It Was Fifty Years Ago Today…

Posted on August 21, 2016 by Denny

bcftic …that the Beatles finally got to play — at Crosley Field. I was there. I was also there the day before when they didn’t get to play. Thinking about that weekend still brings a smile despite details having seriously faded from many of my memories and others turning out to be dead wrong. I have no souvenirs or photos. The ticket in the image above isn’t mine (It’s from RareBeatles.) but I once had eighteen of them.

Tickets went on sale in April as my freshman year at the University of Cincinnati was winding down. Someone down the hall from my dorm room was a friend of Joe Santangelo, the younger brother of concert promoter Dino Santangelo. That was certainly lucky but was not nearly as miraculous as the fact that I had money at the end of the school year. Joe could provide third row tickets and I had a hundred dollars. I bought eighteen at $5.50 each. That was face value. No service charge. No handling fee. No Ticket Master. I’m not certain but I’m thinking that the money may have come from a few weeks of wearing a stinky T-shirt and letting people sniff my armpits. Proctor and Gamble often used students in product tests. I participated in a couple and their completions marked some of the few time I actually had cash in hand in those days.

I sold fifteen of those tickets for as much as ten dollars a piece. It was my only serious scalping venture and I remember minor feelings of guilt at selling something for nearly double what I’d paid. I also remember that I didn’t like being a salesman and it showed in my lack of total success. When August 20 arrived I still had three tickets in my possession. Two were for me and my date. The third was left over inventory.

Yes, I had a date but it hadn’t been easy. School was out and I was back in Darke County with the concert about a hundred miles away. None of the few girls I had any sort of contact with could or would go. As I recall, Micky was the friend of a co-worker. What I do recall vividly is picking her up. This was in the final days of my 1959 Chevy co-ownership. The sky was clear and the sun was shining as I pulled up to her house with the top down and those big white fins spread out behind me. The Troggs’ Wild Thing was playing on the AM radio as I turned off the car and headed to the door to meet a girl I’d only talked with on the phone. There is simply no denying that the Beatles and Troggs can make you feel cool even when you’re not.

I can’t remember when the top went up. Maybe we made the whole drive with the car open or maybe we closed it to help with conversation and to keep Micky’s hair in place. It’s really strange what details stick and which disappear. At the stadium it quickly became clear that I had little chance of selling my extra ticket. The concert had not sold out and the scalping scene that we know today did not yet exist in any case. I ended up giving it to the usher who showed us to our seats near first base. No one ever appeared for the seat so he may very well have the souvenir that I don’t.

When the rain hit, someone magically produced several big plastic sheets and everyone in our section tried to form some shelter. Attempts to dump pools that collected without drenching someone weren’t always successful and waterfalls could appear at any time where sheets came together. But I don’t remember anyone becoming the least bit angry. We were all wet and arms got tired as we struggled to hold that plastic above us while hoping against hope to hear the music we had all come for. The huddled masses under that plastic may have been soggy and disappointed but we were having fun and laughing. Maybe it was because we were all younger. Maybe it’s because the world was.

I recall Micky having a good time and laughing along with everyone else and there was a solid reason that she couldn’t return the next day. Even so, we never saw each other again. I suppose that a pair of two hour rides separated only by sitting in the rain for two hours might not be the ideal first date.

Fortunately my buddy Dale was able to make it and the two of us headed to Cincinnati for the rescheduled concert. We didn’t quite make it in time although I’m not 100% sure when we did make it. Combining our sketchy memories with author Scott Belmer’s “the best we can figure” sequence of opening acts and songs from The Beatles Invade Cincinnati, I think we must have reached the ballpark about the time the Cyrkle took the stage. Belmer lists the sequence of acts as the Remains, the Ronettes, the Cyrkle, and Bobby Hebb and he thinks the Cyrkle opened their set with Red Rubber Ball. I recall hearing that song before we reached our seats; Maybe even before we entered the park. So we probably caught part of the Cyrkle’s set, all of Hebb’s, and missed the Remains and Ronettes completely. Besides doing their own short set, the Remains were the backing band for both the Ronettes and Hebb so we would have at least seen them perform. Had we seen them open we would probably remember them much better. Something that I only learned in putting this post together is that they began the show with Hang On Sloopy. It wasn’t the Remains that had put the song on the charts the preceding fall. That was the local band the McCoys who Dale and I both knew rather well. We might have actually remembered that if we’d heard it.

