70 million, but only 51 million showed up. I wasn’t around in 1939, and even though I was very much around in 1964 and well aware of the fair, I did not attend. I have only attended one world’s fair in my life, and that was in 1983 in Knoxville, TN. Nash says that was the last profitable world’s fair held in this country. Coincidence?
Looking Back at the Future: Photographing Vintage Leftovers of New York’s World’s Fairs, Gloria R Nash, N R G Press (November 30, 2024), 8 x 10 inches, 124 pages, ISBN 978-1940046006
Available through Amazon.
If you would like to learn more about this book directly from its author, give a listen to her visit on the December 22 episode of the Coffee With Jim podcast. I did.
I’ve been anticipating this book for a few years now. Henry was probably well into his research for the book when he gave a presentation at the 2017 Lincoln Highway Association conference on trekkers who had incorporated all or part of the highway in their travels. The Lincoln Highway and other trails aimed at automobiles appeared in the latter half of the golden age of trekking, which Trekking Across America focuses on. Henry identifies this as roughly 1890 to 1930. Merriam-Webster defines a trek as “an arduous journey” and during that period just about any long-distance journey that did not involve the railroad was unquestionably arduous. I ordered the book as soon as I became aware of its publication but my own non-arduous travels and the winter holidays kept me from reading and reviewing it until now.
A fellow named Edward Weston is credited with getting the walking craze started by walking from Boston to Washington to satisfy a bet made on the wrong guy (Stephen Douglas) in the 1860 presidential election. Apparently, Weston decided that he really liked walking and was quite good at it. He proceeded to set records and win awards into his seventies. In some circles, the rampant pedestrianism of the time was referred to as Westonianism.
Postcards are also a rather natural way to provide a visual connection with a trek’s story. Henry divides these stories into five chapters based — not all that rigidly — on the reason for the trek. Following a chapter’s introduction are several segments featuring one or two specific treks with at least one related image. Postcards often provide those images. These two or three page standalone segments allow “Trekking Across America” to be read in small doses if desired.
Individual males were hardly the only ones undertaking these long arduous journeys. Buddies, siblings, newlyweds, whole families, and even a few lone women appear on these pages. Incidentally, little evidence is presented here that a trekking honeymoon will lead to marital bliss. The rules for some of the contests and challenges were also interesting. Virtually every trek involved some sort of time limit but rules about clothing, starting with little or no money, and working en route were also common. After the turn of the century, gimmicks such as the aforementioned skating or rolling a hoop might be involved. One fellow fiddled every step of the way as he walked from New York to Los Angeles and on to San Francisco.
I am more familiar with Stuckey’s signs than their products. As a kid, I probably didn’t even know the company existed since my family did not travel much. They were still going strong when I started doing some traveling on my own and I believe I bought gas at their stores a few times along with a pecan log roll or two but there was very little money in my travel budget for candy and none at all for rubber snakes. By the time my own fortunes had improved to the point that snacks were regularly permitted on road trips, Stuckey’s fortunes were headed in the other direction. The main reason that I am familiar with Stuckey’s signs is that I drove by a bunch of them. Many, maybe most, were for stores that were closed.


Like pictures? It’s got ’em. Like variety? Got that too. There are enough pictures to fill a deck of cards or a weekly calendar, which is not accidental. The premise for the book was writing an article to accompany a photograph every week for a year. That could very well be a student assignment in an overly long writing course and in a sense it is. Jim Grey assigned himself the exercise to, as he says, “strengthen this muscle”. He is referring to the writing muscle which can surely benefit from practice just as much as a musician’s skill or an athlete’s strength.
Even though photographs are at the heart of Under the Catalpa Tree, the book’s subtitle mentions only “stories and essays”. I’m guessing that is at least partially because only the stories and essays needed to be newly created for the book. The photos already existed from Grey’s many years of photographing the world around him. He doesn’t explain how the photos were selected. I am sure it was not completely random but there is tremendous variety. They range in quality from slightly fuzzy black-and-white snapshots taken years ago with a yardsale camera to crisp color images taken with high-end gear and well-developed skills. Some photos are digital but film is the source of many of the images since Grey collects — and heavily uses — film cameras. Among the subjects are family, friends, cars, houses, nature, and an abbey in Ireland.
A detail I appreciate is laying out the book so that all images are alone on a left-hand page. That happens naturally when the text occupies a single page, which is common, or three pages, which is not. There are quite a few two-page essays where a blank is used to get things back in synch. Totally worth it, in my opinion. Those pages, by the way, utilize Amazon’s premium paper which has the photos looking their best.
