Music Review
Raise Your Hands
Long Tall Deb

Posted on November 28, 2012 by Denny

Solid! That word entered my head the instant I heard the snare drum snap that starts of the first track of Raise Your Hands and it stuck with me throughout that first listen. It comes back on every repeat listen and sometimes when I just think about this album. Yep, I’m pretty sure solid is the right word to describe Deb Landolt’s second studio effort.

Thanks to my minor support of the Kickstarter project that helped birth this CD, I got to listen to the finished product a little ahead of its official release. An email arrived on Thanksgiving eve with a link to the MP3 files. The next morning, I took them with me on the drive to a holiday feast with friends. I hit play as I settled onto I-71 and got slapped by that snare before I could set the cruise control. The bass punch came half a second later and we were rolling.

And we kept rolling. There are twelve tracks on the CD; All but two written by Deb and a collaborator or three. When the last one finished, I realized, with a certain amount of surprise, that I had not mentally noted a weak spot. I almost always listen to a new CD straight through but it seems that more often than not a track or two will register as something I just may skip during replays. That didn’t happen here and subsequent listens verified that I had not just slept through a dud. All the tunes are keepers and they offer plenty of the “soul, gospel and swamp” that Long Tall Deb is known for. They’re rarely sharply separated but are, instead, deliciously stirred together. The title track is a bit swampy, tastes a lot like gospel, and is filled with soul. The wonderful “To Find His Home” is gospel of the highest order but even it takes a little stroll through the swamp as it gets cooking. The two covers are well chosen. The closing track is Tom Waits’ “New Coat of Paint”. The other cover, “Muddy Jesus”, is an very cool tune by Austin based guitarist Ian Moore.

There is a solid set of talent to go with that solid set of material. In addition to Deb, I counted twenty-five musicians listed in the credits. Drummer Jan Roll and bassist Melvin Powe provided the snap and punch that got my attention at start up and they form the rhythm section for all original tunes. Guitarists David Clo and Sean Carney also appear on all the originals as does keyboardist John Popivich.

I’ve mentioned just five names which means another twenty of Deb’s friends make guest appearances on Raise Your Hands. Names that I recognized include Colin John, Damon Fowler, Jimmy Thackery, & Reese Wynans and I probably should have recognized a lot more. In the Kickstarter updates that Deb occasionally sent as recording progressed, it was apparent that she was working hard but having fun, too. One look at the list of musicians she shared the studio with makes it obvious that having fun was practically unavoidable.

But it is Deb’s voice that drives the album. It is, of course, like everything else here, solid. It is also powerful. I’ve seen her voice described as powerful but not overpowering. Good description. You never get the feeling that she’s holding back but you always have the feeling that there’s more available. Same with emotion. The celebration of “Train to Tucson” and the relief of “Finally Forgot Your Name” come from different ends of the emotion scale and Deb gets them both just right. I think that’s called soulful.

I’m pretty bummed that I won’t be able to attend the Columbus CD release party on December 8. That should be quite a party. The CD (both real and downloadable) is to be available on December 4 (wrong – see below) at CDBaby, iTunes, and Amazon. You will be able to listen to some samples at those sites or you can listen to it blast out of my car windows as I head up I-71 again this weekend.

UPDATE: November 30, 2012 – Had I waited just a bit, I would have learned that a national release in December is not to be. Distribution negotiations are ongoing and look as if they will lead to general availability around mid-March. The December 8 release party in Columbus is for real and copies of the CD will be available there as well as at other live appearances. It will likely also be available at LongTallDeb.com well in advance of the spring time release. Sorry about the false start.

Book Review
Stay on Route 6
Malerie Yolen-Cohen

Posted on November 14, 2012 by Denny

Much like the subject highway, my opinion of Stay on Route 6 has gone “coast to coast”. In the end, I settled slightly inland on the positive side.

I was pretty excited when I first learned that an established travel writer had published a book on US 6. My excitement faded as I read the introduction and it was replaced with disappointment after I’d read a few pages of the “guide” portion. I paused then took a look at the blog the author had launched as she prepared for the cross-country trip that would become this book. This somehow allowed me to let go of my preconceptions and accept the book for what it is. It is not a guide to the bypassed twists and turns of a historic highway. It is a guide to food, lodging, and attractions along the current path of a highway with history.

The seeds for recognizing my preconceptions were planted as I read the book’s introduction. That’s where Yolen-Cohen tells readers that Route 6 is not Route 66 and details some of the differences. The need to do this may be irritating but it is a fact. For many people, the only roads they know of are the interstates, some local streets that lead to jobs and shopping, and a mythic Route 66. It is a wonderful thing that Route 66 has the recognition that it does but it sometimes blurs people’s perception of other roadways. I am quite familiar with the phenomenon. I have had several conversations with folks who expected the Lincoln Highway, the National Road, or the Dixie Highway to be just another Route 66 and were disappointed that they are not. It turns out I was guilty of something similar. I don’t believe it was anything in the actual blog that did it but as I read some of the early entries I realized that my disappointment in the book wasn’t very different from that of those travelers. I wasn’t disappointed in the book because it was a bad guide but because it was not like the guides I was familiar with for Route 66 and other historic highways.

So once I got my own expectations adjusted, I found that the book was pretty good at doing what Yolen-Cohen intended. It covers the entire route, offers some casual commentary on the country along the way, and describes most cities and towns it passes through. Sleeping and eating establishments are noted with a distribution that should ensure no one using this guide goes hungry or has to sleep in their car. The emphasis is on locally owned businesses and the owners are typically identified right along with their bistro or B&B. Yolen-Cohen met these people on her 2011 drive so her recommendations have a personal touch. Nearby attractions are also identified and I very much appreciate the effort to visit and describe local museums. I like local museums. Contact information including, where possible, address, phone number, and website, is included for each restaurant, lodging, and attraction.

