Book Review
Greetings from Coldwater
Emily Priddy

gfc_cvrI’m going to admit right up front that defending this post against my About page claim that readers will “not be seeing a review of the latest novel” is pretty much a lost cause. I proclaimed my earlier review of Cincinnatus “not guilty” on the technicality that, at five years of age, it was not “the latest novel”. That tactic simply won’t work here as Greetings from Coldwater was published right at two months ago and is Priddy’s latest offering and first novel. That I am guilty of breaking my own promise is obvious. I can only beg for leniency on the grounds that I did say I’d be reviewing books “related to something I personally like such as old roads or cars” and, while Greetings from Coldwater isn’t actually about Route 66 or classic Volvos, both have roles. Maybe I can be forgiven.

Volvos only get bit parts but Route 66 is a star. The novel’s story-line is a girl-meets-boy romance. Motel owner Sierra Goldsmith meets school principal Grant Loucks and sparks — tastefully subdued — ensue. But Grant doesn’t even show up until page 104 and there’s romance in the air almost from the book’s beginning. That romance is between Sierra and Route 66. More specifically Route 66 in New Mexico. Anyone who knows Emily Priddy will recognize that the love Sierra has for the state and its portion of the historic highway is a dead-on reflection of the author’s. There is no avoiding the fact that there is a certain amount of autofantasy (It’s related to autobiography.) in the book but it’s hardly a hindrance. It doesn’t get in the way of the story and it adds energy and conviction to its telling.

Sierra is not a motel owner when the story begins. She stumbles into the aging Tumbleweed Motel shortly after her fathers death. Her mother died years before and they had separated years before that. The fictitious Tumbleweed is in the equally fictitious town of Coldwater, New Mexico. The more or less directionless Sierra, buys the motel and proceeds to refurbish it as she learns about the small town that has suddenly become her home. Even after Miss Shirley, the previous owner, leaves the Tumbleweed, Sierra isn’t the only full time resident. She inherits/adopts Joey, the developmentally disabled resident “handyman” Miss Shirley had taken in long ago. Other businesses in the town include a garage, hardware store, and bar each with a friendly and helpful — in his own way — owner. It’s a good place for someone who, although not exactly running from her past life, is not at all eager to share it.

Not only does Priddy have the knowledge, through years spent on Route 66 and the Coldwater-like towns it connects, to paint a complete and colorful background for her story, she has the skill, from years as a journalist, to tell that story properly. I wouldn’t know a good romance story if it stuck its tongue in my ear (although I suspect that’s a sign of a bad romance story) so I can’t really say if the tale of Sierra and Grant is one. I can say that it is well written.

It is also well drawn. Several of the novel’s chapters are fronted by pen-and-ink drawings produced by Priddy. In her acknowledgements she points to the late Bob Waldmire as the influence for these. Some are indeed reminiscent of his work and add to the book’s Route 66 flavor.

There are some “Easter eggs” in those drawings and in the text. Readers familiar with the Route 66 community will have fun finding them, all readers will be treated to a well informed sense of what life beside the historic highway might be like, and some readers will really enjoy following Grant and Sierra as they deal with the baggage Sierra brings to their relationship. I guess I even enjoyed it a little myself. It is somewhat, as Joey would say, “a kissy story” but not terribly so. The girl definitely shows some love for her guy but she shows at least as much for her road.

Greetings from Coldwater, Emily Priddy, CreateSpace Independent Publishing Platform, September 26, 2015, 9 x 6 inches, 272 pages, ISBN 978-1517049386
Available through Amazon.

The Art of the Brick

aotb01“Remember”, says Nathan Sawaya, “it all starts with one brick.” Sawaya is the artist responsible for all those LEGO® sculptures currently on display at Cincinnati’s Museum Center in “The Art of the Brick”. I failed to do my homework before visiting the exhibit on Monday though I actually think that might have helped as much as it hurt. Since I’m writing about it, I’m obviously not advocating that everyone attend with the level of ignorance I had but I can’t help but think my off target expectations caused me to be more impressed with some aspects of the exhibit than I would have been otherwise.

aotb02aotb03aotb04Museum mailings on the exhibit included “Make & Take” and “Harry Potter Building Part” promotions. Apparently those “fun & games” promises made more of an impression on me than the word “art” in the title. What I expected, I suppose, was a collection of technically impressive structures. My misconception was not immediately apparent as things started off with items that were either flat or fairly shallow base-relief. Most were copies of popular works which more or less supported the idea of “technically impressive”.

