Lucky Cat Museum

I am not a cat person but I am a museum person. I suppose those two facts have been quietly duking it out in my head since I first heard of the Lucky Cat Museum several years ago. The museum is in Cincinnati and it is unusual which are both strong come-ons for me but it had no regular hours. Visiting it was by appointment only which, combined with that “not a cat person” thing, kept me away. I am not at all an ailurophobe but my interest in seeing a collection of things is not at its highest when those things are cats. A recent Citybeat article brought it back to my attention and an online sign-up system for visits solved the appointment issue. I finally paid a visit to all the lucky cats and their keeper, Micha Robertson, and I am so glad I did.

Before arriving at the museum, I read several online descriptions. The earliest talk of “over 700” cats. Some that are a bit more recent say “at least 1000”. The latest guess I found was from 2019 and that guess was “over 2000”. It doesn’t take much time inside the museum to realize just how ridiculously safe that estimate is. As with many large collections, there is a point following the initial exposure when you are struck by the sheer size of the display or the number of items it contains. That certainly happened with me and the Lucky Cat Museum. Not surprisingly, that is something I failed to capture with the camera but maybe these three photos will provide some sense of just how many items are on display.

I’m always reluctant to call a number on a locked museum door or dive into “by appointment” arrangements partly because I’m uncomfortable having someone make any effort for the benefit of just one person. The online system for the Lucky Cat Museum allows just six participants in each tour and shows how many openings are in each slot. I had picked a slot with just two or three openings to avoid being the only person taking up Robertson’s time but it didn’t work out that way. All the others cancelled so I had the benefit of a one-on-one tour without any feelings of guilt. The tour began with some background information. Lucky Cats are more properly known as Beckoning Cats or Maneki Neko in Japanese. They have probably been around since the 1600s but first appeared in print in 1852.

My attention was then directed to some of the “…est” items in the museum. The oldest is a long ago repurposed zushi from the 1800s. The smallest is the tiny kitten on a wire. The miniature toy shop is neither the oldest nor the smallest (although the tiny maneki neko it contains is pretty darned small) but it is probably the one most at home in a Cincinnati setting. It was purchased in 1929 by Cincinnatians visiting Japan.

There are naturally plenty of “Don’t Touch” signs among the many rare and fragile items on display but there are several hands-on items as well. One is a coin-operated cat that meows (we think) in Japanese and says some other things too. The slot machines have been converted from coins to tokens as required after being retired from Japanese casinos.

This sneaky fellow and his identical twin did charm me out of a few coins and, yes, others have placed videos online if you care to look.

It should not come as a surprise that some of the cats have found work in advertising or that their manufacture has expanded beyond Japan or even China. All the cats in the second photo were made in Spain by Lladro.

In my pre-visit poking around, I had seen references to “the cat that saved a train station” but had not pursued them. The claim turns out to be 100% true and the story well worth reading. Tama, the cat, was instrumental in keeping a Japanese train station open after it was scheduled to be shut down. With the official title of Station Master, she took her salary in cat food.

By this point, I was well aware that I was in the presence of someone with an encyclopedic knowledge of her subject but Robertson’s answer to a question about the box-headed cats drove it home. The tour was a combination of Robertson pointing out things of interest and me asking questions about random objects. In both cases, she provided in-depth details straight from her memory. The box-headed cats come from a Japanese cartoon that Robertson knew the name and history of. I just wish I could remember what she said. I had earlier been impressed by learning that she taught herself enough Japanese to survive in online auctions.

The cat in the opening picture wasn’t always glittering with a skin of mirrors. It has led a pretty rough life which is documented in the discs hanging next to it. In 2010, while on loan to the Krohn Conservatory for its Japanese butterfly exhibit, it was dropped in the last days of the exhibit. Damage also occurred in 2014 and 2018. On one occasion it was dropped by Micha’s husband but I don’t recall what the other accident was and I don’t remember which was which. Repairs were made every time with the mirrored surface apparently appearing in 2014. With that sort of history, I suppose some might question whether or not Disco Cat deserves a spot in a Lucky Cat Museum but I don’t. Sometimes Beckoning Cats bring luck to their owners and sometimes it’s the other way around. There is an awful lot of the latter going on here.

