I thought I might never get this posted but I did it and it’s not even a year late. It’s close, though. The official release of Acoustic, which coincided with Larry Goshorn’s “retirement” party, was 349 days ago. I knew the CD was coming and intended to get a copy at the party, then, figuring I’d pick it up in the near future, opted not to stand in line. To be honest, I could have bought the CD without a hassle but I wanted it signed and for that there was a line and I really believed I’d catch the boys performing together in a couple of weeks. If I had known that wouldn’t happen for six months, I’d have stood in line.
I got my copy just days before leaving on a month long road trip so that, even though I really liked the album and knew what I wanted to say about it, I had no time. Then, when the trip was over, I had no… Well, I had no excuses. Yes, the main reason this review did not get done during the last four month is because I just kept putting it off each week. When it comes to crastination, I’m a pro.
It seems a curious coincidence that the last music review I did, in March, was for an acoustic album and some of the thoughts I had then are applicable here. That album was Dirk Hamilton’s solo mono. and, though it was recorded in a studio, it represented my personal experience with Dirk quite well. Dirk is best known for his work with a full band but that’s something I’ve never seen. With solo mono, I could hear Dirk at home the way I’ve heard him live.
Larry and Tim Goshorn are also best known for their work with a full band though that’s something I’ve seen a lot. From Larry’s early days with Sacred Mushroom, and the time both brothers spent with Pure Prairie League, through various incarnations of the Goshorn Brothers Band. But I’ve also heard them a lot as an acoustic duo. In recent years, seeing the brothers front a band became something of a special event; Something more likely to be at a festival or a concert than a club gig.
There were club gigs but most were, quite literally, Goshorn Brothers gigs rather than Goshorn Brothers Band gigs. I and plenty of other Cincinnati area music lovers have spent many enjoyable evenings in a small bar or restaurant listening to the two brothers trade off guitar and vocal leads and blend their voices in brotherly harmonies. It’s an experience that Acoustic captures pretty darned well but with very little crowd noise and no interruptions from the waiter.
There’s nothing new on the CD and I think that’s the point; To remind you of an evening you’ve enjoyed or reproduce part of a pleasant evening for someone who hasn’t experienced the real thing. Like a typical Goshorn Brothers set, the CD is heavy on originals with a few covers thrown in. Some of the tunes, like Tim’s Just Fly and Larry’s Kentucky Moonshine from their Pure Prairie League days, might very well be familiar even to those who haven’t seen the brothers performing in a local bar. Others, such as Devil’s Due, are more recent and less widely known. Devil’s Due is, to me, the CD’s standout track. It’s a catchy Larry Goshorn tune with some great lyrics and Tim’s excellent slide guitar sets it off perfectly.
Recording for the album took place over a few years in a several locations but rumor has it that most if not all of the tracks that made it to the CD are from the recently demolished Twenty Mile House. They all sound good. There is, as mentioned, little crowd noise; Essentially just some applause and cheering between tracks. These guys have been doing this a long time. They know how to get things sounding right for their live performances and this recording captures both voices and both guitars cleanly. “Just like the record”, Tim sometimes quips at the end of some familiar song. Acoustic is “just like the club” — without clinking glasses and the noisy couple at the next table.
Acoustic available at Everybody’s Records or a Goshorn performance.
Yes, that says “Preview”. The book does not yet exist. I don’t know exactly when it will exist or if Walking to Listen will even be its title. But I am confident that it will exist and that it will be worth reading.
Before I get around to actually talking about this book, I am going to tell how I learned of its existence. I first saw Theodora R, the boat whose mast the author was behind, in July of 2011. I was in Albuquerque, New Mexico, when a friend tipped me off to a nearby museum called 

Carl Fisher was a busy man in 1913. His Prest-O-Lite Company and his automobile dealership were both going great guns, the Indianapolis Motor Speedway he co-founded looked like it might amount to something, the Ocean-to-Ocean Rock Highway he had proposed in September of 1912 was taking off, and then there was the Indiana Automobile Manufacturers’ Association.
I was hesitant to post a review of this book because some of those “Photos Through Time” are mine but I decided that it would be a bad thing only if I rave about how marvelous the book is. No harm in simply describing it, right? So here are the facts.
It is organized neither geographically nor chronologically. The first section following the foreword is titled “History”. Here, among pictures of collectibles and artifacts, Butko gives a very brief history of the road’s birth and short life. It is enough to give someone who knows little or nothing about the Lincoln Highway a starting point and someone who knows everything a quick refresher on key dates and events. It is a stripped down but adequate introduction to the pictures that follow.
