Music Review
Modern Vintage
The Newbees

Modern Vintage coverModern Vintage is the name of the latest Newbees’ CD. This post is ostensibly a review of that CD but there’s some concert/venue/band/radio in the mix, too.

Over the last few years, WNKU has pretty much replaced another local NPR station in my heart and in my ears. I made it official a while back by donating a few bucks and becoming a “member”. Among other things, that put me on a mailing list that includes invitations to be part of the studio audience for their Monday night broadcast-live Studio 89 concerts. I finally got around to asking for a seat for the fourth concert of the current series. I made the cut.

The performers at that October 8 concert would be the Newbees. I’d heard of the band but didn’t really know much about them. Before sending in my request, I spent a little time on the internet learning that this was a group I’d almost certainly like. Online videos include things like the quintet doing a bunch of Beatles tunes backed by a high school orchestra plus plenty of performances of original material. This was not your run of the mill garage band.

The setting for the Studio 89 concerts is inside a room called the Griffin Hall Digitorium. I believe digitorium translates to “really cool and intimate state-of-the-art place for concerts”. Counting the attendees would have been easy but I never got around to it. I was part of the group occupying three rows of theater style seats facing the stage. Each row has maybe 10-15 seats. Between the seats and the stage are some tables where host Pam Temple and a few VIPs sit. That space is also home to video cameras and other gear. I have no idea how or when the multi-camera video is used.

And now, at last, some words about the CD. It makes me smile.

A Modern Vintage CD release party had been planned for Saturday, October 6, during the grand opening weekend of a new/relocated venue, Southgate House Revival. Last minute construction issues caused that to be cancelled on Friday so the Studio 89 appearance was something of an introduction for the CD and very much a disappointment reducer for the band. The five core members were psyched and ready and so were the half dozen (3 horns, 3 strings) backing musicians. I’d heard one cut on the radio and a couple on the internet but I heard more of the CD’s songs for the first time as they were broadcast live from the Digitorium. They sounded great and, with a CD obtained after the concert, I could later verify that they sounded “just like the record”.

The CD’s title is a good one. I said that it makes me smile and part of the reason is the music’s “vintage” aspects. It’s more of a vintage feel than a vintage sound. The songs are new. The sound is “modern”. Some of the tunes do remind me a bit of stuff that came from my AM radio “when I wore a younger man’s clothes”. They’re not the same songs. They’re not knockoffs of those songs. They don’t even sound quite like the songs from my youth. But they do feel like them.

All five Newbees write. Visit the Bio page of their website and you’ll see them distinguished by their primary instruments; two guitars, bass, drums, keys. Then they are all tagged with “Vocals” and “Songwriter”. The packaging doesn’t identify who wrote individual songs on the CD but there is no doubt that everyone contributed. It really does seem like a musical team.

Tracks range from dance-able rockers like Up All Night and Don’t Knock It (‘Til You Try It) to sway-able stuff like Nevermore and Goodbye Sun. Some are really “sticky”. In the last week, I’ve frequently heard Medicine Show, Nobody to Blame, and others playing inside my head. Though some pretty serious topics appear (Medicine Show immediately comes to mind), the entire CD has a fun feel. I’ve often said that nothing helps me like music more than knowing the folks producing it are having fun. I saw the Newbees having fun on stage and I can hear them having fun on this CD. That is, of course, another reason it makes me smile.

It is almost impossible to write about the Newbees without bringing in the Beatles. Over the years, the group has put a lot of time and energy into faithfully reproducing Beatle tunes and they’ve impressed crowds at nostalgia fueled events like Abbey Road on the River. They even included some Beatles in the off the air conclusion of the Studio 89 concert. This aspect of the band was in my mind as I listened to Modern Vintage for the first time. I guess I was actually listening for the Beatles but I didn’t quite hear them. I heard songs the the Beatles could have done and some that I told myself could have fit on this or that specific album. I did not hear copies or knockoffs. By the second or third listening I was hearing the Eagles, Leon Russell, Paul Simon, and probably every other musician who, along with the Beatles, influenced the members of the Newbees. I’m pretty sure that Find, the CD’s final cut, could have been covered by Peter, Paul & Mary. The Newbees are indeed a great Beatles cover/tribute band but they are so very much more.

Things came together at Southgate House Revival and the “Rescheduled Album Release Shindig” is, according to the Newbees site, set for November 21 though it’s not yet shown on the Southgate House Revival site. Hope they catch up soon so I can order my ticket.