Logan Washboard Festival Plus

Once upon a time a friend and I mentioned to each other that the Logan Washboard Festival seemed like a good thing to do someday. Flimsy plans came and went until we finally pulled it off this week. By then, of course, the plans had, as simmering plans tend to do, grown. By the time Terry and I hit the road on Thursday, our agenda included one furnace, one mill, and at least one walk in the woods along with time at the festival.

Even after the road was hit, our plans continued to grow. An earlier than hoped for departure and the realization that the Leo Petroglyphs were almost on the way, led us to make a stop there. And yes, we did see the most popular of the glyphs, man-with-horns.

The mill and the furnace had scheduling requirements so walking in the woods had to happen during our open time on Thursday. We followed the fairly level Gorge Trail at Conkle’s Hollow past ferns and rock cliffs to a very cool waterfall. That’s Terry gazing at it in awe (I assume) in the third photo.

Next was Rock House. I had never been here and Terry’s memory of the amount of elevation change was tempered by time. This was closer to a climb through the rocks than a walk in the woods but that Rock House was quite the reward.

In the morning, with all of our walking in the woods/rocks behind us, we headed to Buckeye Furnace State Memorial. The building in the first picture is of the charging shed. This also housed the boilers which powered the steam engine that forced hot air into the furnace. The third picture shows the furnace from which molten iron once emerged.

We had found one website stating that the museum was open on Fridays and one stating it wasn’t. A sign in the park agreed with the one that said it wasn’t. We were leaving after exploring the furnace when we spotted a car parked near the museum and the museum door appeared to be open. Reality, it turned out, matched the website saying the museum was open on Fridays. There are many furnace-related exhibits here including samples of the ingredients and the finished product. Although it’s not exactly furnace-related, I found the Chuck Wagon Kitchen Pantry in the second picture rather interesting. Text hanging next to it is here.

On Friday afternoon, we actually reached the Logan Washboard Festival. If there were any doubts about where the opening photo came from, they should now be gone. The festival fills about four blocks of downtown Logan with opening ceremonies taking place on Thursday evening. Both Friday and Saturday have music on three stages. Saturday is the biggest of the two but Friday fit our schedule best.

It should not be a surprise that the “last manufacturer of Genuine usable Washboards in the USA” is right in the middle of the festival. The Columbus Washboard Company has been making washboards since 1895 and has been doing it in Logan, Ohio, since around 2000.

Music doesn’t start on the outdoor stages until 4:30 but we found some in the back of the washboard store/factory well before that. Washboard Wizard and festival mainstay Bill Bailey (blue vest) anchors things here with other musicians coming and going.

Most of the company’s standard washboard models are displayed on a wall with prices. Another wall holds examples of many custom models including one from that big band in southern Indiana.

We did not join one of the guided tours through the factory but we did explore all of the manufacturing area and Terry did get some personal instruction on the process.

The official festival music program got underway with Washboard Hank on the Mulberry Street Stage and we also watched Nicole Dicken perform on that stage. The two washboard players at stage left were not actually members of Hank’s band and moved on about halfway through the set.

We caught Washboard Shorty & Reverend Robert and Williamson Branch on the Main Stage. Robert and Shorty invited all washboard players to join them for their last couple of songs and had three takers.

We wrapped up the excursion with a Saturday stop at Rock Mill. The mill was opened to visitors in 2017 after an outstanding restoration project was completed. It reopened this spring following a shutdown to build a support wall to stabilize the building. The mill grinds grain on the last Sunday of every month.

The phenomenal accomplishment of restoring this mill is documented in Rock Mill: Saving an Original.

