Book Review
Greetings from the Lincoln Highway – Centennial Edition
Brian Butko

Greetings from the Lincoln Highway cover The Lincoln Highway turns a hundred this year. Brian Butko’s Greetings from the Lincoln Highway turns eight. At first glance, the 2013 Greetings… looks an awful lot like the 2005 Greetings… with a soft cover and a “Centennial Edition” banner on the front and it’s a fact that, in many ways, it is the same. It has the same organization with an introductory chapter and a chapter, with map, for each state the highway passed through and a very high percentage of the words and pictures in those chapters are the same, too. Another thing that remains the same and which accounts for the small in percentage but large in number changes is the care and attention to detail. Butko probably didn’t catch everything in the book that the passage of time has altered but he sure tried and he sure got a lot.

Most of changes are tiny and hard to spot. A lot are downers; Diners and motels that were operating in 2005 but have been closed or worse. Some, like the growth of Pennsylvania’s Lincoln Highway Heritage Corridor from 140 to 200 miles, are positive. A few changed words handle the bulk of these updates though some are more involved and a few include a photo change. New photographs are easier to spot than new words and I suppose a larger fraction of photos than words were changed but that’s just because the word count is higher that the picture count. The majority of the book’s graphics remain the same. Though I in no way benefit from the sale of this book, in the interest of full disclosure I need to say that I contributed a half dozen or so of the new photos.

Greetings from the Lincoln Highway insideAside from the occasional new photo, the most visible changes may be in the statistics and maps at the front of each state chapter. Here population numbers from the 2010 census replace those from the 2000 census and the maps get a line for the Proclamation Route. The Lincoln Highway Proclamation Route was a list of cities published by the Lincoln Highway Association on September 14, 1913. Shifts started happening almost immediately and a detailed route was never signed or published that matched the September 14 announcement. But several of the cities dropped in 1913 fought unsuccessfully to return and many have fought more recently and more successfully to be recognized. Butko acknowledges that by including the ephemeral route. All of the quotes from postcards and other period communication that appeared in the margins of the original are still there and a few more have been added.

Greetings from the Lincoln Highway is almost universally accepted as the best book available for anyone wanting to travel or otherwise interact with the Lincoln Highway of today. And it’s more. That’s something I had forgotten. “The Good, the Bad and the Muddy”, the book’s opening chapter, not only introduces the Lincoln Highway, it provides a nice overview of the early days of motoring. When the book moves on to the individual states and a more concentrated Lincoln Highway focus, it offers both history and guidance. It is not a lay-in-your-lap turn-by-turn guide book but the text and maps contain most of what is needed to travel any alignment of any segment. Doing it for real is certainly best but there are enough pictures that doing it in an easy chair ain’t too bad.

Greetings from the Lincoln Highway — Centennial Edition, Brian Butko, Stackpole Books, 2013, paperback, 11 x 8.5 inches, 288 pages, ISBN 978-0811711746
Available through Amazon.


Main Street across America coverI’m reading this book for the third time. I read it around 2005 when I was dabbling with short drives on the Lincoln Highway to my east. I reread it in 2009 when I was getting ready to drive the Lincoln from the east edge of Illinois to the west coast. My current read is in anticipation of another long, hopefully full length, drive of what Drake Hokanson calls Main Street across America. I never read the original, only the pictured Tenth Anniversary Edition which is now fifteen years old itself.

I’m reading the book primarily because Hokanson’s appreciation of the road puts me in just the right mood to appreciate it myself but there are other reasons, too. One is that, like Butko’s book above, much of the original remained in the anniversary edition and provides its own glimpses of the highway when it was only three-quarters, rather than a full, century old. Lastly, it’s a chance to appreciate Drake Hokanson. It you think the Lincoln Highway is largely forgotten now, imagine what it was like in 1988. Hokanson didn’t invent a new road like Carl Fisher and his buddies but he did kind of invent the remembering of it. And that’s pretty cool.

