Sometimes I astound my friends with my knowledge, admittedly quite useless, of unusual and obscure roadside attractions. Othertimes I astound myself with my complete ignorance of a major and fairly well-known piece of public art. A stop on a recent Society for Commercial Archeology bus tour was an occasion of the latter sort. I imagine readers of this review will have thoughts that are similarly divided. Some will wonder just what is that pile of junk and why would anyone put it on the cover of a book. Others will smile with instant and delighted recognition. Ah yes, the Forevertron.
From one perspective, the Forevertron is a 65-foot tall sculpture made of various bits of scrap metal. From another, it is a fantastic device waiting to propel Dr. Evermor “up to the celestial spheres.” From a third, it is a marvelous project that helped Tom Every deal with the real world. Tom Kupsh covers all three of these perspectives in A Mythic Obsession.
The book contains something of a Tom Every biography. It describes his early attraction to unwanted stuff and what seems to be a natural talent for getting some good out of what other people throw away. It tells about his ups and downs in salvage and professional scavenging and his long-time involvement with Alex Jordan and his House on the Rock. His relationship with Eleanor Gryttenholm, a.k.a., Lady Eleanor, that continues today, having survived both marriage and divorce, is in there too. It’s a life that Kupsh describes as rocky but never dull.
It is Every’s artwork, however, that attracts all the attention and warrants a book. Much of it is big, like the Forevertron, but he has also produced some rather small pieces. The common attributes are whimsey, creativity, and scrap metal. Kupsh describes most if not all of Every’s major works. His descriptions usually include information about when and how the piece was made and sometimes even why. He often tells what the components actually are and where they came from. This is very much the case with the Forevertron and that is something I very much appreciated. The book and the sculptures are a natural pair. At times, while reading the book, I found myself wishing I had read it before visiting the collection so I would have been aware of various details about what I was seeing. On the other hand, I’m kind of glad I had my first look with few preconceptions. I’m thinking that neither sequence is wrong and that whether you start with reading or visiting, you’re going to have to repeat. Seeing the sculptures will raise questions that only the book will answer and the book will fuel curiosity that only a visit will satisfy. I intend to return with book in hand.
The biographical bits are aided by several pictures and there are pictures included of the various pieces of art described. Most are black and white but there is a section of really nice color photos that includes an annotated view of the Forevertron. You can bet on me having that page bookmarked when I next head to Wisconsin.
A Mythic Obsession, Tom Kupsh, Chicago Review Press, June 1, 2008, 6 x 9 inches, 196 pages, ISBN 978-1556527609
Available through Amazon.
I purchased my book onsite from Lady Eleanor. Tom is in a nursing home and rarely gets to the Forevertron these days. Both had inscribed the copies available about nine months previous. I selected one with a fairly lengthy message from Tom even though that message wasn’t quite clear to me at the time. I figured it would become readable when I was sitting still in good lighting. It hasn’t. Among the few phrases I can make out are “80 years” (His 80th birthday was five days earlier.), “I can’t see”, “don’t stop your art”, and “The House on the Rock”. All help from those with better eyesight or insight is appreciated.