Tag Archives: History

Trip Peek #93
Trip #114
Battle of Lake Erie Bicentennial

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This picture is from my 2013 trip to the Battle of Lake Erie Bicentennial. Even though the anniversary of the battle was the trigger for the trip, it would be over and I would be back home before the date actually arrived. The battle took place on September 10, 1813. A reenactment occurred on September 2, 2013. Watching the reenactment required a ticket that I’d waited too long to buy so I did a “bicentennial light”. I took two ferry rides to Put-In-Bay checking out Perry’s Victory Monument on one trip and a reproduction of the Niagara, Perry’s flagship, on the other. Onboard for the second trip was a Commodore Perry reenactor who provided considerable history. There was a day between the rides which I spent exploring Sandusky, Ohio. The picture shows both the Niagra and the monument.

When I left Sandusky, I headed to Canada to explore some of the sites connected with the Battle of the Thames in which Tecumseh was killed less than a month after the Battle of Lake Erie. I returned to the states to cover the bits of Michigan’s Dixie Highway that remained undriven by me. All of that had been planned before I left home. The trip’s unplanned bonus (Every trip should have at least one.) was in Canada. I stayed at a very nice B & B near Buxton National Historic Site. That this was “A Terminus of the Underground Railroad” was cool enough, but the fact that the 90th annual reunion was taking place while I was there was an extraordinary piece of luck.

Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

Book Review
Headley Inn and Cliff Rock House
Cyndie L. Gerken

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Cyndie Gerken’s third big helping of National Road knowledge was served up a bit more than a year ago, and I have no good excuse, or even enough bad ones, to account for waiting so long to take a look. Of course, once I did, the same accuracy and thoroughness that marked her earlier books were instantly apparent in this one. In 2015, she documented Ohio’s National Road mile markers with Marking the Miles Along the National Road Through Ohio.  In 2018, Taking the Tolls Along the National Road Through Ohio told of the toll gates that operated after the federal government rid itself of the highway by giving it to the states through which it passed. Both books took a deep and wide look at their subjects although that phrase did not occur to me until I was well into the current volume.

Those other books were geographically wide because they involved the whole state of Ohio, and they were also wide in the variety of information they included on their subjects. Depth came from the layers of time and degree of detail covered. Headley… isn’t nearly as wide geographically (The two buildings in the title are barely 300 feet apart.), but it does include the passing road and nearby towns, and the information variety is every bit as wide as in the first two offerings. The detail component of depth is at least equal to that of the earlier books and the time component is considerably greater. The period covered by all three begins at roughly the same time but the story of the two inns has yet to end.

Physically the latest book is much like the others. All are largish paperbacks printed in color. All include a brief overview of the history of the National Road that provides context for the rest of the book. Headley…‘s introduction also includes information on the surrounding area and the role of early roadside inns and taverns.

Both of the book’s subjects appeared almost immediately after the National Road passed by the land they would occupy. The first section of the Cliff Rock House was completed in 1830 and the Headley Inn’s first section in 1833. Other dates have appeared in articles and even on signs but Gerken sorts through the various claims and presents a solid case for these dates. Both structures have been enlarged and modified over the years. Despite their nearness to each other, the inns were constructed and operated independently by two separate families. That has not always been the case although it is again today.

It is generally thought that the Headley Inn initially served as a stagecoach stop while the larger Cliff Rock House catered more to drovers herding sheep and other animals to market. That sort of division was never iron clad, of course, but that kind of thinking does serve to justify the two businesses being so close.

The two periods of glory experienced by the two taverns naturally coincide with the glory days of the passing road. They prospered in the early eighteenth century doing what they were constructed for: serving travelers on the new National Road. Gerken digs deep into public records and family histories to tell the story of this period. Prosperity ended with the coming of the railroad.

Prosperity returned in the early part of the next century when traffic returned to the road out front. This time the customers were carried by automobiles. Alexander Smith, who had built the Cliff Rock House, added the Headley Inn to his holdings in 1857. In 1922, two of his granddaughters opened a restaurant and tearoom in the former stagecoach stop. The old National Road had become part of the National Old Trails Road. Its traffic, and the sisters’ culinary skills, made the tea room a nationally known success. Like they did elsewhere, the interstates of the last half of the twentieth century pulled traffic from the old road and might have ended this second round of glory if the sisters had not already ended it by retiring and closing the restaurant in 1961.

Gerken also uses public records to tell of the tearoom period but they form a much smaller part of the story. There is considerable family documentation available, including photographs, and, more significantly, she has access to quite a bit of living memory of the era. The most important source of that living memory is the son of one of those sisters, Alexander Smith Howard. He not only shared stories that appear throughout the book, he also wrote its foreword.