I can’t swear to there not being other travel guides created as this one was but I don’t know of any. Guides like the ones I mentioned for faded historic routes are typically put together by someone intimately familiar with the road through years of exploration. On the other hand, my impression is that many dining and lodging guides are put together by someone sitting at a desk using a phone and computer to gather recommendations from chambers of commerce and other boosters. Yolen-Cohen certainly did some recommendation gathering but she did it specifically for her trip. She selected and scheduled almost all of her stops before leaving home then colored things in with a single cross country run.

I like that. I like the idea of a single road trip — even one meticulously planned — giving birth to a travel guide. Yolen-Cohen describes this as a lifelong dream. A little innocence even shines through the possibly jaded view of the experienced travel writer. At least it does in the blog. The blog (stayonroute6.blogspot.com) is part of the whole. The book contains some low-resolution maps and some black-and-white photos. The maps help with mentally placing general locations but a traveler is expected to follow the route with posted signs and modern maps. Similarly, the photos help us understand some of what Yolen-Cohen saw on her trip but little more. This is a black-and-white paperback guidebook, not a full-color photo book. It belongs on a car seat, not on a coffee table. But Yolen-Cohen did take color photos and video, too. Both appear on the blog and are worth checking out.

There are few turn-by-turn directions in the book. They are not needed since it is following an active and signed US highway. That is until it isn’t. US 6 was once truly coast-to-coast and ran from the tip of Massachusetts to Long Beach, California. In 1964 the western end was truncated to Bishop, California. Yolen-Cohen carries on, however, and does provide turn-by-turn instructions for following the former US 6 to the coast.

I don’t know of any significant errors in the book but I do know of two insignificant ones. At least they should be insignificant. It’s even possible they would have gone unnoticed if the author hadn’t gone out of her way to draw attention to them. The first one is in the introduction and is partly responsible for me almost giving up on this book early. Calling an “association” a “society” sets the stage for Yolen-Cohen’s joke about the “unfortunately acronym’d ASSHO”. I’m sure this was a legitimate mistake but the fourteen months between the goof’s appearance in the blog and the book’s publication seems ample time to realize that the organization in question is the American Association of State Highway Officials (AASHO).

The second is when the author berates a Joliet, Illinois, museum that touts US 66 for not also touting US 6. This seems a little off-key since the differences between a historic decommissioned Route 66 and a living breathing Route 6 have been duly stressed. But it turns even more sour with the realization that, despite claims that the museum “occupies the corner of Route 66 and Route 6”. US 6, according to all maps I’ve checked, never gets within half a mile of the museum. A living breathing US 30 does pass by the museum. There isn’t a US 30 section in the museum, either, but a Lincoln Highway (US 30’s predecessor in these parts) display has just been added.

But, even though these errors are quite annoying to me personally, they do not make the book less useful. Anyone looking for a place to eat or sleep anywhere along this long highway can certainly benefit from Stay on Route 6 and the number of museums and other attractions included makes it valuable for sightseeing, too. It’s kind of refreshing to see a guide for a highway that hasn’t been declared dead by someone.

Stay on Route 6, Malerie Yolen-Cohen, CreateSpace, May 2012, paperback, 5.5 x 8.5 inches, 257 pages, ISBN 978-1468049398
Available through Amazon.

Music Review
Prelude
Ronstadt Generations

Posted on October 31, 2012 by Denny

I’ve intended to review Prelude, the latest from Ronstadt Generations, ever since it came out in July. But almost immediately, a Route 66 road trip got in the way then the quick appearance and disappearance of a related opportunity caused me to push it way to the side. It took doing a review of a newer album to remind me that this was on deck.

Technically, Ronstadt Generations is Michael J. Ronstadt and his two sons, Michael G. and Petie, but there are so many musicians in their world that it seems the trio rarely performs or records entirely alone. This recording benefits from some fellows that the Ronstadts often perform with in their home town of Tuscon, Arizona. When they aren’t touring, the Ronstadts perform each Monday at the Chicago Bar. They have taken to referring to the informal group that has been accompanying them and holding down the stage during their absences as Los Tucsonenses. Los Tucsonenses turn Ronstadt Generations into a full band and really flesh out Prelude.

At some point in that Route 66 trip, I realized that there was a good chance the return leg would put me near Tucson on a Monday. This was the fleeting opportunity I referred to in the opening paragraph. I was excited at the possibility of seeing Ronstadt Generations y Los Tucsonenses performing together. The excitement peaked when my Monday in Tuscon looked certain and faded when I learned that the Ronstadts would be touring in Ireland while I was in Arizona. I did go to the Chicago Bar and saw members of Los Tusconenses with other vocalists and under another name. The fact that they were great took the edge off of my disappointment at missing the Ronstadts but it didn’t eliminate it. I think that maybe it was almost seeing Ronstadt Generations y Los Tucsonenses that made me forget about reviewing Prelude for so long.

The Ronstadt Generations website features the slogan “History Through Music”. Packaging for their first CD, Lulo, tells us that “Ronstadt Generations exists to explore the music traditions of a family through time by keeping alive what was and exploring what is to come.” Those sentiments are evident in Prelude. “What was” is addressed by several tunes from the last century and the one (at least) before that. The source of two songs, both sung in Spanish by Michael J, is “Traditional”. A total of seven tracks are covers. “What is to come” gets essentially equal attention with six tunes penned by the Ronstadts.