UPDATE: 27-Oct-2012 – The Southgate House Revival site did catch up and tickets are available here. However, just as I was about to place my order, an email arrived telling me that Cincinnati legend Larry Goshorn would be playing a retirement gig that same night. I’d love to catch the Southgate party but Larry’s “farewell” wins this conflict. Good luck, Newbees, with the CD release. I know I’ll see you in the future.

Trip Peek #3
Trip #9
Augusta Spring

August FerryThis picture is from my 2004 Augusta Spring day trip. A Corvette club that I belonged to at the time had cruised some great southern Ohio back roads then crossed over to Kentucky at Maysville and drove to Augusta for lunch. We had intended to return to Ohio on the ferry but high water kept it docked.

Trip Pic Peek #2 — Trip #16 — Doin’ Eighty


Trip Pic Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full sized photo and the trip journal it is from.

Great Outhouse Blowout 2012

Penn's StoreThe porch at Penn’s Store has unquestionably been the setting for scenes like the one at right countless times. The majority probably didn’t include electric amplifiers or microphones but I know an awful lot of guitars have been played at the old store; and mandolins and fiddles and other instruments too. On Saturday, I attended the Great Outhouse Blowout at the store for the second time. My first time was in 2004.

Penn's StorePenn's StoreThe Penn family has owned the store since 1850 and it is known to have existed prior to 1845. The place has taken a few beatings over the years. It took one in May of 2010 when flood waters rose well above the floor and the store was forced to close for awhile. That floor has been replaced along with some other bits and the store is again open for business. Penn’s isn’t open around-the-clock like a big city 24/7 kind of place but it’s open enough.

Penn's StoreToday’s event gets its name from the structure at right. The first Great Outhouse Blowout was held in 1992 to celebrate the completion of the first ever outhouse at Penn’s Store and the big step up from “plenty of trees”. Chet Atkins headlined the entertainment at that first GOB.

Great Outhouse BlowoutGreat Outhouse BlowoutGreat Outhouse BlowoutThe Blowout officially got started with a little parade. There are some pretty cool hot rods and customs in there but I thought these two Fords looked like they really belonged.

A centerpiece of the GOB has always been “outhouse” races but not this year. Although I doubt it’s the full story, liability and the signing of waivers had something to do with the lack of racers. To keep the race course from being entirely idle, a three man foot race was organized.

Great Outhouse BlowoutGreat Outhouse BlowoutMy interior pictures of the store included one with and one without people. In the one with people, the fellow at the center is Squirrelman. After taking that picture, I spent some time in front of the store talking to a fellow named Bob. Bob is one of several locals who help the Penn family keep the store going. Squirrelman came out while we were talking and the two exchanged greetings. “That’s Squirrelman,” Bob told me. My complete lack of recognition prompted him to explain that Squirrelman was part of Turtleman’s crew. “You know? Call of the Wildman on TV,” he said in a way that made it clear that not recognizing Turtleman would almost certainly lead to questions of mental competency. “Oh yeah,” I answered. The walking race was between Bob, Squirrelman, and another member of Turtleman’s crew named Muleman. Bob barely beat Muleman to the toilet paper with Squirrelman a distant third.

I’ve since learned that Call of the Wildman is one of the Animal Planet network’s most popular programs and that Turtleman lives less than twenty miles from Penn’s Store. Researching local celebs might be a good move before I return for another Great Outhouse Blowout.

Great Outhouse BlowoutGreat Outhouse BlowoutBefore leaving, I ate some good BBQ, listened to some good music, took a wagon ride with Muleman, and took a look at the festival from inside the famous outhouse.

Greenville Tractor Parade

Lead the Way Tractor Cruise 2012Officially it wasn’t a parade. Its official title is the Lead the Way Tractor Cruise and its purpose is to raise funds for Darke County’s United Way. But the line of classic tractors that rolled down Greenville’s Broadway on Saturday looked a lot like a parade to me and I hope no one gets too mad if I call it that. This was the seventh time it’s been held and I’ve been there for a few of the previous ones. I did an Oddment page for the second annual cruise in 2007 when there were about thirty tractors. There were 38 tractors registered in advance this year and even more showed up. The first announcement I heard said 44 but, as the tractors approached, the announced number was 43. A mechanical problem perhaps.

Lead the Way Tractor Cruise 2012An early announcement also spoke of a participant in last month’s record setting classic tractor parade in Nebraska being present and leading today’s parade. I believe they said his name was Robert. This 1956 Ford was the first tractor behind the police cruiser and its driver was identified as James. Maybe I misunderstood or maybe Robert had mechanical problems. Maybe Robert was tractor forty-four.