aotb07aotb06aotb05Next up were some fully 3-dimensional copies of some 2- dimensional works of art. These were followed by reproductions of some familiar 3-D sculptures. The technology was more complex and the results more impressive but it was still, you know…

aotb08aotb09Then things changed. I don’t really know what Sawaya had in mind when he chose the word “metamorphosis” to identify a particular subset of his work but I do know it fit what I experienced. When I first entered the exhibit I didn’t even know that it was the work of one man. I learned that during the introductory video. I now realized that the word “art” in the title was no accident. Venus de Milo and friends were essentially the last “reproductions” in the exhibit. Sawaya’s vision would pretty much rule from here on out. An athlete is captured mid-stroke in Swimmer. Facemask is a self portrait.

aotb12aotb11aotb10That Sawaya is a talented artist as well as a skilled technician becomes even more apparent in his “Human Condition” collection.

aotb13aotb14As Sawaya notes, Yellow is probably his best known piece. Its ability to grab attention gets it featured in plenty of ads and brochures. Full frontal shots are everywhere and oblique views aren’t uncommon. This “dark side of the moon” shot is a kind of rare, however. Sawaya also notes that it gets that attention from both young and old. For adults he conjectures that it is seen as a “cathartic ‘opening one self up to the world'” and for kids he thinks it’s “Probably because yellow guts spilling onto the floor looks cool.”

aotb15I know this isn’t very artsy. I guess it might even be considered a reproduction of sorts but it’s not a reproduction like that reproduction of Michelangelo’s David. In this entire exhibition made of children’s building blocks, this is the only piece that was made specifically with kids in mind. It isn’t life size but it is big — over six feet tall and a tad under twenty feet long — and it is certainly technically impressive. 80,020 pieces they say.

aotb16aotb17aotb18One more big surprise awaited. It’s a collaboration with photographer Dean West called “In Pieces”. The first picture shows a group of items constructed from LEGOs by Sawaya. The surrounding walls are lined with photographs in which the items are combined with people and other real-world elements. For example, the red dress can be seen being worn in the picture beyond it.

aotb20aotb19These two pieces near the very end of the exhibit may require a little explaining. Cincinnati was once the pork packing capital of the world. Porkopolis borrows the city’s one time nickname and flying pig mascot. Sawaya made the piece specifically for this exhibit. Hugman is the name of a style of sculpture that Sawaya likes to install in various cities he visits. The three shown here are special in that they are made of bricks by visitors to other exhibits. I may have even found one signed by an unknown relative. “The Art of the Brick” differs from most temporary exhibits at the museum by not only permitting but encouraging photos, even flash. That might be apparent simply by the number of photos in this article. That much appreciated photo policy made the purpose of that empty pole obvious to me even though it wasn’t exactly spelled out.

“The Art of the Brick” is at the Museum Center through May 1 and is definitely recommended.

Road Trip Essentials Redux
A My Gear Extra

This post first appeared on June 8, 2014. It was done at the request/suggestion of a company called RelayRides. The company has changed its name to Turo and recently contacted me to request an update in the 2014 post. I made the name and URL changes then decided to reuse the post as well. Turo is a peer-to-peer car rental company. I still have not used the service so can no more rate or endorse it now than I could in 2014. What I can say is that the company seemed to honestly appreciate a mention in that original post and, unlike some other outfits, have not pounded me with additional requests since then. The current request is not only reasonable but helpful. I appreciate being given an opportunity to fix things. I will also compliment them on some very good timing.

I had already decided to queue up a “Trip Peek” for this week’s post but after rereading the original “…Essentials” post decided to reuse it instead. I like the post and everything is basically the same now as it was then. So, with only minor corrections, here it is again.


rtecolI recently received a request/suggestion for a post on “must have” road trip items. I initially blew it off but returned to it a week or so later. Since I am about to actually head out on a road trip, I need to stockpile some “dateless” (“timeless” almost, but not quite, fits) articles for posting while I travel. You know, the “Trip Peek” or “My Wheels” sort of things that have no connection to what I’m actually doing but can be posted at anytime to meet the blog’s every Sunday schedule. In the middle of generating a couple of “Trip Peeks”, I remembered the email and realized that the suggested “Road Trip Essentials” was as good a topic as any. Of course, it would take more time than a “Trip Peek” but it could be sort of a consolidated “My Gear” and it might be fun. If it also made somebody (the requester) happy, even better.