All three sing, play multiple instruments, and write. Each contributed songs to Prelude. Perhaps in the interest of fairness, each writer has two tunes on the CD. Their writing styles do differ. Songs from Michael G, the classically trained cellist, contain a touch of complexity with slightly cryptic lyrics. Michael J’s songs tell stories and are usually fairly straightforward in doing it. They, and their writer, might seem pretty much at home around an Arizona campfire. Petie’s stuff is somewhere in the middle.

As part of the core trio, Michael G’s cello does set Ronstadt Generations somewhat apart. Sometimes it’s in front leading the song but it also floats in the background adding depth and smoothness. On this CD, the always impressive guitar work of Petie and Michael J gets some help from Johnny Blommer and the saxophone of Alex Flores adds that something extra to several tracks. Bassist Sam Eagon and drummer Aaron Emery provide a firm foundation for everybody else though Emery’s tasteful fills frequently shine through.

Each Ronsadt takes the vocal lead on songs they’ve written and each sounds good. But a real “the whole is greater than the sum of the parts” element kicks in when the three voices are joined. This happens a bunch but might happen a little more readily on the covers than on songs whose “owner” is present. The harmonies on Stephen Stills’ For What It’s Worth are impressive; Those on Stills’ Find The Cost of Freedom even more so. Here the voices are accompanied only by Pitz Quattrone’s didgeridoo. Beautiful.

Find The Cost of Freedom fades seamlessly into Joe Glazer’s The Mill was Made of Marble which flows directly into Petie Ronstadt’s Like a River for a CD ending medley that showcases everything that makes this recording so listenable; Nicely layered voices and instruments on ear catching songs old and new. The three Ronstadts are accomplished solo artists. Together, they form a polished “family band”. Prelude is a nice example of what they can do with a little help from their friends.

Music Review
Modern Vintage
The Newbees

Posted on October 17, 2012 by Denny

Modern Vintage is the name of the latest Newbees’ CD. This post is ostensibly a review of that CD but there’s some concert/venue/band/radio in the mix, too.

Over the last few years, WNKU has pretty much replaced another local NPR station in my heart and in my ears. I made it official a while back by donating a few bucks and becoming a “member”. Among other things, that put me on a mailing list that includes invitations to be part of the studio audience for their Monday night broadcast-live Studio 89 concerts. I finally got around to asking for a seat for the fourth concert of the current series. I made the cut.

The performers at that October 8 concert would be the Newbees. I’d heard of the band but didn’t really know much about them. Before sending in my request, I spent a little time on the internet learning that this was a group I’d almost certainly like. Online videos include things like the quintet doing a bunch of Beatles tunes backed by a high school orchestra plus plenty of performances of original material. This was not your run of the mill garage band.

The setting for the Studio 89 concerts is inside a room called the Griffin Hall Digitorium. I believe digitorium translates to “really cool and intimate state-of-the-art place for concerts”. Counting the attendees would have been easy but I never got around to it. I was part of the group occupying three rows of theater style seats facing the stage. Each row has maybe 10-15 seats. Between the seats and the stage are some tables where host Pam Temple and a few VIPs sit. That space is also home to video cameras and other gear. I have no idea how or when the multi-camera video is used.

And now, at last, some words about the CD. It makes me smile.

A Modern Vintage CD release party had been planned for Saturday, October 6, during the grand opening weekend of a new/relocated venue, Southgate House Revival. Last minute construction issues caused that to be cancelled on Friday so the Studio 89 appearance was something of an introduction for the CD and very much a disappointment reducer for the band. The five core members were psyched and ready and so were the half dozen (3 horns, 3 strings) backing musicians. I’d heard one cut on the radio and a couple on the internet but I heard more of the CD’s songs for the first time as they were broadcast live from the Digitorium. They sounded great and, with a CD obtained after the concert, I could later verify that they sounded “just like the record”.

The CD’s title is a good one. I said that it makes me smile and part of the reason is the music’s “vintage” aspects. It’s more of a vintage feel than a vintage sound. The songs are new. The sound is “modern”. Some of the tunes do remind me a bit of stuff that came from my AM radio “when I wore a younger man’s clothes”. They’re not the same songs. They’re not knockoffs of those songs. They don’t even sound quite like the songs from my youth. But they do feel like them.

All five Newbees write. Visit the Bio page of their website and you’ll see them distinguished by their primary instruments; two guitars, bass, drums, keys. Then they are all tagged with “Vocals” and “Songwriter”. The packaging doesn’t identify who wrote individual songs on the CD but there is no doubt that everyone contributed. It really does seem like a musical team.

Tracks range from dance-able rockers like Up All Night and Don’t Knock It (‘Til You Try It) to sway-able stuff like Nevermore and Goodbye Sun. Some are really “sticky”. In the last week, I’ve frequently heard Medicine Show, Nobody to Blame, and others playing inside my head. Though some pretty serious topics appear (Medicine Show immediately comes to mind), the entire CD has a fun feel. I’ve often said that nothing helps me like music more than knowing the folks producing it are having fun. I saw the Newbees having fun on stage and I can hear them having fun on this CD. That is, of course, another reason it makes me smile.

It is almost impossible to write about the Newbees without bringing in the Beatles. Over the years, the group has put a lot of time and energy into faithfully reproducing Beatle tunes and they’ve impressed crowds at nostalgia fueled events like Abbey Road on the River. They even included some Beatles in the off the air conclusion of the Studio 89 concert. This aspect of the band was in my mind as I listened to Modern Vintage for the first time. I guess I was actually listening for the Beatles but I didn’t quite hear them. I heard songs the the Beatles could have done and some that I told myself could have fit on this or that specific album. I did not hear copies or knockoffs. By the second or third listening I was hearing the Eagles, Leon Russell, Paul Simon, and probably every other musician who, along with the Beatles, influenced the members of the Newbees. I’m pretty sure that Find, the CD’s final cut, could have been covered by Peter, Paul & Mary. The Newbees are indeed a great Beatles cover/tribute band but they are so very much more.