Those pictures are organized by their subjects. Butko identifies ten things that comprise the Lincoln Highway and gives each one a chapter. They are “People”, “Gas”, “Food”, “Lodging”, “Vehicles”, “Attractions”, “Signs”, “Markers”, “Bridges”, and “Roads”. The chapters are themselves samplers. Historic images from postcards and other sources are combined with modern photographs. Images of things along the road, which is every chapter other than “People”, are from locations spread over the road’s entire length.
The Lincoln Highway turns a hundred this year. Brian Butko’s Greetings from the Lincoln Highway turns eight. At first glance, the 2013 Greetings… looks an awful lot like the 2005 Greetings… with a soft cover and a “Centennial Edition” banner on the front and it’s a fact that, in many ways, it is the same. It has the same organization with an introductory chapter and a chapter, with map, for each state the highway passed through and a very high percentage of the words and pictures in those chapters are the same, too. Another thing that remains the same and which accounts for the small in percentage but large in number changes is the care and attention to detail. Butko probably didn’t catch everything in the book that the passage of time has altered but he sure tried and he sure got a lot.
Aside from the occasional new photo, the most visible changes may be in the statistics and maps at the front of each state chapter. Here population numbers from the 2010 census replace those from the 2000 census and the maps get a line for the Proclamation Route. The Lincoln Highway Proclamation Route was a list of cities published by the Lincoln Highway Association on September 14, 1913. Shifts started happening almost immediately and a detailed route was never signed or published that matched the September 14 announcement. But several of the cities dropped in 1913 fought unsuccessfully to return and many have fought more recently and more successfully to be recognized. Butko acknowledges that by including the ephemeral route. All of the quotes from postcards and other period communication that appeared in the margins of the original are still there and a few more have been added.
I’m reading this book for the third time. I read it around 2005 when I was dabbling with short drives on the Lincoln Highway to my east. I reread it in 2009 when I was getting ready to drive the Lincoln from the east edge of Illinois to the west coast. My current read is in anticipation of another long, hopefully full length, drive of what Drake Hokanson calls Main Street across America. I never read the original, only the pictured Tenth Anniversary Edition which is now fifteen years old itself.
If you think this looks like it belongs here, you haven’t been paying attention. No, books about cosmology, quantum physics, and beyond aren’t what I typically read and I’m clearly not qualified to review them. I was given the book as a gift, I read and enjoyed it, and I intend to tell somebody about it.
I started off admitting that this book was really out of place here. I do a lot of my reading over meals in restaurants and it was rather out of place in some of the joints where I eat, too. I quickly worked out a way to carry the book that cut down considerably on the funny looks aimed my way.
Wow!
Not long ago, a friend mentioned a couple of travel related books he had just read and, when I found one of them available at the local library, I decided to give it a read. It’s Bill Barich’s Long Way Home – On the Trail of Steinbeck’s America. The subtitle is a reference to Steinbeck’s Travels with Charlie which Barich cites as an inspiration for his own road trip and book. The books’ basics are certainly similar. Each is the product of a successful American writer of a certain age undertaking a cross country road trip with hopes of learning something of a nation he’s been out of touch with for awhile. Steinbeck did it in 1960; Barich in 2008. Forty-eight years is not the only difference. Steinbeck did it in a custom built camper with unlimited time and, for all practical purposes, an unlimited budget. Barich did it in a rented Ford Focus, with a six week schedule, and a budget he calls “tight”. Steinbeck sort of circled the country, starting and ending at his home in Sag Harbor, New York. Barich makes one more or less straight pass through the center of the nation. But, for me, the biggest difference is that, while I’ve never really cared for Travels with Charlie, I ended up enjoying Long Way Home. Of course, Steinbeck didn’t seem to enjoy his own trip very much; Barich did. I think that rubbed off on me.
I’ve never seen Dirk Hamilton in person with a band. I’ve seen him twice with another guitarist and twice with no one else on stage period. Conversely, I’ve never listened to him without a band. OK, maybe “never” is a stretch but a bold print seldom sure isn’t. I own just about everything Dirk has released and it’s the rare track that doesn’t have at least a few top notch musicians backing him up. That’s not a bad thing. The tunes are served well by the added layers and the folks Dirk chooses to play with always add something to the mix. But listening to solo mono is kind of like a “being there” I can relate to.