Book Review
Leaving Tinkertown
Tanya Ward Goodman

My October Tinkertown visit began with a nice chat with owner Carla Ward. We had exchanged a few emails when I reviewed her 2020 book, The Tinker of Tinkertown, so of course, that was a topic, and talking about that book naturally led to her mentioning that the Tinker of Tinkertown’s daughter had also written a book about her dad. Leaving Tinkertown was published about a month after what had been my most recent visit to the museum, so maybe I can be forgiven for not knowing about it. It took a while for the copy that went home with me in October to reach the top of my reading list, but once it did, it quickly made an impression. Tanya Ward Goodman has remarkable writing talent — and she’s not afraid to use it.

There is a lot of not being afraid, or more accurately overcoming fear, in Leaving Tinkertown. Ross Ward, Tinkertown’s creator and Tanya’s father, was diagnosed with Alzheimer’s Disease at age 57. Everyone around him had plenty of fear to overcome.

Tanya was living in Los Angeles at the time but was present in New Mexico when the diagnosis was delivered and even moved back to the museum that had been her childhood home for a while to help with things as the disease progressed. On the day of the diagnosis, she found herself remembering stories her dad told her as a child and wondering just how the plaques and tangles the doctor tried to describe would affect her father’s brain. She asks herself, “Will he survive this? If he doesn’t, who will tell the story?”

It seemed pretty obvious that it would be Tanya who told the story, and that sort of reinforced the idea that the book was about Ross Ward. I did certainly learn a lot about the incredibly creative artist from this book, but I soon realized that the book really was about its author. I suppose I should have known that from the title.

Tanya’s life wasn’t exactly typical. That her parents divorced and her dad remarried when she was quite young is hardly unusual, but that her mother and stepmother were both important influences as she grew up was a bit so. Even more unusual were occasional trips with her father as he traveled the country, painting rides and signs for carnivals and the like. The house she grew up in had walls made of concrete and empty bottles. It was filled, like a museum, with her dad’s artwork, and part of it was an actual museum open to the public.

Alzheimer’s is a main character in the book. When Ross is diagnosed with it, his mother insists on leaving South Dakota to be with her son in New Mexico. Before long, the disease had grabbed her too. It moves fast and is a sort of highspeed preview of what to expect with Ross. Tanya writes about the strain this places on everyone in the family with complete frankness and uncommon skill. This is what I had in mind when I spoke of her not being afraid to use her writing talent.

Of course, she must have overcome a considerable amount of fear in writing about other aspects of her life, such as the budding romance she put on hold in California to spend time in New Mexico. And overcoming fear and other emotions surely played a role in dealing with all those issues in real life, too.

I have some experience with Alzheimer’s. It is what took my dad. But he was in his 80s, not 50s, and was as far from rebellious as it is possible to be. Also, I was close to it for only a few months and not a few years. So, there are many problems Tanya and others had to deal with that I cannot relate to. But watching a guy that could once do anything turn into someone who can do nothing… Yeah, that’s tough.

Leaving Tinkertown is part of the Literature and Medicine Series from the University of New Mexico Press. Part of their stated mission is to showcase “the texture of the experience of illness,” which this book does incredibly well. It’s been out for more than a decade now, so I don’t think anyone would call it a spoiler if I let it be known that the budding romance bloomed and that Tanya is happily back in LA with a husband and a couple of kids.

Leaving Tinkertown, Tanya Ward Goodman, University of New Mexico Press (August 15, 2013), 6 x 9 inches, 232 pages, ISBN 978-0826353665
Available through Amazon.

Book Review
Looking Back at the Future
Gloria R Nash

Before I even opened this book I was aware of Gloria Nash’s childhood fascination with the 1964 World’s Fair, the family circumstances that brought her back to the neighborhood, and her visits to the old fairgrounds that ultimately led to creating Looking Back at the Future. I was not aware of a high school photography class assignment to “locate and photograph remnants of the fair” that had recently closed. A few black-and-white pictures taken at that time are included in this volume where she wraps up that assignment in style.

Of course, that’s not the only thing I was unaware of and learned here. One that seems like a biggy is that the 1939 and 1964 New York World’s Fairs were held at the same location and that the real goal was the creation of a park. The fairs were simply one of the means to that end. In terms of smaller details, the book’s ratio of new revelations to things I already knew is overwhelming. A short time ago, I knew essentially nothing about the 1939 fair, and about the only things I knew about the 1964 fair were that it was home to the iconic Unisphere and that the Ford Mustang was introduced there.

The book’s subtitle, “Photographing Vintage Leftovers of New York’s World’s Fairs”, accurately describes its main thrust. Well-written text provides background on both fairs, and there are descriptions of buildings and other items that no longer exist, but photographs of what that subtitle calls “leftovers” fill the bulk of the book. Most were taken by the author although a few come from other sources. Some images from postcards and other promotional materials are also used sparingly. The book is printed on good quality fairly heavy stock but it is not coated gloss stock. All of the modern photos are bright and clear and look quite good but this is not a “coffee table” book.