Things came together at Southgate House Revival and the “Rescheduled Album Release Shindig” is, according to the Newbees site, set for November 21 though it’s not yet shown on the Southgate House Revival site. Hope they catch up soon so I can order my ticket.

UPDATE: 27-Oct-2012 – The Southgate House Revival site did catch up and tickets are available here. However, just as I was about to place my order, an email arrived telling me that Cincinnati legend Larry Goshorn would be playing a retirement gig that same night. I’d love to catch the Southgate party but Larry’s “farewell” wins this conflict. Good luck, Newbees, with the CD release. I know I’ll see you in the future.

Book Review
Fips, Bots, Doggeries, and More
Tracy Lawson

Posted on June 13, 2012 by Denny

Fips, Bots, Doggeries, and More cover In 1990, Tracy Lawson’s parents gave her a stack of twenty-one photocopied pages as a Christmas present. Transcribed onto the typewritten pages was the journal of her third great-grandfather’s 1838 trip from a Cincinnati suburb to New York City. In 2012, Lawson is sharing those pages and the experiences they triggered, in Fips, Bots, Doggeries, and More. The book is comprised of two sections. “Section I — 1838” contains the journal along with Lawson’s illuminating comments and notes. “Section II — 2003-2009” contains accounts of the author’s own trips along the route. Both sections are liberally illustrated with black and white photos and drawings.

The writer of the 1838 journal was Henry Rogers, who operated a successful mill in Mount Pleasant (now Mount Healthy), Ohio. Traveling with the 32 year old Henry were his wife and her parents. The miller was both literate and observant and he sets out to record “…all interesting subjects and things that come under my observation”. The journal provides a most interesting look at nineteenth century road-tripping. Henry recorded expenses and named names so we know, for example, that the group spent a night at Winchester’s hotel in Jefferson (now West Jefferson), Ohio and paid $2.50 for the privilege. That $2.50 covered bed and board for four people and two horses. Along the way, he records expenses for tolls, horseshoes, wagon tyres, and “face barbering”, etc..

The travelers picked up the National Road in Jefferson, Ohio, and followed it and its extensions to Hagerstown, Maryland. As a fan of the National Road, I enjoyed reading Henry’s descriptions and found his pre-bridge entry to Wheeling, Virginia, which required a ferry over each of the two Ohio River channels at costs of 25 and 37.5 cents, especially interesting. They passed through Brownsville, Pennsylvania, during construction of the first cast iron bridge in the United States. It doesn’t appear as if Henry realized that the bridge that would soon carry the National Road over Dunlap’s Creek was the first of its kind but he described it as “splendid” while being forced to cross on an “..old narrow bridge that looked as though it would scarcely bear its own weight.” At Hagerstown, the group turned northeast and headed toward Gettysburg, Pennsylvania, then through Abbottstown and York to Lancaster. Roadies will recognize the Gettysburg to Lancaster route as the future path of the Lincoln Highway. From Lancaster, they continued northeast to Trenton, New Jersey, where they spent a little time and made a visit to Philadelphia before moving onto New York City.

The 1838 journal is accompanied by sidebars that explain unfamiliar terms or provide background for certain passages. The journal’s text is cross referenced to a set of end notes. A subsection titled “Expansions” contains short dissertations on subjects that were part of Henry Rogers’ world. These include mills, finances, politics, medicine, fashion, and more.

The author made three trips specifically to experience and research the route her great-great-great-grandparents had followed. Two were driving trips with her daughter and one was a solo fly-and-drive outing. These trips are covered in “Section II” with a blend of genealogy, personal discovery, and general history. It’s fun reading that mirrors Henry’s journal in the sense that both are straight forward reports of some relatively unscripted travel. Henry’s journal held my interest more but there is a good chance that this was because his travel was so much different from today’s. Lawson describes some of the places she stayed and ate much as Henry did and there is even an encounter with a less than savory character that is reminiscent of some of the “scoundrels and topers” encountered by Henry. But Ramada and Cracker Barrel don’t have the same zing as names like Sign of the Bear and Cross Keys Tavern.

Lawson does locate and visit several of the places mentioned in the journal including a few, such as Pennsylvania’s 7 Stars Inn, that are still operating. She also picked up some information at libraries and local historical societies though the trips were not as rich in field research as she had hoped. They were more successful, it seems, on a personal level. She was able to familiarize herself with the path her ancestors traveled and the world they lived in. The mother-daughter time was, as the ads say, priceless.

That personal connection won’t be there for most readers of Fips, Bots, Doggeries, and More, but it is still an entertaining and informative look at a road trip back when thirty-one and a half cents fed a family of four and two horsepower was plenty.

There are some minor errors. Perhaps I’m just sensitized to this sort of thing but referring to US 36 as State Route 36 and saying the Madonna of the Trail Monuments were “erected … on US Route 40 and US Route 66” with no mention of the National Old Trails Road bothered me. Aside from increased knowledge of her own ancestors and the world of 1838, it seems Tracy Lawson gained some insight into heritage road trips. In the Epilogue she says “And if I were driving the National Road again, I would eat at all the restaurants that were once taverns Henry mentioned in his journal!” I hope she makes that happen.

