Happy Birthday to U.S.

Yesterday was the 250th anniversary of the adoption of the Declaration of Independence of the United States of America. Around 2010, the Cincinnati History Museum rediscovered a copy of the second printing of the Declaration and put it on display for the Fourth of July in 2015. Like this year, the Fourth of July fell on Saturday. Part of my blog post for Sunday, July 5, 2015, concerned the opening of the display on July 2. The 1776 document is again on display this year in an exhibit that opened on July 3. I took the opening picture from I-71 as I headed toward the museum for the opening of that exhibit.

Declarative Acts and Revolutionary Actors is paired with another temporary exhibit “Equal to Any in the City:” Ball & Thomas Photographs 1840s – 1870s. Both opened on the 3rd and are included with museum admission. Declarative Acts and Revolutionary Actors runs through August 23. “Equal to Any in the City:” Ball & Thomas Photographs 1840s – 1870s runs through October 14.

This year the museum’s copy of the Declaration of Independence is displayed in front of the 1st Pennsylvania Battalion flag. Josiah Harmar was a member of the 1st Pennsylvania Battalion and probably brought the flag with him to Ohio. His great-grandson donated the flag to the City of Cincinnati in 1926.

The Declaration of Independence was not signed on July 4, but was approved by representative from twelve colonies. Approximately 200 copies were printed that night in Philadelphia. Without instructions from their legislature, delegates from the thirteenth colony, New York, did not approve of the declaration on the fourth but did so on the ninth after which about 500 copies with the New York resolution were printed. The copy on display is one of four known survivors from the second printing. Twenty-six copies of the first printing are known to exist.

Additional informative displays and artifacts from Cincinnati’s earliest history, such as wood from the original Fort Washington, fill out the Declarative Acts and Revolutionary Actors exhibit.
 
 
James Presley Ball was a free Black man who, along with his brother-in-law Alexander Thomas, operated a very successful photography studio in Cincinnati from the late 1840s into the 1870s. The museum’s exhibit contains many of their original photos.

It’s perhaps not surprising that Ball was an active abolitionist. He frequently worked with the Underground Railroad, but his biggest contribution to the ant-slavery movement was probably a 600 yard long panorama he created in collaboration with other artists in 1855. It toured part of the country providing a visual depiction of the horrors of slavery. The panorama has been lost, but an accompanying pamphlet survives. A short video describes it in the exhibit.

The exhibit uses the Ball and Thomas story to share some details of early photography aside from the specifics of their activities. The film camera had just been invented and Photoshop was more than a century away but people were already busy improving on what the lens saw. Studio employees called retouchers might enhance black and white images with a little color or maybe even add something entirely new to the scene. Examples are turning a gray watchchain gold and placing a shiny gold ring on what was actually an empty finger.

It was still morning when I finished viewing the exhibits. It had already been uncomfortably hot when I arrived, and I knew the temperature was still rising. I opted to pause on a bench in the lobby for a bit before venturing out. What you see at left is the natural result of anyone spending more than a second or two in that wonderful half-dome with a camera in hand.

Because all of my previous 4th of July blog posts have included fireworks, I’m including this pair of worse than usual shots. In the past, I’ve photographed the shows at Kings Island, Loveland, and maybe a couple of other places. I can always hear, but not see, the Kings Island show, and that might be true of some other nearby events as well. However, I am surrounded by multiple neighbors who really like to celebrate on the 4th (and the 3rd, and the 5th, and more), so this year I just stepped outside my front door and grabbed a few snapshots with my phone. Then I stepped back inside and went to bed.


The 1955 Mountain View diner occupied by Sugar n’ Spice is a good place for breakfast when heading to the Museum Center. However, since it is in the downtown area, parking is a consideration, and for me, it often loses out to other places also within range of the museum with free parking. I’d already decided I was just going to deal with the parking, then learned that I didn’t have to. I had also more or less decided that I would have a very Cincinnati goetta-and-cheese omelet when I spotted something else on the menu. I believe this was my first-ever goetta Benedict. It is also very Cincinnati and also very good. Happy hollandaise.