Nash has done a phenomenal job in tracking down fair remnants and makes sure that others can “locate and photograph” these leftovers, too. The location of all leftovers at the fair site (now Flushing Meadows Corona Park) is shown on a map with color coding to distinguish 1939 leftovers from 1964 leftovers. Both chapters on “On-Site Leftovers” contain what amounts to a tour guide for a walk that visits each of them. Chapters on “Off-Site Leftovers” describe locations and give addresses where appropriate. An appendix provides these locations in a list format.

Some of the leftovers from 1939 became leftovers only because they could not be shipped back to a Europe at war. Poland, which was invaded in September 1939, did not reopen its pavilion for the fair’s second season. Others could have made it home but did not. I was surprised to learn that four 25-foot-tall columns that were part of my home state’s building at the 1939 fair have survived and stand at the entrance of a cemetery in Cherry Hill, NJ.

It’s not surprising that more leftovers remain from 1964 than 1939 but it might be surprising that what is probably the oldest fair leftover is from the more recent fair. Jordan made a gift of a nearly 2000-year-old Roman column from the Temple of Artemis. It remains on site but was damaged by vandals in June of 2023. Nash includes a picture of the full column along with one of the damage and another with the damaged section removed for repair. At least a candidate for the second oldest leftover is a carousel made by combining parts of a 1903 and a 1908 carousel. Although it has been relocated, it remains in the park and operates seasonally.

Although both of these fairs made lasting impressions on the people who attended them. neither was a success from the organizers’ point of view. Organizers in 1939 hoped for 50 million visitors but got only 45 million. The target in 1964 was 70 million, but only 51 million showed up. I wasn’t around in 1939, and even though I was very much around in 1964 and well aware of the fair, I did not attend. I have only attended one world’s fair in my life, and that was in 1983 in Knoxville, TN. Nash says that was the last profitable world’s fair held in this country. Coincidence?

Looking Back at the Future: Photographing Vintage Leftovers of New York’s World’s Fairs, Gloria R Nash, N R G Press (November 30, 2024), 8 x 10 inches, 124 pages, ISBN 978-1940046006
Available through Amazon.


If you would like to learn more about this book directly from its author, give a listen to her visit on the December 22 episode of the Coffee With Jim podcast. I did.

Book Review
Trekking Across America
Lyell D. Henry Jr.

I’ve been anticipating this book for a few years now. Henry was probably well into his research for the book when he gave a presentation at the 2017 Lincoln Highway Association conference on trekkers who had incorporated all or part of the highway in their travels. The Lincoln Highway and other trails aimed at automobiles appeared in the latter half of the golden age of trekking, which Trekking Across America focuses on. Henry identifies this as roughly 1890 to 1930. Merriam-Webster defines a trek as “an arduous journey” and during that period just about any long-distance journey that did not involve the railroad was unquestionably arduous. I ordered the book as soon as I became aware of its publication but my own non-arduous travels and the winter holidays kept me from reading and reviewing it until now.

There are a couple of motorcycle-powered treks among those that Henry documents as well as a few powered by beasts of burden that include a bull, some goats, and a team of sled dogs from Alaska. But the vast majority were powered by the trekkers themselves and typically by just walking. “Pedestrian mania” was an actual thing in the latter part of the nineteenth century with all sorts of walking competitions and exhibitions taking place and being reported on by newspapers and magazines.

A fellow named Edward Weston is credited with getting the walking craze started by walking from Boston to Washington to satisfy a bet made on the wrong guy (Stephen Douglas) in the 1860 presidential election. Apparently, Weston decided that he really liked walking and was quite good at it. He proceeded to set records and win awards into his seventies. In some circles, the rampant pedestrianism of the time was referred to as Westonianism.

Henry is a longtime postcard collector and tells how he first discovered trekking through a misfiled postcard of two boys attempting to skate from New York to San Francisco in 1910. Trekking and postcard collecting make a very good match for each other. Weston financed some of his travels by selling photos of himself, and most of those who came after did something similar. Some postcards are just about the only evidence of treks that did not get very far. Others are the entry to sources such as newspaper reports that flesh out the trek.

Postcards are also a rather natural way to provide a visual connection with a trek’s story. Henry divides these stories into five chapters based — not all that rigidly — on the reason for the trek. Following a chapter’s introduction are several segments featuring one or two specific treks with at least one related image. Postcards often provide those images. These two or three page standalone segments allow “Trekking Across America” to be read in small doses if desired.

Individual males were hardly the only ones undertaking these long arduous journeys. Buddies, siblings, newlyweds, whole families, and even a few lone women appear on these pages. Incidentally, little evidence is presented here that a trekking honeymoon will lead to marital bliss. The rules for some of the contests and challenges were also interesting. Virtually every trek involved some sort of time limit but rules about clothing, starting with little or no money, and working en route were also common. After the turn of the century, gimmicks such as the aforementioned skating or rolling a hoop might be involved. One fellow fiddled every step of the way as he walked from New York to Los Angeles and on to San Francisco.