Living memory provides even more input to the post-tearoom era and here the living memory is sometimes Gerken’s own although it is more often her personal interviews with the short series of owners. The book is heavily illustrated with historical photos, maps, diagrams, newspaper clippings, and more. Modern photos include many taken by the author herself.

For the third time, an era of glory early in a new century is a definite possibility. Major restoration of the Headley Inn was accomplished by Stephen and Bernadine Brown during their 1989 to 2006 ownership. It continued under Alan and Patricia Chaffee until 2015. The current owners, Brian and Carrie Adams, along with their daughter Ashley, have added their own historically sensitive improvements and now operate a bed and breakfast with facilities for weddings and other gatherings. In 2018, Cliff Rock House was purchased by Otto and Sally Luburgh and restoration work is now underway there.

I know that this book’s true value lies in its collection of facts, photos, and carefully researched history. It is unequaled in that regard. Much of its readability, however, comes from the stories that fill the background and cluster around the edges. From the story of the Headly Inn’s original owner verbally abusing federal troops early in the Civil War, and tales of tearoom employees drawing straws to determine who had to brave snakes in the attic to retrieve supplies, to reports of elephants appearing — both expected and not — in front of the inn, there are plenty of human interest style anecdotes to balance the solid and valuable historical facts.

Headley Inn and Cliff Rock House: A Storied History of Two Taverns Along Ohio’s National Road, Cyndie L. Gerken, Independently published, March 20, 2019, 11 x 8.5 inches, 378 pages, ISBN 978-1790228089
Available through Amazon.

Book Review
Overground Railroad
Candacy Taylor

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“This is not a book about the history of road-tripping and black travel”, is the first sentence of the last paragraph of the introduction. That’s something I knew long before I read it. It was something Candacy Taylor said early in the presentation I attended in Indianapolis back in February. It may even have been something she said during another presentation of hers I attended back in 2016. I discovered Taylor the same way she discovered the Green Book. Well, not exactly the same way. She learned of the Green Book while doing research for a Moon Travel Guide on Route 66. I learned of Candacy Taylor as a mere attendee at a conference on the historic road. Research for the book was well underway when Taylor spoke at that conference in Los Angeles but Overground Railroad: The Green Book and the Roots of Black Travel in America was still a concept. It was a reality when she spoke in Indianapolis, and that’s where I acquired my copy.

Another phrase that caught my ear at the Indianapolis presentation and which I subsequently read in the book is this: “I wasn’t interested in presenting the Green Book as a historic time capsule.” Maybe the reason I noticed the phrase was that, without actually being aware of it, that is exactly how I saw the Green Book. The book, published between 1936 to 1967, identified businesses where Negro travelers were welcome. A too often true assumption was that they were not welcome in any place not listed. The Civil Rights Act of 1964 did not make racial discrimination disappear, but it did make it illegal. By the time I became aware of the book, it had not been published for decades and I figured it had been more or less the same throughout the time it was published. In my mind, the Green Book essentially was a historic time capsule.

The book was no doubt historic, but it was not a sealed capsule. If pressed, I would have known that the book must have grown over the years and that listings and advertisers would have come and gone. Taylor meant much more than that. There were changes in the book’s overall tone that were related to changes in society and vice versa. She uses changes in the Green Book as a timeline to frame changes in the world at large. It isn’t a hard link and the two certainly don’t move in lockstep. Societal changes just aren’t that tidy. But the editions of Victor Green’s book pace the chapters in Taylor’s.

One of the bigger Green Book changes Taylor covers occurred with its return at the end of the Second World War. The guide was not published during the war, and when it returned in 1946 it was bigger and better than ever. Not only was the book enlarged, its tone was changed a bit, too. Serious articles about the situation of blacks in American society appeared along with information, such as a listing of black colleges, not exactly associated with travel. In a chapter based on the 1946 and ’47 editions, Taylor says, “This comprehensive list of colleges elevated the Green Book from a travel guide to a political weapon.”

Another big step came in 1952 when the guide’s name was changed from the Negro Motorist Green Book to the Negro Travelers Green Book. Train travel by blacks had already been included starting in 1950. Travel by airplane and other means would be covered in the future.

In a chapter linked to the 1957 and ’58 editions, Taylor addresses what is almost certainly a big reason she felt the need to stress that, “This is not a book about the history of road-tripping.” The chapter is titled “The Roots of Route 66”, and she uses Route 66 examples to explain why blacks have virtually no nostalgia for the classic American road trip, but the story is essentially the same for every other highway, too. While it’s very much an understatement, the following line does sort of sum up the chapter: “[T]he experience of driving Route 66 was not the same for everyone.”