The request came from RelayRides (now Turo), a peer-to-peer car rental outfit. I’d never heard of them and naming them is not meant to endorse them but I could see that continued references to “the requester” were going to get old. Though the services offered are different, the contact from RelayRides (Turo) reminded me of a recent conversation with some friends about Uber, a person-to-person taxi service. After using Uber on several occasions in a couple of different cities, they were singing its praises. These person-to-person/peer-to-peer businesses are certainly worth keeping an eye on. The RelayRides (Turo) call was for blog posts that could tie into an upcoming “Road Trip Essentials” campaign. There is absolutely nothing in it for me except the possibility of an extra visitor or two but neither are there any restrictions or guidelines. The friendly and conversational request used playlists, caffeine, and frozen grapes as possible essentials so my list may be a little more serious than what they’re thinking. I believe everyone knows, however, that, while I take my road trips seriously, they are rarely serious trips. There was no actual suggestion that I include a collage but the word was used twice and I figured making a small one might be fun. It was.

The camera needs little explanation. If I’m on a full tilt road trip, I need pictures for the daily updates and there are other trips taken with the clear intent of using all or part of the outing in a blog entry. In addition to pictures that, if they’re not too crappy, might appear in a journal or blog entry, I use a camera to take notes. Snapping a photo of a sign or menu is a lot easier and less error prone than trying to write down what I think I might want to know later. Even when there is no advance thought of documenting any part of a trip, l want a camera near by in case some Martians land along the road or Bruce Springsteen’s car breaks down and he needs a ride.

I imagine that almost everyone now considers a GPS unit at least useful on a trip. It can keep you from reaching Tijuana instead of Vancouver and can be a great help in finding gas, food, or lodging. I do use mine to find motels and restaurants and such but I also use it in a manner that makes it truly essential. Many of my trips are on historic (i.e., imaginary) highways. They probably don’t appear on any current map or atlas and there are few, if any, signs to follow. Even if there were, I typically travel alone with no one to constantly read maps or watch for signs. What I do is plot the exact route I want to follow and load it into the GPS unit which then verbally directs me along my chosen path. Yes, it does require a fair amount of advance work and a more capable than average GPS unit.

Even with every turn programmed into the GPS, I pack guide books and maps. The GPS can fail, the situation on the ground might not match the plotted course, or my intentions might simply change. Plus, guidebooks like those in the picture provide valuable information when putting together a journal or blog entry.

The last item pictured, the cell phone, is the electronic Swiss army knife of our age. It is almost essential to everybody everyday just to talk, text, search, and email. In my case, in the context of road trips, it is also essential as a backup camera and as a voice recorder. Not too long ago, I would have included a small voice recorder in my essentials but the phone now serves to make quick notes especially while driving. I still carry a digital recorder for use when appropriate but it no longer rides on the seat beside me.

rtecabOf course, all of those accessories have their own accessories. For many years, I only bought gear that used AA batteries on the theory that I could always buy power at the corner drug store if required. I believe that happened once. I carried around a bag of nicads and the chargers to fill them in either car or motel. I eventually had to abandon that position but I still cling to the ability to recharge everything whether stopped or on the go. I now carry spare proprietary batteries and AC/DC chargers for two different cameras and a cell phone. I do not carry a spare for the GPS since I seldom operate it on battery power.

I’ll also almost always have my laptop along and some music/podcasts, and maybe, depending on departure time and length of trip, a thermos of coffee and a cooler. The cooler will have water or Gatorade and possibly a beer or two. There will probably be some carrots, or apple slices, or grapes in there, too. Next time, the grapes might even be frozen.

Book Review
A Decade Driving the Dixie Highway
Denny Gibson

addtdh_cvrI did it again. I wrote another book. It’s a lot like the other one. It’s an illustrated travelogue and, although there is no old car involved, there is an old man and an old road. That other book, By Mopar to the Golden Gate, told of a single excursion lasting a few weeks. A Decade Driving the Dixie Highway draws on roughly thirty road trips spread over eleven years. Multiple trips were pretty much required since the Dixie Highway was not a straight forward point to point road but a system that connected ten states with nearly 6,000 miles of roadway.

Road scholars Brian Butko and Russell S. Rein both contributed glowing modesty-challenging blurbs that appear on the back cover.

addtdh_int

A Decade Driving the Dixie Highway is available as a Kindle download (with color photos) as well as a paperback. Either may be purchased through Amazon and the purchase of a paperback there includes the ability to acquire the Kindle edition for a couple bucks. I’ve also set up an eBay listing in an attempt to make providing signed copies easier. I can’t offer access to the Kindle download or the potentially free shipping of Amazon but they can’t ship books with my scribbling in them.

