I believe I first heard of Hot Damn! It’s the Loveland Frog! about a year and a half ago when I was making plans to attend the inaugural Frogman Festival. It premiered at the 2014 Cincinnati Fringe Festival and had not been performed since. Resigned to accepting that I had missed what was likely my only chance of seeing it, the disappointment I felt last year probably made hearing that it would be performed this year even sweeter. I immediately reserved a seat in the front row for opening night.
That was last Thursday, and it was a hoot. It’s pretty obvious that the play’s writers, Mike Hall and Joshua Steele, realized something a decade ago that many residents of the city of Loveland have picked up on only recently: It doesn’t matter if it’s true or not, it’s fun.
Nor does it matter if the music might not actually be, as promotional materials proclaim, bluegrass. The songs are good with lyrics that always help tell the story and are often quite funny. Almost every cast member sings and sings well. The four-piece band does a great job on every tune and may even sound a little bluegrassy in spots although it is done without the benefit of either banjo or mandolin. There is a fiddle, though, played by Linsey Rogers. She also plays “The Old Woman” who is also blind and often uses her bow like a cane. Tom Steele, Steve Goers, and Bill Jackson fill out the quartet on guitar, keys, and bass respectively.
In addition to the scenic, and in this context unavoidable, Little Miami River, the script brings in other bits of Loveland such as the Loveland Castle, the Valentine Ladies, the popular bike trail, and the fact that Jerry Springer once called the city home. Just about every version of the Loveland Frog legend is referenced in one way or another and that includes a questionable Twightwee Indian tale presented with the aid of shadow puppets. There are characters in the play based loosely on individuals associated with the two most commonly mentioned “sightings” in 1955 and 1972. Maybe I did not need to include the word “loosely” there since every connection between something in the play and something in real life is a loose one.
Hall and Steele find lots of humor in those loose connections then thicken the laughter and the plot with some complete fiction. At the heart of the play are brother and sister moonshiners that take advantage of the frogman legend to scare folks away from an operation so successful that it has its own brand labeled Mason jars. A dishonest and disgraced cop and an ambitious college professor add to the confusion and laughter. The show’s sponsor, Schwartzman Taxidermy, benefits from surprise product placement and heartfelt endorsements. The whole show is funny but a canoe and bathtub chase on the river and a tandem bicycle trailed by a tiny scooter got me to laugh the hardest. Both of these scenes make good use of a moving projected background which plays a role in other scenes as well.
There have been a few attempts to make the Loveland Frog scarey but he is usually seen as rather harmless. That is how he appears here when he shows up near the play’s conclusion and, Wizard of Oz style, makes sure all ends well. Before leaving, he assures us that when a certain celestial alignment, which I did not have the wherewithal to record, occurs, he will be waiting at the bar in Paxton’s. I hope to be there and will happily spring for the first round of Ribbit River Moonshine.
This is another of those reviews published too late to be useful. When I left home for Thursday’s show, several tickets remained for both the Friday and Saturday performances. I made plans to hurry home and ready the review for a Friday morning post to provide a little help in filling them. However, by the time I got home, Saturday was sold out and a single seat remained open for Friday. I could see that my help was not needed and aimed for the normal review publication day of Wednesday. That lone ticket was gone when I woke up Friday morning.
At the end of my post on that first Frogman Festival, I noted that I thought it looked successful, and wondered if there would be another. Despite a venue change and the main sponsor going out of business, there was, and dates for a 2025 event have already been set. I did not make this year’s event but Jacob the Carpetbagger did, and reported on it here.
That 2023 Frogman Festival post also included a picture of Loveland’s rather new mascot taken earlier in the year at the city’s Hearts Afire event. At the time it seems not to have registered with me that part of the mascot’s job was to promote a new festival debuting in October of this year. It’s pretty obvious, however, in this picture taken during Loveland’s 2024 Independence Day Parade. The first Return of the Frogman festival will take place on October 12, 2024, with plans to have another “Leap into the Legend” every leap year going forward. The Loveland Stage Company will also be involved with a showing of Frogman, the movie, which was just released in March. Sadly, at the moment it looks like I won’t be here to attend the festival but I sure hope it’s a success. I guess if I can wait ten years to see the musical, I can wait four years for the festival and — maybe — the movie.

I am more familiar with Stuckey’s signs than their products. As a kid, I probably didn’t even know the company existed since my family did not travel much. They were still going strong when I started doing some traveling on my own and I believe I bought gas at their stores a few times along with a pecan log roll or two but there was very little money in my travel budget for candy and none at all for rubber snakes. By the time my own fortunes had improved to the point that snacks were regularly permitted on road trips, Stuckey’s fortunes were headed in the other direction. The main reason that I am familiar with Stuckey’s signs is that I drove by a bunch of them. Many, maybe most, were for stores that were closed.