Trekkers were certainly a diverse lot and even included some handicapped individuals such as a man with one leg, a man with one arm, and another with no arms. All three remind us of unpleasant facts about the past. The leg was lost by a four-year-old playing in a train yard. That possibly could happen today but it’s not very likely. The three arms were all lost in factory accidents. The worker who lost his left arm was nine. Both arms were lost by a worker just four years older, thirteen. The Child Labor provisions of the Fair Labor Standards Act might have prevented both of those but it did not come along until 1938.

When I first opened Trekking Across America and scanned the table of contents, I noticed that the epilogue carried the title “When Highways Were Stages”. Although it seems really silly now, I connected that with the divisions or stages of a route followed by stagecoaches. On reaching the epilogue, it instantly became apparent that Henry was referring to Shakespearean stages and not Wells Fargo stages and it added a layer of insight for some aspects of the stories I had just read. The earliest trekkers, such as Edward Weston, were respected and celebrated. That changed when baseball overtook walking as the nation’s number-one spectator sport and suffered even more as the twentieth century overtook the nineteenth. Whereas most, if not all, of the prizes pursued by the first generation of professional pedestrians were legitimate, this became less and less the case. Evidence of this is in the frequent changes in prize amounts, completion deadlines, and other rules claimed by trekkers as they traveled.

But even as confidence in cover stories fell and the trekkers became sometimes viewed as freeloaders, they were still welcomed to towns along their routes, their postcards. were purchased, and their lectures attended. Because, Henry believes, they were a break from the routine and they were entertaining. In Trekking Across America, they still are.

Trekking Across America: An Up-Close Look at a Once-Popular Pastime, Lyell D. Henry Jr., University Of Iowa Press (October 30, 2024), 6 x 9 inches, 278 pages, ISBN 978-1609389796
Available through Amazon.

Movie Review
Porcelain War
Brendan Bellomo and Slava Leontyev

I have never seen a movie quite like this before. It is classified as a documentary, and it documents a war that is going on at this very minute. As I took my seat in the empty theater, I found myself thinking of the newsreels that were still sometimes shown in front of feature films when I was a kid. Those thoughts weren’t entirely off base even though the upcoming scenes were shot a couple of years ago. Those scenes are not staged. The people in them are not actors. But Porcelain War is a whole lot more than a newsreel. Yes, it shows us near-current events but it also shows us people — artistic, talented, and determined people.

The three stars of the movie are identified as “participants”. One, Slava Leontyev, is also identified as a co-director. Another, Andrey Stefanov, is the movie’s primary cinematographer, a task he undertook for the first time. The third, Anya Stasenko, is also the movie’s Associate Producer. All three are artists who chose to remain in Ukraine to make art as a form of resistance to the 2022 Russian Invasion in addition to more conventional forms of resistance.

The porcelain of the title refers to the small ceramic sculptures that husband and wife Slava and Anya produce. Slava creates the plain white figures that Anya paints. There are scenes of creative sculpting and painting, and there are scenes where the figures serve as decoration or as a member of the cast. There are scenes where the little pieces of art are literally the only bright spot in a screen filled with the devastation of war. They are ever-present reminders of the fight against the destruction of a culture by destroying its art.

The two co-directors’ first in-person meeting was at the film’s premier at the Sundance Film Festival. Their separation by distance and language makes the results of their collaboration even more impressive. Andrey’s “training” by Bellomo’s stateside team had the same issues but also overcame them with quite obvious success.

Two other teams made major contributions to the movie. One is Poland’s BluBlu Studios which created 7,000 hand-drawn frames to animate some of Anya’s artwork in one of the most seamless blendings of media I’ve ever seen. The second is the band DakhaBrakha whose music seems to fit perfectly. The band does not appear in the body of the film but can be seen performing behind the end credits.

It looks like tomorrow (Jan 9) is the last day Mariemont Theater is showing Porcelain War. I know that the recent snow might make that a tough trip even if you are attracted to the movie. That’s a bummer but the movie is worth braving some snow if you’re close enough or watching for showings elsewhere and on other dates if you’re not.

Musical Review
Hot Damn! It’s the Loveland Frog!
Hugo West Theatricals
at Loveland Stage Company Theater

I believe I first heard of Hot Damn! It’s the Loveland Frog! about a year and a half ago when I was making plans to attend the inaugural Frogman Festival. It premiered at the 2014 Cincinnati Fringe Festival and had not been performed since. Resigned to accepting that I had missed what was likely my only chance of seeing it, the disappointment I felt last year probably made hearing that it would be performed this year even sweeter. I immediately reserved a seat in the front row for opening night.

That was last Thursday, and it was a hoot. It’s pretty obvious that the play’s writers, Mike Hall and Joshua Steele, realized something a decade ago that many residents of the city of Loveland have picked up on only recently: It doesn’t matter if it’s true or not, it’s fun.

