Trip Peek #135
Trip #169
Miles of Possibility 2022

This picture is from my 2022 Route 66 Miles of Possibility trip. The scene is Ron Jones’ customized 1956 Chevrolet parked in front of The Eagle Performing Arts & Conference Center in Pontiac, Illinois, where all conference presentations took place. Obligations at home had me driving non-stop to the conference but that wasn’t really a problem because Pontiac is just about the closest Route 66 gets to my home. There were two days of presentations at the conference along with three evenings of comradery and entertainment and enough free time to work in visits to the many museums in Pontiac.

In the trip’s prelude, I commented about how nice it was to have a conference to go to after all of the shutdowns and delays COVID-19 had caused. I had plans to make up for the express run to the conference with a few days on Sixty-Six but it was not to be. One day after the conference ended, I learned that one of the attendees had tested positive for COVID and I soon had my own positive test results to deal with. My symptoms were nearly non-existent but my drive home was even more expedited than the drive to the conference had been.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

CincItalia 2024

It looks like CincItalia came into being in 2010 so it is not an ancient Cincinnati tradition I need to feel guilty about not attending in years gone by. But it was something I was aware of and thought sounded interesting so I was kind of pleased when things worked out for me on Friday. Yes, it is a church fundraiser and that is something I’m trying to cut back on but I realize that my flesh is entirely too weak to completely avoid a little backsliding now and then.

One of my first stops at the festival was in a large building where some presentations take place and where a couple of culturally significant items are displayed. One is a Sicilian Festival Cart from Palermo, Italy, described by the sign propped against it. The other is a plaster cast used in replacing a bronze statue stolen from Cincinnati’s Eden Park in 2022 as summarized on a nearby sign. A fuller telling is here. A photo of the currently displayed statue is here.

I was here for my evening meal and thought of it as essentially just another dining-out occasion and not so much as a wild festival. With that in mind, I made one “browsing” pass through the area identified in the opening photo as “Little Eataly” and then selected my three-course meal.

Toasted ravioli made a great appetizer and lasagna was perfect for the main course. That’s CincItalia Pils, brewed by West Side Brewing especially for this event, in the cup. Mini-cannolis were three for the price of two. I forced myself.

Plus there were plenty of food and beverage choices that I did not get around to.

No self-respecting Cincinnati church festival would omit several raffles and other games of chance but that’s another thing I did not get around to. I did poke my head into one of the cooking demonstrations but it was full and I’m pretty sure it would have been over my head anyway.

I definitely enjoyed the many “Leonardo’s Fun Facts” that I spotted but I know that I missed a bunch.

Even though I was there, as I’ve said, only for the food, I did stick around for a bit of the Naked Karate Girls show. These guys are definitely entertaining and one or two of them may even know some karate. If so, that would mean their name isn’t a complete lie.

The festival is a three-day affair with Saturday and Sunday presented as family-friendly events. I assume that means, among other things, that the carnival-style rides I saw parked around the edges will be operating. Saturday runs 3:00 to 11:00 and Sunday runs 1:00 to 9:00. Friday’s 6:00 to 12:00 run was billed as adults only but I’m not sure whether that meant a wild Bacchanalia throughout the grounds, some dirty jokes from the bandstand, or old folks nodding off at sundown. I left before I found out and before I nodded off.

ADDENDUM 2-Jun-2024: These photos were not part of the original post but, after tagging a Facebook link to it with the line “There’s a party on the Buddy LaRosa side of town.”, I thought them appropriate. Yes, LaRosa’s Pizza had a trailer there and San Antonio Church had a booth. That’s the church where Buddy sold his first pizzas using sauce made from his Aunt Dena’s recipe.

Melee Day

I’ve read a fair amount of Sword & Sorcery fiction and played a little Dungeons & Dragons but my medieval role-playing never made it beyond washing down a turkey leg with mead at the local Renaissance Festival. On Saturday I was a slightly out-of-place spectator where some sword-related role-playing was happening with people who take it very seriously and have the bruises to prove it. This weekend Cincinnati Siege 2024, “The biggest armored combat event in Ohio”, is taking place in nearby Mount Orab under the auspices of the Cincinnati Barbarians.

It is a two-day event which means it is half over. 1-on-1 duels are happening today. I attended 5-on-5 melees yesterday. I arrived just a few minutes after the 10:00 AM opening time and found a meeting in process. Most of the participants were wearing yellow shirts which I later learned identified the event marshalls so I imagine they were going over rules and procedures. I can’t say for sure that they put extra emphasis on the “No Stabbing” thing but it seems like a good idea.