I have learned that at least one of my memories was absolutely wrong. For many years I told people that the Beatles had opened with Paperback Writer and that the opening harmonies sounded very non-harmonic. Every account I’ve seen says they opened with Rock and Roll Music and Paperback Writer was their tenth and next to last song. I obviously misremembered the sequence but I’m sticking by the non-harmonic part. I think there may have been some speakers along the base lines and we could hear the music to some degree. There was stiff competition, however, and I think I watched the screaming and crying girls in the stands nearly as much as I watched the show on the fairly distant stage. Neither Dale nor I screamed or cried and I don’t think Micky would have either. Of course, we’ll never know for sure.

The Beatles flew directly to Saint Louis to perform that evening. Four more shows (New York City, Seattle, Los Angeles, San Francisco) completed the tour. They never toured again. Crosley Field served as the Reds home for three and a half more seasons before being replaced and demolished. In 1988 a replica of the field was constructed in the Cincinnati suburb of Blue Ash. Later today, the fiftieth anniversary of the concert will be celebrated there. (The Beatles At Crosley – 50 Years Later!} The weather looks promising so maybe I’ll put the top down on the Miata, crank up Wild Thing on the iPod, and see if any of the chicks at the Senior Center want to go.

ADDENDUM 28-Aug-2016: There’s a post on the anniversary celebration here.

Diggin’ the Dan

Posted on June 12, 2016 by Denny

You’ve probably seen those “I MAY BE OLD, BUT I’VE SEEN ALL THE GOOD BANDS!” T-shirts. I’m pretty sure I could get away with wearing one but I won’t for two big reasons. One is the implication that “all the good bands” have come and gone which is just not true. There are good bands emerging every day and I intend to see some of them, too. The second reason is that, even if I limit the field to bands of my g-g-g-generation, there were plenty I missed and that includes, even though I quote them, The Who. I also missed The Doors, Cream, and, until last Tuesday, Steely Dan. That’s when they opened the main leg of their “Dan Who Knew Too Much” tour at Cincinnati’s Riverbend Music Center. Sure, it wasn’t the Skunk Baxter, Denny Dias, Jim Hodder Steely Dan. That particular good band has indeed come and gone. But the thirteen piece that Fagan and Becker fronted down by the river was for darn sure another good band and one that I did get to see.

Back in the day I also missed the The Spencer Davis Group, Blind Faith, and Traffic and I got to make up for just a little bit of that on Tuesday, too. Steve Winwood, a member of all those groups, opened the show and managed to work in tunes from all three as well as from his solo career. He delivered most of those songs from behind his Hammond B-3 but occasionally stepped out to put his considerable guitar skills to use. It’s hard to imagine a better way to get this show started.

As you’d expect, Donald Fagan did most of the Steely Dan lead vocals with Walter Becker taking over for Daddy Don’t Live In That New York City No More and the three female backup singers doing an outstanding round-robin job on Dirty Work. Those female voices were an important part of the mix throughout the concert.

A four piece horn section was another key part of getting close to that “just like the record” sound. Jon Herington handled most of the lead guitar work with Becker playing behind him. But Becker did get his licks in here and there including some sterling solo work in Josie. Fagan stood to play melodica (I think) on a couple of songs but stayed at the electric piano most of the night. Behind him, Jim Beard took care of a lot of the keyboard work. Bassist Freddie Washington and drummer Keith Carlock complete the band.

For me, Carlock was a surprise bonus. I’d done no homework for the concert and had never heard of Keith Carlock although he has played with Steely Dan since 2003 and has plenty of other impressive credits, too. My time as a mediocre drummer helps me recognize good ones. I was impressed immediately and in awe after just a few songs. My take is that he plays with the finesse of a jazz drummer (think Buddy Rich) and the power of a rock drummer (think Max Weinberg) and that’s pretty much what Steely Dan needs.

I learned a little about Carlock at breakfast the next day. Half Day Cafe is a great breakfast spot that I manage to reach a few times each year. I don’t know why I picked Wednesday for one of those times but I did and it makes a fine morning after story.

I walked in and sat at the counter. Behind it three employees were chatting and laughing but quickly stopped and turned their attention to me. “Don’t let me ruin the punchline”, I joked. They laughed and one said, “Oh, we were just talking about the concert.” She pointed to the employees on either side and explained, “They went to see Steely Dan last night:” Of course I said “Me too” and got back “So did they” with a motion toward the couple in a booth behind me. The exchange of random memories — all positive — was on.

One of the concert attendees was a Cafe server who is also a drummer in a successful local band. He is a long time Keith Carlock fan and filled me in on some of Carlock’s history. The cafe owner was not at Tuesday’s show but had seen the band multiple times in the past and contributed memories of earlier Steely Dan concerts. Spontaneous fan club meetings are the best.