Trip Peek #157
Trip #176
Tracing a T to Sebring

This picture is from my 2023 Tracing a T to Sebring trip. My great-grandparents made two trips to Florida in their Model T Ford. Using letters written by my great-grandmother, I was able to retrace their first trip through to its return home on its centennial in 2020 (Tracing a T to Tampa Again). Only a few letters survive from their second trip from their time in Florida, and none survive from the drive back to their home in Ohio. Nonetheless, I retraced it as best I could on its 2023 centennial. The picture is from Avon Park, where Granddad and Granny spent some time while in Florida. In fact, it is where they were camping when the letters peter out. Sadly, most of the early Avon Park buildings, including at least one that Granddad is known to have worked on, are no longer standing. That makes the bandstand extra special. Originally built in 1897, it was there when my great-grandparents were in town. Among Granny’s mentions of the bandstand is a concert they listened to while seated in their Ford.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

Trip Peek #156
Trip #157
Willie and Beyond

This picture is from my 2019 Willie and Beyond trip. That’s Willie Nile in the title and the photo. On the trip’s first day, I headed directly to Valparaiso, Indiana, to see Willie and his band in concert, then I spent three days getting home. Those three days included some time on the Lincoln Highway, Dixie Highway, and National Road, with stops at Big Thorn Farm & Brewery, Moonshine Store, Edinburgh Diner, and more. For the unenlightened, the Moonshine Store is in the unincorporated town of Moonshine, Illinois, and is known for its hamburgers.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

LHA 2026 Conference

I’m on my way to York, PA, and this year’s Lincoln Highway Association Conference. It is where the Articles of Confederation were adopted, and it served as the nation’s capital for nine months in 1777 and 1778.  That means that some of the excitement associated with the 250th anniversary of the signing of the Declaration of Independence will no doubt seep into the conference. I am posting this from the Lincoln Highway, but will move away from it before reaching York. By the time I get to the conference, I will have finally seen America’s oldest surviving roadside attraction, and ridden the second of two ferries that are part of a US Highway. The first day’s journal, which reaches Mann’s Choice, PA, has been posted.

This entry lets blog-only subscribers know about the trip and provides a place for comments. The journal is here.

Howard Steamboat Museum

I was vaguely aware of the Howard Steamboat Museum in Jeffersonville, IN, but it wasn’t until it kept popping up as I poked around the internet in preparation for my March visit to the Arabia Steamboat Museum in Kansas City, MO, that I thought seriously about visiting. Within moments of entering, I regretted not visiting the museum years ago. I expected a collection of steamboat artifacts, and there are indeed plenty of those, but the museum is so much more. The setting for those artifacts is a Gilded/Victorian Age time capsule unlike any I’ve seen before.

James Howard started building steamboats in 1840. His son, Edmonds, began construction of this 22-room mansion in 1890.  Edmond and his wife Laura moved into the mansion, furnished for the most part with items purchased at the previous year’s Chicago World’s Fair, in December, 1894.

Their son James and his wife Loretta were the mansion’s last residents. James expressed his desire to convert the family home into a museum, and after his death in 1956, Loretta made that happen, with nearly all of the original furnishings remaining. When several feet of water flooded the house in 1937, most of the contents were saved by moving them to the upper floors. The Steinway piano was too heavy and suffered greatly from the floodwaters, as shown in displayed photos. The cabinet has been wonderfully restored, but not so the internals. It is beautiful to look at, but will never be played again. The house was constructed by workers and with materials from the boat building operation, and the floors were made exactly like a boat deck. Almost unbelievably, they survived the flood. The beautiful terrarium is a boat builder story in reverse. Intended as an aquarium, my guide Aaron explained that its builders could keep water out but not in. It leaked from the beginning, so the water was replaced by sand, and even that leaks a bit.