The first combat was scheduled for 10:30 and would actually start a few minutes after that. I used some of the time to look over the small merchandise area.

When I returned to the arena, metal-clad fighters were gathering and it wasn’t too long before the first of them began entering the wood-fenced field of combat.

And in short order, contestants were merrily clashing, bashing, and slashing — but not stabbing — each other in groups of ten.

Combatants are not allowed to rise once they have fallen and toppling opponents is the single goal of of every contestant. Sometimes that is accomplished by sheer strength, sometimes by a well-placed blow from a blunt but heavy weapon, and sometimes by simply crashing into them. The run-and-crash technique was often effective if the target was caught off guard but, if not, a runner’s momentum could easily be used against them.

Teams included unarmored members who carried extra weapons, supplied water, attached and adjusted armor, and just generally handled all the tasks that people encased in steel plates and chain mail can not do.

There was a cease-fire for lunch with music provided by Toxic Nobility from Dayton, Ohio. I had been looking forward to some relaxing and period-appropriate Gregorian chants but that was not to be. I have a hunch you can guess what style of music these guys performed. They were pretty good at it as far as I could tell.

The smashing and bashing, of course, resumed in the afternoon. Event advertising said that there were eighteen teams competing and I read somewhere that the teams fighting their initial bouts in the afternoon were not the same as those appearing in the morning. I believe that but can not verify it as I could understand very few of the PA announcements and could identify very few of the teams.

Eventually, the top teams from the morning session reappeared to compete with the top afternoon teams. I did not understand the overall tournament structure and standings but I didn’t know anyone so just rooted for everyone. One of the few things I did know was that each contest was “best of three” and in the afternoon I verified my guess that a round was ruled a draw if the last members of both teams fell over at the same time. This was not uncommon since falling warriors frequently took an enemy or two down with them. I also learned that a battle ended when a single member of one team remained against three or more of the opposing team.

There were no real injuries as far as I know but there were a few times when a fallen fighter was slow to get up. Medics were called in a couple of times but in all the cases I was aware of the player eventually stood up and walked away.

Things got even more serious in the final rounds and there were a couple of protested calls. Of course, I have no idea what they involved since I didn’t understand the rule, the violation, or the call or the lack thereof. In at least one instance, the protest was resolved by viewing a smartphone video taken by an unarmored member or friend of one of the teams.

In the end, all protests were resolved and champions were determined. For women they were: 1st Rust in Peace, 2nd Ordo Obelios “Waffles”, and 3rd Order of the Pegasus. For men they were: 1st Warlord Combat Academy, 2nd Knyaz USA – Medieval Fighting Club, and 3rd Company of the Pale Horse. I don’t believe the fellow at right was on any of those teams but I really liked him and wanted to post a picture. I think that’s because he somehow reminds me of Monty Python’s Black Knight. I’m sure there are many excellent videos of the day out there but my own smartphone recording of a rather mild random battle of the day is here.

Mound Cold War Discovery Center

I don’t know that rainy days were actually made for museums but the two do fit together nicely. A visit to the Mound Cold War Discovery Center was a very nice fit for this week’s rainy Friday. Before stumbling upon a reference to the Miamisburg, Ohio, museum, I had no idea of the area’s role in both the Cold War and the “hot war” that preceded it.

When I first read — or possibly heard — that there was a museum nearby dedicated to nuclear research and development, I pictured a musty warehouse-type place with some old lab equipment on display. What I found was an excellent presentation of history and science put together by Dayton History. The complex may have once contained some unattractive buildings but the museum is housed in an inviting former administration building built in the 1980s.

The Manhattan Project started in New York, but it soon involved locations throughout the entire country.

As noted in one of the photos above, the Dayton Project was responsible for the separation and purification of the plutonium used in “Gadget” and “Fat Man”. “Gadget” was the bomb exploded in the Trinity Test on July 16, 1945. “Fat Man” was the bomb dropped on Nagasaki on August 9, 1945. “Little Boy”, the bomb dropped on Hiroshima on August 6, 1945, used enriched uranium rather than plutonium. That’s “Fat Man” in the photo at left. “Bockscar”, the plane that dropped “Fat Man”, is displayed at the Air Force Museum in Dayton along with a full-size replica of the bomb.