Da Vinci — The Genius

Posted on May 29, 2016 by Denny

A new exhibit opened at the Cincinnati Museum Center just over a week ago. Da Vinci — The Genius opened on Friday the 20th and I was there on Monday. It’s a dandy. The exhibit is billed as having “17 themed galleries” and I’m sure that’s true. Another simpler — though not entirely accurate — view is that’s its the “Mona Lisa” and everything else. I say that because the “Mona Lisa” display is quite large and is different from the others. It is the last area reached in the exhibition and the last discussed here.

The bulk of the exhibit consists of modern implementations of devices envisioned by da Vinci some five centuries ago. Using his drawings and descriptions and utilizing materials available when the the ideas were committed to paper, more than 70 of da Vinci’s concepts have been brought to life. Most are full size.

Devices related to flight appear early in the exhibit. The photo at the top of this article is of the helicopter-like Vite Aerea. In addition to wings, screws, and propellers targeting actual flight, da Vinci sketched out mechanisms intended to test ideas or measure natural forces. Almost all of his “flying machines” were impractical because of weight or other issues. A partial exception is the “parachute” seen in the foreground of the second picture. In 2000, British daredevil Adrian Nichols stepped out of a hot air balloon with a ‘chute built to da Vinci’s specifications. Jumping from 10,000 feet, Nichols rode the 500 year old design to within 2,000 feet of the surface before turning to something more modern. Freeing himself from the pyramid shaped device and deploying something more up to date was not because of any failure of the device to do its job but to prevent being injured by the heavy wood frame on landing.

Leonardo’s earth bound inventions were more viable. The second picture is of a machine used to cut threads on a shaft. The third picture shows an area that breaks from the normal “hands off” museum policy. Here attendees are encouraged to touch and operate the mechanisms to better understand the principles involved and to better appreciate da Vinci’s genius. Da Vinci didn’t invent the “Out of Order” sign but it can be useful in his world. On the day of my visit the Ingranaggio a Lanterna don’t work cause the vandals took the handle.

Enlarged examples of da Vinci’s anatomy studies are displayed as are reproductions of several other drawings and paintings. His “Last Supper” is the subject of a video. The anatomical drawings demonstrate da Vinci’s talent but are also evidence of his boundless curiosity. It’s obviously good to have a healthy supply of both but I find myself thinking that curiosity without talent is to be preferred over talent without curiosity.

A sad truth is that concocting dreadful machines of war was frequently da Vinci’s “day job”. That’s not to say that it was entirely unpleasant to him. He had an interest in the science and art of war at an early age but he often obtained patronage for his artistic endeavors by promising the means to destroy enemies. He certainly wasn’t the last artist/scientist to find that the case.

Of his Stanza Degli Specchi, an eight-sided mirrored room, da Vinci said that someone in it “will be able to see every part (of himself) endless times”. There are, of course, parts of me that you are better off not seeing even once but this from-the-shoulder shot is alright.

In 2004, researcher Pascal Cotte was given unparalleled access to the original “Mona Lisa”. The painting was removed from its frame and photographed multiple times with a purpose-built ultra-high-resolution multispectral camera. Analysis of the captured data has resulted in things like an understanding of the original colors and a possible explanation for the apparent absence of eyebrows and lashes. The data was also used to produce a full-sized replica of the original. That’s it in the second picture. That’s also it in the third picture in a true “dark side of the moon” rear view. The two large portraits on the far wall relate to Cotte’s most controversial claim. Cotte believes that four fairly distinct layers can be identified in the painting and that one is an almost finished picture of a completely different woman than the one visible on the surface. On the right is a recreation of that other portrait. Everyone agrees the the painting changed during the many years da Vinci worked on it. Some authorities, however, believe all changes were along the lines of constant tweaking. They are not ready to accept that substantially completed layers were overlaid with other entire layers.

Leonardo da Vinci is believed to have spent about fourteen years on the “Mona Lisa” and he still wasn’t entirely done with it when he died. You can use your mobile phone and a chair, frame, and background provided by the museum to complete your own in a fraction of a second. Bring your own Lisa.

Da Vinci — The Genius runs until September 25. Major restoration work will close much of the Museum Center on July 1. The Children’s Museum and the da Vinci exhibit space are in the basement and will remain open. Entry will continue to be through the main doors of Union Terminal.