Lead the Way Tractor Cruise 2012Lead the Way Tractor Cruise 2012Lead the Way Tractor Cruise 2012It was a great day for a tractor cruise and all the drivers seemed to be having a really good time. These pictures are just a small random sampling of the field.

Lead the Way Tractor Cruise 2012Although I don’t know whether or not one of the tractors was driven by a world record holder or even, for sure, how many there were, I do know that this was the oldest. I’ve heard the word “doodlebug” used for other things but apparently its definition as an automobile converted to off road use is almost official. There were, in fact, conversion kits sold by Sears and others but most doodlebugs were created with whatever was on hand. The ubiquitous Model T Ford was the basis for many conversions but not all. This is a 1928 Chevrolet Doodlebug.

A tractor has to be at least thirty years old to be considered a classic. It’s just a matter of time.

 

 

 


Greenville Prairie Days 2012Greenville Prairie Days 2012Greenville Prairie Days 2012This was also Prairie Days weekend so I stopped by Shawnee Prairie Preserve to check things out.


Harvest MoonWith all that agriculture related stuff going on, the big Harvest Moon at the end of the day seemed just right.

MPMF Lite

Washington Park & Music Hall at MPMF.12Some consider Cincinnati’s Mid Point Music Festival second only to Austin’s South by Southwest and some concede even that grudgingly  The eleventh coming of MPMF has just concluded and it was only the third I’ve attended at all. I think I was there the first year and again for the second or third but I’m not at all certain. Whichever ones they were, I know they were pretty early on and know that I’ve spent many years since feeling guilty about not going. Sometimes I was out of town or had another legitimate reason but mostly I was just too lazy. The effort that I shied away from was not the driving downtown or the hiking between venues; It was the effort of determining which venues to hike between.

This year is typical. There are 180 bands playing at 16 venues over 3 days. Unlike most music festivals, MPMF doesn’t book the world’s most well known bands to get you to attend. It books lesser known but highly talented bands to get them and you some exposure to each other. Unless you are an industry pro, you’re not likely to be familiar with many of those 180 bands. You can either show up and hope you stumble upon a couple of performers that you like or you can spend time planning your visit in hopes of not missing your next big favorite. Or you can do what I’ve been doing and dodge the whole thing.

Washington Park at MPMF.12Maybe the feelings of guilt finally caught up with me or maybe it was the addition of the recently redone Washington Park as a venue or maybe it was actually recognizing the performer who would be headlining one of the Washington Park shows. It was probably all the above and more that prompted me to at least dip a toe — or ear — back into the Midpoint Music Festival. I decided to attend one night of the three day festival and partake of only the Washington Park offerings. The photo at the top of this post is of Washington Park a couple of hours before the official opening of the festival. That is the glorious Cincinnati Music Hall in the background. At what I believe was the first concert at Washington Park in July, the bands had played from the permanent stage where I stood to take the picture at left. Yes, the music has started but the crowd is almost non-existent. The opening crowd at festivals, especially those with sixteen stages, is often like that and rain & rumors of rain didn’t help. As it turned out, not a drop fell on Washington park during the entire concert.

Here We Go Magic at MPMF.12Pomegranates at MPMF.12 Bonesetters at MPMP.12The group that opened the show and is playing to a lot of grass in the previous picture was the Bonesetters from Indianapolis. The crowd was significantly larger, though far from large, by the end of their set. With a good performance of very solid original material, they deserved more but, being both new and semi-local, the exposure was still no doubt good for them. Next up was the even more local but well established Pomegranates. I’d heard of them but don’t believe I’d ever heard them and know I’d not seen them. From the white clothes and dyed hair to the Fender Mustangs, there is plenty of formula and gimmickry here but it’s backed with solid music, lots of energy, and impressive vocals. The next band, Brooklyn’s Here We Go Magic, seems to basically be a group of talented musicians delivering singer-songwriter Luke Temple’s well crafted tunes. They sounded good and I liked the material but there didn’t seem to be a whole lot of energy or conviction coming from the stage. It appears that band personnel may vary from time to time so maybe there’s a killer …Magic lineup out there somewhere.

That headliner I recognized was Andrew Bird. I surprised myself by recognizing the names — not necessarily the sounds — of at least eight performers. Eight of one-eighty! I doubt many attendees would brag about a 4% recognition rate but this old man is doing exactly that.