Nor does it matter if the music might not actually be, as promotional materials proclaim, bluegrass. The songs are good with lyrics that always help tell the story and are often quite funny. Almost every cast member sings and sings well. The four-piece band does a great job on every tune and may even sound a little bluegrassy in spots although it is done without the benefit of either banjo or mandolin. There is a fiddle, though, played by Linsey Rogers. She also plays “The Old Woman” who is also blind and often uses her bow like a cane. Tom Steele, Steve Goers, and Bill Jackson fill out the quartet on guitar, keys, and bass respectively.

In addition to the scenic, and in this context unavoidable, Little Miami River, the script brings in other bits of Loveland such as the Loveland Castle, the Valentine Ladies, the popular bike trail, and the fact that Jerry Springer once called the city home. Just about every version of the Loveland Frog legend is referenced in one way or another and that includes a questionable Twightwee Indian tale presented with the aid of shadow puppets. There are characters in the play based loosely on individuals associated with the two most commonly mentioned “sightings” in 1955 and 1972. Maybe I did not need to include the word “loosely” there since every connection between something in the play and something in real life is a loose one.

Hall and Steele find lots of humor in those loose connections then thicken the laughter and the plot with some complete fiction. At the heart of the play are brother and sister moonshiners that take advantage of the frogman legend to scare folks away from an operation so successful that it has its own brand labeled Mason jars. A dishonest and disgraced cop and an ambitious college professor add to the confusion and laughter. The show’s sponsor, Schwartzman Taxidermy, benefits from surprise product placement and heartfelt endorsements. The whole show is funny but a canoe and bathtub chase on the river and a tandem bicycle trailed by a tiny scooter got me to laugh the hardest. Both of these scenes make good use of a moving projected background which plays a role in other scenes as well.

There have been a few attempts to make the Loveland Frog scarey but he is usually seen as rather harmless. That is how he appears here when he shows up near the play’s conclusion and, Wizard of Oz style, makes sure all ends well. Before leaving, he assures us that when a certain celestial alignment, which I did not have the wherewithal to record, occurs, he will be waiting at the bar in Paxton’s. I hope to be there and will happily spring for the first round of Ribbit River Moonshine.


This is another of those reviews published too late to be useful. When I left home for Thursday’s show, several tickets remained for both the Friday and Saturday performances. I made plans to hurry home and ready the review for a Friday morning post to provide a little help in filling them. However, by the time I got home, Saturday was sold out and a single seat remained open for Friday. I could see that my help was not needed and aimed for the normal review publication day of Wednesday. That lone ticket was gone when I woke up Friday morning.


At the end of my post on that first Frogman Festival, I noted that I thought it looked successful, and wondered if there would be another. Despite a venue change and the main sponsor going out of business, there was, and dates for a 2025 event have already been set. I did not make this year’s event but Jacob the Carpetbagger did, and reported on it here.

That 2023 Frogman Festival post also included a picture of Loveland’s rather new mascot taken earlier in the year at the city’s Hearts Afire event. At the time it seems not to have registered with me that part of the mascot’s job was to promote a new festival debuting in October of this year. It’s pretty obvious, however, in this picture taken during Loveland’s 2024 Independence Day Parade. The first Return of the Frogman festival will take place on October 12, 2024, with plans to have another “Leap into the Legend” every leap year going forward. The Loveland Stage Company will also be involved with a showing of Frogman, the movie, which was just released in March. Sadly, at the moment it looks like I won’t be here to attend the festival but I sure hope it’s a success. I guess if I can wait ten years to see the musical, I can wait four years for the festival and — maybe — the movie.

Book Review
Tracing a T to Sebring
Denny Gibson

This book is an odd one that probably doesn’t deserve a review in even this little corner of the internet. On the other hand, this little corner is just about the only place where its oddities can be discussed. It is identical in concept to 2021’s Tracing a T to Tampa. Both tell about retracing an Ohio-Florida trip 100 years after the Model T Ford-powered originals. There are two huge differences, however. The Model T trips were undertaken by my great-grandparents and modern knowledge of them comes from my great-grandmother’s real-time reporting. For the 1920 trip, her writing covered the drive to Florida, significant time in the state, and the drive home which included some real sightseeing in the east. Only 48 handwritten pages exist from the 1923 trip and that barely gets them to Florida, covers very little of their time in the state, and none of the drive home.  The second big difference between the two books is that Tracing a T to Tampa contains a fair amount of background on the travelers and the times in which they lived. That information does not appear in Tracing a T to Sebring.