Rhinegeist Maker Day

Posted on May 8, 2016 by Denny

Libraries and breweries can both be considered major contributers to the advancement of mankind and one of each came together on Saturday to give that advancement a boost. In early 2015, something called MakerSpace opened at the Cincinnati Public Library. MakerSpace provides many pieces of modern techonogy in support of learning by doing. A selection of MakerSpace equipment filled a section of the Rhinegeist Brewery on Saturday afternoon.

Library personnel were present to assist people of all ages with hands-on activities like decorating ping-pong balls and making buttons. Most MakerSpace equipment made available at the brewery was from the low-tech end of the spectrum but some higher-tech and decidedly more complex equipment is part of the set up at the library. 3-D printing is among the high-tech capabilities available at the library and one was being demonstrated at the brewery but it was not part of the hands-on activity. That’s it in the opening picture midway through printing a copy of a Pokémon Pikachu.

Ella Mumford, who I know through my friendship with her proud father, is Team Leader for the Main Library’s MakerSpace. The table top version of Ella as a 100% redhead is a product of 3-D printing. Being a library presentation, there are, of course, some books on display. While these happen to be about the concept of the “maker” movement and not the product of it, book publishing is a MakerSpace capability.

Several cornhole games were taking place in front of the MakerSpace area and the brewery’s normal activities (i.e., selling beer) continued. The markings on the floor are for the whiffle ball games frequently played here.

A Futbol First

Posted on April 17, 2016 by Denny

Cincinnati has a new professional futbol… er, soccer team. It’s not the first. Rummaging through an assortment of teams, vanishing leagues, and shifting designations it looks to me as if the most recent fully professional soccer team to call this city home was the 2006 Cincinnati Kings. The match that the new team, Futbol Club Cincinnati, played yesterday was not their first. That was a March 26 loss to Charleston Battery. Nor was it their first win. That occurred April 3 at Bethlehem Steel. It wasn’t even their first home match or their first home win. Both of those were accomplished with last Saturday’s game against Charlotte Independence. The match was, however, a first for me. It wasn’t just the first FC Cincinnati match I’ve attended or my first professional soccer match. It was the first “real” soccer match of any sort that I’ve ever seen in person.

All three of my kids played soccer at some point or another and I saw many of their games. I don’t want to belittle those games or the players efforts but the truth is that they often knew little more about soccer than I did. My oldest son, Cris, was an exception. He became a real fan. On his most recent visit to Ohio, we spent an evening in a bar specifically to see a World Cup match of particular interest to him. He worked hard to keep his old man from looking too stupid but I retained very little of what I learned. On his way to becoming an adult soccer fan, Cris did some fairly serious playing himself. Not long after high school graduation he joined an indoor soccer team and I attended a number of their matches. Those games were some of the fastest and most exciting competitions I’ve ever witnessed but indoor soccer is not the same sport embodied in the World Cup.

Part of the attraction of any sport is the culture that surrounds it. I have the feeling that that is more so with soccer than other sports but that could simply be the result of my outsider’s viewpoint. With help, I was able to overcome a little of my ignorant outsider status for my first match. Apparently formal supporter groups are standard procedure in the world of soccer. They exist in other sports, Cincinnati’s Rosie Reds immediately comes to mind, but they seem much more prominent in soccer. I am aware of three such groups, The Pride, The Den, and Die Innenstadt, associated with FC Cincinnati. I’m reasonably well acquainted with one of Die Innenstadt’s organizers and close friends with someone who joined a bit later. I experienced my first pro soccer match as a Die Innenstadt hanger-on.

For the first home game, members met at the Rhinegeist Brewery near downtown and walked to the game from there. For this and all future home games, Mecklenburg Gardens is the official meeiting place. The distance is about the same but the walk is now fairly level rather than a one mile climb up a Cincinnati hillside. Our participation was not quite as complete as we had planned. Mecklenburg Gardens was packed when my friend and I arrived. The group started their march several minutes ahead of the announced time and, more importantly, several minutes before we had worked our way through the long and slow moving beer line. We “marched” to the stadium as a group of two.

By the time we arrived, the group was in place in an end zone area known as the Bailey. We took our place in the Bailey but chose seats off to the side thinking that would avoid some of the major flag waving and such and might give us a clearer view of the near goal. That helped to a degree but the entire Bailey was filled by game time and most of those fans stood through every minute of play.

Players were on the field warming up but took off ahead of the opening ceremonies. Both teams reentered the field together. Each player was accompanied by a jersey wearing youngster. That’s something I wish I’d made an effort to learn more about.