Overground Railroad is heavily illustrated. Taylor’s research for this project included cataloging and visiting businesses listed in the Green Book, and several of her photographs of sites that remain appear throughout the book. She also includes some personal photos. Numerous historic photos along with reproductions from the Green Book accompany the text. A section in the back of the book lists surviving “Green Book sites” and includes Taylor’s photos of many. It is followed by a section with reproductions of every known Green Book cover other than the very first edition of 1936.

Victor Green hoped that “There will be a day sometime in the near future when this guide will not have to be published.” That day came, technically, when the 1964 Civil Rights Act became law. There was just one more Green Book published before it shut down permanently. But reality has never quite matched the technical equality of the Civil Rights Act. The first chapter of Taylor’s book, in which she discusses the risks and difficulties of Negroes driving during the early years of the Green Book, is titled “Driving While Black”. It’s a title that could have come from yesterday’s newspaper. Maybe it did. In her introduction, Taylor asks the standard road trip question, “Are we there yet?” then answers with a whole book that tells of progress but ends up with a solid “No.” It is not, however, a hopeless “No”. The “Author’s Note” near the book’s end talks of the challenge and is followed by a “What We Can Do” list.

Overground Railroad: The Green Book and the Roots of Black Travel in America, Candacy Taylor, Harry N. Abrams, January 7, 2020, 9.8 x 7 inches, 360 pages, ISBN 978-1419738173
Available through Amazon.

Movie Review
King Kong
Radio Pictures

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No, I’m not really going to review an eighty-seven-year-old movie that just about everybody has seen multiple times. But I am going to review the experience of seeing it on the big screen for the first time ever. The original King Kong was released on April 7, 1933, so it’s not quite eighty-seven years old but it’s mighty close. My first glimpse — and it wasn’t a whole lot more than that — was sometime in the mid-1950s.

It was on TV, of course, on what was decidedly NOT a big screen. It was probably in 1957 when the movie made its national television debut. The timing likely wasn’t considered “late-night” then and certainly wouldn’t be now, but it was late enough that I had to beg for an exemption to my normal bedtime. Although I was successful, I did not get the exemption’s full benefit. I fell asleep before the movie started, woke up to watch a few scenes through bleary eyes, then dozed off again before the big ending. Today I can’t even remember what portions of the movie I saw. I remember that I saw all of the giant gorilla, not just his face or hand, and I remember it was dark. Seeing Kong in his entirety narrows it down some. The fact that it was dark does not. The entire film was darkened to obscure, reportedly, some of the bloodier scenes and some details of Fay Wray’s femininity. Fay Wray had lots of femininity.

Since then, there have been several viewings that I did manage to stay awake for. Although the screens were considerably larger and clearer than the one parked in our living room sixty-some years ago, all were on a TV. I think the movie became a favorite the instant I actually saw it all. The story was fairly creative but not particularly complex, and the acting was only a few steps removed from the silent film era. Neither was what attracted me to the film. I appreciated its craftsmanship and the window on history it provided. Stop-action animation and rear projection on matte paintings were not invented for King Kong but they had never been used anywhere near to this extent.

The window on history I mentioned exists largely because the movie was made as a window on, if not the future, the leading edge of the present. The film’s exciting finish features the Empire State Building which had just been completed in 1931. It was then the world’s tallest and would hold that title for almost forty years. The armed airplanes that attack the doomed giant were seen as “the most modern of weapons”. Some were models built for the film but some scenes show actual state-of-the-art military planes from a nearby U.S. Naval airfield. From two decades into the twenty-first century, those bi-planes look pretty primitive. Realizing that they represented the most advanced technology of the day definitely helps generate a real appreciation for the film’s special effects created with contemporary tools.

On Sunday, I finally got to see the big guy on the big screen. Fathom Events put together a one day showing at Regal Cinema. Something I’d recently learned was that King Kong was the first movie with a thematic score. This means it was written to coordinate with and enhance on-screen actions rather than just provide some background music. Sunday’s showing included the opening and closing overture which had naturally been cut from every time-constrained TV version I’d ever seen.

The experience was nearly everything I’d hoped it would be. The wall-filling Kong was more frightening than any smaller version I’d seen, and Wray was every bit as alluring as I remembered, and her screams, with an assist from the theater’s sound system, were even louder. That thematic score, which I paid a little more attention to than usual, benefited from the sound system, too. If I ignored the fact that I was sitting in a wide well-padded recliner with NBA sized legroom, I could almost imagine I was watching like it was 1933.