Both “Tracing…” books have obvious personal and family connections. Among the reasons for publishing both books was a desire to preserve Granny’s letters and make them available to the family. But the story those letters tell is of interest well beyond the family. Anyone curious about early auto travel or just life in the 1920s in general can probably enjoy them. I would like to think those same people can enjoy the expansion and updates I have tacked on. Actually, I guess I really only believe that about the first of the pair. It’s not impossible for people unrelated to Frank and Gertrude to enjoy this oneway tale of their second Florida trip. Nor is it impossible for it to be enjoyed by people unfamiliar with the “…Tampa” book. But I do think it’s not very easy. It really is a sequel and one that almost requires reading the earlier work to appreciate. It also helps if you have some idea of who Frank and Gertrude were. This book is clearly in a niche more deeply than any of my others. My relatives and/or folks who read and enjoyed Tracing a T to Tampa will probably like Tracing a T to Sebring. Everyone else, not so much.

Tracing a T to Sebring, Denny Gibson, Trip Mouse Publishing, 2024, paperback, 9 x 6 inches, 62 pages, ISBN 979-8875936098.

Available through Amazon.

Reader reviews at Amazon and Goodreads are appreciated and helpful and can be submitted regardless of where you purchased the book. All Trip Mouse books are described and signed copies are available here.

Book Review UnStuck Stephanie Stuckey

I am more familiar with Stuckey’s signs than their products. As a kid, I probably didn’t even know the company existed since my family did not travel much. They were still going strong when I started doing some traveling on my own and I believe I bought gas at their stores a few times along with a pecan log roll or two but there was very little money in my travel budget for candy and none at all for rubber snakes. By the time my own fortunes had improved to the point that snacks were regularly permitted on road trips, Stuckey’s fortunes were headed in the other direction. The main reason that I am familiar with Stuckey’s signs is that I drove by a bunch of them. Many, maybe most, were for stores that were closed.

I first became aware of Stuckey’s rebirth when friends in Indiana became resellers of the company’s products. I made a point of stocking up on pecan goodness when a couple of road trips had me passing nearby. One of those trips was to a conference where Stephanie Stuckey was speaking and where I met her briefly. I have been looking forward to this book’s publication since then and thought I had a good idea of the story it would tell. It turns out that I had the basic outline down reasonably well but I was missing a ton of details and there were some genuine surprises. There was even a mystery of sorts.

The first part of the story is not particularly unique. An ambitious and creative man builds a very successful business through hard work and the help of friends and family. At the height of the company’s success, he sells it to collect his well-deserved rewards. Plopped into the world of faceless corporations, the company survives but becomes faceless itself. It is a fairly common tale that usually continues with more decline and eventual disappearance. That’s where this story becomes different. It’s where it becomes worth reading. UnStuck is a well-written telling of the uncommon story of a third-generation’s retrieval of the family business.

William S. Stuckey, Stephanie’s grandfather, founded the company in 1937 and sold it (actually merged with Pet Milk Co.) in 1964. It remained a significant presence on the American roadside into the 1970s but corporate shuffling led to the brand’s serious decline before the decade was over. William S. Stuckey, Jr., Stephanie’s father, stopped the downward slide when he repurchased the company in 1984. Stephanie took over in 2019. Those are the bullet points on a company timeline with lots of space in between. UnStuck fills in much of that space with an understandable focus on the post-2019 years.

Stephanie’s father had great success in politics and served five terms in the U.S. Congress. She had her own success in politics with fourteen years in the Georgia state legislature. When Stephanie’s dad brought the company back to the family, he said it was based 80% on emotion and 20% on finances. There is little need to break Stephanie’s reasons for buying the company down by percentage. It was almost certainly 100% emotion. She had wonderful memories of her grandfather and road trips that included stops at stores bearing the family name. I have little doubt that a sizable percentage of the emotion behind the purchase was pure nostalgia.

Stephanie’s grandfather was known within the family as Bigdaddy. Six boxes of Bigdaddy’s papers play a very big role in Unstuck‘s story. How the new CEO studied spreadsheets and packed aging inventory into Mystery Boxes to return the company to profitability is interesting but it was what she learned from those papers that would let her move beyond that. They gave her some insight into how Bigdaddy viewed Stuckey’s, the company, and how he attacked problems. She cites his “two lessons in resilience — surviving World War II and the bypassing of his stores.”

I and many other fans of old roads are conflicted about the interstate highways. We appreciate their ability to make travel faster and safer but regret the damage done to small businesses in the towns they bypassed. Stuckey’s was not exactly a small business at the time the interstates appeared but it did depend on traffic through those towns. Bigdaddy used the upheaval as an opportunity to redesign and relocate his stores and establish a partnership with Texaco that made those stores “a one-stop shop”. The papers in those boxes did not provide specific answers to any of the company’s problems but they did reveal and encourage a truly open-minded way of looking at them.

That open-mindedness may or may not have figured into a board meeting described in UnStuck where “brand identity” was discussed. Thinking that Stuckey’s is “all about pecan snacks and candies” might seem natural but some serious reflection said otherwise. Stephanie had been visiting many of the surviving Stuckey’s stores and licensees and sharing some of the details on social media as a form of free advertising. That generated some responses almost none of which were about snacks or candies. 99% of the stories people shared with her were about road trips that just happened to involve Stuckey’s in some way. Most of Stephanie’s own childhood memories of Stuckey’s came from road trips. People may know that Stuckey’s sells pecans but they identify the company with road trips! Despite my limited experience, I do too.