The home team scored first and the Bailey celebrated with an orange smoke bomb. A blue bomb had started the match. FC Cincinnati would score one more time but it was in the final minutes long after visiting Louisville City FC, who had their own small but energetic group of supporters in the stands, had three points on the board.

So I got to see FC Cincinnati’s first home loss but I had a great time and may have even learned a thing or two. And I also got to be part of a record setting crowd. The 20,497 in attendance last night was a USL regular season record. Cincinnati may really be ready for soccer. Just before the match started I texted my futboler son to let him know I was about to experience something new. His reply was the best thing I read all day. “Don’t forget your scarf!”

Cincinnati Strut

Posted on April 10, 2016 by Denny

I’m sure some folks get tired of hearing about how special Opening Day is in Cincinnati but that’s not going to stop me. I won’t write as much about the history as I did back in 2012 but I will again mention that the world’s oldest professional baseball team always opens at home and always has a marvelous parade. The picture at right shows people gathering for the parade on Race Street. Behind them is Washington Park and Music Hall stands beyond the park. The park was completely renovated a few years ago and is now a popular gathering place for families. Music Hall will be closing soon for its own renovation. I reported on a performance there a couple of weeks ago.

Lou Piniella managed the Reds in their last World Series win in 1990. I remember it vividly and recall thinking that it had been a long dry spell since The Big Red Machine wins in 1975 and ’76. But that was just fourteen years and the Reds have now played twenty-five seasons without even getting to a World Series let alone winning one.

I snapped a picture of the Corvair station wagon as it approached but didn’t realize who was in it until it was beside me. That’s legendary King Records studio drummer Phillip Paul with who I believe is his good friend Roberta Narcisse beside him. Paul recorded the original “The Twist” with Hank Ballard and the Midnighters, “Train Kept A-Rollin'” with Tiny Bradshaw, “Hide Away” with Freddy King, and an incredibly long list of other hits. Paul isn’t quite as flashy as another local music legend who was in last year’s parade but, while Bootsy Collins performs only occasionally, the ninety year old Paul has a steady weekend gig in downtown Cincinnati.

President William Howard Taft threw a ceremonial first pitch to start the Washington Senators 1910 season and every president since has thrown a first pitch at an Opening Day, World Series, or All Star game at some time while in office. Taft was a Cincinnati native and his former home is now a National Historic Site. A fancy brewpub right on today’s parade route bears his name. If you have any thoughts of being a Taft impersonator, Cincinnati is the place to be.

In less than a year of existence, the Red Hot Dancing Queens have made me a most sincere fan. As I told a small group of them I encountered after the parade, if everyone could have a mere fraction of the fun these gals have, the world would be a much better place. Watch for them at parades and festivals throughout the summer.

Here’s another parade group that I like a lot. I recall first seeing the Wapakoneta Lawnmower Precision Drill Team a long time ago in a Saint Patrick’s Day but they haven’t been in that parade for many years. They might have realized that the fun was draining from that parade well before I did. After completing one of their precision choreographed drills, there was a pause in the parade and some of the team members dashed over to the curb to high-five some of the spectators. Only after he had rejoined the formation did the group of boys in front of me notice the faux southern exposure on the guy they had just exchanged high-fives with. As we all know, a little snicker makes everybody feel better.

Coincidence at Play

Posted on April 3, 2016 by Denny

I’ve yet to read To Kill a Mockingbird. I have seen the 1962 movie multiple times and now I’ve seen the play. I had hoped to read the book between learning that the play would be performed this season at Cincinnati Playhouse in the Park and actually seeing it but that didn’t work out.

The Friday night performance would be the biggest event of my week but I didn’t expect it to lead to a blog post. I anticipated that a canned Trip Peek would be published this morning. A Friday morning email got me to thinking differently.

The email was the April E-News from the Smithsonian. One of the topics was “The Scottsboro Boys” with this two sentence tease: “The case of the Scottsboro Boys, which lasted more than 80 years, helped to spur the civil rights movement. To Kill a Mockingbird, the Pulitzer Prize-winning novel by Harper Lee, is also loosely based on this case.”

I read the article referenced in the email and could easily see similarities between the 1931 real world incident and the fictional one Harper Lee set just a few years later. Both involved black men accused of imaginary crimes against white women and both occurred in a world where color mattered a whole lot more than truth. Later I read that in 2005 Harper Lee said this was not the incident she had in mind when writing To Kill a Mockingbird but that it served “the same purpose”. Despite there not being an official connection between the Scottsboro Boys and To Kill a Mockingbird, reading about the incident and its repercussions served a purpose for me, too. It provided an unpleasant picture of this country near the midpoint between the Civil War and today. The accuracy of that picture is reinforced by a contemporary pamphlet, They Shall Not Die!, referenced in the Smithsonian article.