Golf Manor Grand Prix

I once attended a Cincinnati Soapbox Derby event and I know I took some pictures but apparently I did no reporting of it on this site. This post will keep last Sunday’s Golf Manor Grand Prix from suffering the same fate. The Golf Manor race is an International Soap Box Derby® sanctioned event but it is not a qualifier for the big derby in Akron, Ohio. For Cincinnati, that role is assigned to the Cincinnati Local Derby held in June. That means the Golf Manor event is something of a practice session with a sizable percentage of first-time drivers. Both Stock and Super Stock races are held but I attended only the Stock event that filled the morning. Stock car drivers are between 7 and 13 years old and under 5’3″ and 125 pounds. Super Stock cars are a little bigger with drivers between 9 and 18 years of age and up to 6’0″ tall and 150 pounds in weight.

When I arrived, the pit crews (a.k.a., parents) were hovering around the cars and confering with the drivers. I snapped these pictures of the unattended cars when the drivers meeting was announced.

The drivers meeting was much like others I’ve seen or attended although the drivers were somewhat shorter than what I’m used to seeing. And I think they were less impressed with greetings from Mayor Stefan C. Densmore than were the pit crews and officials. Golf Manor is an independent municipality completely surrounded by the city of Cincinnati.

At 180 meters (about 200 yards) the track here is considerably shorter than the one in Akron (301 meters) but it has the advantage of an uphill slope beyond the finish line. This does slow the racers a bit to the benefit of young rookies who don’t always remember to apply the brakes appropriately.

On-track action started with a number of solo runs which I guessed were to give first-timers a run with minimum distractions and no chance of interference. In reality, though, I don’t think these drivers were about to let anything distract them.

Precision electronic timing gear automatically picks and announces the winners. Elapsed time is not important meaning only the time between the two racers need be measured. Of course, very high-resolution measurement is required as just fractions of a second separate the cars. Math is just one of the things Soapbox Derby racing teaches its participants.

It also teaches sportsmanship. At the start of a race, the drivers are encouraged to wish each other luck before the starter triggers the mechanism that simultaneously releases both cars. Then the drivers get to learn about gravity, friction, aerodynamics, and lots of other things including just how cool a steering wheel and a burst of speed feels.

The racing was mostly without incident and I saw no reason to photograph the few incidents that did occur. A couple of drivers were still learning the mysteries of steering and shortened their runs by angling into the curb and one driver verified the brakes were working by stopping about halfway down the hill. One car veered into the other lane and ended up slamming into the straw bale protecting the timing sensors. I later overheard comments that something in the steering may have broken. Whatever the cause, it was a traumatic experience with some extra learning that was harsh but injury free.

I’m seriously thinking about going to the big show in Akron this year although there are no firm plans in place. The Cincinnati qualifier would be a nice prelude to that but at the moment that looks to be something I’ll have to miss. If that’s the case, this driver’s practice will be my practice too. 

Bricktionary at Cincinnati Museum Center

I’ve never had Legos. I’ve had Tinker Toys and Lincoln Logs and even a hand-me-down Erector Set but no Legos. Both my Tinker Toys and my Lincoln Logs were made out of real wood but I had no Legos made out of anything. If having wooden Tinker Toys and Lincoln Logs isn’t sufficiently impressive, consider that I also had a Mr. Potato Head that did not come with a plastic body but required a real potato and my family’s Clue Game had a real rope (string) and lead pipe. Knowing all that should make it abundantly clear why I had no Legos. My childhood occurred at a time so far removed from the present that Legos had not yet been invented.

The Lego company and something called “Automatic Binding Bricks” did exist during my childhood but it would be the late 1950s before the sort of plastic brick we now know would appear. Initially seen only in Lego’s home country of Denmark, they would not show up in the USA until 1961. That was a little too late for me but Legos were part of my sons’ toy collections. They were not a big part although they were around enough for me to experience stepping on them barefoot in the dark. The experience is certainly a memorable one but the pain level does not, in my opinion, equal that of stepping on a Barbie high heel under similar circumstances. Legos really took hold a generation later and at least one grandson dived pretty deep into the phenomenon.