The Lincoln Highway — Main Street across America — Tenth Anniversary Edition, Drake Hokanson, University Of Iowa Press, 1999, paperback, 10.6 x 9.4 inches, 256 pages, ISBN 978-0877456766
Available through Amazon.

Book Review
The Grand Design
Hawking and Mlodinow

The Grand Design coverIf you think this looks like it belongs here, you haven’t been paying attention. No, books about cosmology, quantum physics, and beyond aren’t what I typically read and I’m clearly not qualified to review them. I was given the book as a gift, I read and enjoyed it, and I intend to tell somebody about it.

Note that I said “read and enjoyed”, not “read and understood”. I suppose it is a sort of “Quantum Physics for Dummies” but quantum physics is not really a field for dummies. The way the book worked for me was as history and as a glossary. Bits of the history of mankind’s progress in understanding his world is scattered throughout with references to folks like Archimedes and Newton and Einstein. There is a real glossary at the back but I felt as if the body of the book gave me a glossary level understanding of things. As I read about string theory, multiverses, no-boundary conditions, and the like, I may have understood the definitions but fell a little short of fully comprehending the concepts. I don’t mean that I was constantly shaking my head and moving on in bewilderment. I simply mean there were no “ah-ha, of course the world needs quarks” moments.

There are frequent almost folksy attempts at humor or lightness. Some bring on a smile; Many don’t. But I think they all do their job as reminders of just who this is written for. I did not have a thorough understanding of quantum physics when I finished my reading but I did have confidence that others do. I guess that’s really what I got out of the book. I think there’s something of a tendency for us “civilians” to dismiss stuff like multiple universes as crazy talk but there really are people who can get their heads around the theory and I find that reassuring. Maybe some of the ideas really are half baked but the truly wrong ones will eventually be found out and the half right ones will be improved upon. That’s what science at this level is; Admiring and appreciating guys like Newton and Einstein while working as hard as you can to find their mistakes.

granddesign_cryI started off admitting that this book was really out of place here. I do a lot of my reading over meals in restaurants and it was rather out of place in some of the joints where I eat, too. I quickly worked out a way to carry the book that cut down considerably on the funny looks aimed my way.

The Grand Design, Stephen Hawking and Leonard Mlodinow,  Bantam, 2012, paperback, 6 x 9 inches, 208 pages, ISBN 978-0553384666
Available through Amazon.

Book Review
Long Way Home
Bill Barich

longwh_cvrNot long ago, a friend mentioned a couple of travel related books he had just read and, when I found one of them available at the local library, I decided to give it a read. It’s Bill Barich’s Long Way Home – On the Trail of Steinbeck’s America. The subtitle is a reference to Steinbeck’s Travels with Charlie which Barich cites as an inspiration for his own road trip and book. The books’ basics are certainly similar. Each is the product of a successful American writer of a certain age undertaking a cross country road trip with hopes of learning something of a nation he’s been out of touch with for awhile. Steinbeck did it in 1960; Barich in 2008. Forty-eight years is not the only difference. Steinbeck did it in a custom built camper with unlimited time and, for all practical purposes, an unlimited budget. Barich did it in a rented Ford Focus, with a six week schedule, and a budget he calls “tight”. Steinbeck sort of circled the country, starting and ending at his home in Sag Harbor, New York. Barich makes one more or less straight pass through the center of the nation. But, for me, the biggest difference is that, while I’ve never really cared for Travels with Charlie, I ended up enjoying Long Way Home. Of course, Steinbeck didn’t seem to enjoy his own trip very much; Barich did. I think that rubbed off on me.

I probably also like the fact that Barich describes his route a little better than Steinbeck and that it goes through places much more familiar to me. He drives right through Ohio and tells of eating at a restaurant where I’d eaten just days before reading of his visit. It’s hard to ignore connections like that.

Long Way Home begins with Barich recounting how much he had enjoyed reading Travels with Charlie as a teenager. Stumbling across the book decades later in Dublin, Ireland, triggered plans for his own trip but re-reading it didn’t bring back the pleasure he remembered. I suspect the teenage Barich loved the idea of an unplanned journey across the USA enough to overlook shortcomings in its execution.