The book was produced through Amazon’s CreateSpace and there is a CreateSpace eStore although I can’t think of any reason for someone to buy there. I do get a slightly bigger cut on eStore sales but there is no Kindle access, free shipping, or autograph. The book may eventually be available through some other channels but for now the two sources I’m suggesting are Amazon and my eBay listing.

A Decade Driving the Dixie Highway, Denny Gibson, Trip Mouse Publishing, 2015, paperback, 9 x 6 inches, 152 pages, ISBN 978-0692516966.

Signed copies available through eBay. Unsigned copies available through Amazon

Reader reviews at Amazon are appreciated and helpful and can be submitted even if you didn’t purchase the book there.

Three for Me and the DAV

dav5k2015_01A veteran buddy talked me into walking with him at the inaugural National 5K Run/Walk/Roll/Ride in 2013. We both signed up again last year but, when I called from near the start line to see why he was late, I learned he had forgotten and was half way across the state. This year he is living out of state so I knew when I registered that I would be doing it alone. Just me and more than 3,000 strangers.

dav5k2015_02dav5k2015_03Just before the hand-cycles lead off the timed entries, the motorcycle contingent rolls by the starting line. This large group, mostly veterans, will cruise the course then park near the end to greet and cheer every participant.

dav5k2015_05dav5k2015_04The picture at the top of this article is a capture from a video posted as part of the results. Participants can view a clip of their finish based on bib number. I finished in 1:04:26. That’s 4 minutes and 3 seconds faster than last year and a mere 47:31 behind the fastest runner. I’m obviously closing in.

In 2013 the only event was the one in the DAV’s home town of Cincinnati. In 2014 an event in Dan Diego was added and this year an Atlanta event joins the other two. With a perfect attendance record to maintain, I intend to be back next year. Blog posts on the previous events are here and here.

I Care Not How. Only If. (2015)

I first posted this last year with the intention of reposting it every year just ahead of election day. I realize that the “I Care Not.” in the title loses some credibility following last week’s post on a couple of Ohio ballot issues but that doesn’t alter the core sentiments of the piece one bit.


yvyvWe fought a war to get this country going then gave every land owning white male above the age of twenty-one the right to vote. A little more than four score years later, we fought a war with ourselves that cleared the way for non-whites to vote. Several decades of loud, disruptive, and sometimes dangerous behavior brought the granting of that same right to non-males a half-century later and another half century saw the voting age lowered to eighteen after a decade or so of protests and demonstrations.

dftv1Of course, putting something in a constitution does not automatically make it a practice throughout the land and I am painfully aware that resistance followed each of those changes and that efforts to make voting extremely difficult for “the other side” are ongoing today. I don’t want to ignore partisan obstructions and system flaws but neither do I want to get hung up on them. I meant my first paragraph to be a reminder that a hell of a lot of effort, property, and lives have gone into providing an opportunity to vote to a hell of a lot of people. Far too many of those opportunities go unused.

There are so many ways to slice and dice the numbers that producing a fair and accurate measure of voter turn out may not be possible. A Wikipedia article  on the subject includes a table of voter turnout in a number of countries for the period 1960-1995. The United States is at the bottom. The numbers are nearly twenty years old and open to interpretation so maybe we’re doing better now or maybe we shouldn’t have been dead last even then. But even if you want to think we are better than that, being anywhere near the bottom of the list and having something in the vicinity of 50% turnout is embarrassing… and frightening.

dftv2In the title I claim to not care how anyone votes. That’s not entirely true, of course. I have my favorite candidates and issues. I’ll be disappointed in anyone who votes differently than I do but not nearly as disappointed as I’ll be in anyone who doesn’t vote at all. I’m reminded of parents working on getting their kids to clean their plates with lines like, “There are hungry children in China who would love to have your green beans.” I’m not sure what the demand for leftover beans is in Beijing these days but I’m pretty sure some folks there would like to have our access to ballots and voting booths.

Ohio by the Numbers:
3, 10, 10,000, 40

ohion2y33 is the number assigned to the ballot issue on the legalization of marijuana in Ohio.

10 is the number of rich folk likely to get richer if it passes.

10,000 is is an educated guess at the number of both rich and poor folk who will be arrested next year if it doesn’t.