Because the home’s construction was treated as a side project to boat building, its cost was never known. The cost of the fabulous chandeliers is known, and Aaron shared it, but I’ve forgotten the exact amount. I do recall it was over $600,000 in today’s dollars.

After a guided tour of the first floor, Aaron turned me loose, and I headed upstairs with a tour guide book in my hand. This is where more of those steamboat artifacts are displayed, but there is also quite a bit of original home and office furnishings.

Exhibits tell the Howard Steamboat story along with the general story of the steamboat era.

A remarkable piece of history from the steamboat era is this stateroom door from the famed Robert E. Lee. I imagine this desk was moved here from the boat works across the street. Sitting atop it are an Ediphone, a typewriter, and another Ediphone with some wax cylinders.

The Howard home was naturally one of the first with both indoor plumbing and electricity. The electricity originally came from a generator at the boat works. Because the generator did not operate full time, lighting fixtures could use either electricity or gas.


When I learned about a nearby candy company that is more than a hundred years old, I had to stop. I bought a bag of Red Hots, which Schimpff’s has been making making since they opened in 1891, and downed a root beer float at one of those cool tables. Those may be Coca-Cola napkins, but it’s root beer in the glass.

Book Review
Fifty Inventions That Shaped the Modern Economy
Tim Hartford

Although I have since figured it out, when I pulled Fifty Inventions That Shaped the Modern Economy from my to-read list, I wasn’t sure how it got there. I was, however, quite certain that beginning it immediately after reviewing Cities of Gold was a real piece of luck. That’s not because of any overlap in subject matter. There is virtually none. It is because that review had ended with me seriously considering whether or not the invention of the automobile had been a good thing. I guess I was in the mood to think about inventions.

Harford leads us to think about inventions differently than we otherwise might. Of course, just considering their impact on the economy, the focus of this book, is new for some inventions and some readers. But Harford has us thinking about how they came to be, why some took so long to be created or accepted, and yes, good versus bad.

Some inventions create clear winners and losers, and that is the name of the book’s first section. A good example, and the one Harford talks about first, is the gramophone. As he does with all fifty of his chosen inventions, he tells its story through real-world examples that illustrate why it was chosen. In pre-gramophone days, top-tier performers made more money than those who weren’t quite as good, but second- and third-rate performers could do alright since the only way to hear a hit (or any sort of) song was via a live performance. Once it became possible for a star to record a single performance and sell copies, the market for not-quite-star performers dropped dramatically.

Several of the listed inventions require a large array of other inventions to even exist. The premier example of this is the iPhone and the other smartphones that followed. Harford notes that economist Mariana Mazzucato has identified a dozen technologies needed to make this device practical and useful. Several are specialized miniature electronic components, but things like analog-digital conversion, a cellular network, and the World Wide Web are also obviously necessary. I was reminded of those pictures of a guy weighed down by all the devices replaced by a modern smartphone, and made to realize that if all of those functions didn’t already exist, smartphones wouldn’t be very smart at all.

There are other inventions that do not require a bunch of prior breakthroughs but do require a lot of coordination. I have passed harbors filled with ships loaded with identically sized shipping containers and have watched trains carrying the big cubes pass me. It never occurred to me just how much coordination it took to create ships and railcars to hold the containers and cranes and other devices to move them. The story of how that happened is fascinating.

Naturally, a lot of what Harford has to say about an invention concerns its impact. The book’s purpose, after all, is to identify those that shaped the modern economy. Some of that impact is intentional, some is not, and some of the unintentional impact is not good. It was the negative environmental impact of the automobile described in Cities of Gold that got me to consider it differently, and there are plenty of negative unintended consequences described in Fifty Inventions…. But there are also plenty of positive unintended consequences connected with those inventions.

Air-conditioning is a great example. Its invention was driven by the effect of varying humidity on color printing. It solved the problem – but also led to a lot of comfortable and happy people in their cars, homes, and offices. Along with the safety elevator, reinforced glass and concrete, and a few other things, air-conditioning is one of the inventions that allow glass-covered skyscrapers to exist.