Both authors do their “learning” by observing the nation’s countryside, its small towns, and, less frequently, its cities. The story telling is most interesting when it involves some interaction with the locals and that usually happens, as you might expect, in the small towns. Both trips took place during election years and both authors sometimes attempt to get those locals to discuss their political feelings with mixed success. My impression is that Barich is more successful but I can’t back that up with hard facts. Both are pretty successful at getting folks to talk, in general terms, about their and the nation’s financial situation.

Of course, John Steinbeck wasn’t the first person to write a book about driving around the US and Bill Barich won’t be the last. As someone who enjoys writing trip journals, it stands to reason that I enjoy reading them. I enjoyed reading Long Way Home and even Travels with Charlie. Both are, as you would expect, very well written. Trip journals are snapshots. Like photographic snapshots, they record how something appeared to one person at one time. I have little desire to visit the country in Steinbeck’s snapshot while Barich’s is much more inviting. I suspect that On the Trail of Steinbeck’s America subtitle was more of an attention getting device than a description of Barich’s true intentions. I doubt he was really looking for Steinbeck’s America and I’m rather glad he didn’t find it.

Long Way Home: On the Trail of Steinbeck’s America, Bill Barich, Walker & Company, 2010, hardback, 9.4 x 6.4 inches, 256 pages, ISBN 978-0802717542
Available through Amazon.

Music Review
solo mono
Dirk Hamilton

solo_mono_cvrI’ve never seen Dirk Hamilton in person with a band. I’ve seen him twice with another guitarist and twice with no one else on stage period. Conversely, I’ve never listened to him without a band. OK, maybe “never” is a stretch but a bold print seldom sure isn’t. I own just about everything Dirk has released and it’s the rare track that doesn’t have at least a few top notch musicians backing him up. That’s not a bad thing. The tunes are served well by the added layers and the folks Dirk chooses to play with always add something to the mix. But listening to solo mono is kind of like a “being there” I can relate to.

Depending on who is counting and how they do it, this could be Dirk’s eighteenth release or maybe “only” his fifteenth or maybe something else. Counting solo studio albums is a lot easier. This is it. Dirk is an excellent performer and a darn good front man but his song writing is what has captured most of his fans. solo mono contains thirteen new songs though they’re not all entirely new to me. The album, released in June of 2012, contains several tunes I’d seen Dirk perform the previous October. I put off ordering solo mono thinking that our paths might cross again in the fall of 2012 and I’d buy it at a show. That didn’t work out so I finally did the mail order thing a few weeks ago and not long after I popped the CD into the player I was struck with “that’s just the way I remember it” thoughts.

As with just about any collection of Dirk Hamilton tunes, the lyrics range from insightful to comical with Hamiltonian wit and romanticism everywhere. At this point I intended to quote examples of wit and insight and the rest but I found myself going around in circles trying to make my selections. Instead, I’m going to cheat big time and just point to the lyrics for the entire album. They’re here. All of Dirks lyrics are on his website; From the “First off let me say that I get sick and I get bored” that opened his first album in 1976 through the “Tommy gun placed on a polka dot gown” that opens this one. I’ve always appreciated the fact that, almost from the moment he and the internet found each other, Dirk has made his lyrics available online. With packageless downloads steadily increasing, that is ever more important and something I wish more artists would do

There is Dirk style social/political commentary — usually oblique and sometimes cryptic — in songs like “Delete Deletions” and “Slow Suicide” and there are genuinely fun songs like “Nobody I Know” and “Jan Jan Janet”. Smack dab in the middle there is a five line splash of silliness in “The Pygmy Forest”. And there are love songs; Several love songs. I don’t like love songs but I like Dirk’s. I don’t know the inspirations behind “She Calls Me Bello”, “Our Sweet Love”, “Unreachable”, and “Kalea” though I’d bet they are real. Dirk’s heart writes quite a few songs for him.