Construction of the first seventeen buildings comprising Mound Laboratory began almost immediately after World War II ended. The facility opened in early 1948 to support atomic weapons production.

One section of the museum offers some general science information without any obvious direct ties to Mound Laboratory. Perhaps its purpose is to tamp down visitors’ concerns over strolling about an area where radioactivity was once a major feature.

Yes, it does look like letting visitors know that a little radiation never hurt anybody just might be a goal.

Due mostly to the invention of the Radioisotope Thermoelectric Generator which uses radioactive fuel to generate electricity, Mound Laboratory made significant contributions to a variety of ventures into space. Eventually, all of its missions were ended or moved elsewhere and the complex is now an industrial park much like those in other towns.

Anyone unfamiliar with the area and wondering where the laboratory got its name can probably figure it out with a glance out the museum’s front door. Read about that here.

2024 Appalachian Festival

I know I have gone to the Cincinnati Appalachian Festival before but I don’t know when. It was first held in 1970 so I could have attended fifty years ago. That seems ridiculous, of course. Surely I’ve attended more recently than that. I believe that I must have but the truth is that I have no clear memories to support that belief and I most definitely have no physical evidence. As crazy as it sounds, it seems at least possible that my visit on Saturday was the first in a half-century or so.

Like any good festival, there were food vendors. There were also crafts and other items offered for sale along with numerous displays with nothing for sale at all.

Demonstrations of various aspects of life in the area during past times were offered. Blacksmithing and weaving were both very important parts of Appalachian life.

Maybe I should have spent more time among the vendors and taken more pictures of the exhibits but I guess I was more interested in the music. Two stages presented a non-stop parade of Bluegrass and other forms of American Roots Music. The only groups I saw on the Up Close & Personal stage were Sherry Stanforth & Tangled Roots and the Forest Hills Bluegrass Band. I had actually seen FHBB earlier on the other stage but did not immediately recognize them because I’d not heard the Dobro earlier.

Here is the Forest Hills Bluegrass Band on the Appalachian Heritage Stage with the fellow at stage-left playing a banjo. The middle picture is of the Wayfarers (check out that bass) with Sammy Adkins and the Sandy Hook Mountain Boys filling out the panel.

I also checked out some of the non-stop action in the dancing tent. That’s the Country Steps Cloggers in red and two different lines of the Kentucky Bluegrass Cloggers in blue.

As much as I enjoyed the bluegrass and cloggers, I believe I spent more time watching the Native American dancers.

A skilled drum circle backed the dancers and often supplied singing and chanting too. When the dancers and drummers took a well-deserved break, a talented flute player (and maker) filled the space wonderfully.

A lot of energy went into the dancing but it was quite apparent that the dancers had also put considerable effort into their authentic dress.

I have many more pictures of the Native American dancing but will move on after these scenes from a dance depicting ritualized combat between two warriors.

Coney Island was the site of the festival. The former amusement park had been operating as a water park until it was sold in December to a group associated with the Cincinnati Symphony Orchestra for development into a concert venue. The giant Sunlite Pool has already been demolished and I’ve no idea what else will disappear soon. I’m hoping that this entrance where riverboats once delivered patrons to the park — and through which I once walked while on a dinner cruise during 1988’s Tall Stacks — will be spared.

The festival continues today, May 12, 2024, 10:00-6:00.

Trip Peek #134
Trip #80
Bob’s Last Art Show

This picture is from my 2009 Bob’s Last Art Show trip. The name is what Bob Waldmire or someone close to him chose for an event where all sorts of the dying artist’s works were available. The beloved Route 66 icon had opted out of any aggressive treatment for his colon cancer and was calmly approaching the end. Attending was never in doubt and making it a normal road trip, complete with an online journal, seemed natural. At the time, picking the photo of Bob pricing some artwork to represent the trip seemed right but I’ll admit that I’m a little less comfortable with it in this Trip Peek setting. The trip included some time on both Historic Route 66 and the National Road so there were other options but this was the reason the trip even happened. Bob was one of a kind. I wish I’d got to know him better but consider myself fortunate to have known him at all.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