The experience was only “nearly everything I’d hoped” for one reason. In the lead up to Sunday, I’d read a review of the movie which was really a preview of a 2011 screening. It’s here. My anticipation grew when it talked of “seeing it in a packed theater on a big screen with an audience”. I got the big screen but I did not get the packed theater. There were less than twenty people at the 1:00 show. I know that old B&W movies just generally do not draw big crowds but there was more going on here. COVID19, the disease caused by a Coronavirus, was growing. Large gatherings had been banned and the NBA, NCAA, MLB, and other groups had canceled events. In Ohio, schools had already been closed by the governor and within a couple of hours of me leaving the theater, he would close all bars and restaurants. Many museums and other institutions have closed on their own.

That’s why Sunday’s experience was about as far from a packed theater as is possible. Yesterday (Tuesday) the theater itself was closed and so was the Empire State Building observation deck. I’ve only been to the top of the Empire State Building once. It was in the early ’70s when King Kong was no more than forty years old. In a narrow space on an inside wall. there was a heart with the words “King Kong loves Fay Wray”. I’d like to think it’s still there but probably not. 

Burr on Tap

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For 2020, the Cincinnati Museum Center is holding a series of after-hour events under the heading Museum on Tap. The first, “Space Gallery Pub Crawl”, was in January and associated with the Apollo 11 exhibit then in place. The second, “Aaron Burr: American Bastard”, happened on Thursday, and I was there.

The “on tap” in the series’ name comes from the fact that adult beverages are available. While there are no actual taps dispensing draft beer, there is beer in cans and bottles along with wine and spirits. These beverages were offered at four different locations including two in the Public Landing area. One reason the cobblestone street was fairly empty when I arrived was that many attendees were standing in lines at the other two service locations I’d passed on the way. Event literature admits that the Public Landing of the 1850s is somewhat more modern than the Cincinnati Mr. Burr would have seen but it’s a better fit than, say, the Hall of Dinosaurs.

The museum’s gathering was set in 1807 and, while Burr was not present himself, several of his friends, acquaintances, and accomplices were. Pictured, from left to right, are boat builder Leonard Armstrong, Senator John Smith, Charlotte Chambers Ludlow (widow of Cincinnati founder Israel Ludlow), and Mayor James Findlay. Smith aided Burr in his schemes, Findlay hindered him, and Armstrong and Ludlow were attentive observers.

This being my first Museum on Tap experience, I wasn’t sure exactly what to expect. I thought there might be some sort of presentation but that wasn’t the case this time. I can’t say whether or not that’s true of other events in the series. A handout supplied some background on Burr’s trial for treason and his relation with Cincinnatian John Smith. This was augmented by several posters that might have appeared on the streets of Cincinnati. Chatting with the folks in period dress added details. In conversation, Senator Smith put a modern twist on things by referring to reports of his wrongdoing as “fake news”. When I asked for a solo photo, there was no question of where he wanted to pose. He smugly stepped over to the poster with his name and the words “NOT GUILTY” while ignoring the question mark and the smaller print as only a practiced politician can.

I also spoke with Mayor Findlay, who was among those calling for Senator Smith to resign, and Mrs. Ludlow, who had met Burr only once and was clearly not impressed. Onboard the Queen of the West, Leonard Armstrong happily shared his knowledge of the flatboats he built for businessmen like Smith. From the forward deck, I could see the street becoming more crowded.

One thing happening on the street was artists from Music Resource Center performing original material. I briefly mentally questioned the presence of hip hop music in 1807 but quickly realized that the hip hop musical Hamilton is responsible for much of the current awareness of Alexander Hamilton and the man who shot him, Aaron Burr. In fact, singing karaoke versions of Hamilton tunes was one of the activities supported by the Music Resource Center but the signup sheet was still empty when I left. An area a little bit away from the landing was designated as dueling grounds and Nerf pistols were provided for anyone wanting to recreate the Hamilton-Burr encounter. Apparently, some did, as I found the pistols in various locations when I peeked in but I never caught an actual duel in progress.

Attendees could also increase their knowledge with trivia flip cards or a scavenger hunt-style bingo game and I saw quite a few people doing both. Questions on the flip cards were not Burr-specific but were generally focused on the early 1800s. Bingo game questions referred to various displays throughout the public landing area. I flipped a few cards but left the bingo competition to others. That’s why I still don’t know how much Hattie Calhoun paid to update her dress. 

Free? Advertising on the Dixie

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Seeing things like signs, banners, and menus for local businesses bearing the logo of some large corporation is quite common. Details vary but the basic model is that the big corporation shoulders some or all of the cost and the small business gets some advertising for little or nothing. The idea is hardly new and the concept has never been restricted to purely commercial enterprises. During the last half of the 1920s, a pairing of this sort existed between a major highway and an American hereditary association. The major highway was, of course, the Dixie Highway. The hereditary association was the United Daughters of the Confederacy (UDC).