That the inventions Harford identifies have overall been good things is reinforced in the Epilogue, when he recounts economist Timothy Taylor asking his students whether they would rather be making $70,000 a year now or in 1900. The answer might seem obvious at first, but it requires just a little thought to realize that while that money would definitely buy more stuff in 1900, much of the stuff that makes life enjoyable today was not available in 1900 at any price.

Fifty Inventions That Shaped the Modern Economy, Tim Harford, Riverhead Books (August 28, 2018), 5.5 x 8.21 inches, 336 pages, ISBN 978-0735216143
Available through Amazon.

Skirmish at Dogwood Pass

I first heard of this faux town in southern Ohio a couple of weeks ago when someone reported on a visit there in an online travel group.  Dogwood Pass began as a man-cave-style retreat for Mike Montgomery and his buddies, but has grown to be a whole lot more. The place was used to raise funds for a seriously ill child in 2012, and the practice has been repeated annually, with an event benefiting a different child each time.

Ideas kept coming, and the place has become a year-round attraction, with something going on at least twice a month, and much more around Halloween and Christmas. When I learned that one of the big Civil War-themed events would take place on June 6 and 7, I thought it would be a good time to check it out. When it aligned with perfect weather, I knew it.

The three dozen or more buildings that make up the town sure look like authentic 19th-century structures, and there is even a boot hill for the truly permanent residents.

Storefronts and wooden crosses are definitely not the only thing to look at. Among the less static attractions are the Roy Rogers Memory Museum, the g-g-g-g-granddaughter of Little Turtle, Buildings, and a hard-working village smithy.

Two Civil War reenactments were scheduled, and as the time for the first one approached, Dogwood Pass founder and owner Mike Montgomery told spectators a little about his man-cave’s wild transformation and the upcoming visit by Morgan’s Raiders. Everyone should stay behind the safety rope, he explained, to avoid getting “run over, shot, or killed”. This was especially important today, he said, because “It’s too hot for anyone to dig a hole to put you in.”

The town folk remained calm and it was business as usual until word arrived that Morgan was on his way.

The town cannon was fired as the raiders reach the edge of town but it was just wasn’t enough. Confederate troops were soon in the town square.

In 1863, Morgan’s Raiders worked their way through many small towns in southern Indiana and Ohio looking for horses, food, or anything else the could use. On Saturday, reenactors did the same in Dogwood Pass, and for a time were in complete control of the town.

It was short lived, however. Before long, United States troops appeared and cleared the town of the intruders.

Of course, not all of them left. Then, after a moment to let folks take in the scene and consider what they had just witnessed, the command “resurrect” brought everyone dispatched during the melee back upright. The reenactors eventually joined in formation and all the participating units were introduced. I regret that I can’t recall and share their identities. Many had traveled quite some distance and every one of them added something to a very impressive operation.

An even bigger battle was planned for the afternoon but I left after peace was restored in the town. The event continues today, with what I believe are repeats of both reenactments. I’m sorry that this is being published too late for any but the nearest neighbors to use that information but encourage everyone to check out the Dogwood Schedule and plan a future visit. It’s quite impressive.

Trip Peek #155
Trip #181
SCA Conference 2024

This picture is from my 2024 trip to the Society for Commercial Archaeology Conference in Nashville, Tennessee. I intended to go as soon as it was announced, then waited too long, and it sold out too fast. So I made other plans, although I did put my name on the waiting list. I was surprised when it reached the top, but took advantage of it and changed my plans again. I have been to Nashville multiple times, so I was familiar with many of the points of interest we visited, including the pictured Broadway, a.k.a. “neon canyon”, and Lane Motor Museum. But there were plenty of new-to-me places, too. Among them were the Willie Nelson and Friends Museum and Marathon Village.


Trip Peeks are short articles published when my world is too busy or too boring for a current events piece to be completed in time for the Sunday posting. In addition to a photo thumbnail from a completed road trip, each Peek includes a brief description of that photo plus links to the full-sized photo and the associated trip journal.