Andrew Bird at MPMF.12Andrew Bird at MPMF.12It was full on dark when Bird took the stage and, while that didn’t help me get crisp photos, it did show just what those overhead spirals were there for. Spinning slowly and lit by frequently changing colored spot lights, they were a nice visual backing for Bird’s music. I had heard a few recorded tunes so was aware of Bird’s whistling ability but did not realize just how good it was or how much he used it. Where another musician might blow into a harmonica for a little non-verbal music, Bird just purses his lips and blows into the microphone. It might seem like a gimmick for a few seconds but it quickly becomes just another instrument in the mix. That mix includes a bassist, guitarist, and a drummer that plays keyboards. And then there’s Bird. Seemingly equally proficient on guitar and violin, he usually plays one or the other but sometimes uses both in the same song. In the close up, he’s playing a glockenspiel while holding a violin which he will pick or bow then lay down to play the guitar hanging at his side.

Andrew Bird at MPMF.12Music Hall’s circular stained glass window sure looks good hanging above Andrew Bird’s lighted spirals and there was a nearly full moon floating behind me. I truly enjoyed my one venue return to MPMF. I’m sure Thursday is the least crowded of the festival’s three nights and the threat of rain may have also played a role. The crowd at Washington Park grew steadily as the first three bands performed then took a big jump as Bird’s slot approached but it never reached the shoulder to shoulder mass that I feared and the promoters hoped for. I hope it was enough and I hope to be back next year. Sorry I’ve been away so long.


Island Noodles at MPMF.12Not all of the entertainment in Washington Park was musical. Among the food vendors was new-to-me Island Noodles. I happened to be Brad’s first customer of the day which meant I had to wait awhile for dinner but I got a great show and absolutely fresh food in return. Although it’s hard to beat a huge flame, it was also fun to watch the veggies get chopped into the big wok. Before I even finished paying for my noodles, the next customer was beside me and business picked up from there. This is good eating.

This particular operation is based in Florida. That’s where Brad lives but he is originally from Toledo and has spent the summer staying with his parents and working festivals around the state. Events included July’s Bunbury Festival which was also in Cincinnati. As he cooked, we chatted, and Brad said he wished he had learned more about Cincinnati when he was growing up near the other edge of Ohio. “This”, he says, “is the friendliest city I’ve ever been in.” That’s nice to hear. I think so, too.


Montgomery Inn ribs & shrimpI was in Indianapolis last week and in my trip journal I raved about a bar-b-que joint named Squealers. It deserved the raves but it reminded me of two things. One, I hadn’t eaten in my favorite ribs joint in quite some time and, two, I had a gift card that would let me do it for for free or close to free. I made use of that card on Wednesday. If I am ever convicted of a capital crime in a country that honors the last-meal-for-a-condemned-man convention, this is what I want; Montgomery Inn ribs, shrimp, and Saratoga chips. Being warned about stirring the sweet plum sauce and hot mustard is as reliable as death and taxes. I kidded the waitress about it and she shrugged. “You don’t know what they do to us if we don’t tell you”, she said.

Trip Peek #2
Trip #16
Doin’ Eighty

Desert View TowerThis picture is from the my 2003 Doin’ Eighty road trip. Desert View Tower was built near Jucumba, California, in the 1920s. In the 1930s, many of the nearby rocks were carved to represent various creatures and Boulder Park was born. In the 1940s, the tower was extended to its current height.

I revisited in 2011 with my grandson. He had a great time exploring the nooks and crevices of Boulder Park. I had a great time watching him.

Trip Pic Peek #1 — Trip #42 — Dayton Cutoff


Trip Pic Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full sized photo and the trip journal it is from.

Lincoln Highway Centennial Kickoff

Das Deutsche Haus - IndianapolisThe Lincoln Highway Association was incorporated in Michigan in July of 1913 but the meeting that got things rolling was held in September of 1912 in Indianapolis, Indiana. It was held in the building pictured to the right which was then called Das Deutshe Haus and now known as the Athenaeum. I am now off to a recreation of that meeting in that same building as part of the Indiana LHA centennial kickoff. There will be bus tours before and after the recreation plus I’ve got to get there and back.

The journal for the trip is here.

This blog entry exists as a place for comments on the trip.

My Apps – Chapter 4
Serif PhotoPlus

Serif PhotoPlus X5 packageI found Serif PhotoPlus when I was looking for free stuff in the summer of 2001. At that time, their practice was to make down level versions of some of their products available for free in hopes that you would eventually upgrade. That is precisely what happened to me. I believe that at the time I first started using PhotoPlus, Version 5.0 was the current product and version 4.0 was free. It looks like I may have continued using Agfa PhotoWise through early 2001, switched to the free PhotoPlus sometime in late spring, then parted with $22.90 for the current version after the big Florida trip in September.