The only instruments on the album are Dirk’s guitar, harmonica, and voice and I confess to having lower expectations because of that. I shouldn’t have because I know, from seeing him live and alone, that many of his tunes work just as well without layers of sound as with. And there is, of course, a certain advantage to having less between ears and lyrics.

It is always a treat to hear new Dirk Hamilton material in any form. I know there will be more stuff with a band (a CD with the Italian boys is already in the works) and I hope there will be more stuff like solo mono.

You can order the CD here or purchase its contents here. You can watch Dirk and Don Evans do a song from the album here and Dirk do a song not from the album (it’s from 1978’s Meet Me at the Crux) at that October, 2011, concert here.

Video Review
Going My Way
Chuck Land

Going My Way coverI am even less qualified to review DVDs than I am to review CDs and books. That won’t stop me of course. I just thought you should know. Going My Way is Chuck Land’s take on the story of Larry and Tim Goshorn’s musical adventures. Chuck Land is the guy behind Landman Productions, The Chuck Land Show, and, as often as possible, a Hammond B3. Larry & Tim are the guitar playing siblings who have powered a few decades of music in Cincinnati and carried a lot of Cincinnati music a long long way from home. Those album covers on the DVD jacket represent music from the 1960’s Sacred Mushroom, through Pure Prairie League and the Goshorn Brothers Band, to their most recent duo recording Acoustic. In case you didn’t notice, those album covers are posed along the center line of a two lane highway.

This is a Cincinnati story. The brothers have been back in Cincinnati for many years now and so has Chuck. He and the Goshorns are close friends these days but much of the brothers’ story is outside of Chuck’s personal experience. Those bits he covers through period photos and interviews with people who were there. Recent parts of the story include Landman Production performance footage.

The documentary opens with Sacred Mushroom bassist Joe Stewart praising his former bandmate. Joe appears in the video several more times and talks about making music with Larry long before the Mushroom even existed as well as filling in some of the Sacred Mushroom story. Other persons interviewed include concert promoter and former Cincinnati Vice-Mayor Jim Tarbell and retired radio personality Gary Burbank. Tim and Larry are recorded talking about themselves, each other, and individuals they’ve performed with over the years. Other musicians and fans are also interviewed but, somewhat curiously, Rick “Bam” Powell is the only Goshorn Brothers Band member, other than the brothers, to talk to the camera. More understandable is the fact that no other members of Pure Prairie League are interviewed, either.

The DVD is packaged with a CD containing eight songs from throughout the Goshorns’ careers. The Pure Prairie League years are well represented with songs penned by Tim or Larry and first released by PPL but presented here in post-PPL versions. It’s a nice sampler.

No matter where you live, it’s all but certain that you have heard some Goshorn music. If you’ve lived around Cincinnati, there is also a darned good chance that you have seen one or both Goshorns perform at a club, concert, or festival. Going My Way offers a look on the other side of the speakers and serves up a lot of history on this pair of talented and significant Cincinnati music makers. Find it here.

Book Review
Indiana Cars
Dennis & Terri Horvath

Indiana Cars coverYes, I am late to the party. This book on Indiana’s automotive history was published in 2002 but, since it’s about old cars, none of the history has changed and the cars have only gotten older.

I learned of and purchased the book when one of its authors performed guide duty on a tour that was part of the Lincoln Highway Centennial Kickoff in Indianapolis. On that tour, Dennis Horvath took us to many of the city’s automotive landmarks and this book contains all of those and more. Though few might consider Indiana Cars light reading, it is certainly interesting reading. Dennis knows automotive history. And he really knows Indiana automotive history.

There is a tremendous amount of it. At one time second only to Michigan in automobile production, Indiana has been home to more than 400 vehicle brands. Some are still widely recognized — Stutz, Studebaker, Duesenberg. Other, such as Lexington, Flandermobile, and Empire, are pretty much forgotten outside of hardcore automotive circles and the pages of this book. Similarly, Indiana had plenty of automobile pioneers. Louis Chevrolet, Harry Stutz, and Eddie Rickenbacker are fairly well known; Guys like Elwood Haynes, Charles Black, and Louis Schwitzer not so much. They’re all there in Indiana Cars.