Some people who are basically in favor of legalizing marijuana have a problem with that 10 number. I don’t. Those that do seem to actually have two problems. One is the number itself and the other is that the owners of the 10 cultivation centers that Issue 3 would authorize are already known. A limit of some sort sure seems reasonable. Can anyone really believe that going from completely illegal to unregulated and unlimited is realistic? Maybe 10 isn’t the perfect number but I don’t know what is. I guess 15 would be better and 5 would be worse but 10 is what we are offered. Taking some of the edge off of that number is the fact that, unlike marijuana laws in Washington state, Issue 3 includes provision for home growers.

That the locations and owners of those 10 cultivation centers are defined as part of the ballot issue seems a little tougher to swallow. For some reason, making pot legal without simultaneously anointing financial beneficiaries of the move sounds nicer. However, unless you’re the state legislature, getting an issue on the ballot requires a lot of signatures and getting those signatures requires a lot of time and money. Sometimes the effort is paid for by a non-profit group of concerned people and sometimes it is paid for by people who will directly benefit. Ohio’s recent legalization of gambling in a few locations operated by a few companies is a good example of the latter approach. Much like the business interests who backed the casino campaigns, a group named Responsible Ohio financed the effort to get Issue 3 on the ballot and the campaign promoting it. I initially thought having the financial winners predetermined was a big negative but I now think differently. The Responsible Ohio investors have taken a risk and they stand to benefit. It’s all in the open and is actually rather refreshing in these days of massive no-bid government contracts and the all too frequent uncovering of kick backs and “pay to play” government-business relationships. If you’re even remotely OK with giving out-of-state companies license to operate the only four casinos in the state, you shouldn’t have a problem letting ten Ohio based companies turn a profit growing pot.

Those investors have given Ohio voters an opportunity we would not otherwise have. Yes, the nation’s attitude towards marijuana is changing and it seems likely to eventually become legal throughout the land. Even though there is no one with the required resources poised to get a “better” issue on the ballot next year or the year after that, it theoretically could happen. By defeating Issue 3 we could keep those money hungry opportunists from winning their bet. Doing that, however, could easily mean another ten or twenty thousand people being arrested for doing something we don’t really think is wrong. The 10,000 I tossed out as an “educated guess” at the beginning of this post comes from the well reasoned article  here. The article is certainly worth reading but to quickly tie the guess to facts I’ll share that the number of arrests for possession of marijuana was 11,988 in 2012 (the most recent year available). The rate may have gone down but 10,000 is in the ballpark. Somebody is going to make money from the legalization of marijuana. The best case imaginable is that some angel comes along and gets a perfect legalization issue, which somehow assures that only good guys benefit, on the ballot in 2016 so that the current situation lasts just one more year. Putting 10,000 people in jail to keep 10 rich guys from getting richer seems neither kind nor wise.

I mentioned that getting issues on the ballot requires a lot of signatures “unless you’re the state legislature”. That’s a reference to Issue 2 which was added to the ballot by the legislature. I at first thought this might be a good thing as it was presented as disallowing monopolies. It quickly became clear, however, that it is really aimed directly at Issue 3 and I can’t see any good in it at all. Ten independent companies are hardly a monopoly and any attempts to indulge in monopolistic practices can be dealt with via already existing laws. If 2 passes and 3 fails, things stay the same and cops keep arresting people. Same thing, obviously, if they both fail. If both pass, at a minimum things will get hung up in court for some time (and probably make some lawyers richer) and a common opinion is that the passage of 2 would negate the passage of 3. The only clear way to stop at least some of the anti-marijuana insanity is to vote “No on 2. Yes on 3”. To do otherwise is a near perfect example of allowing the perfect to be the enemy of the good.

That last number, 40, has nothing to do with marijuana, monopolies, rich folks, poor folks, or cops. 40% is the average voter turnout in the past 10 off-year elections. That sucks no matter what you’re smoking. The only way to guarantee that your vote doesn’t matter is to not use it.

Naissance All Over Again

I think I attended the very first Ohio Renaissance Festival in 1990 though it’s possible that my first visit was in ’91 during the festival’s second season. It was great fun regardless of when it happened. I visited Willy Nilly-on-the-Wash, the fictional home of the festival, a few more times during the next decade then I stopped. I have no idea why. I was never a regular. I never went more than once a year and doubt I ever went two years in a row. Every two or three years seemed about right until it somehow dropped completely off my schedule. I’m sure I haven’t been there since at least 1999 which means that yesterday was the first time in the twenty-first century that I visited the sixteenth century. It’s changed.