Trip Peek #133
Trip #28
On the Lincoln Briefly

This picture is from my 2004 On the Lincoln Briefly trip. Basically a drive along the Lincoln Highway Heritage Corridor in Pennsylvania, it was my first documented trip on any portion of the Lincoln. I was still employed at the time and this was one of those trips where I tacked vacation days onto a business trip so most of the cost of transportation was covered by the company. The picture is of the coffee pot in Bedford, PA, and I also got my first look at the teapot in Chester, WV, on this trip. In the intervening twenty years, the two pots and several other Lincoln Highway icons have become fairly familiar but it was all brand new to me then. I went a little bit off course to visit the Gettysburg Battlefield and a little farther off course to visit the Flight 93 Memorial at Shanksville. There was not yet anything permanent at the crash site. Just a lot of flags and a few yards of chainlink fence stuffed with mementos. None of my subsequent visits with the engraved stone walls and informative displays have been as moving as that first time with those simple gifts from a mourning public.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

JHA Conference 2024

I knew long ago that I would be attending the 2024 Jefferson Highway Association Conference in Alexandria, LA, but only recently decided to also join the pre-conference sociability run. The first day of my expressway-centered drive to the start of the run had been posted and updates from the run and the conference will follow. The journal is here.

2024 Hollow Earth Fest

Once upon a time, in a land very very near, there lived a man who declared that the earth was hollow. Among the man’s disciples was his son who eventually erected a tombstone topped by a 3D representation of the earth with entrances to its interior at both poles. On Saturday, April 13, that marker was the focal point of the first-ever (AFAIK) Hollow Earth Fest.

That very near land is southwest Ohio with the Hollow Earth Monument standing in the city of Hamilton. The man buried beneath it is John Cleves Symmes Jr., who served in the US Army during the War of 1812 before moving to Saint Louis, MO, then Newport, KY, and then Hamilton, OH. He was the nephew of a more famous John Cleves Symmes who fought in the Revolutionary War, served in the Continental Congress, and bought and resold a major chunk of southwest Ohio. The elder John Cleves Symmes had no male children. It was his nephew who was named after him with the “Jr.” suffix often used to distinguish the two.

John Cleves Symmes Jr. died in 1829 at the age of 48 and was buried in the Pioneer Cemetery in Hamilton. When that cemetery was replaced by Greenwood Cemetery in 1848, his body was left behind for some reason. His son, Americus, erected the hollow earth marker in 1873.

The marker’s original carvings have become nearly unreadable and have been reproduced on metal plaques mounted on a pedestal below. The monument was rededicated in 1991 as noted by a fourth plaque on its otherwise blank side.

Music at the festival included a fife (or maybe flute) and drum trio, native American drummers and singers with spontaneous dancing in the audience, and a father-son duo.

Food trucks and other vendors were present including Municipal Brew Works with a Belgian ale, Earth Donut, brewed especially for the occasion.

There were also some more formal ceremonies and presentations but I did not do a very good job of documenting them. I can, however, show that the Daughters of the American Revolution, Sons of the American Revolution, and Boy Scouts of America were all represented.

It goes without saying that this was absolutely the best Hollow Earth Fest that I have ever attended. It wasn’t huge but it had a blend of history, patriotism, civic pride, and debunked science that I can see leading to real growth in the future. It’s the sort of thing that people of all ages, from all walks of life, and from all over and within the globe can enjoy.

Book Review
UnStuck
Stephanie Stuckey

I am more familiar with Stuckey’s signs than their products. As a kid, I probably didn’t even know the company existed since my family did not travel much. They were still going strong when I started doing some traveling on my own and I believe I bought gas at their stores a few times along with a pecan log roll or two but there was very little money in my travel budget for candy and none at all for rubber snakes. By the time my own fortunes had improved to the point that snacks were regularly permitted on road trips, Stuckey’s fortunes were headed in the other direction. The main reason that I am familiar with Stuckey’s signs is that I drove by a bunch of them. Many, maybe most, were for stores that were closed.

I first became aware of Stuckey’s rebirth when friends in Indiana became resellers of the company’s products. I made a point of stocking up on pecan goodness when a couple of road trips had me passing nearby. One of those trips was to a conference where Stephanie Stuckey was speaking and where I met her briefly. I have been looking forward to this book’s publication since then and thought I had a good idea of the story it would tell. It turns out that I had the basic outline down reasonably well but I was missing a ton of details and there were some genuine surprises. There was even a mystery of sorts.

The first part of the story is not particularly unique. An ambitious and creative man builds a very successful business through hard work and the help of friends and family. At the height of the company’s success, he sells it to collect his well-deserved rewards. Plopped into the world of faceless corporations, the company survives but becomes faceless itself. It is a fairly common tale that usually continues with more decline and eventual disappearance. That’s where this story becomes different. It’s where it becomes worth reading. UnStuck is a well-written telling of the uncommon story of a third-generation’s retrieval of the family business.