I took my seat on Friday with the Scottsboro story fresh in my mind. The stage was bare except for a single light bulb which would actually be removed at the play’s start although it would return later. The stage consists of a large circular center and a surrounding ring both of which rotate. Sometimes they rotate in opposite directions which can seem to expand the distance between actors or the distance they travel. Set Designer Laura Jellinek states that “our main goal was to eliminate any artifice between the audience and the story” and this set certainly accomplishes that. As one audience member observed during the discussion that followed the play, she briefly looked around for the jury during the courtroom scene before realizing that “we were the jury”. At its most crowded, the stage holds nine chairs for the key figures in that courtroom scene.

The discussion I mentioned happens after every performance. Anyone interested moves close to the stage to listen or participate. There were naturally questions about this specific production but there were also questions about the story. There is a sign in the lobby that I now wish I’d taken a picture of. “Don’t read books that think for you. Read books that make you think.” might not be 100% accurate but it’s close. Friday night’s discussion was evidence that this play is prompting some thinking and I’ve no reason to think that discussions following other performances are any different.

There is also a set of blackboards in the lobby. As I assume is true at every performance, the blackboards started out empty except for a question at the top of each. By the time people started heading home, the boards were full. It’s pretty clear that some thinking is going on here, too.

It was the coincidence of the Smithsonian email showing up on the day I was set to see the play that nudged me towards making it a blog entry. There is another coincidence of sorts that I find interesting. Each week, the blog This Cruel War publishes an article on lynchings. The article is published on Wednesdays but, since I subscribe via RSS and I seem to always be behind in my RSS reading, it is often a day or more after publication before I read a specific article. I read this week’s post the morning after my Playhouse visit. In it, the source of the series’ title, “This Disgraceful Evil”, is given. It comes from a 1918 Woodrow Wilson speech in which he calls upon America “…to make an end of this disgraceful evil.”

We don’t have to deal with actual lynchings now as much as in 1918 but there’s still plenty of crap going on. “It cannot live”, Wilson continues, “where the community does not countenance it.”

Originally scheduled to end today, April 3, To Kill a Mockingbird‘s run a Playhouse in the Park has been extended through April 9.

A Pre-Refurb Peek at Music Hall

Posted on March 20, 2016 by Denny

At the end of this year’s May Festival, Cincinnati’s Music Hall will close for extensive renovations. The Cincinnati icon, which first opened in 1878, will open again in the fall of 2017. I knew I ought to attend at least one more performance there before the closing and working in part of the May Festival has been in the back of my mind. A number of things lined up Friday that made attending the first night of the MusicNOW Festival possible and attractive. I may still try to make it back for the May Festival but the pressure is off and I had a most enjoyable evening.

MusicNow, the brainchild of Bryce Dessner of The National, was first held in 2005. Although The National was formed after he moved to New York, Bryce is a Cincinnati native and frequently involved with the city’s music. An Australian tour prevented him from attending this year’s festival but one of his compositions opened Friday’s concert and another was premiered on Saturday.

With about an hour to go, the lobby was pretty empty and I grabbed a couple of pictures. There are a number of large chandeliers in the building with one of the most impressive hanging in the center of the lobby..

I used some of the extra time to head upstairs. On the second floor, I snapped pictures of the upper level of the lobby and the balcony of the main concert space, Springer Auditorium. The third photo is of the Springer Auditorium Gallery. The seats in the foreground are about where I sat to watch Big Brother and the Holding Company in October 1968. This was the performance that was paused while Janis and the band watched the Beatles on the Smothers Brothers Show.

I believe that 1968 show was my first at Music Hall. Many, wildly diverse, have followed. If Big Brother is at one end of the range, Andrés Segovia might be at the other. He was solo and acoustic when I saw him in 1982. So was Bruce Springsteen in 1996. But Bruce was 47; Segovia nearly 90. That little old man and that little old guitar on the big old stage remains one of my most memorable concerts and a great demonstration of the wonderful acoustics of that big old space. There were numerous Cincinnati Symphony Orchestra concerts that included a variety of soloists; several performances of the Nutcracker ballet; the Kinks; John (not yet Mellencamp) Cougar; Peter, Paul, and Mary; and others I’ve temporarily forgotten. But my purpose in going to Friday’s show was not to trigger old memories. I wanted to firm up my impressions of the building in anticipation of next year’s changes. It was standing at the back wall of the Gallery and looking at the distant stage that prompted the most ancient memories then not-quite-as-ancient memories just followed.