There is an introduction and “A General Overview by Decade” to get things started. That overview begins in the 1890s. It talks of the overall automotive industry and Indiana’s role in it. There are lots of numbers. It was this I had most in mind when I said that some folks would not consider the book light reading. Statistics are necessary, of course, in showing growth and relationships. The Horvaths do a good job of presenting them but they are still numbers. Numbers don’t make for exciting reading but they make for a good reference book and that’s a role Indiana Cars plays quite well.

Indiana Cars sampleOnce the background is set, the book moves onto the various manufacturers. Not every mark ever built in the state is covered but there are sizable sections on what the Horvaths consider “Significant Automobiles”. The reading isn’t so dry now. There are fairly lengthy articles on the likes of Duesenberg and Studebaker and shorter ones on others. The book is well illustrated with photographs and clippings from period literature. Facts are seasoned with entertaining anecdotes. Joe Cole got his first car running and took off without installing the brakes. Lack of fuel finally stopped it after many laps around Monument Circle in Indianapolis. In 1891, Charley Black’s six-block drive in a Benz included crashing into both a surrey and a shop window. Those were the good old days.

Trucks built in Indiana have a section as do military vehicles. Many of those pioneering Hoosiers who put Indiana near the front of the early automotive development are covered, too. Appendices include listings of all Indiana cars, major milestones, and other items.

Indiana Cars excels as a source of information  The book most likely contains the answer to whatever questions you may have about the automotive industry in Indiana. Car nuts will find it entertaining. They and history buffs will find it educational. Those in neither group may find it a wee bit dry.

Indiana Cars: A History of the Automobile in Indiana, Dennis E. Horvath and Terri Horvath,  Hoosier Auto Show & Swap Meet Inc. (printed by Jackson Press), 2002, hardback, 8.8 x 11.2 inches, 198 pages, ISBN 978-0964436459
Available through Amazon.

Music Review
Not of Seasons
Mississippi Charles Bevel

Not of Seasons - coverI went to see Hank Williams: Lost Highway last week. The first sound that came from the stage wasn’t the voice of Hank or his mother or the cry of a pedal steel guitar. When the lights dimmed and the play began, it was the pure voice of Mississippi Charles Bevel that came unfaltering from the darkness. Bevel plays Tee-Tot, Williams’ mentor. The CD that this post claims to review is not new. It’s a dozen years old and I don’t recall ever hearing of it or Charles Bevel before last Wednesday.

I was quite sincere in writing that I’d never before heard of Charles Bevel but there’s a strong possibility that it’s not entirely true. I’ve not seen the Broadway show It Ain’t Nothin’ But the Blues but I’ve certainly heard of it. Bevel co-wrote that and starred in it so there’s a decent chance that I’ve seen his name somewhere before. On Wednesday, though, I knew nothing of Bevel’s history and was simply wowed by his voice. He wasn’t the star of the show in any normal sense but he was the cast member who impressed me the most musically and there were some fine musicians in that cast.

I made two wishes during the show and both came true. One, some of those CDs I’d seen for sale on the way in were Bevel’s and, two, he was among the cast members in the lobby collecting money for charities. Better yet, my cheap seat made me one of the last to exit and the crowd was thinning as I headed out. My reward was an autograph and a short conversation. “All the words are in there,” the singer said as he returned the signed CD, “so you can sing along.” That was my first hint that there was more to this CD and this man than just another pretty voice.

I listened to a Hank Williams CD on the drive home. When I finally listened to my new purchase a couple of days later, it was immediately obvious that this guy had some heavy-duty musicians backing him up. And with each song it became more and more apparent that he was working with some heavy-duty material, too. By the time I checked the credits, I was simply verifying what had become more than a suspicion. Behind that Wednesday night hint was the fact that Mississippi Charles Bevel had written every tune.