Others took even deeper dives to become LEGO® Certified Professionals. One of those professionals, Ryan “The Brickman” McNaught, is responsible for “Bricktionary: The ultimate LEGO® A-Z” exhibit at the Cincinnati Museum Center that I visited Friday. It is based on a book of the same name. Learning that A is for alligator is a good start.

The Seattle Space Needle just beyond the alligator had me stumped until I figured out it was part of the ‘B’ section. B is for buildings like the Space Needle and the Sydney Opera House.

There are several hands-on stations in the exhibit where lots of Lego elements are available to experiment with. At the earthquake station, visitor-built structures can be tested for stability on adjustable shaking platforms.

It took me a second to realize that G is for garden but knowing that H is for Harley Davidson was immediate. I was pretty impressed with the spokes made out of bricks and I thought the giant flower so cool that I used a shot of just the bloom for an Instagram/Facebook post.

I found this hands-on station extra interesting and spent some time talking with the two people operating it. In the end, I participated myself. It has some similarities with assembling a jigsaw puzzle except all of the “puzzling” has already been done. Screens display random sections of the big image for visitors to copy onto 6×6 panels. The pattern I followed to assemble my section is here. Completed sections are placed in their proper position by one of the station workers. The image being assembled here is a frontal view of the Museum Center. There are others including an awesome view of the Grand Canyon. It takes a number of days to complete an image but several have already been assembled and disassembled since the exhibit opened in March. There is talk of the Museum Center image remaining in Cincinnati when the exhibit moves on and I briefly had visions of my little panel becoming part of a permanent museum display. I quickly realized, however, that the Museum Center, the Grand Canyon, and every other image will likely rise and fall many more times before the exhibit closes in August.

This Lego model of the Museum Center, a.k.a., Union Terminal, sits at the line separating the big exhibit from the obligatory gift shop. One of the items available in the shop is the Bricktionary book mentioned earlier. I should have checked to see if it gives instructions for building all 150+ models in the exhibit. If so, then anyone could duplicate the exhibit with a little free time and about 3,000,000 Legos. If only my condo was a skosh bigger.

Three Days of Peace and Music

Although it was not an actual goal, I was entertained by live music each of the last three days. It was just like Woodstock except that I only saw one performer each day and didn’t have to sleep in the mud. The picture at right exemplifies the peacefulness that prevailed. It was taken at the Cincinnati Zoo & Botanical Garden where my musical adventure began.

I’m not sure when the zoo held the first Tunes & Blooms event. The earliest online reference I found was from 2018. The current setup has the music starting at 6:00 with free admission starting at 5:00. There is not much animal activity at that time but there is some and a few buildings remain open. One of those is Manatee Springs which has three residents at present. In the photo, one of the three is seen chasing some of the nearly 300 pounds of lettuce the trio consumes each day.

I have thought of attending Tunes & Blooms in the past but Thursday was the first time I actually made it. The artist of the day was the Carriers. They delivered very good original rock material that I quite enjoyed.

I stopped by Fibonacci Brewing last month to see Vernon McIntyre’s Appalachian Grass but bad weather caused the show to be canceled. I got much closer on Friday. Appalachian Grass performed but without Vernon. He wasn’t feeling well but sent a very capable guitarist in his place. The group is scheduled to be at the brewery monthly and I will be back.

Between 1956 and 1968, Covington, Ohio, was home to Rogers Drum Company. I even picked up a kit there in 1964. For the last few years, fans of the drums have been gathering in Covington to buy, sell, and reminisce as they did on Saturday. Potential buyers would sometimes take kits for a “test drive” and multiple simultaneous drum solos in a high school gymnasium sound exactly like what you’re thinking. The second picture is of Anthony Amodeo’s presentation on some Rogers history. The third picture is of a display in the local museum.

Drum solos were not the only music I heard on Saturday. I ended the day at Devil Wind Brewing where I knew Nasty Bingo would be performing. I had heard of the group but had never actually heard them. They did not disappoint and made a great finale for my three (generally) peaceful days of music.