I mentioned a mystery of sorts. Maybe not everyone reads dedications but I usually do. At the very front of UnStuck, I read that it is dedicated to John King. I had no idea who John King was and eventually learned that when she started writing this book Stephanie Stuckey didn’t either. Among other things, John King appears with Bigdaddy in a photo featured in the Stuckey’s company’s 25th-anniversary newsletter. John King is Black. After considerable effort, Stephanie learned that her grandfather and John spent a lot of time together during the company’s early days but not much else. In particular, she found no evidence that he was ever rewarded for what appears to have been significant contributions. That was not an unusual situation in the South in the early twentieth century which is also something Stephanie addresses in the dedication. On the other hand, there are several references in the book to the fact that Stuckey’s was never segregated which was sometimes possible only because the stores were outside the official limits of sundown towns. It is something that many people remember about the chain to this day.

The prologue imagines William Sylvester Stuckey thinking to himself after a pecan stand customer calls him crazy, “But that’s what it’s going to take to make it.” Stephanie finds herself thinking the exact same thing when she considers that people might think her crazy for buying what she had recently referred to as a “dumpster fire of a business”. The book does talk about pecans somewhat. It explains that the name comes from pacane, an Algonquian word meaning “nut that’s hard to crack”. Guess it runs in the family.

UnStuck: Rebirth of an American Icon, Stephanie Stuckey, Matt Holt (April 2, 2024), 6.25 x 9.31 inches, 240 pages, ISBN 978-1637744789
Available through Amazon.

Book Review
Under the Catalpa Tree
Jim Grey

Like pictures? It’s got ’em. Like variety? Got that too. There are enough pictures to fill a deck of cards or a weekly calendar, which is not accidental. The premise for the book was writing an article to accompany a photograph every week for a year. That could very well be a student assignment in an overly long writing course and in a sense it is. Jim Grey assigned himself the exercise to, as he says, “strengthen this muscle”. He is referring to the writing muscle which can surely benefit from practice just as much as a musician’s skill or an athlete’s strength.

Even though photographs are at the heart of Under the Catalpa Tree, the book’s subtitle mentions only “stories and essays”. I’m guessing that is at least partially because only the stories and essays needed to be newly created for the book. The photos already existed from Grey’s many years of photographing the world around him. He doesn’t explain how the photos were selected. I am sure it was not completely random but there is tremendous variety. They range in quality from slightly fuzzy black-and-white snapshots taken years ago with a yardsale camera to crisp color images taken with high-end gear and well-developed skills. Some photos are digital but film is the source of many of the images since Grey collects — and heavily uses — film cameras. Among the subjects are family, friends, cars, houses, nature, and an abbey in Ireland.

Of course, the subjects of those stories and essays are as varied as the subjects of the photos. Some essays are tightly tied to the photo they accompany and describe exactly how the photo came to be and the thoughts it invoked. For others, the photo is essentially a jumping-off point for some more or less unrelated observations. In both cases, the thoughts and observations tend to be rather insightful.

A detail I appreciate is laying out the book so that all images are alone on a left-hand page. That happens naturally when the text occupies a single page, which is common, or three pages, which is not. There are quite a few two-page essays where a blank is used to get things back in synch. Totally worth it, in my opinion. Those pages, by the way, utilize Amazon’s premium paper which has the photos looking their best.

With all the variety I have mentioned a couple of times, it is not easy to nail down a concise description of Under the Catalpa Tree. The best I can do is this: An illustrated set of glimpses of one Indiana resident’s memories and thoughts from the end of the last millennium and the beginning of this one.

Under the Catalpa Tree: And Other Stories and Essays, Jim Grey, Midnight Star Press (January 1, 2024), 8.25 x 8.25 inches, 156 pages, ISBN 979-8869992697
Available in paperback through Amazon or as a PDF direct from the author here. 

Book Review
America’s Greatest Road Trip!
Tom Cotter and Michael Ross

It’s a simple concept. Position yourself at the southernmost point in the continental United States then drive to the northernmost point in the U.S. accessible by road. The former is Key West, Florida. Deadhorse, Alaska, is the latter. The two are separated by a little over 4,000 miles as an extremely hardy all-weather crow might fly. Limited to traveling on the earth’s surface, Tom Cotter and Michael Alan Ross clocked 8,881 miles in making the connection. The difference is easily justified. Tom and Michael had more fun than any crow could even dream of.

Tom Cotter is best known as The Barn Find Hunter from the numerous books and videos he has produced about automotive treasures found in barns and the like. He is also a road-tripper whose adventures include a cross-country Model T drive documented in a book I reviewed here. Michael Alan Ross is a very successful automotive photographer whose work filled that Model T book. On that Model T drive, MAR, as he is commonly known, drove a chase vehicle. This time he and Cotter share the driving and space in the small camper they tow.