The UDC was the “advertiser” in this instance. Between 1926 and 1935 the organization was responsible for at least ten plaques being erected beside the highway. It’s unclear whether or not the Dixie Highway Association was an active participant in this arrangement. Because the 1926 creation of the United States Numbered Highway System brought an end to all of the named auto trails, the DHA was not very active at this point.

Combined, the previous picture and the one at right show the ten plaques in north to south sequence. The northernmost marker is in Ohio, the southernmost is in Florida, the one preceding it is in South Carolina, and the others are in North Carolina. Except for the date erected, eight of the plaques are identical. The one in Florida contains the same text as those eight but has a different image of Lee. The one in South Carolina contains different text but has the same image as the bulk of the plaques.

The South Carolina plaque is the bigger oddity. All the others were erected in 1926, ’27, or ’28. It was erected in 1935. One of the differences in its text is its specific identification of the Greenville and Fort Sumter Chapters of the UDC as being responsible for erecting the marker. All others simply identify the overall UDC. The Florida marker was erected in 1927 ahead of at least three others. None of the other nine markers uses this image of General Lee.

Eight of the plaques essentially look just like this one which happens to be in Ohio. All plaques follow this general format even when some details vary. Approximately the top one-third is occupied by an image of General Lee on horseback. His name appears below the image in large letters. A bit farther down is the name of the auto trail. The letters in DIXIE HIGHWAY are larger than the general text but smaller than the letters in Lee’s name.

Maybe what I’ve written so far will help explain how I’m currently thinking about these markers. My first contact with the markers was in 2008 when I stumbled upon the one in Marshall, NC. After I learned there were others, I made a point of visiting them all and accomplished that in early 2015. At the time I thought of them as something similar to the Madonna of the Trail markers on the National Old Trails Road. That’s pretty much how I saw them until the summer of 2017.

Streets, parks, and statues honoring military and civilian leaders of the Confederate States of America had been drawing more and more attention. In August of 2017, the death of a counterprotester at a white supremacist rally in Charlottesville, VA, cranked that attention up several notches. There was now enough attention for some of it to fall on one of those UDC plaques less than twenty miles from my home. Within days of the events in Charlottesville, a group in Dayton, OH, announced plans for a protest at the plaque near Franklin, OH. Plans to protest the protesters formed almost as quickly. City officials made a preemptive strike by removing and hiding the marker in the middle of the night. It didn’t make anybody happy but it didn’t make anybody dead, either.

Some news crews and some of those not happy people made it to the site on the morning following the removal. I made it, too, in the role of curious bystander. I chatted casually with a couple of the reporters and tried to defend the Dixie Highway a bit. I’d been calling the plaques and their mountings Dixie-Lee markers. Everyone else was calling the Franklin marker a Robert E. Lee monument and occasionally mentioning that it was on the Dixie Highway. It slowly sunk in that, for the reasons above, they were right. The monuments were not primarily concerned with marking a road like the Madonnas of the Trail or the concrete posts along the Lincoln Highway. I found myself explaining that the Dixie Highway was not associated with the Confederacy and asking that they not tie it too closely to Lee. For the first time, I compared the markers to a big branded beer sign with “Bob’s Bar” at its bottom. Learning that the brand on the sign was run by crooks, doesn’t automatically mean that Bob is a crook.

The plaque has been pried from the stone at the NC-SC border. It is lost or possibly destroyed. The marker in downtown Asheville has been attacked and damaged twice. The Franklin, OH, marker is back at roadside but is now on private property. That’s it in the picture at left. It’s even been buffed up and polished a bit. I want all the markers to stay. I deplore the vandalism that has occurred in the Carolinas but I don’t consider it an attack on the Dixie Highway. I now see that those markers really are what others have called them, Robert E. Lee monuments that happen to be on the Dixie Highway.

This topic came to me as I was writing last week’s post about the name of the Dixie Highway. I initially thought of it as a paragraph or two tacked onto that post. The length of the Dixie name post left no room to tack on anything and it is now quite obvious that a paragraph or two wouldn’t have been nearly enough. But it’s also pretty obvious that the two belong together. Again, I want all the markers to stay. But I don’t want them to stay at the expense of the Dixie Highway. Controversy will continue to swirl around statues, flags, and other items legitimately tied to the Confederacy. The Dixie Highway should not be part of that. Saying, as I have, that neither the word Dixie nor the Dixie Highway is inherently racist loses some sincerity if defending the road includes defending these markers.