2023 Ohio Road Meet Columbus

I attended my sixth road meet yesterday which provided a good topic for this week’s post while simultaneously removing any possibility of completing a post about it by 6:00 AM today. Rather than posting a canned article to meet the 6:00 schedule, I decided to defy the self-imposed deadline and post this report on the Columbus Road Meet at whatever time it was complete. Whether or not it is worth waiting for is not for me to say.

The group gathered at Tommy’s Diner for a pre-tour meal. Sandor Gulyas, the meet’s organizer, and I are pretty familiar with Tommy’s but it was something new for the other four attendees. Being there for lunch was also something new for me since I believe all of my previous visits had been for breakfast. I was prepared to order a sandwich when the menu reminded me of the “breakfast all day” policy. It was not quite noon when I tackled a 3-cheese omelet.

Our first stop was at the Dodge Skatepark from where we could see some of the ongoing construction of a new ramp to I-70/I-71. I’m always something of the odd man at these meets since they lean toward the new and my interest leans toward the old. Of course, it’s really a continuum and I always find something that interests me. However, it might explain why my pier picture includes kayakers and I have a skyline picture facing away from the construction entirely.

While stopped at the skatepark, we walked over to an art installation named The Slingshot for a group photo. I don’t yet have access to that photo (I’ll add it when I do.) but I do have this picture of Sandor about to be launched in the direction of downtown and the opening photo shows Sandor’s final pre-launch view. ADDENDUM 16-Apr-2023: The group photo has been added at the end of this post.

We then circled through downtown for a view of the construction from the south side of the Sciota River. I was quite impressed with the stationery supervisor watching over things from the hilltop with the tip of the LeVeque Tower peeking up behind him. There’s a closer look here.

The brick house is where author James Thurber grew up. It is now a museum and the area around it is called Thurber Village. A parking lot there was our base for a walk to the murals on the Long Street I-71 overpass.

This pair of bridges bracket a brick-paved section of Iuka Avenue running through Iuka Ravine. The Summit Avenue Bridge (least cars) was built in 1916 and restored in 2001. The Indianola Avenue Bridge was built in 1996 to replace one built in 1912. Kudos for retaining the original appearance of both bridges.

Here are outside and inside pictures of Glen Echo Bird Tunnel on Indianola Avenue. The inside shot should make the difference between art and graffiti quite clear to anyone. If I was younger and lived closer, I’d definitely be making plans for the next Bird Tunnel Party. I’ll probably give it some thought anyway. There are photos of some individual birds here, here, and here.

Remnants of the old pavement can be followed to a still-functioning Glen Echo Drive on the other side of Arcadia Avenue. I again gripped the handrail returning to Indianola despite having a different opinion of that bottom column than I had coming down.

Formally named Rustic Bridge, this structure was part of a short-lived zoo and amusement park more than a century ago. The zoo was pretty much a failure and closed in 1907 after just four years of existence. My joke about the bartender not being in till later was pretty much a failure too. From the vantage point of the bridge, I thought this looked exactly like four guys hanging out at a bar but I guess it didn’t make the same impression from ground level.

Following our return to Tommy’s, I headed west on US-40/National Road to the recently reopened Red Brick Tavern. After being closed for nearly four years, this historic tavern had a Grand (re)Opening on Valentine’s Day and less than two months later it appears to be off to a great start. I didn’t catch the musician’s name but I did enjoy his mix of music and I also enjoyed my salmon Ceasar salad. Welcome back!

Apparently, I did not publish a report on that first road meet in 2011 but here are the others:
2012 — Dayton, Ohio
2013 — Cincinnati, Ohio
2019 — Portsmouth, Ohio
2019 — Delaware County, Ohio

ADDENDUM 16-Apr-2023: Here is the Slingshot group photo plus one on Long Street that I had not mentioned. Thanks, Brandon.