That camper was a new Basecamp 16X on loan from Airstream. The tow vehicle was a 2021 Bronco Outer Banks on loan from Ford. As Cotter tells it, he got the Bronco by telling Ford that Airstream had promised him a camper and he got the camper by telling Airstream that Ford had promised a Bronco.

Very early in the trip, the travelers broke one of the few guidelines they had established by jumping on I-75 while still in southern Florida. This is at odds with the “backroad USA” called out in the subtitle and Cotter readily admits that it is “cheating”. But it is understandable. With everything that lay ahead of them, there was a natural urge to leave the familiar behind and get on with the exotic. Before leaving Florida, they returned to the planned program by leaving the interstate for US 27.

They clipped a corner of Georgia, then crossed Alabama (with a stop in Muscle Shoals) before turning north in Louisiana to reach Tennessee. They entered Missouri via the bootheel and maintained a west-by-northwest course through that state and Kansas with appropriate adjustments to take in the big ball of twine in Cawker City. Then it was a little more directly north through Nebraska and the Dakotas with a Memorial Day pause at the Black Hills National Cemetery in South Dakota. There was a different sort of pause at the North Dakota line. Despite all of Cotter’s past travels, he had, at this point, visited just forty-nine states. North Dakota was number fifty.

North of Bismarck, Cotter and MAR picked up US 2 and headed west. That might not be the most direct route to Alaska but there were friends near Seattle and, as any good road-tripper knows, anything can be “on the way” if you look at it just right. Hitting Glacier National Park and the Going-to-the-Sun Road might have also been a factor in route selection but the scenic road was not yet open for the summer when they arrived. There was, of course, plenty of great scenery even without Going-to-the-Sun, and plenty of interesting people, too. 

Cotter and MAR both had friends in the Seattle area but swapping hellos was not the only reason for making that a target. The two travelers had planned for a month-long break in the middle of the trip to attend to their day jobs and visit family. The Bronco and Airstream would be left with friends while they flew home and back.

With the break out of the way, it was time to enter Canada and head for the beginning of the Alaska Highway in Dawson Creek, British Columbia. Cotter had a recent (but not quite current) edition of The Milepost with him. The Milepost is published annually and is close to indispensable for anyone traveling the Alaska Highway. That road is its primary focus and its initial reason for being but it now not only covers the Alaska Highway but just about every path for getting to and from it. That includes coming from Vancouver which is what Cotter and MAR were doing.

British Columbia and the Yukon Territory contain the bulk of the Alaska Highway with only the northernmost two hundred miles or so being in Alaska. Cotter reports that any pride associated with returning to the U.S. was short-lived and declares this “absolutely the worst roads” they had driven so far. The Alaska Highway officially ends at Delta Junction but Fairbanks is easily reached on what is sometimes seen as an extension, the Richardson Highway.

The Airstream was left with a cousin while Cotter and MAR tackled the final stretch to Deadhorse in the Bronco. Several aspects of this trip reminded me of my own 2016 drive to Alaska but perhaps none so much as the mention of “a mandatory pit stop at the Hilltop Restaurant north of Fairbanks”. Even though I did not drive north of Fairbanks on my own but used a commercial tour company to visit the Arctic Circle, we had breakfast at the Hilltop before hitting the Dalton Highway.

My visit to the Arctic Circle had been a one-day there-and-back affair. Cotter and Mar spent a night on the Dalton Highway in Wiseman and two nights at the end of the road in Deadhorse. Just reaching the end of the road would be enough for most people but Cotter went above and beyond by joining the Arctic Polar Bear Club with a dip in the 40°F Prudhoe Bay to bookend his dip in the “warmer than my morning shower” water at the start of the trip in Key West.

Looking back over what I’ve written, it seems I’ve been reviewing the trip rather than the book. Maybe there is at least a sense of it in the included thumbnail images. It has lots of MAR’s wonderful photos. The thumbnails offer hints of these although they don’t show that they are printed on heavyweight glossy paper which helps them look their best. Cotter’s words augment the photos (or vice versa) with details of the trip I have more or less summarized. Those words are at their best when telling about encounters with others. Some are people living along the route while others just happen to be traveling a piece of it at the same instant Cotter and MAR pass by. The ratio of the two sort of reverses itself as the trip progresses. Residents — some permanent and some temporary  — outnumber people actually in motion during the early portions of the trip but the situation is pretty much the opposite once the Dalton Highway is reached.

Some percentage of interesting people exists among both residents and travelers just about everywhere. Cotter manages to find them on a regular basis but he suggests that the percentage may increase toward the end of the trip. “Boring people generally don’t travel to Alaska’s outback,” he observes. I guess that means his job got easier the farther they traveled.