It’s a simple concept. Position yourself at the southernmost point in the continental United States then drive to the northernmost point in the U.S. accessible by road. The former is Key West, Florida. Deadhorse, Alaska, is the latter. The two are separated by a little over 4,000 miles as an extremely hardy all-weather crow might fly. Limited to traveling on the earth’s surface, Tom Cotter and Michael Alan Ross clocked 8,881 miles in making the connection. The difference is easily justified. Tom and Michael had more fun than any crow could even dream of.
That camper was a new Basecamp 16X on loan from Airstream. The tow vehicle was a 2021 Bronco Outer Banks on loan from Ford. As Cotter tells it, he got the Bronco by telling Ford that Airstream had promised him a camper and he got the camper by telling Airstream that Ford had promised a Bronco.
They clipped a corner of Georgia, then crossed Alabama (with a stop in Muscle Shoals) before turning north in Louisiana to reach Tennessee. They entered Missouri via the bootheel and maintained a west-by-northwest course through that state and Kansas with appropriate adjustments to take in the big ball of twine in Cawker City. Then it was a little more directly north through Nebraska and the Dakotas with a Memorial Day pause at the Black Hills National Cemetery in South Dakota. There was a different sort of pause at the North Dakota line. Despite all of Cotter’s past travels, he had, at this point, visited just forty-nine states. North Dakota was number fifty.
North of Bismarck, Cotter and MAR picked up US 2 and headed west. That might not be the most direct route to Alaska but there were friends near Seattle and, as any good road-tripper knows, anything can be “on the way” if you look at it just right. Hitting Glacier National Park and the Going-to-the-Sun Road might have also been a factor in route selection but the scenic road was not yet open for the summer when they arrived. There was, of course, plenty of great scenery even without Going-to-the-Sun, and plenty of interesting people, too.
With the break out of the way, it was time to enter Canada and head for the beginning of the Alaska Highway in Dawson Creek, British Columbia. Cotter had a recent (but not quite current) edition of The Milepost with him. The Milepost is published annually and is close to indispensable for anyone traveling the Alaska Highway. That road is its primary focus and its initial reason for being but it now not only covers the Alaska Highway but just about every path for getting to and from it. That includes coming from Vancouver which is what Cotter and MAR were doing.
British Columbia and the Yukon Territory contain the bulk of the Alaska Highway with only the northernmost two hundred miles or so being in Alaska. Cotter reports that any pride associated with returning to the U.S. was short-lived and declares this “absolutely the worst roads” they had driven so far. The Alaska Highway officially ends at Delta Junction but Fairbanks is easily reached on what is sometimes seen as an extension, the Richardson Highway.
The Airstream was left with a cousin while Cotter and MAR tackled the final stretch to Deadhorse in the Bronco. Several aspects of this trip reminded me of my own 2016 drive to Alaska but perhaps none so much as the mention of “a mandatory pit stop at the Hilltop Restaurant north of Fairbanks”. Even though I did not drive north of Fairbanks on my own but used a commercial tour company to visit the Arctic Circle, we had breakfast at the Hilltop before hitting the Dalton Highway.
My visit to the Arctic Circle had been a one-day there-and-back affair. Cotter and Mar spent a night on the Dalton Highway in Wiseman and two nights at the end of the road in Deadhorse. Just reaching the end of the road would be enough for most people but Cotter went above and beyond by joining the Arctic Polar Bear Club with a dip in the 40°F Prudhoe Bay to bookend his dip in the “warmer than my morning shower” water at the start of the trip in Key West.
Last Wednesday’s post was the 100th book review published on this blog. Eight were of my own books and one (








The year Kevin Patrick spent “connecting with White’s Woods” may have been, as a blurb on the back of Near Woods says “In the spirit of Walden” but the resulting products are not the same. Thoreau’s time at Walden Pond was an experiment in self-sufficiency and the book he wrote some years later documented its success. His observations of nature and seasons were generally used to support some aspect of his minimalist lifestyle and not to educate the reader. I suppose some of Patrick’s observations are also made to reinforce some philosophical viewpoint, but he is a lot more subtle and he helps the reader share the raw observation as near as possible. Exactly one-half of this book’s pages are filled with some excellent photographs.
Of course, Near Woods is better looking than either Walden or PrairieErth. To some degree, that’s just something that color photographs do for a book. But these high-quality and well-chosen photos do more than make the book pretty. They are the “raw observations” mentioned in the first paragraph of this article. The book’s design incorporates the photos wonderfully and helps make reading the book a pleasure. Every lefthand page contains one or more photographs. Righthand pages are all text. Captions are in the extra wide inner margins of the text pages. It didn’t take me terribly long to recognize the beauty of this. Every page turn resulted in a new image that could be studied as quickly or slowly as desired before tackling a new page of text.