Spring Fling 2023

Birthday trips may have become a thing. I used my birthday as an excuse for running the COVID blockade in 2021 and last year it served as justification for a drive to an overnight that had long been on my list. The 2021 trip was a three-day affair that got the full journal treatment (Birthday Breakout).  The one-night 2022 trip was covered in a blog post (Celebrating). This year’s outing started as a two-night deal that has grown to three nights and will be covered in a regular journal. The first day, which consisted of a drive to a historic inn, has just been posted. Following days will include a railroad roundhouse and museum and a concert.

This entry lets blog-only subscribers know about the trip and provides a place for comments. The journal is here.

Spirit of 76

For the second consecutive year, I’ve created a post specifically for my birthday. I didn’t expect to. I did it last year to note a milestone in age and a change in appearance. I’m doing it this year primarily to record some thoughts. I ended last year’s post with the observation that “birthdays are good occasions for remembering all the folks I’ve known who have been denied the privilege of growing older”. I intentionally used “older” rather than “old” without knowing the significance that the difference would hold this year. During the year since my last birthday, a very close friend of mine stopped growing older. John was born a few years before me so the privilege of growing old was something we shared. Sure, lots of people live to be much older but lots more don’t.

The day before John turned seventy-six, he commented about having that number of trombonists serenade him for his birthday. On the day. I shared a Youtube clip of The Music Man‘s signature song.

I recalled that as my own seventy-sixth birthday approached but thought of a couple of other things associated with the number 76. One was (Union) 76 gasoline and another was The Spirit of ’76 painting shown at left. Probably because I would like to think I have some spirit left at age 76, I felt more of a connection with the painting than with the gasoline, and I felt more of a connection with the painting’s title than with its appearance.

Archibald Willard, who painted The Spirit of ’76, was an Ohioan. Some of his more notable work is in the somewhat nearby Fayette County courthouse. Apparently, Willard also liked the word “spirit”. The three largest of his 1882 murals are The Spirit of the U. S. Mail, The Spirit of Electricity, and The Spirit of the Telegraph. While those were no doubt high-tech futuristic subjects in 1882, today all three would probably be combined in something like The Spirit of the Internet, and Willard would have to come up with a couple additional ideas to fill all three walls.

The image with the old phrase on an updated background at the top of this post should now make sense but in case it doesn’t, I’ll explain. A few days ahead of my 76th birthday, I sat on a bench in Washington Court House, Ohio, gazing at the Fayette County courthouse in which there are three “Spirit” murals painted by the man who created a painting in 1875 that he called Yankee Doodle but which was soon renamed The Spirit of ’76. Happy Birthday to me.

A more readable version of the sign in that last picture is here.

A Normal Opening Day

Cincinnati Reds opening day parades were canceled in 2020 and 2021 because of the COVID-19 pandemic. Last year’s parade was delayed along with the start of the season by an owner-player dispute but it did happen. Opening Day 2019 was normal in most respects but I missed the parade due to my own bad planning. I made the parade in 2018 although it was delayed by legitimate business concerns having nothing to do with owners, players, viruses, or weather. In 2017 I was out of town for what I understand was a very nice and quite normal parade. That means that the parade of 2016 was the last one I attended that happened as it was supposed to. I’m sure glad that streak is over.

I decided to get serious this year and reached Arnold’s about twenty minutes ahead of the planned 9:00 opening. Obviously, quite a few folks were even more serious but I was still in time to get a seat in the courtyard and get a breakfast sandwich and Shamrock Shake. I was there when Todd Hepburn arrived looking quite dapper and I stayed long enough to sing “Take Me Out to the Ball Game” with him.

The day would eventually get warm but walking to the parade’s start point at Findlay Market was fairly chilly. Near the market, I encountered all four of the Reds’ mascots exiting their limo and heading to the staging area. That’s Rosie Red on the left, Mr. Red on the right, Gapper in the middle, and Mr. Redlegs still in the limo.

My walk and some strolling through the staging area consumed a fair amount of time but the parade start was still several minutes away when I took up a position near the parked Cincinnati Police motorcycles that would lead the parade. Those minutes passed quickly and shortly past noon, the parade was set in motion.