I heard something on the radio about the festival just before it opened this year and decided I really should check it out. It runs for eight consecutive weekends with each week having a theme. There is a Pirates Weekend, a a Barbarian Invasion Weekend, and other fun sounding themes including OktoBEERfest!. This was the only weekend I had free. It’s Romance Weekend. By buying my ticket online I saved $1.14 (20.81 vs. 21.95). I wondered whether it was worth it but once the car was parked it became clear that I had done the right thing. My print-at-home ticket let me go right through the entrance on the right instead of standing in one of the lines on the left.

orf_06orf_05orf_04People in period dress (more or less) are everywhere and it’s not always easy to tell if they are officially part of the show or just highly motivated patrons. I’m only half sure the lady shopping for new cutlery is an amateur and even less certain about the others. I’ve never been actually confronted about photographing someone but I have had a few hard looks. It the look comes before I’ve fired the shutter, the shutter remains un-fired. At this sort of event, the exact opposite is more likely. When I took the second picture, I was actually targeting that magnificent beard but the lovely lady beside it noticed me and made sure I got her best side.

orf_07orf_08orf_09Thrill rides are powered by gravity or muscle. There are, of course, weight limit and “you must be this tall” signs but those aren’t the only restrictions.

orf_12orf_11orf_10Music is plentiful and good. There is even a genuine honest to goodness hurdy gurdy.

orf_13orf_14orf_15Actually, entertainment of all sorts is plentiful. One of the perennial favorites is the Theater in the Ground (a.k.a. Mudde Show). I caught a a performance of Dante’s Inferno and yes he does. They somehow talked a lovely lass from the audience into playing the role of Beatrice and much to my amazement kept her quite clean. The narrator didn’t fare so well. I lingered behind to get a picture of the bare stage.

orf_17orf_16Knights on horseback are every bit as popular as men in mud. There are full-tilt jousts several times each day and before each joust the knights demonstrate some of the skill involved by charging past their squires and plucking rings from their fingers. The lances used are considerably smaller and lighter than the ones they will use in the actual joust.

orf_18orf_19orf_20Although I was quite happy to get it, my seat for the joust wasn’t the best. It was easy enough for me to look past the array of lances but that might be a little tougher in the pictures. In the first picture they are just about to meet. In the second and third thay have just met and some fairly dramatic things are happening. I suppose most folks would simply post some video from their smart phones but I’m a bit more old fashioned and have created a couple of triptychs. One begins with that second photo in which the lance of the knight on the white horse has just snapped. The second begins with the third photo where the knight on the black horse is about to lose his lance.

orf_23orf_22orf_21Though bigger and better than when I last saw them, the joust and mud theater have been part of the festival since its beginning. The human chess match was new to me. I didn’t really follow things closely or understand all the rules but it is obvious that captured pieces do not just leave the board/field willingly. Note Elizabeth Regina watching the game in that third photo. The queen’s presense is often felt throughout the festival. I had encountered her shortly after entering and snapped a few pictures of her and her entourage. She spotted me and paused as she passed. There is an “official” photo of the queen that appears on the festival website and in brochures. I borrowed it to pair with mine.

orf_24This is, as I said, Romance Weekend so I’ll end with this touching image of two smitten youths, with odd curly things on their heads, sharing a scarf.

Something Abe Said

rvtroybFALSE – I am very much a disciple of Snopes.com but it never occurred to me to check this particular quote there. I should have. When someone referenced the quote on Facebook, the following was included as “also shared”. Thanks, Facebook. Questionable Quote’s – Lincoln’s Prophesy

Somewhere in my memory was the knowledge that Abraham Lincoln had uttered the words “this cruel war”. I thought it might be something I could fit into my post on the blog by that name so I did some searching. Abe used the phrase more than once and he was not the only one to use it. In the end I didn’t reference any Lincoln quote in that post but I did find some. I’m going to use one here to produce an asynchronous blog post that involves neither a trip I’ve taken nor something I’ve owned. Here’s what Lincoln said in a November 21, 1864, letter to Col. William F. Elkins:

We may congratulate ourselves that this cruel war is nearing its end. It has cost a vast amount of treasure and blood. . . .
It has indeed been a trying hour for the Republic; but I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country. As a result of the war, corporations have been enthroned and an era of corruption in high places will follow, and the money power of the country will endeavor to prolong its reign by working upon the prejudices of the people until all wealth is aggregated in a few hands and the Republic is destroyed. I feel at this moment more anxiety for the safety of my country than ever before, even in the midst of war. God grant that my suspicions may prove groundless.

rvtroycThere is a discussion of the quote’s authenticity here. The photos are of Seward Johnson’s colossal Return Visit displayed this summer in Troy, Ohio.