Loveland at 150

Loveland, Ohio, officially turned 150 a week ago Saturday. A celebration featuring a vintage base ball game with former Cincinnati Reds players was planned, but threatening weather caused that game to be canceled. Other parts of the celebration did happen Saturday evening, but I didn’t get to the party until Sunday, 150 years and 1 day after Loveland was incorporated as a village.

The area’s first settler was Col. Thomas Paxton, and he established a community bearing his name around 1795. In 1847, Col. William Ramsey laid out a town here, and in 1848, changed the name to Loveland after the first postmaster, James Loveland. A major post office connection still exists today. The Loveland postmark is quite popular around Valentine’s Day, and a remailing program started in 1936 is still going strong. The Village of Loveland was officially incorporated on May 16, 1876. It was incorporated as a city on July 25, 1961, so I’m guessing we’ll have another big party in 35 years.

Several activities, including live music and Loveland Frog appearances, were scheduled for Sunday, but about all I took in was the car show. Like any car show deserving of the name, there was a DJ playing hits from yesteryear. The Internet tells me that DJ still stands for “disc jockey” although I’m pretty sure that no discs of any sort were involved here.

There were no radical customs or heavily hot-rodded cars, but even without them, the cars on display covered a rather wide range. These three, among the very first I encountered, do a nice job of illustrating that range.

If called upon to describe the typical entry at the show, I’d say it was a nicely restored/maintained very drivable auto from the ’40s, ’50s, or ’60s. There were quite a few on hand that matched that description.

As is fairly common at car shows, attendees were asked to vote for a “People’s Choice” award. I wish I knew who won, but I don’t. I do know that this 1961 Studebaker Hawk got my vote. Read about it here.

After completing a pass through all the cars, I walked a couple of blocks away to my favorite bottle shop, Cappy’s. In recognition of Loveland’s 150th, Cappy’s collaborated with Jackie O’s in Athens, OH, to produce a Legend of Loveland hazy IPA. Note that there are two really good breweries in Loveland, but neither really distributes outside of their own taproom. The beer arrived on Thursday and by mid-afternoon Sunday, all the cans were gone. I try to drink an IPA every ten years or so and think I might have been falling behind. Fortunately, even though no cans were available, draft Legend of Loveland was still to be had, so I’m OK.

Book Review
Cities of Gold
Douglas Preston

When I published my review of The Last Ride of the Pony Express, a friend suggested another book I might like. That book was Cities of Gold, and he was right. I did enjoy the book, and it’s pretty obvious why the one book reminded him of the other. Both tell of journeys on horseback through the American West that attempt to follow a path once ridden by others. The stories, though certainly not identical, are similar. The authors could hardly be more different. Will Grant, who set out to retrace the route of the Pony Express, had been around horses most of his life. Douglas Preston, whose goal was to retrace the sixteenth-century travels of Coronado, was essentially a standard-issue city slicker from Boston, MA. If the mere existence of the book didn’t prove that he had survived, I would have really had my doubts as I read the opening pages.

But even before my doubts about Preston as a horseman started to form, I had decided I was probably going to like him as a writer. In “A Note to the Reader,” which precedes the actual start of the tale, Preston notes that it “is not a comprehensive history of the Southwest.” It is, he explains, “a narrow slice through the bedrock of time.” He might not (yet) know how to judge a horse or properly stay atop one all day every day, but he did have a way with words. For my purposes, that was definitely the more important ability of the two.

Preston, recognizing his own limitations, arranged for two others to accompany him on his big ride. He apparently was not as astute at recognizing limitations in others. A fellow hired as a wrangler, to handle the horses, had clearly oversold his experience and capabilities. He returned home after the trio had covered maybe a third of the total distance, and he didn’t contribute a whole lot while he was there. Preston was more familiar with the group’s third member, Walter. Walter turned out to be much more adept at packing the horses than the hired hand had ever been. He also seems to have been a better judge of capabilities than Preston. He had never been happy with the pretend wrangler, and when the pretender left, he commented, “This is more like it.” That was when, in his opinion, the real adventure began. Walter and Doug actually seemed to make a pretty good team whose relationship included a fair number of odd couple” style spats and recoveries, which doesn’t hurt the story at all.