With the passing of the pipes and drums, the organizers’ float, and the iconic Jim Tarbell dressed as the also iconic Peanut Jim, there’s no doubt that we’ve got a real parade going on.

The four mascots spread throughout the parade with Gapper getting the position of leading the parade’s two grand marshalls. Pitchers Danny Graves and Bronson Arroyo are both being inducted into the Reds Hall of Fame this year and are sharing Grand Marshall duties. During the time I was waiting by the motorcycles, the pair had arrived nearby in a van. Danny never turned toward me at the time but I did get a decent shot of Bronson which I’m sharing here.

This group, looking like players and fans from the earliest days of baseball, represents the Reds Hall of Fame and Museum. Mr. Redlegs is close behind.

A few entries later, Rosie Red leads what could be called the parade’s glamour section. Kentucky’s Heather French Henry, Miss America 2000, is as lovely and enthusiastic as ever.

Indicative of Cincinnati and the Reds’ place in a tri-state area, the reigning beauty queens of Ohio (Elizabetta Nies), Kentucky (Hannah Edelen), and Indiana (Elizabeth Hallal) also accompanied Rosie. Maybe it’s a generational thing or maybe it’s because this was early in the parade route but I’d like to think that Heather French’s enthusiasm had something to do with all three title holders forgoing the standard “regal wave” and actually interacting with the crowd.

The Wilburforce University Marching Band got some pre-parade press so I was sort of on the lookout for them when I saw them heading to the staging area and snapped a less-than-great picture. This is the first marching band WU has ever had and it attracted enough attention during its first year of existence to be invited to march in multiple Mardi Gras parades in New Orleans. It’s a really good band and that’s a wonderful accomplishment.

Mr. Red, the fourth and final Reds mascot, was riding with the Friends of Findlay Market. I have no identification for the other two photos except I do know that one is the parade’s most athletic and the other the parade’s cutest.

I have two reasons for including the Lebanon High School Marching Band in this post. One is the eye-catching cool uniforms and the other is that the band was playing “Fins” as they passed. I’m guessing that’s because it’s the only Jimmy Buffett song that calls out Cincinnati and covering Buffett is all the reason anyone needs for joining a band.

In addition to Ferraris and Gina Lollobrigida, Italy has given us Vespas, Reds fans, and Americans.

When I took this picture, the Reds were 0-0. In a few hours, they would be 0-1 but they are now 1-1 just like every other team in the NL Central Division. Mathematically they have the same shot as everyone else but retired Reds announcer Marty Brennaman proclaimed during the parade, “Anybody that thinks they are [going to win the division] are delusional.” Realistically, we could see a repeat of last year’s dismal 62-100 season. Of course, there’s nothing like a parade on a sunny day to make you forget the worst of the past and remember the best, and a smiling George Foster — Big Red Machine outfielder and 1977 NL MVP — is a great reminder of some of that best.

The King Records float was another reminder of the best of Cincinnati history. I got so caught up in watching Tony Wilson that I almost missed Bootsy Collins. Wilson, given the name Young James Brown by the real James Brown, was singing and dancing in the street while Bootsy was keeping a pretty low profile — for someone wearing a sparkling blue top hat — on the float.

I know I’ve seen members of the Cincinnati Circus Company in other parades but I don’t recall seeing a group behind a banner before. Of course, that probably has more to do with my recall than reality.

Following the parade, I overheard several comments from people who were really impressed by the Indianapolis motorcycle officer riding his ‘cycle while standing up. I witnessed that bit of derring-do but got no photos. The last parade picture is of one of my all-time favorites, the Lawnmower Precision Drill Team from Wapakoneta.

I apologize for what might be a personal record for the number of photos in a blog post but I assure you it could have been worse. Maybe it was ending the seven-year streak of missed or somehow off-kilter parades that caused me to take so many pictures. Limiting this post to what I hope is only slightly too many was not an easy task.