Fips, Bots, Doggeries, and More, Tracy Lawson, The McDonald & Woodward Publishing Company, April 2012, paperback, 9.1 x 7.1 inches, 156 pages, ISBN 978-1935778196
Available through Amazon.

Music Review
Just Like Honey
Lisa Biales

Posted on May 23, 2012 by Denny

Just Like Honey CD cover I read somewhere that Alannah Myles recorded her 1989 hit Black Velvet in a hot un-air-conditioned room to make it feel, and therefore sound, like “Mississippi in the middle of a dry spell”. The result was something that could be described in a single word and which fit that word, sultry, in every dimension. Lisa Biales didn’t forego climate control to record Just Like Honey but she did get some help from the south and she did nail SULTRY — dead center and in capital letters.

The title track comes from Nashville song writers Cameron-Beck-Kahan.There are a couple Biales originals, a couple from the CD’s producer, EG Kight, and a Biales-Kight collaboration. Most of the remaining material comes from some of Biales’ musical influences and that was a conscience decision by her and Kight.

If you ask Lisa to name her influences, you best not be in a hurry. The list of female singers she admires and draws from is a long one and includes many who are no strangers to sultry themselves. She doesn’t get to all of them here but she does cover some biggies. There are tunes by Memphis Minnie, Bonnie Raitt, and Candye Kane plus songs written by others but firmly associated with the likes of Ma Rainey, Etta James, and Odetta. And by “cover” I don’t mean “copy”. I mean celebrate and interpret.

A goodly chunk of that “help from the south” I mentioned comes, of course, from Kight, a.k.a, “The Georgia Songbird”. There’s a big dose from Paul Hornsby and his Muscaline Recording Studios in Macon, Georgia, and Capricorn veterans Tommy Talton, Marshall Coats, and Bill Stewart (guitar, bass, drums) contribute their share, too. In fact Talton, supplies a song, Watch Out Baby Don’t Cry, that quickly became a favorite of mine. Talton, Coats, and Stewart form the core group for this CD but others, including Hornsby on keys and Ken Wynn on guitar, show up here and there.

So we have some highly talented musicians, an accomplished producer and engineer, some original material, some material “borrowed” from the best, and maybe even a little of that “slow southern style”. That’s a mighty fine foundation for Lisa’s clear and powerful… and sultry… vocals. Just Like Honey is the name of the CD and of a song that’s on it. It’s also a pretty good description.

The CD is here and Lisa’s website here.

I’ve mentioned a few of Lisa’s live performances in this blog including a couple in April where she and Ronstadt Generations traded “guest appearances”. Ronstadt Generations have just launched a Kickstarter project looking for help with their second studio CD. Check it out here.

Product Review – Dial2Text

Posted on April 1, 2012 by Denny

Rotary Dial Telephone Before learning of this product, I hadn’t really thought about the fact that texting, something many people take for granted, is not universally available. Dial2Text doesn’t solve that completely but it does open the door to one previously ignored segment: rotary phone users. In 2006 it was estimated that as many as 14% of all phones in the US were rotary. The percentage has no doubt dropped but the folks behind Dial2Text believe the number is still significant. Dial2Text is being rolled out in the Cincinnati area beginning this month and, if all goes well, could be available nationwide by year’s end.

Dial2Text is marketed as a service much like cell phone texting. In fact, proposed rate plans are identical to those available to cell phone users: $0.20/message or $4.99/month for 500 messages. An unlimited plan could be added but Cincinnati Bell feels it is unlikely that many users will have the stamina to go above 500 messages per month.

No phone modifications or attachments are required meaning that, once a line is authorized for Dial2Text, all devices on that line can use it. Doing that may take a little practice, however. Most characters require two inputs. Exceptions are ‘0’ and ‘1’. Dial either of those numbers and you’re done. For any of the other eight, you need to dial a second digit to indicate which of four possible characters (the original number or one of three letters) is desired. For example, the sequence 3-1-4-1 would send my initials. The ‘3’ indicates the finger hole with the number ‘3’ and the letters ‘DEF’. The ‘1’ indicates the first of those letters, ‘D’. A ‘0’ (zero) would indicate the originally dialed number, ‘3’, and the numbers ‘2’ and ‘3’ would indicate the letters ‘E’ and ‘F’ respectively. Similarly, the number ‘4’ selects the ‘4GHI’ finger hole and the number ‘1’ indicates the letter ‘G’. The address of this website can be communicated with the sequence 3-1-3-2-6-2-6-2-9-3-4-1-4-3-2-2-7-3-6-3-6-2-2-3-6-3-6-1 although a dot must be manually inserted in front of ‘com’.

As you can see, it’s all very simple. Even so, it will undoubtedly take some concentration and there could be errors. Something like forgetting to dial that second digit or having your finger slip from the hole before you’ve made it all the way to the little hooky thing could seriously alter the message. The developers claim that this will simply provide Dial2Text users with some of the same fun and humor that auto-correct provides to cell phone users. In fact, anticipating something along the lines of DamnYouAutoCorrect, they have locked up the DamnYouSlippyFinger.com domain name for the next five years.

ADDENDUM 25-Mar-2018: The DamnYouSlippyFinger.com domain has expired but the home page, which contains audio, is preserved here.

Developers similarly downplay the lack of lowercase letters and punctuation. Citing studies of random samples of real text messages that show senders rarely have any concept of either, they say the Dial2Text limitations are actually a boon. The typical rotary phone user might be inclined to use proper capitalization and punctuation and even correct spelling. As one Cincinnati Bell spokesman said, “That would make them stand out like a sore index finger”.