A closer looked at the credits revealed even more of my ignorance. More than twenty musicians appear in the credits and I didn’t recognize a one. These are not unknown musicians. They were simply unknown to me. Toss some of the names in a search engine and you’ll discover folks who have played with the likes of John Denver, Delaney & Bonnie Bramlett, The Commodores, Nora Jones, and on and on. Every performance on Not of Seasons is top-notch and maybe it’s natural to wonder how can all these people I’ve never heard of make such great music but I’m kind of used to it. There are a lot of great musicians whose names I recognize but I also know there are plenty more that I’ve so far completely missed.

It’s a big group with multiple saxophones, trumpet, trombone, and a small choir that delivers “I’m a Lover”, the upbeat opening track. Bevel actually co-wrote this song — with James Mabone — for the Staple Singers. I know it’s the saxophone that does it but Bevel’s version sounds rather Springsteenesque to me. The next tune, “Dreams”, is a little slower and just slightly exotic sounding. It made me think of early Terence Trent D’Arby and I found myself thinking of D’Arby at various other points in the CD. I don’t believe any other track equals the opener in troop size but several come close. That choir returns for three more songs and horns, various keyboards, and guitars abound. One cut has a sousaphone; Another a cello. None are gimmicks. They are there because they belong.

Bevel’s strong voice sounds great backed by a room full of musicians but it may be easier to appreciate with pared down backing. “Woman” is just him and a piano. Other tracks include little more than a guitar and/or piano.

Back in the 1970s Bevel recorded a CD for A&M but even before the big promotional tour he realized that wasn’t what he wanted. He essentially walked away to be what he wanted to be and that’s exactly what he is. And the songs on Not of Seasons are what he wants to write and what he wants to sing. Calling it blues isn’t incorrect but it’s also gospel, soul, funk, pop, and folk. The lyrics are as strong as his voice. They can be insightful.

I heard a voice speak to me
Say, come over here to the land of the free
Land of the free and the home of the brave
But I see cowards and I smell slaves

And some might make your mind swivel unexpectedly.

Lord, Jesus and sex are both friends of mine

Some are just fun.

Making love, it ain’t magic
If you don’t know what to do it can be tragic

All are delightful.

There’s a two-man live version of the title track here. The album can be found here but Mississippi Charles Bevel spends a lot of time acting these days and it’s a lot more fun to buy it first hand after a performance.

Book Review
Route 66 Encyclopedia
Jim Hinckley

Route 66 Encyclopedia - coverE-N-C-Y-C-L-O-P-E-D-I-A
I can’t look at this book without hearing Jiminy Cricket singing. I’ve never read an entire encyclopedia (Including this one — yet) but thanks to Pinocchio’s little bitty buddy, I can spell the word.

I’ll confess to being a little leery every time I hear of a new Route 66 book. How many books does one road need? I think I was doubly leery of this ambitious project because, as Jiminy says, an encyclopedia contains “everything from A clear down through Z” and that’s a tall order. Well, Jiminy… I mean Jim seems to have done a pretty good job covering the alphabet and I’ve once again discovered that Route 66 needed at least one more book.

The encyclopedia made a good impression before I ever read a word. It’s a fairly large hardback with full color glossy pages. The book’s first page folds out to present a three panel map of the entire road lined with photos and images from postcards, maps, and brochures. It is well illustrated throughout with modern photographs from Jim and wife Judy and lots of historic images from collectors Joe Sonderman, Steve Rider, and Mike Ward. It looks like Rider, at least, also contributed some modern photos. I probably ought to mention that I personally know all those guys and Jim, too, but I don’t believe I owe any of them money.

As might be expected, the entries are in alphabetical order and the starting page of each letter can be determined from the table of contents. Only ‘X’ is a no-show. ‘Q’ and ‘Z’ get one page each and ‘C’ gets thirty. The rest get something in between. There is a large letter at the outer top corner of each page to further help with locating topics. There is also an index but it is a bit unusual, at least in my experience. Rather than a single alphabetical list, there are sub-lists for people, places (further divided by state), other, and publications. It’s quite usable but it seems like it could get awkward if there were many more divisions or longer lists.