To be completely accurate, I have to explain that one feature of the regular PhotoPlus was not exactly given away in those days. Compuserve’s patent on the GIF file format was still valid and royalties needed to be paid. If you wanted to read or write GIFs, you had to send Serif a dollar which they presumably passed on to Compuserve. That patent has since expired. Serif still offers free versions of their software except they are now reduced function Starter Editions rather than older versions of the full product.

Serif PhotoPlus X5 screen shotI’ve updated to most if not all PhotoPlus releases since 2001. It reached Version 12 before adding an ‘X’ and starting the numeric sequence over again. As the picture of the cover shows, it has now reached X5. As with many software products, some releases have been major advances and others have merely added a few bells and a couple of whistles. At this stage, I can’t think of any feature I’d like to see but I’m not really a power user. I’ll occasionally remove an overhead cable or deal with some red eye but mostly I’m just rotating, cropping, and re-sizing. I will play with brightness and contrast to improve a photo but even there I’ll likely use one of PhotoPlus’ automated adjustments. There are lots of features I rarely use and more that I never use.

I do admit to sometimes feeling like a Beta Max owner in a VHS world with just about everyone I know who edits photos using some version of Adode PhotoShop. That Beta Max comparison is a little weak in that the JPG, GIF, and PNG files I produce with PhotoPlus are the same format as everybody else’s and can be “played” anywhere. Plus, at some forgotten point, PhotoPlus added compatibility with PhotoShop PSD files. I have virtually no experience with full PhotoShop and only a little experience with a copy of PhotoShop Elements that came bundled with a scanner a few years ago. At that time I saw nothing in PhotoShop Elements that made me want to switch and there were a few features in PhotoPlus that I didn’t see in Elements. Familiarity with the PhotoPlus user interface is, of course, a huge reason for staying with the Serif product.

The reason I initially chose PhotoPlus, the big price difference between it and any similarly capable program, has lessened. Deals and discounts are always offered to existing users when a new release appears but the most recent update was still $49.95. That is a fraction of the $699 list price of the current Adobe PhotoShop Creative Suite but it’s not far off of the $60.99 price of PhotoShop Elements at Amazon.

I’m happy with PhotoPlus and I’m quite familiar with it. It does everything I need and a lot more. That talk about PhotoShop is mostly for others. I figured that, as a PhotoPlus user in a PhotoShop world, it was something I needed to include.

My Apps – Chapter 3 — Garmin MapSource

 

Trip Peek #1
Trip #42
Dayton Cutoff

The Western RejoiningThis picture is from my 2006 Dayton Cutoff day trip. The Dayton Cutoff was an alternative to the official National Road between Springfield, Ohio, and Richmond, Indiana. It passed through both Dayton and Eaton, Ohio, and was much more popular than the official National Road. In fact, it was included in the National Old Trails Road automobile trail in 1912. A century of development has moved things around a bit and the name National Old Trails Road seems to have morphed into Old National Road but this is where the modern equivalent of the National Old Trails Road (a.k.a. Dayton Cutoff) connects with the National Road at Richmond.


I knew when I started this blog that interesting things might not happen in my life with adequate frequency to feed a weekly post. I consider it important to post on a regular basis but knew some weeks would just be flat out boring and others simply would not have enough open time to write anything. The My Gear and My Apps series of articles were conceived to address the problem. Since their subject matter was not tied to the current date, I could write the articles during those boring weeks and post them whenever the need arose. That worked rather well until my recent twenty-eight day trip.

I anticipated being gone three Sundays and left home with almost three articles ready and waiting. I figured that, sometime before the third Sunday rolled around, I’d find the time to finish off that third article. Wrong. When the third Sunday arrived, not only didn’t I have a blog post ready, my daily trip journal was about three days behind and what computer time I had was spent trying to get it current. I gave up and posted a white flag in the blog. When I did that, experienced blogger Jim Grey gave me some advice. He suggested that I pick some photos from completed road trips, write a paragraph or two about them, and save them for an empty or too full Sunday.

This is pretty much how My Gear and My Apps work but there are some important differences. Talking about gear and apps tends to run into more than a paragraph or two and typically requires a little research. Finding appropriate pictures can also take a little time. Jim’s idea uses pictures I already have and I soon realized I could shorten the process even more. I’ve already picked a picture from each of my completed trips to appear at the top of this site’s home page. A different picture is randomly selected each time the page is displayed so I even have an automatic way to select a next picture for the blog. As Jim stated at the end of his tip, “Problem solved.”

Both My Gear and My Apps will continue but I’ll also be filling some Sundays with a picture from one of my road trips. The thumbnail will link to the full sized version of the picture and a link to the trip it is from will be contained in the descriptive text. This is the first.