Receiving Dial2Text messages couldn’t be easier. Using the latest text to speech technology, Dial2Text simply calls the user and reads messages aloud. There is no queuing for multiple messages but, after announcing that a text message has been received, Dial2Text pauses for thirty seconds to allow the user to get pencil and paper. Users with answering machines who screen calls can get the messages recorded onto cassette tapes or other media by simply not picking up the receiver.

One member of the local Beta test group who used the answering machine trick is Joe Kerr. Joe really likes actually hearing from his grandchildren now and then. “They never call or visit”, he said, “but they will send a text message.” He smiled as he played back a recent message from a grandson in response to a birthday card. The message can be heard here. Joe admits he doesn’t understand even the tiniest part of the message but says it’s the thought that counts. He also shared a message from a long time friend alerting him to something on TV. That message is here. The heads-up would have been appreciated even more if the show hadn’t been over before the friend finished composing the message. “He’ll get better”, Joe says.

But, like many high tech breakthroughs, Dial2Text fails to impress everyone. Zachery Quinn, another Beta tester, wants nothing more to do with it. “Those greedy bleeping bleepers want twenty cents to send a message I can’t even sign with my initials? Bleep ’em.”

Product Review
Route 66 Attractions
with Ready2Go Tours

Posted on March 7, 2012 by Denny

My relationship with Garmin GPS receivers goes back to my first documented road trip in 1999. I haven’t owned a lot of different models and I’m definitely no expert but I’ve used and liked Garmin products for quite awhile. Then, as I traveled with a new unit I bought last April, I began to think that Garmin had completely abandoned me. It took several email exchanges with a fellow named River Pilot to convince me that Garmin still makes products capable of following turn-by-turn routes. Garmin, however, insists on aiming those products at motorcycles. I drive a car.

River Pilot doesn’t work for Garmin. He owns River Pilot Tours, a company offering, among other thing, motorcycle tours of Route 66. They developed the subject of this review. Since River was so helpful in explaining the, in my opinion, warped Garmin product line, I really wanted to like his product but feared I wouldn’t.

I crept up on it. An important thing I learned from River is that there are at least two different types of software inside Garmin GPS units. That inside zūmo®s handles turn-by-turn routing properly; That inside nüvi®s (and other models) does not. By “properly”, I mean the device will not only guide you from point A to point B but will do it along a specific pre-plotted path. The unit I got in April was a nüvi®. I recently bought a zūmo® 220. After a few experiments in the neighborhood, I used it on a trip to Florida and convinced myself that it would indeed follow my routes. Then I bought Route 66 Attractions with Ready2Go Tours.

There are two different River Pilot Tours products available to mate up with the two types of Garmin products. Route 66 Attractions contains more than 800 points of interest (POIs) along Historic Route 66. Each has a description, a photo, and contact information. Almost any current Garmin street product is capable of guiding you to any of the attractions. Then, just as the name implies, Route 66 Attractions with Ready2Go Tours adds turn-by-turn instructions for both east and westbound tours of the route. Both products are published by SpotItOut and both are available for purchase and download at their website. Prices are $30 “with” and $10 “without” although the “with” version is currently on sale for $25.

UPDATE 4-JAN-2014: SpotItOut ceased operation sometime back and River Pilot Tours now sells its products directly on SD cards. The “regular” Route 66 GPS Attractions Guide can be purchased through the online store but the version with Ready2Go Tours cannot. Because not all Garmin GPS units are capable of running the turn-by-turn software, River Pilot Tours requests that potential Ready2Go Tours customers call (307 222 6347) or email (tours@riverspilot.com) so that compatibility can be determined before money is spent.

UPDATE 6-JUL-2014: Both versions of the Route 66 GPS Attractions Guide can now be purchased through the online store. If there is any doubt about compatibility or if there are other questions, just call (307 222 6347) or email (tours@riverspilot.com) for some friendly help. To remove any question of compatibility and avoid the purchase of a high end GPS for one time use, a pre-loaded unit can be rented from River Pilot Tours. Call or email for details.

Purchase, download, and installation were straight forward. The addition to my GPS looked good throughout a bit of playing but it’s really tough to judge a product’s Route 66 turn-by-turn capabilities in a living room in Cincinnati. Last Saturday’s cruise in Illinois provided an opportunity to get a better look.

I was purely a follower on the cruise which meant no one was depending on me and I wasn’t depending on the GPS. At our starting point in Mitchell, I selected the Illinois eastbound tour. I was given a chance to preview the route on a map or read a brief description. When I pressed “GO”, the unit spent a few moments calculating then asked if I would “like to navigate to the start of the Custom Route”. When I pressed “No”, it sat there quietly with a magenta line showing the route on the screen.

Route 66 Attractions with Ready2Go Tours screen shot As we cruised northeast through Edwardsville and Hamel, the voice from the GPS essentially described the actions of the cars in front of me. It allowed me to anticipate turns just a bit so I might have even looked like I knew where I was going. The unit beeped when we approached Sixty-Six attractions such as Weezy’s and Decamp Junction. Each of these was identified and I could have pulled up a description if I’d wanted.

Things were going along swimmingly when the caravan made a turn to the right and the voice in the box said nothing. Was this a flaw in the GPS guided tour? Nope. Not at all. It was just a simple fact of life and roads. Over time roads get rerouted and from just south of Staunton to inside the city of Springfield US 66 had two major alignments. The caravan turned right on the newer, post-1930, alignment while the GPS tour continued on the older, 1926-1930, alignment.