I expected to encounter some new stuff here and I certainly did. The book starts and ends with things I’d not heard of: Missouri’s Abbylee Motel and New Mexico’s Zuzax trading post. There are plenty more in between. Among the many entries that weren’t at all familiar to me are quite a few defunct businesses such as Drumm’s Auto Court in Arizona and the Premiere Motel in New Mexico, several vanished communities including Des Peres, MO, Lela, TX, and Siberia, CA, and at least a few humans. I don’t recall ever hearing of businessman Arthur Nelson and, while it seems like I must have at least read about “father of the good roads movement” Horatio Earle, I sure didn’t recognize the name. On the other hand, a couple searches for folks I did know of came up empty but I believe that, too, is to be expected. It really isn’t possible to include absolutely everything and choices must be made. Every “Best Beatles Songs” list I’ve ever seen has left off at least one of my favs.

Route 66 Encyclopedia - sample 1This is not my first exposure to Hinckley’s work and, as I’ve said before, the man does his homework. Of course, everybody knows about the Gemini Giant and it’s not too tough to learn that it was made by International Fiberglass. But learning how many cowboys the company made for Phillips Petroleum and how they managed to make some giants with beards and some without and that the company’s founder once set a world record in sailing? That takes some digging. And practically any book with 66 on the cover will tell you how Cyrus Avery was instrumental in getting the pair of sixes for the route after the desired Highway 60 designation was assigned elsewhere. Hinckley does that and also tells us quite a bit about some of his other activities such as his prior role in creation of the Albert Pike Highway and his subsequent role in helping form the U.S. 66 Highway Association. Incidentally, although I have not read every article in the encyclopedia, that is the only mention of the U.S. 66 Highway Association I found. Its post-WWII spark plug, Jack Cutberth, was one of the names I thought I might see in the book but didn’t.

Route 66 Encyclopedia - sample 2Even without Cutberth, the Route 66 Encyclopedia includes an impressive number and range of articles and many of those articles go into significant depth. The writing isn’t flowery but neither is it terse. It’s lean and efficient. The goal is to get as much factual information between the covers as possible and keep it readable. Hinckley does that rather well. Moreover, I think you’d probably still get your money’s worth if you decided to forgo the text altogether and just look at the pictures.

Encyclopedia Britannica always had yearbooks. (To my surprise, I just learned they still do.) The Route 66 Encyclopedia has updates here. They can also be accessed through a QR code on the back of the book.

The Route 66 Encyclopedia, Jim Hinckley, Voyageur Press, 2012, hardback, 11.1 x 8.7 inches, 288 pages, ISBN 978-0760340417
Available through Amazon.

Book Review
Ten Million Steps on Route 6
Joe Hurley & Travis Lindhorst

Ten Million Steps - cover“It’s not the destination but the journey.”
“Life begins at the off ramp.”
“Getting there is half the fun.”
Most people who visit this website are probably familiar with those and similar quotes. How about “Friends don’t let friends walk the interstate”?

I and a lot of folk I know preach about taking back roads and slowing down. Joe Hurley took that idea a few million steps further and not only stopped to smell the roses, he saw them get watered and watched them grow if only a smidgen. Starting at the east end of the longest US highway that ever existed, Joe spent about eight months walking its full length. He didn’t really count each step or measure each mile but 10,000,000 of one and 3600 of the other are believable round number estimates. While Joe was walking, Travis Lindhorst, his camera wielding partner, was driving. Joe was within hailing range of sixty and Travis was twenty-seven. Perhaps that saying about wisdom coming with age is not universally true.