William S. Stuckey, Stephanie’s grandfather, founded the company in 1937 and sold it (actually merged with Pet Milk Co.) in 1964. It remained a significant presence on the American roadside into the 1970s but corporate shuffling led to the brand’s serious decline before the decade was over. William S. Stuckey, Jr., Stephanie’s father, stopped the downward slide when he repurchased the company in 1984. Stephanie took over in 2019. Those are the bullet points on a company timeline with lots of space in between. UnStuck fills in much of that space with an understandable focus on the post-2019 years.

Stephanie’s father had great success in politics and served five terms in the U.S. Congress. She had her own success in politics with fourteen years in the Georgia state legislature. When Stephanie’s dad brought the company back to the family, he said it was based 80% on emotion and 20% on finances. There is little need to break Stephanie’s reasons for buying the company down by percentage. It was almost certainly 100% emotion. She had wonderful memories of her grandfather and road trips that included stops at stores bearing the family name. I have little doubt that a sizable percentage of the emotion behind the purchase was pure nostalgia.

Stephanie’s grandfather was known within the family as Bigdaddy. Six boxes of Bigdaddy’s papers play a very big role in Unstuck‘s story. How the new CEO studied spreadsheets and packed aging inventory into Mystery Boxes to return the company to profitability is interesting but it was what she learned from those papers that would let her move beyond that. They gave her some insight into how Bigdaddy viewed Stuckey’s, the company, and how he attacked problems. She cites his “two lessons in resilience — surviving World War II and the bypassing of his stores.”

I and many other fans of old roads are conflicted about the interstate highways. We appreciate their ability to make travel faster and safer but regret the damage done to small businesses in the towns they bypassed. Stuckey’s was not exactly a small business at the time the interstates appeared but it did depend on traffic through those towns. Bigdaddy used the upheaval as an opportunity to redesign and relocate his stores and establish a partnership with Texaco that made those stores “a one-stop shop”. The papers in those boxes did not provide specific answers to any of the company’s problems but they did reveal and encourage a truly open-minded way of looking at them.

That open-mindedness may or may not have figured into a board meeting described in UnStuck where “brand identity” was discussed. Thinking that Stuckey’s is “all about pecan snacks and candies” might seem natural but some serious reflection said otherwise. Stephanie had been visiting many of the surviving Stuckey’s stores and licensees and sharing some of the details on social media as a form of free advertising. That generated some responses almost none of which were about snacks or candies. 99% of the stories people shared with her were about road trips that just happened to involve Stuckey’s in some way. Most of Stephanie’s own childhood memories of Stuckey’s came from road trips. People may know that Stuckey’s sells pecans but they identify the company with road trips! Despite my limited experience, I do too.

I mentioned a mystery of sorts. Maybe not everyone reads dedications but I usually do. At the very front of UnStuck, I read that it is dedicated to John King. I had no idea who John King was and eventually learned that when she started writing this book Stephanie Stuckey didn’t either. Among other things, John King appears with Bigdaddy in a photo featured in the Stuckey’s company’s 25th-anniversary newsletter. John King is Black. After considerable effort, Stephanie learned that her grandfather and John spent a lot of time together during the company’s early days but not much else. In particular, she found no evidence that he was ever rewarded for what appears to have been significant contributions. That was not an unusual situation in the South in the early twentieth century which is also something Stephanie addresses in the dedication. On the other hand, there are several references in the book to the fact that Stuckey’s was never segregated which was sometimes possible only because the stores were outside the official limits of sundown towns. It is something that many people remember about the chain to this day.

The prologue imagines William Sylvester Stuckey thinking to himself after a pecan stand customer calls him crazy, “But that’s what it’s going to take to make it.” Stephanie finds herself thinking the exact same thing when she considers that people might think her crazy for buying what she had recently referred to as a “dumpster fire of a business”. The book does talk about pecans somewhat. It explains that the name comes from pacane, an Algonquian word meaning “nut that’s hard to crack”. Guess it runs in the family.

UnStuck: Rebirth of an American Icon, Stephanie Stuckey, Matt Holt (April 2, 2024), 6.25 x 9.31 inches, 240 pages, ISBN 978-1637744789
Available through Amazon.