My seat was a last minute pay-what-you-want bargain. From the left side of the second row the visuals consisted largely of orchestra member’s ankles and partially obscured profiles of featured performers but the audio was fantastic. The Kronos Quartet performed first followed by violinist Jennifer Koh with the Cincinnati Symphony Orchestra. After an intermission, the quartet and orchestra performed together. Mandolinist Chris Thile closed the show. He performed, like Segovia and Springsteen, solo and he even stepped in front of the mic to do a couple of songs completely acoustic. Not suprisingly, it sounded great from a few yards away but I almost bolted from my seat to see if he reached the rear of the audtorium as well as Segovia had. I didn’t. I wish I had.

The Cincinnati Opera has put together a rather nice Music Hall Renovation FAQ in which they specifically mention that “The large chandelier in the auditorium will be restored.” I don’t know if that means the others will not be but it does raise the question. I hope that’s not the case although if only one can be saved, this is certainly the right one.

Bye Bye Bell

Posted on March 13, 2016 by Denny

cbt Some might remember 2014’s Bye Bye Four One Two Five blog post in which I bid farewell to a long held telephone number and a couple of Cincinnati Bell services. For roughly six years preceding that post, I had relied on CB for my mobile telephone as well as my home phone and internet connection. That had to change because the company was bailing out of the mobile business. When I made that post in October of 2014, I had switched to Verizon for my mobile service and had simply dropped the seldom used home voice service. The only service I retained with CB was an internet connection. In the last paragraph of the post I expressed happy surprise that the internet connection was the same price alone as it had been bundled. That didn’t last.

For the first year, my internet-only bill was $35 per month. It then went to a perfectly acceptable $36. Five months later it jumped to $48.54 which was neither acceptable or ignorable. There were, I soon learned, two components to this roughly 35% increase. One was a significant but not quite outrageous jump in the service rate from $36 to $39.99. The larger piece of the increase came from the addition of a $7.99 equipment fee and accompanying $0.56 state tax. Through on-line chat and a subsequent phone call I was able to verify that this was, as I immediately suspected, a monthly rental fee for the nondescript ADSL modem I had been using free since 2008. I was also told that I could neither buy the modem outright from Cincinnati Bell nor supply my own. As the representative looked over my account, she uttered the phrase “wireless internet” and I told her I did not have CB supplied WiFi which she shrugged off and so did I. I guess I had already decided to run away fast rather than pursuing specific issues.

Cincinnati Bell’s current flagship product uses fiber-optics. Called Fioptics, it is not yet available at my address although I doubt its availability would have materially changed things. My service was a copper wire product called ZoomTown 5 Mbps. The service is often described as “5/1” to indicate 5 Mbps download and 1 Mbps upload. These are marketing friendly “rounded up” numbers more precisely described as “Download up to 5 Mbps. Upload up to 768 Kbps”. There is also a ZoomTown 2 Mbps or “2/1” product. Although I have seen download speed as high as 4.47 Mbps, recently observed download speeds have all been under 1.33 Mbps. Observed upload speeds have always been around 0.66 Mbps which is close enough to 768 Kbps to keep me happy. It happens that the only record I have of speeds near 5 Mbps (the 4.47 reading) is from before switching off voice service but I have no evidence that the slowing coincided with the switch.

My most charitable interpretation of this is that Cincinnati Bell made a couple of small errors. It seems quite possible that somewhere along the way I was accidentally switched from the 5 Mbps service to the 2 Mbps service. It is also quite possible that I was somehow supposed to have a WiFi router from Cincinnati Bell but that someone forgot to actually provide it. If that were the case, then I could press Cincinnati Bell and get a fancier modem/router for my $7.99. If an accidental service reduction had actually occurred, then I could press Cincinnati Bell and get it switched back or I could arrange for my billing to be changed to match the service I was apparently receiving.

I might have merely grumbled and moved to get the errors corrected had there not been at least a little bit of competition left in the local internet market. There is, so instead of expending energy trying to get Cincinnati Bell to correct its errors, I switched to Time Warner Cable. Three things led to the switch. For one thing, TWC allows customers to supply their own modems and provides a list of compatible products. Secondly it’s cheaper. I’m starting with a 2 Mbps plan which should be the equivalent of what I’ve actually been getting from CB. The CB rate is $26 per month (although I’ve actually been paying more) and the TWC rate is $14.99 per month. Yes, I had to spend some money up front but I’m getting nearly twenty bucks ($8.55 + $26 – $14.99 = $19.56) back every month. If I should decide I want more, TWC lists 6 Mbps and 15 Mbps plans that are both cheaper than CB’s 5 Mbps plan. The third reason to switch is that TWC hadn’t pissed me off in years.