This is not a guide book. There are some maps but they are not of a scale suitable for navigation. They’ll show you that US 6 goes through the north part of Indiana and the south part of Nebraska but that’s pretty much the limit of their detail. And Joe does occasionally mention where he slept or ate but the mentions are neither regular nor recommendations. The book resembles a collection of newspaper columns. Some bits that now appear in the book were, in fact, published as stand alone articles during the trip to help finance it but many were composed well after the walk was over.

Hurley retired as a columnist for a Danbury, Connecticut, newspaper shortly before starting his 2004 cross country walk so it is natural that this book is a compilation of column-like articles. As I read Ten Million Steps…, I was reminded of collections I’ve read from another newspaperman, Ernie Pyle. For several years before the start of World War II, Pyle was a popular travel writer. He posted his personal human interest style observations from wherever he happened to be. Joe Hurley’s observations seem a lot like Pyles although they are 70+ years newer and organized in a single line rather than a wild scatter pattern. As presented in this book there is another big difference. Ernie Pyle didn’t have Travis Lindhorst beside him.

Ten Million Steps - sampleSometimes Lindhorst’s photos are coordinated tightly with Hurley’s text and sometimes they just represent the general area. Either way they are always wonderful additions to the story. Some would be right at home in a super-wide hardback coffee table book but then I probably couldn’t afford it. The fairly large format paperback with glossy pages serves the photos well in an affordable package.

Route 6 goes through big cities like Cleveland and Chicago and Hurley neither bypasses them or ignores them in his writing but most of the stories come from the small towns and open spaces in between. He talks with the manager of a bookstore in Yarmouthport, MA, an auctioneer in Foster, RI, and the manager of a tiny theater in Newtown, CT. He stops by the Harness Racing Hall of Fame in New York and a little league game in Pennsylvania. In Galton, PA, he talks with a women who tells him “I spent 16 years scrimping and saving to get out of here then I spent the next 16 years scrimping and saving to get back.” Out west Hurley looks over the remains of Topaz, a WWII Japanese interment camp and walks through a snow storm while covering the all but empty 160 miles between Ely and Tonopah, NV. In between were a lot more towns, a lot more people, and a lot more country. Two locations that Joe counted among his favorites are the Rialto Theater in the not-all-that-small town of Joiet, IL, and Glenwood Canyon in Colorado. Of the latter, Joe says, “I’ve traveled across the United States and nothing has beguiled me more than Glenwood Canyon.”

Joe and Travis and Route 6 and the Geo Metro that Travis used to drop off and pick up Joe each day all made it to California. Only Joe and Travis made it to the coast. In 1964, Route 6 was truncated and Bishop, CA, became its western terminus. Joe and Travis said goodbye to the work-horse Geo when the brakes pretty much vanished during a side trip to Death Valley. To meet their now firm end date, they left the ten year old car with a junkyard mechanic who promised to repair the car and give it to an elderly gal in need of transportation. After the run of its life, the red Geo just might be fetching groceries at the edge of Death Valley.

The current US Highway 6 may officially end just over the California line but the pavement it once followed west is still there and Joe kept right on walking until he reached the Pacific Ocean at Long Beach. West of Bishop, the former US 6 now goes by names like CA 395 and CA 14.

Back on Cape Cod, the traveling odd couple had dipped their hands in the Atlantic. At the end of the Pine Street Pier, they dipped them in the Pacific then Joe and his wife spent a couple of nights on the Queen Mary. I’m guessing that Joe spent a significant amount of his shipboard time with his feet propped up.

Route 6 is a great road. The few sections I’ve driven (MA, PA, UT) have gone through some mighty pretty country and I’m very glad that Hurley chose it for his walk. But I’ll still risk saying that this book could have been written in large degree on several roads other than US 6. Route 6 took Joe across the whole country and gave him a bigger than average sample size but the the book is not about directions and turns. It’s about people and places and steps and stories and it’s a darned good read. More information at route6walk.com.

Ten Million Steps on Route 6, Joe Hurley and Travis Lindhorst, Arkett Publishing, 2012, paperback, 8.5 x 11 inches, 240 pages, ISBN 978-0981678165