A Dixie by Any Other Name

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If something called a dixie existed, I have little doubt that we could refer to it differently without changing its aroma, but the word “dixie” doesn’t really identify anything. It is not, in other words, a common noun. As a proper noun — with a capital ‘D’ — it is used as both a surname and a given name and to identify a wide variety of things including a region of our country. People with a first, last, or nickname of Dixie surely outnumber things bearing the name but there are certainly plenty of those. It has been used to identify buildings, songs, currency, music groups, towns, counties, movies, beer, boats, ships, taverns, race tracks, waterways, restaurants, mountain ranges, athletic conferences, grocery stores, airports, schools, universities, and much more. With an ‘X’ made of a stylized flower, Dixie is a registered trademark of Georgia-Pacific for a brand of paper products.

In the 1960s, an all-girl singing group borrowed the name — without the flowery ‘X’ — of those familiar disposable cups and topped the charts with hits like “Chapel of Love” and “Iko Iko”. Near the end of the twentieth century, another all-girl group hit the charts with a name containing the word “dixie”. That group, the Dixie Chicks, generated some controversy, but it came from political statements and not from their name. I’m not aware of any controversy at all associated with the Dixie Cups, and I’m guessing that they didn’t consider the word “dixie” to be racist.

But recently the word has been associated with racism by some. The Dixie Highway has been included in some of these claims which naturally caused me to take notice. It is an outgrowth of the rise of controversy and confrontation over Confederate monuments and streets named after Confederate generals. If the move to change a roughly six-mile-long street from Hood to Hope was complicated, renaming a piece of the nearly 6,000-mile-long Dixie Highway must be at least three orders of magnitude more so.

The aforementioned Hood Street was in Hollywood, FL, where three streets (Hood, Lee, and Forest) were renamed (Hope, Liberty, and Freedom) in November 2017. In Riviera Beach, FL, a couple of miles of Old Dixie Highway were renamed President Barack Obama Highway in 2015. The picture at left was taken between the two, near Boyton Beach. Of course, the word “dixie” had nothing to do with the renamings in Hollywood. The generals after which the streets were named had clearly been chosen because of their roles in the Confederacy. The word didn’t have much to do with the name change in Riviera Beach, either. Residents cited the role of the street as a dividing line between black and white and the site of KKK cross burnings.

Although I’d have preferred it hadn’t happened, I have no serious objection to the Riviera Beach action. It was based on specific and painful memories. That doesn’t always appear to be the case when replacing the Dixie Highway name is proposed. Published reports of these proposals have occasionally prompted me to send emails to people connected with them. It is not done to protest but to inform. We road fans often comment — and sometimes laugh or cry — about people being completely oblivious to a major historic highway running right by their door. Knowing how common that is with “celebrities” like the Lincoln Highway and Route 66, we shouldn’t be surprised that it is even more often the case with the lesser known and more complex Dixie Highway. Not knowing just how important or far-reaching all the roads in your neighborhood once were is a pretty natural situation.

It seems that even we fans don’t always consider that “far-reaching” bit. It’s OK to be saddened by a name change, but there is no reason to verbally abuse, as I’ve seen too many times, those backing a change. Removing the name Dixie Highway from a few miles of Florida — or other — roadway is not going to affect all those other miles any more than Cheyenne, WY, (The first town to do so.) changing its Main Street to Lincoln Way impacted the rest of the continent crossing highway. The Dixie Highway, as well as every other named auto trail, was never labeled with its name in every jurisdiction it passed through. Numbered US and state highways utilize streets and roads with all sorts of names. Not one inch of US-66 officially exists at present yet people follow it every day. The Adairsville, GA, pavement in the picture at left is officially named and signed Main Street but that doesn’t change its past as a part of the Dixie Highway or prevent it being unofficially marked as such.

Most of the talk about renaming sections of the Dixie Highway has originated in Florida. In some sense, that’s ironic since the Dixie Highway was a major factor in the development of the state. On the other hand, development is rarely 100% beneficial to all and I’ve no doubt that many were negatively impacted by the development and the road that helped it along. Plus, as those Riviera Beach memories show, experiences generate stronger feelings than a name or a physical path ever could. About two weeks ago, the New York Times published an article based on discussions in Florida’s Miami-Dade County. Its audience was almost certainly wider than that of similar articles publishes by Florida based news organizations. One indication of that was a small but obvious two-day blip in visits to an eight-year-old Dixie Highway related post on this blog. Maybe that’s somehow fitting since I’ve often quoted the Times when trying to convey that the Dixie Highway is not inherently evil. In 1915, the paper referred to the route as “The Dixie Peaceway” when it reported the formation of the Dixie Highway Association. It described the road as “a monument to celebrate the half-century of peace within the Union”. Maybe that was hyperbole or maybe it really reflected the feelings of the time. If so, it seems extra sad that so many see it as something entirely different today.