When the last of the parade passed me, I was near Washington Park and headed immediately to Cobblestone OTR across the street. I believe I could have bought a beer almost instantly but decided I ought to dispose of the one I had for breakfast first. The line at the restroom extended through much of the bar and that convinced me to just move on. The crowd at Knockback Nat’s was out the door and, although I could step inside Madonna’s, that place was definitely full also. I found the same thing at Arnold’s but my car was nearby and I brought the day’s hike to an end right there. I finally got that beer at City View Tavern where barely a half dozen customers preceded me and I was able to grab a seat at deck’s edge. That situation did not last long and the couple at the table behind me instantly moved forward when I left.  

Short, Sweet, Wet, and Irish

It took place on March 17 so obviously it’s Irish. It’s wet because of the heavy rain that fell before it started and the light rain that fell later. It’s sweet because that’s what most short things are said to be and it’s short because that’s what Hamiltonians wanted. The title quite accurately describes the first-ever Hamilton Ohio Saint Patrick’s Day Parade which those Hamiltonians labeled Ohio’s Shortest. I think the parade route was about 575 feet long but the margin of error isn’t much less than the distance separating the piper leading the parade and the fire engine at its tail. I’ve since learned that the piper is Thomas Eickelberger and that the fellows next in line are Jim Goodman, from Municipal Brew Works, and Michael Ryan, Hamilton’s Vice Mayor. Hamilton’s Mayor, Pat Moeller didn’t actually march in the parade but I did get a shot of him chatting with Eickelberger during the staging.

Municipal Brew Works was listed as the parade’s starting point with the route ending around the corner and up a block at Tano Bistro. I got a full frontal of that bicycle leaning against the brewery before the big kickoff.

Here is the parade after turning the corner. The official end point is behind me but not everyone made it that far. Many departed the route when they reached The Casual Pint or The Pour House. Tano and Chick’nCone got a few of the marchers and would get more later but most initially headed to the adult beverage dispensaries including MBW back at the start point.

The city of Hamilton is no stranger to celebrating Saint Patrick’s Day or to promoting shortness. The parade was followed by the second annual O’DORA Dash. DORA stands for Designated Outdoor Refreshment Area where adults can carry alcoholic beverages and, as everyone knows, adding an ‘O’ will make anything Irish. Despite the word “dash” in its name, speed in covering the 0.1K course doesn’t seem particularly important. In fact, I saw no evidence of any time or speed-measuring devices anywhere near the event.

Much of the chatter about the event concerns not spilling your beer and I saw several participants meet that requirement by chugging their beverage at the beginning. But the official goal was to get as much liquid (either green beer or local Pahhni Water) as possible to the other end. True competitors were not deterred in the least by winds taking down the finish line marker. The Hamilton Community Foundation will benefit from the fundraiser regardless of who won or how much rainwater was in their cup.

I was already planning on attending the parade when I found out that someone I know would be playing at North Second Tap and Bottle Shop. When I got there, the new-to-me Bedel and Hibbard were on stage. Elijah Bedel and Sam Hibbard perform mostly American folk music on a variety of instruments. That’s a gourd banjo on the right side of the first picture and the banjo and fiddle on the picture’s left side are part of the mix too. Today’s song list was naturally slanted toward Ireland. Not only were they doing an afternoon set, but they would also be returning later to close out the night.

Although I’ve seen Rob McAllister do sets that would qualify as American folk music, that would not be happening today. Today it would be Dead Man String Band at full throttle. Usually checking out a guitarist’s pedal board will reveal an array of effects boxes with buttons. The Dead Man’s has real pedals and he uses them all. And somehow, replacing the tom rack on a bass drum with a microphone just seems to fit.

With the exception of the cold, I enjoyed everything about my day in Hamilton. I especially appreciated the sheer fun of the parade which kind of reminded me of the Cincinnati parade before all the sanctimonious family values posturing took over. The O’DORA Dash was fun to watch and I enjoyed a few malt beverages although none were green. And I appreciated hearing music in a place where others appreciated it too. Can there be any doubt that a place is cool when there is a wizard on the soundboard and a leprechaun on the bar?