On the surface, this is a story about a couple of guys spending seventy days on horseback to travel a thousand miles. It would be a good story if that’s all there was. Its protagonists have to track down runaway horses, navigate through trackless desert, and keep an eye out for rattlesnakes. They nearly run out and desperately search for water on multiple occasions, while on another, they encounter so much water that their tent floats. Like any decent travel tale, this one is populated with interesting characters met along the way.

There is, of course, a lot more to it than a log of a long ride. The travels that Preston sets out to trace took place in 1540, and an awful lot of history occurred in the intervening four and a half centuries. Some of that history is shared through the interesting characters Doug and Walter meet. Ranchers, shepherds, and tribal members often have memories passed down through generations. Sometimes the sharing of history is triggered by a location. It might be something from 1540, involving Coronado’s initial contact with the people he encountered, or it might be something from more recent times, such as the days of cowboys, cattle, and outlaw gangs. Preston clearly researched his subject well, and he shares what he learned in an easily digested manner.

I came to this book because of another horseback travelogue, and since I read the two fairly close together, I find I can’t stop comparing them. There are the obvious differences between looking for a not well-documented path followed once 450 years previous and looking for a commercial path traveled repeatedly 150 years previous. But I was also struck by the differences between the two modern journeys separated by just thirty years. When Preston made his trek in 1989, there was no civilian use of the Internet or GPS, and cell phones were in their infancy. By the time Will Grant tackled the Pony Express route, all three of these technologies were well established, although Grant may have spent more time without a cell phone signal than with. I don’t say this to diminish the risks Grant faced. By traveling alone, things that might have been just a problem, perhaps even a really big problem, with a buddy along, could be fatal. I think I say it because it was often on my mind as I read Cities of Gold. I suspect it was often on my mind because those technologies play such a large role in my own travels.

Oddly enough, I didn’t think nearly as often about the much larger difference between the technology of the horse and the technology of the automobile. That might be because that difference is just too big to grasp easily. I did think about it once, however. As the riders approach Albuquerque, NM, Preston writes about how much of the world has been arranged to accommodate the automobile. That is a bit different than noting various individual changes brought on by cars. For the first time, I realized that accommodating cars is central to almost everything that humans do. Also, probably for the first time, I considered the question of whether the invention of the automobile was good or bad a legitimate one. That wasn’t the only time that Cities of Gold prompted me to think about something differently, and that, in my opinion, is a good thing.

Walter, Preston’s traveling companion, was a photographer. He toted a goodly amount of gear, including an 8×10 Deardorff view camera. The majority of the photos in Cities of Gold are Walter’s, and I think they significantly enhance the story. The edition of the book that I read was also helped by Walter’s words. The adventure took place in 1989, and Cities of Gold was first published in 1992. I read an electronic version of the 25th-anniversary edition, which includes an Afterword by Walter. Two people rarely see everything the same way, and it is pretty obvious from the original book that Doug and Walter were top-grade examples of this. Walter’s contribution begins with a summary of the trip from his point of view, which leads to the sharing of two dozen memories that stuck with him for 28 years. If you intend to read this book, and I certainly think it is worthwhile, I do suggest going for a version with Walter’s Afterword included.

Although it has taken me decades to realize he existed, I guess my impression that Douglas Preston has “a way with words” was not wrong. I really enjoyed reading this book, and so, too, it seems, have many others. That it got a 25th anniversary edition is evidence of that. Further evidence of his “way with words” is that he has now written or co-written more than 40 books, including several that have appeared on the New York Times bestseller list. Cities of Gold was his second.
 
 
 
 

Cities of Gold: A Journey Across the American Southwest, Douglas Preston, UNM Press (March 1, 2019), 6 x 9.25 inches, 480 pages, ISBN 978-0826320865
Available through Amazon.