Those people who found this site after reading the New York Times article didn’t learn a whole lot during their visit but they were obviously curious. They were brought by search engines which may have also taken them to other sites where they learned much more. Whether curiosity was their only reason for visiting or they were decision-makers gathering background, I’ll never know. Regardless, I suspect we will see a few more miles of Dixie Highway get renamed before it’s all over. That’s unfortunate but hardly a disaster. No matter the name, it will still smell like a rose — or maybe an orange blossom — with strong undertones of asphalt and Model T brake bands.

ADDENDUM 9-Feb-2020: Some thoughts on the markers placed along the Dixie Highway by the United Daughters of the Confederacy were considered for this post but have been given their own post instead. Free? Advertising on the Dixie

Book Review
The Other Trail of Tears
Mary Stockwell

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I read this book by accident and belatedly. The accident comes from a spontaneous purchase. The belated reading comes from me not realizing how good it is. I picked the book up back in June of 2018 when I went to hear Mary Stockwell talk on her just-published Unlikely General about my childhood hero, Anthony Wayne. I knew nothing about Stockwell or any other books she had written but bought a copy of The Other Trail of Tears because it sounded kind of interesting and, perhaps more importantly, I was there. Unlikely General worked its way through the stack in a fairly timely manner; It was read and reviewed by November 2018. I let other books move ahead of this one and even loaned it, along with Unlikely General, to a friend to read. When I eventually did start reading The Other Trail of Tears, I quickly put it aside to accommodate two new road-related books. The second attempt went much better and I quickly regretted not diving in sooner. As is too often the case, my preconceptions were wrong. This is another book that was much more than I expected.

Like most people, I am fairly familiar with the forced removal of Native Americans from the southern United States that caused inconceivable suffering and thousands of deaths during the trek west known as The Trail of Tears. Those were the most horrific of the relocations resulting from the Indian Removal Act of 1830 but there were others.

Several reservations once existed in northern Ohio occupied by Shawnee, Wyandot, Seneca, and others. As an Ohioan, I was somewhat aware of these reservations and even knew a little bit about the forced removal of these people. I assumed that Stockwell’s book was filled with details of that removal. Perhaps that assumption and the accompanying assumption that those details would be terribly depressing contributed to my delay in actually reading the book.

My assumptions were not wrong but neither were they complete. The stories of the actual treks to the west are properly told and they are indeed depressing. But they do not fill the book. More pages are used telling of what preceded the removals than on the actual journeys. Stockwell’s coverage of the treaties and trades that resulted in the removal and the people and policies involved is rather detailed and seems complete. There is a lot of history here that I was quite ignorant of.

Though extremely educational, the pre-removal history is also somewhat depressing, and the whole book can fuel that sense of guilt we descendants of European Americans often feel when contemplating the last few centuries of Native American history.

Stockwell doesn’t stoke the guilt or overly stress the sadder aspects of the treks. Although she doesn’t completely hide her sense that Native Americans got a really raw deal, for the most part she sticks to accurately reporting the facts about an undeniably sad period in U.S. history.

The Other Trail of Tears: The Removal of the Ohio Indians, Mary Stockwell, Westholme Publishing, March 18, 2016, 9 x 6 inches, 300 pages, ISBN 978-1594162589
Available through Amazon.

Treasures of the Spanish World

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When the Cincinnati Art Museum announced this upcoming exhibit near summer’s end, I was interested but not overly so. In fact, I didn’t put it on my Gotta-See-That list but on my I’ll-See-That-If-It’s-Convenient list. That was a mistake and I’m sure glad there was a day when taking in Treasures of the Spanish World was convenient and it didn’t end up on my Sorry-I-Missed-That list.

First off, it’s big. Its more than 200 objects fill several of the galleries I associate with temporary exhibits. And it’s not just big in terms of space but in time as well. The oldest items in the exhibit are from the middle of the third millennium BCE; The newest are from the twentieth century CE. Most items, including intricately decorated fabrics and ceramics, call for some up-close study. The pictured “books” are letters patent of nobility (cartas ejecutorias de hidalguia) that attest to “the holder’s gentility” and social position. They are wonderfully decorated and often contain images of the holder and/or grantor.

Numerous paintings, including quite a few portraits, are on display. These, showing a wide range of scale, are the work of Domenikos Theotokopoulos (a.k.a, El Greco).

At the beginning of a section named “Golden Age“, visitors are reminded that “In the 1500s Spain was the most powerful country in the western world”. The western world was getting a whole lot bigger in those days and Spain played a huge role in that. The large map, from which the clip of the Americas was taken, was created by Giovanni Vespucci in 1526 as a royal wedding gift. Giovanni inherited the job of maintaining Spain’s master nautical chart from his uncle, Amerigo.

Of course, Christianity was really big in both Old and New Spain. The large wooden relief sculpture was once part of an even larger piece in a Mexican Church. It dates from around 1600.