Getting the new service should have been quick and easy. It wasn’t although neither was it exactly horrible. When the condominium I live in was built in 1997, all units were pre-wired for Time Warner Cable. I subscribed to TWC for a couple of years before going to DirecTV in 1999. The DirecTV installation made use of the TWC cabling and was working fine when I canceled my subscription in favor of over-the-air TV in 2009. An appointment was made and a technician arrived right on schedule. However, after doing a LOT of testing, he told me that there seemed to be a break in the internal cabling and that someone else would need to come out to fix it. I would be contacted within a week.

I let two weeks pass then called. Someone had entered a placeholder appointment for a couple months in the future then dropped the ball. A more qualified tech arrived less than two days later. He looked things over and, rather than pulling new cable as I expected, simply completed the one connection the previous tech had missed. Bingo!

While both services were connected I checked their speeds using Ethernet (not WiFi) and found the Time Warner connection delivering essentially what was advertised: nsttwc

Cincinnati Bell, not so much: nstcb

I know those rates seem pretty pitiful to many. They are the minimum offerings from the two companies but they are sufficient. One might think that, as a feeder of a blog and website, I am a heavy Internet user. Nope, heavy Internet users are families streaming movies to multiple TVs while playing World of Warcraft with friends in Walla Walla, Washington. I certainly wouldn’t object to more speed but I have what I need for less than a Skinny Vanilla Latte Grande per week.

The opening photo shows a detail of the 1931 Cincinnati Bell Building in downtown Cincinnati.

Bock Again

Posted on March 6, 2016 by Denny

It was cold and cloudy for the 24th Cincinnati Bockfest Parade. It was, however, dry so a friend and I braved the 40-and-falling temperature to walk beside the merry participants. It was my friend’s first exposure; my fifth. The cold seems to have kept some observers away but it had no noticible affect on the size of the parade itself. I think a few past entries were absent (e.g., the whip lady) but I doubt that temperature was the cause and there were compensating new entries to keep things interesting.

Proving that the temperature was not a deterrent to everyone was this this wading pool accompanied group wearing shorts, T-shirts, and water wings. Some Red Hot Dancing Queens gathered in front of Arnold’s, Cincinnati’s oldest bar and traditional parade starting point. The Dancing Queens instantly became one of my all time favorite parade groups when I saw them on their second outing at last year’s Northside 4th of July Parade.

I failed to get a picture of parade Grand Marshall Mick Noll and barely caught Schnitzel the goat pulling the ceremonial keg of bock beer. That’s 2015 Sausage Queen, Elyse Lohrbach, in the Caddy. Her reign ended Saturday night when the 2016 queen, Rachel Appenfelder, was chosen.

It’s always good to see perennial favorites Arnold’s self propelled bathtub and the Trojan goat. I personally prefer the original motorized tub (two paragraphs back) although I’m sure the new model is both safer and more reliable.

And now some of the new entries. In case you haven’t noticed, the parade is a real showcase for certifiably groan-worthy puns. Here we have “Whatever Floats Your Goat”, “Bocktor Seuss’ Whodeyville”, and “The Empire Strikes Bock”.

That cluster of Red Hot Dancing Queens in front of Arnold’s had grown to full strength when the parade stepped off. The fun that these gals have is truly contagious and there is no known cure.

I normally probably would not post this blurry picture of a float that has appeared in previous parades but I really need to this time. The 185 year old Rabbit Hash General Store was destroyed by fire just three weeks ago but, as the sign says, “You Can’t Keep a Good Town Down”. There were no injuries and there is some insurance but it isn’t really enough to rebuild the store. A GoFundMe campaign, accessible through the Rabbit Hash website, has been established.

We got inside Bockfest Hall which is something I did not do in either of the preceding two years. I guess that was our reward for dealing with temperatures that not everyone wanted to deal with. In the warmer and brighter 2014 and 2015, when the end of the parade reached the end of the route, the street outside the hall was filled with people trying to get in. Of course, getting in didn’t mean getting to see or hear much. The reduced crowd was still a very big crowd. I snapped this picture over the top of that crowd and only later realized that it contained the previously missed Grand Marshal. That’s Mick Noll in the blue hat at the photo’s left and Christian Moerlein’s Greg Hardman in the top hat on the photo’s right.

The following links lead to evidence of my previous visits: 2010, 2011, 2014, 2015

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