Like pictures? It’s got ’em. Like variety? Got that too. There are enough pictures to fill a deck of cards or a weekly calendar, which is not accidental. The premise for the book was writing an article to accompany a photograph every week for a year. That could very well be a student assignment in an overly long writing course and in a sense it is. Jim Grey assigned himself the exercise to, as he says, “strengthen this muscle”. He is referring to the writing muscle which can surely benefit from practice just as much as a musician’s skill or an athlete’s strength.
Even though photographs are at the heart of Under the Catalpa Tree, the book’s subtitle mentions only “stories and essays”. I’m guessing that is at least partially because only the stories and essays needed to be newly created for the book. The photos already existed from Grey’s many years of photographing the world around him. He doesn’t explain how the photos were selected. I am sure it was not completely random but there is tremendous variety. They range in quality from slightly fuzzy black-and-white snapshots taken years ago with a yardsale camera to crisp color images taken with high-end gear and well-developed skills. Some photos are digital but film is the source of many of the images since Grey collects — and heavily uses — film cameras. Among the subjects are family, friends, cars, houses, nature, and an abbey in Ireland.
A detail I appreciate is laying out the book so that all images are alone on a left-hand page. That happens naturally when the text occupies a single page, which is common, or three pages, which is not. There are quite a few two-page essays where a blank is used to get things back in synch. Totally worth it, in my opinion. Those pages, by the way, utilize Amazon’s premium paper which has the photos looking their best.
It’s a simple concept. Position yourself at the southernmost point in the continental United States then drive to the northernmost point in the U.S. accessible by road. The former is Key West, Florida. Deadhorse, Alaska, is the latter. The two are separated by a little over 4,000 miles as an extremely hardy all-weather crow might fly. Limited to traveling on the earth’s surface, Tom Cotter and Michael Alan Ross clocked 8,881 miles in making the connection. The difference is easily justified. Tom and Michael had more fun than any crow could even dream of.
That camper was a new Basecamp 16X on loan from Airstream. The tow vehicle was a 2021 Bronco Outer Banks on loan from Ford. As Cotter tells it, he got the Bronco by telling Ford that Airstream had promised him a camper and he got the camper by telling Airstream that Ford had promised a Bronco.
They clipped a corner of Georgia, then crossed Alabama (with a stop in Muscle Shoals) before turning north in Louisiana to reach Tennessee. They entered Missouri via the bootheel and maintained a west-by-northwest course through that state and Kansas with appropriate adjustments to take in the big ball of twine in Cawker City. Then it was a little more directly north through Nebraska and the Dakotas with a Memorial Day pause at the Black Hills National Cemetery in South Dakota. There was a different sort of pause at the North Dakota line. Despite all of Cotter’s past travels, he had, at this point, visited just forty-nine states. North Dakota was number fifty.
North of Bismarck, Cotter and MAR picked up US 2 and headed west. That might not be the most direct route to Alaska but there were friends near Seattle and, as any good road-tripper knows, anything can be “on the way” if you look at it just right. Hitting Glacier National Park and the Going-to-the-Sun Road might have also been a factor in route selection but the scenic road was not yet open for the summer when they arrived. There was, of course, plenty of great scenery even without Going-to-the-Sun, and plenty of interesting people, too.
With the break out of the way, it was time to enter Canada and head for the beginning of the Alaska Highway in Dawson Creek, British Columbia. Cotter had a recent (but not quite current) edition of The Milepost with him. The Milepost is published annually and is close to indispensable for anyone traveling the Alaska Highway. That road is its primary focus and its initial reason for being but it now not only covers the Alaska Highway but just about every path for getting to and from it. That includes coming from Vancouver which is what Cotter and MAR were doing.
British Columbia and the Yukon Territory contain the bulk of the Alaska Highway with only the northernmost two hundred miles or so being in Alaska. Cotter reports that any pride associated with returning to the U.S. was short-lived and declares this “absolutely the worst roads” they had driven so far. The Alaska Highway officially ends at Delta Junction but Fairbanks is easily reached on what is sometimes seen as an extension, the Richardson Highway.
The Airstream was left with a cousin while Cotter and MAR tackled the final stretch to Deadhorse in the Bronco. Several aspects of this trip reminded me of my own 2016 drive to Alaska but perhaps none so much as the mention of “a mandatory pit stop at the Hilltop Restaurant north of Fairbanks”. Even though I did not drive north of Fairbanks on my own but used a commercial tour company to visit the Arctic Circle, we had breakfast at the Hilltop before hitting the Dalton Highway.
My visit to the Arctic Circle had been a one-day there-and-back affair. Cotter and Mar spent a night on the Dalton Highway in Wiseman and two nights at the end of the road in Deadhorse. Just reaching the end of the road would be enough for most people but Cotter went above and beyond by joining the Arctic Polar Bear Club with a dip in the 40°F Prudhoe Bay to bookend his dip in the “warmer than my morning shower” water at the start of the trip in Key West.
I have not followed every detail of the astounding James Webb Space Telescope’s beginnings but I have been aware of some of the bigger events. I knew when it left Earth atop an Ariane 5 rocket on December 25, 2021, and I listened to reports of its eighteen gold-coated mirrors being unfolded and aligned. I marveled at those first images shared with the world on July 12, 2022. They were impressive on the tiny 6-inch screen on my phone, more so on my compact laptop’s 13-inch screen, and better yet on my small-by-modern-standards 42-inch TV. I need a bigger word than impressive now that I’ve seen some of them on a 72-foot OMNIMAX screen.






The year Kevin Patrick spent “connecting with White’s Woods” may have been, as a blurb on the back of Near Woods says “In the spirit of Walden” but the resulting products are not the same. Thoreau’s time at Walden Pond was an experiment in self-sufficiency and the book he wrote some years later documented its success. His observations of nature and seasons were generally used to support some aspect of his minimalist lifestyle and not to educate the reader. I suppose some of Patrick’s observations are also made to reinforce some philosophical viewpoint, but he is a lot more subtle and he helps the reader share the raw observation as near as possible. Exactly one-half of this book’s pages are filled with some excellent photographs.
Of course, Near Woods is better looking than either Walden or PrairieErth. To some degree, that’s just something that color photographs do for a book. But these high-quality and well-chosen photos do more than make the book pretty. They are the “raw observations” mentioned in the first paragraph of this article. The book’s design incorporates the photos wonderfully and helps make reading the book a pleasure. Every lefthand page contains one or more photographs. Righthand pages are all text. Captions are in the extra wide inner margins of the text pages. It didn’t take me terribly long to recognize the beauty of this. Every page turn resulted in a new image that could be studied as quickly or slowly as desired before tackling a new page of text.