The exhibit is organized chronologically and physically divided into two parts. The second section is certainly interesting enough  — there are a few Goyas among its several paintings — but I only have one photo from it. I seem to like my history with a side of art more than the other way round. “Advances of the Nineteenth Century” is a set of tiles recounting recent progress from the vantage point of 1903. The bicycle, locomotive, flush toilet, and sewing machine are clearly steps forward. Not so clear is whatever advance the bullfighting tile is touting.

This touring exhibit was made possible by a major renovation project at the Hispanic Society Museum & Library in New York City. That’s where the items in the exhibit normally appear and many of them have never been displayed elsewhere. The exhibit initially appeared in Madrid, Spain, and appeared in Mexico City and Albuquerque before reaching Cincinnati. There’s still time to see it but not much. This is being published when just one week of the fourteen-week run remains. As I said in the opening paragraph, I’m glad Treasures of the Spanish World avoided going on my Sorry-I-Missed-That list. I recommend you keep it off of yours, too, if you can.

A Cosmic Reason for the Season

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Calendars come and calendars go and Earth just keeps on turning. And it keeps on orbiting, too. The turning bit creates what we call days. The alternating periods of light and dark impact almost all life on the planet and humans adopted the day as a basic unit of measure pretty early on. What we call years comes from Earth orbiting the Sun. There was plenty of time for early humans to stare at the sky and not a whole lot to keep them from doing it. They couldn’t help but notice that things in the sky moved around. In time, some of the more observant among them realized that not all that movement was random and eventually some patterns were noted. I can’t imagine how exciting it was when some smart guy figured out that the sun popped up at the same point about every 365 days. Of course, that “about” would be very important.

The opening photo shows the sun rising yesterday over a “gateway” in the earthen enclosure at Fort Ancient. The photo at left was taken a bit later and includes a small mound inside the enclosure in the foreground. When the mound, gateway, and sunrise align, sunset will follow sooner than on any other day of the year. This is the northern hemisphere’s Winter Solstice. It is the day when the sun is above the horizon for less time than any other day of the year, and yesterday that amounted to 9 hours, 25 minutes, and 9 seconds. Although we talk about Solstice being a day, it is technically just an instant. It is the moment when the Sun is farthest north or south of Earth’s equator. It happens twice each year and happened yesterday at 23:19 EST.

Serpent Mound, another ancient earthen structure containing solar alignments, is a little more than forty miles southeast of Fort Ancient. The serpent’s head is aligned with the Summer Solstice sunset. Body coils align with Summer and Winter Solstice sunrises. For several years, a modern event known as Lighting of the Serpent took place there at Winter Solstice. It was discontinued in 2017. The picture at right is from 2014 which is the only time I attended.

Long before they knew anything about orbits and equators, humans knew the day of Winter Solstice was special. It is the point where each successive day receives more rather than less daylight. It’s the big turnaround that will eventually lead to the warmth of spring and summer. It is clearly a day worth celebrating and it has indeed been celebrated in many different cultures in many different ways.

During their existence, humans have developed a slew of calendar systems. Several actually remain in use today, but the Gregorian calendar is the one most widely accepted. In the late sixteenth century, this started replacing the Julian calendar which had been around for all of those sixteen centuries and then some. The Julian calendar had been created by folks who calculated that a year was 365 and 1/4 days long which was a lot more accurate than an even 365. They came up with the rather clever idea of adding an extra day every four years to balance things out.

We now know that a year is 365.2422 days long. A year is the length of time it takes Earth to orbit the Sun, a day is the length of time it takes Earth to rotate, and neither is adjustable. When the Julian calendar was first adopted, the northern hemisphere’s Winter Solstice fell on December 25 but it slowly drifted away. Someone in authority thought to put an end to this nonsense by declaring December 25 the official solstice. But those non-adjustable orbits and rotations kept doing what they were doing and the official solstice and actual solstice just kept getting farther and farther apart.

The Gregorian calendar, which we have used for roughly 400 years now, put an end to that. Like the Julian calendar, it considers most years to be 365 days long but has a more involved system of “leap years” that add an extra day. The result is that over a long enough period our years will average 365.2422 days in length. Not only did the new calendar eliminate future drift, it tried to correct for some of the previous drift by throwing away ten days. The calendar’s namesake’s full-time job was as Pope of the Catholic Church. Ditching those ten days moved the solstice to December 22 which is where it had been in 325 when the church was founded. Of course, some holidays that had been tied to the official solstice (which hadn’t been anywhere near the actual solstice for some time) would continue to be celebrated on December 25.

Anyone wanting a more complete discussion of calendars, solstices, and holidays will find one here. Additional information on Fort Ancient is available here.