America’s Greatest Road Trip!: Key West to Deadhorse: 9000 Miles Across Backroad USA, Tom Cotter and Michael Alan Ross, Motorbooks (September 19, 2023), 9.45 x 10.71 inches, 192 pages, ISBN 978-0760381069
Available through Amazon.

Book Review
Walking to Listen
Andrew Forsthoefel

Twice I have posted previews of books. This was the subject of the first one back in 2013. The second came along in 2015, and I believe it was posted with the hope of boosting a Kickstarter campaign to publish the previewed book. I’m not quite sure why the first preview was posted. Maybe I just felt an overwhelming urge to write something. It does happen. Whatever the reason, I was obviously quite impressed with the This American Life episode where I first learned of Andrew Forsthoefel and his recently completed walk, and I really expected the book to appear shortly. It did not.

In a paragraph at the end of the second book preview, I reported that I was still following Forsthoefel’s blog and there was still hope for the book but that my confidence was weakening. I eventually stopped following the blog and missed the book’s publication a couple of years later. A recent Amazon Associates change (They dropped support for links to images.) had me revisiting all of my reviews and making changes to many. That Walking to Listen preview required no changes but looking it over jogged some memories and I learned that the book had been published — about seven years ago — and was now available.

The recently completed walk that caught my interest back in 2013 was 4,000 miles long and had taken nearly a year. The book documents the journey in the tradition of John Steinbeck’s Travels with Charley and William Least Heat-Moon’s Blue Highways which means it is much more about people and experiences than places. Of course traveling by vehicle, as Steinbeck and Heat-Moon did, is a lot different than walking, which Forsthoefel did. There is a third book I often thought about while reading Walking to Listen. Ten Million Steps on Route 6 is the story of Joe Hurley’s walk across America. That’s closer to Forsthoefel’s experience but Hurley had a chase car that picked him up at the end of each day while Forsthoefel often slept right where he stopped walking in a tent he carried.

“WALKING TO LISTEN” was written on a small sign that Forsthoefel carried. It was a visual aid when explaining what he was doing. I suspect it gave more of a sense of mission to his walk than simply speaking the words would have. Maybe it made people less reluctant to speak into the small recorder that Forsthoefel used in interviews. Being twenty-three and fresh out of college probably helped too. The bulk of Walking to Listen consists of Forsthoefel telling his story in his own words although he does use some quotes from interviews in the telling. But every chapter is preceded by a verbatim transcript of a portion of one of those interviews. The person or persons speaking is identified along with the location and approximate date and the transcript follows. Some are very short excerpts. None are longer than a couple of pages but they do add a little “live-action” to the well-crafted retellings that fill most of the pages.

The “fresh out of college” situation I mentioned is one of the reasons for the walk. Graduation is sometimes seen as a time to access things before making the next commitment and so it was for Forsthoefel. He frequently referred to life after college as “coming of age”. He really was walking to listen and hoped to hear some advice. But there was another source of uncertainty in his life. His parents’ divorce had surprised him and left him unsure of his relationship with his father. He started the walk hoping to get some help with that too.

Although Forsthoefel wanted mostly to learn something about himself, he couldn’t help but learn something about the world just as the other three writers I’ve mentioned did. Sadly, one of the biggest things he learned in 2012 was the same thing Steinbeck learned in 1962: racism in the U.S. is quite healthy. It is usually more subtle and there might even be a little less but it did not go away during the intervening half century. Forsthoefel happened to be in Selma, Alabama, on Martin Luther King Day. One of the people he spent time with was the city’s African American police chief. Clearly, progress had been made since March of 1965. Yet, on his last morning in town, he runs into a man he had met earlier. There are others with him and at one point he whispers to Forsthoefel, “But some of them are still living in the past, if you know what I mean. So don’t bring up integration. Just play it cool.”

Forsthoefel also learned that generosity, too, is quite healthy. People of all sorts offered help that ranged from a single donut to housing and feeding him for several days. He was grateful for every helping hand, of course, while realizing that some of that help would not have been there had he been anything other than a young white non-threatening male.

The walk can be considered a success I think. Forsthoefel probably didn’t get as much advice on “coming of age” as he hoped but he did get quite a bit and the confidence that comes from walking solo across the country no doubt helped a lot. The relationship with his father also seemed to be in pretty decent shape when the walk ended. At least one person reviewing the book thought too much space was given to these personal issues. I thought they were discussed just enough to provide some understanding of why the walk was happening.

I did not read this book to help with my own coming of age or with parental issues. It’s a little late for both. I read it to get another person’s view of the country and I got that — at three miles an hour.

Walking to Listen: 4,000 Miles Across America, One Story at a Time, Andrew Forsthoefel, Bloomsbury Publishing (2017), 5.5 x 8.15 inches, 400 pages, ISBN 978-1632867018
Available through Amazon.


100th Book Review
Responding to that Amazon change I mentioned involved filtering the list of blog entries and learning I had written 98 book reviews. One more has been published since which makes this the 100th book review published on Denny G’s Road Trips Blog.