The primary purpose of the Ready2Go tour is to guide a traveler from one end of Route 66 to the other. It does just that and it keeps the traveler on some alignment of Route 66 all the way. It will not take you over every mile of every alignment that the route ever followed. For that you will need some maps, some books, perhaps some input from an expert, and a readiness to backtrack and explore. River Pilot Tours had to select one of the two Staunton-Springfield alignments to be part of the “grand tour” and they chose wisely. The older alignment is the more interesting of the two and we would be returning on it later in the day. We chose to do the newer one first purely for timing reasons.

I’m fairly confident that River Pilot Tours also chose wisely in the many other instances of multiple alignments. They operate their own guided tours and they know quite a bit about others. They also consult with some of the route’s best authorities. All of this helps select the route that goes, as River says, “where folks are actually driving”.

Route 66 Attractions with Ready2Go Tours screen shot But the Ready2Go Tour doesn’t just ignore alternate alignments. For one thing, it is built on top of that extensive database of Route 66 attractions and not all those attractions are right along the tour path. At any time a traveler can push “Where To?” to see what attractions are near by. Click here for a screen shot of the list of attractions near the point where the alignments separate south of Staunton. Some, including Henry’s Rabbit Ranch, are not on the tour route. Selecting an attraction accesses an overview of a drive there. A description is also available and the location of the attraction can be seen on a map as pictured above. Note the tour route in magenta and the blue triangle showing current position. Even without those maps and books, a traveler can visit an “off route” attraction then head back to continue the tour.

Route 66 Attractions with Ready2Go Tours screen shot One alternate alignment actually appears in the product today. The pre-1937 alignment that passed through Santa Fe, New Mexico, can be selected and followed just like the main tour route through the state. In the future, other major alternates, such as the one between Staunton and Springfield, will be added.

Without detailing every turn, I can say that the Ready2Go Tour seemed to follow its chosen alignment quite well. In general, after we reached Springfield and started down the 1926-1930 route, the voice in the box and the car in front of me were in agreement. Exceptions were when the caravan occasionally headed off on some obscure and possibly dead-ended section. But then the caravan did have books, maps, and experts and a readiness to ~~get lost~~ explore. Both the path and the location of attractions presented by the Ready2Go tour seemed right. I’m happy to report, as I’m sure some are wondering, that it nailed the Nilwood turkey tracks perfectly.

I suppose it’s fairly obvious that this is a good fit for someone heading off on all or part of Route 66 for the first time. Then what? As a solo traveler, I basically require voice-in-a-box guidance on a road trip and getting it usually involves plenty of pre-trip plotting. I’m not throwing away any books and I’ll still be plotting routes including some involving Route 66 but there’s a big chunk of that that River Pilot Tours has done for me. Having the big catalog of attractions always at my fingertips is pretty cool, too.

I said I feared that, even after finding the company owner extremely helpful and likable, I wouldn’t like the product. I think my biggest fear was that it would be fragile or that Garmin would mishandle the routing. But Route 66 Attractions with Ready2Go Tours seems to do exactly as it claims and I do like it. Shouldn’t have worried.

UPDATE 05-SEP-2012: I recently completed an end-to-end east-to-west drive of Historic Route 66 using Route 66 Attractions with Ready2Go Tours as my primary guide. I deviated from the suggested route on several occasions but the deviations were to visit some attraction or follow some alignment of which I was aware and not because of a Ready2Go error. As near as I could tell, the suggested route always followed some Route 66 alignment even though it wasn’t always the one I wanted to follow. In many cases, Ready2Go helped me find those off route attractions or other alignments.

As I explained in the original review, the product contains information on lots of Route 66 attractions and can be used to find those attractions even when they are not on the tour route. I was well aware of that but was a little surprised to find that some alternate alignments showed up as well. They did not appear as a route with turn-by-turn directions but the end points appeared as attractions which made finding them easy. Prime examples are the two “sidewalk highway” segments south of Miami, Oklahoma. The segments themselves are perhaps a bit rough to be included in the main tour but all four points where one of them intersects the main tour were marked so they could be located and driven if desired.

My deviations were due to personal preferences that came from previous trips, reading, and talking with other travelers. I’ve little doubt that just following the main line Ready2Go tour would provide a full and satisfying Route 66 adventure for the first-timer and I’ve just proven that it provides a pretty good foundation for the more seasoned roadies (i.e., old farts) among us.

Music Review
No Agenda
Ryan Kralik

Posted on February 15, 2012 by Denny

No Agenda CD cover I was pretty much prepared to not like this. I only became aware of Ryan Kralik when he recorded a cover of Neil Young’s “Ohio” with Josh Hisle but I’ve certainly heard of him a lot since then. Actually, heard from him a lot would be more accurate. In order to download that “Ohio“ cover, I signed on to his mailing list and that led to becoming Facebook friends. Down these two funnels, Kralik has poured a steady stream of promotional messages. The first were about the “Ohio“ cover, then they were about this album, and now they are about an in process tour. I’ve no particular problem with guerrilla marketing of this sort. It may lack the punch of a full page ad in Rolling Stone but, for cash strapped artists, it beats a blank and can be fairly effective. But the primary goal of Kralik’s messages seemed to be connecting his name with the better known musicians who had helped with the recordings. The basic idea is no doubt good but when that seemed to be about the only thing Kralik had to tout and I’d heard it too many times, it became off-putting. There seemed to be far too much grasping at coattails involved. I became irked rather than piqued.

So I kind of hoped to just ignore the album but knew that wouldn’t be easy. In an idle moment a few days after a streaming preview became available, I gave it a listen. It didn’t suck. It sufficiently didn’t suck that I ordered it under some special edition half price offer. That was in late November. It arrived sometime between January 27 and February 6. I was out of town so can’t really nail down the delivery date but I clearly had a couple of months for negative thoughts to grow. This was not the result of simple laziness. The delay was caused by production problems but it was still a delay and it did nothing to endear Mr. Kralik to me. Some of that guerrilla marketing talked about the packaging so I kind of knew what to expect. The CD itself is made to look like a vinyl record complete with (printed non-spiraling) grooves. It is inside a standard cardboard CD sized sleeve. That sleeve is in one side of what looks like a folding double LP jacket (for 7 inch LPs) along with some stickers, tickets, and such. The other side of the jacket holds a very nice booklet with lyrics, pictures, personnel, and most of the other things you want to know about a CD but aren’t always told. That booklet, all by itself, counterbalanced a whole bunch of the negativity I’d developed. The remainer was knocked off by the music.

Those names that Kralik dropped with wild abandon early on are all here. Dave Krusen (Pearl Jam) is on three tracks. Rick Rosas (Neil Young, Joe Walsh) is on two. Michael G Ronstadt appears three times and Josh Hisle once. Josh and Michael I know from their solo stuff along with their work with Lost in Holland and Ronstadt Generations. Some of these guys and a couple of others get the occasional music credit but the lyrics are all Kralik’s. So are the vocals.

The music begins and ends with ukulele tunes. Another resembles something the Ramones might have done. That’s quite a range though No Agenda does not hit much of the space in between. The two uke songs and another tune, “Me and You”, which might actually be a love song, are kind of slow and kind of quiet. The remainder are all driving rockers. Kralik is no opera singer but he doesn’t try to be. He doesn’t push his range in delivering the topical and witty words he has written and it sounds right. “The Egypt Riot”, that Ramonish tune I mentioned and which is my favorite on the CD, could almost be too topical. The big time protests in Egypt came and went while No Agenda was being birthed but songs that capture a moment, like the aforementioned “Ohio”, are often good things. Maybe “The Egypt Riot” does that. I’m not sure.

When Rosas and Krusen aren’t around, Keith Lowe and Jeff Strainer do admirable work on bass and drums and Pete Jive contributes some nice guitar to those two ukulele pieces. Kralik’s guitar can be heard on almost every track and it’s solid but it is James Holsapple who adds the bright work here. I particularly liked what he does on “The Setting Sun” where he deservedly gets co-writer credit.

I’ve named three songs and there are five more. Yep, eight songs, totaling about thirty-two minutes of music. Maybe that’s not unusual today. I really don’t know. I certainly wouldn’t mind if there was more music here and that would not be the case if the music sucked. It doesn’t.

Check it out here.

Book Review
Oklahoma Route 66
Jim Ross

Posted on January 4, 2012 by Denny

Oklahoma Route 66 cover I like this book so much that I have three copies of it. Well, maybe not three exactly but more than two. I got my first in 2007 in anticipation of an Oklahoma trip. It didn’t take me long to discover that the copy was flawed and it didn’t take much longer for a replacement to be provided. A printing error had caused many pages of that first copy to be omitted, duplicated, or otherwise jumbled. The replacement, with all pages present and in the right place, was quite an improvement. This second edition is also an improvement though not that drastic. With it’s accidental mishmash of pages, that first copy was essentially unusable. Every other copy of first edition Oklahoma Route 66 was eminently usable. The second edition is even more so.

The book’s organization is essentially unchanged from the first edition, Michael Wallis’ “Introduction” has been replaced by a “Foreword” written by Jerry McClannahan and Ross’ own lead in, which was once called a “Foreword”, is now a “Preface”. But, as Shakespeare might say, an introduction by any other name would still introduce and both Jerry and Jim do just that. Jerry helps to establish Jim’s credentials in a fun to read couple of pages then Jim fills in a little of the space between the two editions. He also explains, just as he did in the first edition, that this is literally a book about the road. Roadside attractions and Route 66 personalities are not entirely ignored but they are secondary. The route itself is the book’s focus.

Where did it go and when did it go there?

Jim Ross is really good at digging out answers to that question as well as communicating them. It is in communicating the route’s changing course that this edition’s biggest single change, color, really pays off. As Ross says himself in that preface, it is “…nice for the photos, but especially helpful with the maps.” Photos and other images are used extensively throughout the book. Some are newly acquired and in color though many are the same ones that appeared in the previous edition but now printed in color where applicable.

I don’t believe that any maps have been added to this edition though many have been revised to reflect changes on the ground or better understanding of past alignments. There are, of course, quite a few “past alignments” to be dealt with. In the earlier edition, dealing with them meant annotations on black and white maps. It worked. The information was certainly there and it could be extracted with a little reading and thought but it is so much easier when a green line marks the original alignment and other colors mark later alignments.

The maps appear in a section titled “The Tour”. It follows those introductions and short sections on the road’s history and construction and an explanation of the maps. “The Tour” is the heart of the book and it does indeed serve as a guide for an east to west tour of Historic Route 66 all the way through Oklahoma. Driving instructions are for what Ross calls a “through” route. This means that dead-ended abandoned stretches are not included. They are shown on the maps, however, and described in the text so someone set on finding every possible inch of Sixty-Six can do so. The text also describes the communities along the route and some of the landmarks in between and it usually provides some interesting history on those communities and landmarks including some that no longer exist. The tour is well illustrated with photos and other images and they are not just filler. Ross is as well known as a photographer as he is an historian. His own current photos are mixed with some by others and quite a few historic ones from various archives. “The Tour” of Oklahoma Route 66, even in an armchair, is far from boring.

Oklahoma Route 66 second edition, Jim Ross, Ghost Town Press, October 2011, paperback, 9 x 5.9 inches, 220 pages, ISBN 978-0967748177
Available through Amazon.

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